tag:blogger.com,1999:blog-12981059483181290632024-03-27T16:54:07.905-07:00Art History NewsJonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comBlogger3140125tag:blogger.com,1999:blog-1298105948318129063.post-2584621648249333682024-03-26T14:39:00.000-07:002024-03-26T14:39:28.351-07:00 MATISSE & RENOIR: NEW ENCOUNTERS AT THE BARNES<p><br /></p><p style="text-align: center;"><a name="_Hlk133247448" rel="noopener noreferrer" style="text-align: left;"><span style="font-family: georgia, serif;"><b><span style="font-size: large;">Barnes Foundation</span></b></span></a></p><p style="text-align: center;"><span style="font-family: georgia, serif;"><strong><span style="font-size: large;">June 23–September 8, 2024</span></strong></span><br /><br /></p><p style="line-height: 17.28px;"><span style="font-size: 11pt;"><a name="_Hlk133247448" rel="noopener noreferrer"><span style="font-family: georgia, serif;">In summer 2024, the Barnes Foundation will present </span></a><a href="https://u7061146.ct.sendgrid.net/ls/click?upn=u001.gqh-2BaxUzlo7XKIuSly0rC2YYcEAoc8GfVD6LbKY4UwYP5w24N-2F4EOxXbFl5zMui2oCjM8h-2BBbhztiTw8lUNRKrbUDhucejSiYLPZ-2F2IWHd2fAZnZnhnFUsxbswvroVgrTnXz_98HtUI21JqtacnvrX3qIwLdB8ddssnJwS-2FUQI2iEjVQSYkdSZCZL6L5G35J-2Ff-2BF57igwgj7SjCWuiKLSVnrEtf0ZvIEN305GKbCzw-2Bkvx16MJTHC0OB7nXxDZmNgeX9Y-2FOVfFUQeLhzOTRF04Yhl7hsBBQeWyUrud1tnMVpAXDNZPs2EEwnVKx502O-2F1gsC6sA8RptPFr0AJg8trIop6iTRS73YN7G-2FMeK-2Bhu4kg-2BSS-2Fov-2BUv7I1Yl8CFlbhhiwAo7jFFGa5tbD-2B8rXtjwMCc-2Bt-2FCrLZa-2Fi-2FV9liosy-2BiLuPZgx-2BkR3V06GHJwdBHr78EbztuIszegMZKee9Dc-2F9dw-3D-3D" rel="noopener noreferrer" style="text-decoration-line: none;" target="_blank"><span style="font-family: georgia, serif;"><span style="color: #0563c1;"><u><em><strong>Matisse & Renoir: New Encounters at the Barnes</strong></em></u></span></span></a><span style="font-family: georgia, serif;">, an exhibition featuring a selection of renowned canvases from its modern European art collection. <span style="background-color: white;">Co-curated by curator Cindy Kang and assistant curator Corrinne Chong, t</span>his exhibition—including approximately 35 iconic works by Henri Matisse and Pierre-Auguste Renoir from the second floor of the Barnes collection galleries—reflects the expansion of the Barnes’s educational program, emphasizing the historical and cultural context of the works.</span></span></p><p><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">On view in the Roberts Gallery from June 23 through September 8, 2024, <em>Matisse & Renoir: New Encounters at the Barnes</em><span style="background-color: white;"> is sponsored by Comcast NBCUniversal.</span></span></span></p><p style="line-height: 17.28px;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">Tracing the creative development of two foundational artists of European modernism, this exhibition will display Matisse and Renoir paintings from the same time period in proximity, such as Matisse’s <em>The Joy of Life</em> (1905–6) and <em>Red Madras Headdress </em>(1907), and Renoir’s <em>Leaving the Conservatory</em> (1876–77) and <em>Mussel-Fishers at Berneval </em>(1879). C<span style="background-color: white;">reating space for new conversations between works</span>—<span style="background-color: white;">a critical aspect of education, research, and public access</span>—it will give audiences a rare opportunity to temporarily view these paintings in new contexts and juxtapositions.<span style="background-color: white;"> While this exhibition is on view, the second floor of the Barnes collection will be closed </span></span><a name="_Hlk158899084" rel="noopener noreferrer"><span style="font-family: georgia, serif;"><span style="background-color: white;">for a floor refinishing project. </span></span></a><span style="font-family: georgia, serif;"><span style="background-color: white;">Following the exhibition, the paintings will </span>return to their original locations in the collection galleries.</span></span></p><p style="line-height: 17.28px;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">“We are delighted to present this exhibition featuring t<span style="background-color: white;">wo artists that Dr. Barnes collected voraciously—Matisse and Renoir—and allow </span>visitors and students the opportunity to experience these iconic works from a fresh perspective. Seeing beloved works in new conversations for the first time is sure to be an enriching and revelatory occasion,” <span style="background-color: white;">says Thom Collins, Neubauer Family Executive Director and President. “Like the original educational experience when Dr. Barnes and Violette de Mazia moved works of art to create new juxtapositions for students, we are enthusiastic about the enhanced educational opportunities that will result from seeing Barnes paintings in new contexts.”</span></span></span></p><p style="line-height: 17.28px;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">Beginning with a gallery dedicated to Renoir, the exhibition presents a select overview of his work, from impressionist landscapes to his late portraits of rosy-hued women. Renoir significantly influenced the next generation of modern French artists, including Matisse, who considered him a leading colorist and figure painter. Contemporaneous with Renoir’s late paintings, Matisse’s fauve works are highlighted in the next gallery, reunited in a rare display that offers visitors the space to appreciate the expansive nature of his radical and vibrant canvases. By 1917, Matisse was painting in the South of France and began visiting Renoir at his home in Cagnes to show the older artist his recent work. Inspired by this moment of direct conversation between the artists, the exhibition juxtaposes Matisse’s <em>Three Sisters</em> triptych (1917) with three of Renoir’s monumental multifigure compositions. The final gallery, anchored by Matisse’s <em>Music Lesson</em> (1917), explores the play between interior and exterior space in his window scenes, which remained a site of formal and thematic experimentation through his late work.</span></span></p><p><span style="background-color: white;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">“Through this exhibition, visitors will discover how a particular place or moment in time shaped the work of each artist and consider the possibility of their shared creative ideas</span><span face="calibri, arial, helvetica, sans-serif">,</span><span style="font-family: georgia, serif;">” say the co-curators. “We hope this temporary presentation will inspire audiences to view these well-known works in a new light with a renewed sense of appreciation.”</span></span></span></p><p style="line-height: 17.28px;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">The exhibition will feature approximately 35 major works, including paintings and one sculpture, from the second floor of the Barnes collection. Highlights include:</span></span></p><p style="line-height: 17.28px;"><span style="font-size: 11pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: 11pt;"><a href="https://upload.wikimedia.org/wikipedia/en/b/b9/Bonheur_Matisse.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="800" height="576" src="https://upload.wikimedia.org/wikipedia/en/b/b9/Bonheur_Matisse.jpg" width="800" /></a></span></div><span style="font-size: 11pt;"><br /><span style="font-family: georgia, serif;"><br /></span></span><p></p><ul type="disc"><li style="font-family: arial, helvetica, sans-serif; line-height: 17.28px; padding-left: 7.94pt;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">Henri Matisse, <em><strong>Le bonheur de vivre </strong></em>or <em><strong>The Joy of Life</strong></em> (1905–6): <span style="background-color: white;">This monumental canvas, which once hung in the famous collection of Gertrude and Leo Stein, is one of the watershed paintings in the history of European modernism. When Matisse first exhibited it in Paris in 1906, audiences were shocked by the bold colors, the jarring shifts in scale, and the distorted anatomies.</span></span></span></li></ul><br /><a href="https://d2r83x5xt28klo.cloudfront.net/5699_cuPxNaERmEUpf31h_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="800" data-original-width="677" height="800" src="https://d2r83x5xt28klo.cloudfront.net/5699_cuPxNaERmEUpf31h_b.jpg" width="677" /></a><br /><ul type="disc"><li style="font-family: arial, helvetica, sans-serif; line-height: 17.28px; padding-left: 7.94pt;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">Matisse, <em><strong>The Music Lesson</strong></em> (1917): <span style="background-color: white;">Matisse set this portrait of his wife, daughter, and two sons in the living room of their family home in Issy-les-Moulineaux, France.</span> While the children are occupied with the piano, Madame Matisse is seen through a large open window sitting in the garden, as if the exterior space was an extension of the living room.<span style="background-color: white;"> Music played an important role in the Matisse household; the artist himself was an accomplished violinist. Perhaps the violin resting in the foreground of this family portrait is Matisse's way of including himself in the picture.</span></span></span></li></ul><div class="separator" style="clear: both; text-align: center;"><a href="https://d2r83x5xt28klo.cloudfront.net/6365_sFs5Dmqonv9O2JZZ_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="652" height="800" src="https://d2r83x5xt28klo.cloudfront.net/6365_sFs5Dmqonv9O2JZZ_b.jpg" width="652" /></a></div><br /><span style="font-family: georgia, serif; font-size: 11pt;"><br /></span><span style="font-family: arial, helvetica, sans-serif; font-size: 11pt;"> </span><br /><ul type="disc"><li style="font-family: arial, helvetica, sans-serif; line-height: 17.28px; padding-left: 7.94pt;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">Matisse, <em><strong>Red Madras Headdress </strong></em>(1907): The model for this painting was<span style="background-color: white;"> Am</span>é<span style="background-color: white;">lie Matisse, the artist's wife, who posed frequently for her husband in some of the most revolutionary canvases of the early 20th century. When Matisse first exhibited this picture in 1907, it was not received very well by critics. Matisse deliberately challenges the conventions of portraiture by distorting his subject's body and focusing instead on color and pattern.</span></span></span></li></ul><br /><a href="https://d2r83x5xt28klo.cloudfront.net/5453_bIXzrnVffpIGTyKZ_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="800" data-original-width="498" height="800" src="https://d2r83x5xt28klo.cloudfront.net/5453_bIXzrnVffpIGTyKZ_b.jpg" width="498" /></a><span style="font-family: georgia, serif; font-size: 11pt;"><br /></span><span style="font-family: arial, helvetica, sans-serif; font-size: 11pt;"> </span><br /><ul type="disc"><li style="font-family: arial, helvetica, sans-serif; line-height: 17.28px; padding-left: 7.94pt;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">Pierre-Auguste Renoir,<em> <strong>Leaving the Conservatory</strong></em> (1876–77): <span style="background-color: white;">Renoir uses subtle body language to convey the flirtatious exchanges among a group of young Parisians gathered outside a music school. One man gently nudges his friend into conversation with a woman holding a scroll of paper, likely a piece of sheet music. The artist arranged the seemingly random grouping carefully, using members of his bohemian circle as models. While the painting dates to Renoir’s impressionist period, its large scale suggests that he may have intended it for the Salon.</span></span></span></li></ul><div class="separator" style="clear: both; text-align: center;"><a href="https://prints.barnesfoundation.org/vitruvius/render/1200/455013.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="592" height="800" src="https://prints.barnesfoundation.org/vitruvius/render/1200/455013.jpg" width="592" /></a></div><span style="font-family: georgia, serif; font-size: 11pt;"><br /></span><span style="font-family: arial, helvetica, sans-serif; font-size: 11pt;"> </span><br /><ul type="disc"><li style="font-family: arial, helvetica, sans-serif; line-height: 17.28px; padding-left: 7.94pt;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">Renoir,<em> <strong>Mussel-Fishers at Berneval </strong></em>(1879): <span style="background-color: white;">During a visit to the Normandy coast,</span> Renoir painted this <span style="background-color: white;">idyllic scene of a peasant family gathering mussels.</span> Images of fisherfolk were popular at the Salon, but Renoir deviates from the theme by focusing on the children rather than the adult. Consistent with his other portraits of children, the artist rejoiced in painting the young harvesters’ rose-flushed cheeks and apricot-hued flesh, but their disheveled hair and ragged clothing hints at their labor.</span></span></li></ul><div class="separator" style="clear: both; text-align: center;"><a href="https://d2r83x5xt28klo.cloudfront.net/6070_KUV8sUWucXvo9P1C_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="655" data-original-width="800" height="655" src="https://d2r83x5xt28klo.cloudfront.net/6070_KUV8sUWucXvo9P1C_b.jpg" width="800" /></a></div><br /><ul type="disc"><li style="font-family: arial, helvetica, sans-serif; line-height: 17.28px; padding-left: 7.94pt;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">Renoir, <em><strong>The Seine at Argenteuil</strong> </em>(1888): <span style="background-color: white;">In 1888, Renoir spent a leisurely yet productive summer at the home of the impressionist artist and patron Gustave Caillebotte in Petit Gennevilliers, France. This canvas presents a view from the south bank of the Seine toward the resort town of Argenteuil, concealed by the avenue of trees along the riverside. Departing from the technical experimentations that characterized his landscapes of the same period, Renoir returns to the bold color contrasts and loose, broken brushwork that marked his impressionist canvases of the mid-1870s.</span></span></span></li><li style="font-family: arial, helvetica, sans-serif; line-height: 17.28px; padding-left: 7.94pt;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;"><span style="background-color: white;"><br /></span></span></span></li></ul><p style="line-height: 17.28px;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;"><strong>ABOUT THE CURATORS</strong></span></span></p><p style="line-height: 17.28px;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;"><b><br /></b></span><span style="font-family: georgia, serif;">Cindy Kang, PhD, <span style="background-color: white;">is curator at the Barnes. She is a specialist in modern European art and particularly focuses on<strong> </strong>the relationship between painting and decorative arts in late 19th- and early 20th-century France. At the Barnes, she co-curated </span></span><a href="https://u7061146.ct.sendgrid.net/ls/click?upn=u001.gqh-2BaxUzlo7XKIuSly0rC2YYcEAoc8GfVD6LbKY4UwZCHVd9jOM4p7UEVgbveIHKf0LhWOkVcS0cc4gVONeUGY1YDDKwQQuLiMibqx4Zf98-3DflL6_98HtUI21JqtacnvrX3qIwLdB8ddssnJwS-2FUQI2iEjVQSYkdSZCZL6L5G35J-2Ff-2BF57igwgj7SjCWuiKLSVnrEtf0ZvIEN305GKbCzw-2Bkvx16MJTHC0OB7nXxDZmNgeX9Y-2FOVfFUQeLhzOTRF04Yhl7hsBBQeWyUrud1tnMVpAXDNZPs2EEwnVKx502O-2F1gsC68bL1Fh97Je55IVYEf03S8NBtbw3TGfQj8hdk-2B3g5NoGC3irUAmhRXy0Xpw9MRcYWe15gYbPa-2Bo1sOetwcwssG56U-2F46ets9IahHztIUpYPSJ5K6sK4615qIOxQLNGmQNVDyQTm1iDagkLBS5XZ9HVw-3D-3D" rel="noopener noreferrer" style="text-decoration-line: none;" target="_blank"><span style="font-family: georgia, serif;"><span style="background-color: white;"><span style="color: black;"><u><em>Marie Laurencin: Sapphic Paris</em></u></span></span></span></a><span style="font-family: georgia, serif;"><span style="background-color: white;"> (2023</span>–24<span style="background-color: white;">), </span>curated </span><a href="https://u7061146.ct.sendgrid.net/ls/click?upn=u001.gqh-2BaxUzlo7XKIuSly0rC2YYcEAoc8GfVD6LbKY4UwZCHVd9jOM4p7UEVgbveIHKjpMOw97I8FxiCV85gOH7l9MarlUQPssOecrN7tXYVMg-3D6Qwy_98HtUI21JqtacnvrX3qIwLdB8ddssnJwS-2FUQI2iEjVQSYkdSZCZL6L5G35J-2Ff-2BF57igwgj7SjCWuiKLSVnrEtf0ZvIEN305GKbCzw-2Bkvx16MJTHC0OB7nXxDZmNgeX9Y-2FOVfFUQeLhzOTRF04Yhl7hsBBQeWyUrud1tnMVpAXDNZPs2EEwnVKx502O-2F1gsC6YfqeTIZo4XFPaclvdr4iVdkd4wTO07srY8Hr3H22UsDl-2FyZEA-2FJbWtcTofyNxhP09-2FQ5P6Azbqe1Gl1-2FQpI6TrQ9rWcvAXDHoOKcO71IBFp4z36JKppfvnVmbUDopF-2BUHUlyFunqo5zTyHOHsn7gBg-3D-3D" rel="noopener noreferrer" style="text-decoration-line: none;" target="_blank"><span style="font-family: georgia, serif;"><span style="color: black;"><u><em>Marie Cuttoli: The Modern Thread from Miró to Man Ray</em></u></span></span></a><span style="font-family: georgia, serif;"> (2020), and served as managing curator for the Barnes presentations of </span><a href="https://u7061146.ct.sendgrid.net/ls/click?upn=u001.gqh-2BaxUzlo7XKIuSly0rC2YYcEAoc8GfVD6LbKY4UwZCHVd9jOM4p7UEVgbveIHKMKwoA2nO3xo6pNf2sRutcQ-3D-3DyTP3_98HtUI21JqtacnvrX3qIwLdB8ddssnJwS-2FUQI2iEjVQSYkdSZCZL6L5G35J-2Ff-2BF57igwgj7SjCWuiKLSVnrEtf0ZvIEN305GKbCzw-2Bkvx16MJTHC0OB7nXxDZmNgeX9Y-2FOVfFUQeLhzOTRF04Yhl7hsBBQeWyUrud1tnMVpAXDNZPs2EEwnVKx502O-2F1gsC6p6w27c7aHm0xc-2FMXuGu5KvE9WeyR3TInZYvCcXDTeWRn-2BTUhm7yzTj-2FXqrGZltZVvqhN1LJ36mR44aX-2FHK7dghPdBWDoy53y5u6TPXdzkjn3s0c2qVVpaTMuowgSguvkTY5JSmEflTmz7wMilmzxBQ-3D-3D" rel="noopener noreferrer" style="text-decoration-line: none;" target="_blank"><span style="font-family: georgia, serif;"><span style="color: black;"><u><em>Berthe Morisot: Woman Impressionist</em></u></span></span></a><span style="font-family: georgia, serif;"> (2018–19) and </span><a href="https://u7061146.ct.sendgrid.net/ls/click?upn=u001.gqh-2BaxUzlo7XKIuSly0rC2YYcEAoc8GfVD6LbKY4UwZCHVd9jOM4p7UEVgbveIHKP6j9IOzhLBnNNkRnkw7uUh3kuyXOephVVlZfK-2F2ciEE-3DHnfV_98HtUI21JqtacnvrX3qIwLdB8ddssnJwS-2FUQI2iEjVQSYkdSZCZL6L5G35J-2Ff-2BF57igwgj7SjCWuiKLSVnrEtf0ZvIEN305GKbCzw-2Bkvx16MJTHC0OB7nXxDZmNgeX9Y-2FOVfFUQeLhzOTRF04Yhl7hsBBQeWyUrud1tnMVpAXDNZPs2EEwnVKx502O-2F1gsC6aqHx2jjAqH7doJh2JT2bNGhNEAE3oZCjxI-2FAo1zyglUXekpdPpCfjaSuijV5r0TsXm3pWTs5Aj9FW7v2snIZHB-2FwIqCX-2FY4r4jpIjEhhsMC-2B2xwqRb-2BJsL1yBiEjCDEFh4M6TzbKWETcpapZCIvMFA-3D-3D" rel="noopener noreferrer" style="text-decoration-line: none;" target="_blank"><span style="font-family: georgia, serif;"><span style="color: black;"><u><em>Renoir: Father and Son / Painting and Cinema</em></u></span></span></a><span style="font-family: georgia, serif;"> (2018).<span style="background-color: white;"> Additionally, she commissioned the exhibition </span></span><a href="https://u7061146.ct.sendgrid.net/ls/click?upn=u001.gqh-2BaxUzlo7XKIuSly0rC2YYcEAoc8GfVD6LbKY4UwZCHVd9jOM4p7UEVgbveIHKcc8HxGDlK1FZcM14RCq0RsFG10AbrZs3pVEYlVyEK69G7UuTlT2Kz0nNLRr3jZsDUd39a4PK6Pf7wV0pDdjmCVX6bVhmcQFLgsOm8BbXwIA-3DGeKz_98HtUI21JqtacnvrX3qIwLdB8ddssnJwS-2FUQI2iEjVQSYkdSZCZL6L5G35J-2Ff-2BF57igwgj7SjCWuiKLSVnrEtf0ZvIEN305GKbCzw-2Bkvx16MJTHC0OB7nXxDZmNgeX9Y-2FOVfFUQeLhzOTRF04Yhl7hsBBQeWyUrud1tnMVpAXDNZPs2EEwnVKx502O-2F1gsC6pIuA0iocLF6T-2Fnze0IYEd9ngb30B7IkwwhzX9XL2D4eUILUXOod4WbFDGMGb3RNAo4fK2IGwQo5VQysdGrIKc0opgkWc-2Fojym3IW35HahGu4CFTKglp-2FYZ-2BrD5JPqGyXUhRHxZYNKBXos3ipZqJJJw-3D-3D" rel="noopener noreferrer" style="text-decoration-line: none;" target="_blank"><span style="font-family: georgia, serif;"><span style="background-color: white;"><span style="color: black;"><u><em>Water, Wind, Breath: Southwest Native Art in Community</em></u></span></span></span></a><span style="font-family: georgia, serif;"><span style="background-color: white;"> (2022) and co-led the institution’s land acknowledgment process. Kang previously held curatorial and research positions at </span>the Frick Collection, the Metropolitan Museum of Art, the Nelson-Atkins Museum of Art, and<span style="background-color: white;"> the Bard Graduate Center, and was a scholar-in-</span>residence at the Getty Research Institute. She received her PhD from the Institute of Fine Arts, New York University.</span></span></p><p style="line-height: 17.28px;"><span style="font-size: 11pt;"><span style="font-family: georgia, serif;">An art historian and educator from Toronto, Corrinne Chong, PhD, is assistant curator at the Barnes. Since her appointment at the Barnes, she has supported the exhibitions </span><a href="https://u7061146.ct.sendgrid.net/ls/click?upn=u001.gqh-2BaxUzlo7XKIuSly0rC2YYcEAoc8GfVD6LbKY4UwZj4ZRGiwL5P5s5s6WgCi9EniBM-2BNRw4hiV1kRLD4N2yA-3D-3DH_KR_98HtUI21JqtacnvrX3qIwLdB8ddssnJwS-2FUQI2iEjVQSYkdSZCZL6L5G35J-2Ff-2BF57igwgj7SjCWuiKLSVnrEtf0ZvIEN305GKbCzw-2Bkvx16MJTHC0OB7nXxDZmNgeX9Y-2FOVfFUQeLhzOTRF04Yhl7hsBBQeWyUrud1tnMVpAXDNZPs2EEwnVKx502O-2F1gsC6-2FDP-2F0F3274IbBHZ9D6pNE4x03Pd970oOVOk7RlzofeqTlDy5YSUAzVzSnLWTpbhl1-2BHV2K2O0ow0Qt3pCxqUuoEja3a79Ka70jFRCovOTfq7S5w5KyxoFo4RvsgiITrPyOR1-2B-2FZa7SKWNtPS0qhCeA-3D-3D" rel="noopener noreferrer" style="text-decoration-line: none;" target="_blank"><span style="font-family: georgia, serif;"><span style="color: #0563c1;"><u><em>Alexey Brodovitch: Astonish Me</em></u></span></span></a><span style="font-family: georgia, serif;"> (2024),<em> Marie Laurencin: Sapphic</em> <em>Paris</em> (2022–23), and </span><a href="https://u7061146.ct.sendgrid.net/ls/click?upn=u001.gqh-2BaxUzlo7XKIuSly0rC2YYcEAoc8GfVD6LbKY4UwZCHVd9jOM4p7UEVgbveIHK9QyjnX2P5l6vruq4MwWfsbYbK2BtGJ61AyCS1xlt7kRk-2Fgl3wrphMCcj-2FHlS6zAM1gEw_98HtUI21JqtacnvrX3qIwLdB8ddssnJwS-2FUQI2iEjVQSYkdSZCZL6L5G35J-2Ff-2BF57igwgj7SjCWuiKLSVnrEtf0ZvIEN305GKbCzw-2Bkvx16MJTHC0OB7nXxDZmNgeX9Y-2FOVfFUQeLhzOTRF04Yhl7hsBBQeWyUrud1tnMVpAXDNZPs2EEwnVKx502O-2F1gsC6AWnAgflK45RsChlhAvFMLqQo2eQ-2BOblXA9bZ-2Bg226e-2Fw6B0bTNTzDXpj10bZrR9LKPMUhS1b3MXOZrwrqWnc8-2F-2Ffn6Bjs6HBUrMb-2By3Y0WA3nZZl0TjTDRQRU8FlJH4YHD6TWgagl2ImjwsVXT0JoQ-3D-3D" rel="noopener noreferrer" style="text-decoration-line: none;" target="_blank"><span style="font-family: georgia, serif;"><span style="color: #0563c1;"><u><em>Modigliani Up</em><em> </em><em>Close</em></u></span></span></a><span style="font-family: georgia, serif;"><em> </em>(2022–23). She has also taught courses, including Hearing Painting, Seeing Music<em> </em>and<em> </em>The Symbolist Realm: Music, Art & Poetry<em>. </em>Previously, she worked at the Art Gallery of Ontario, Toronto, where she developed the exhibition <em>Delacroix and Faust: The Good, the Bad, and the “Ugly” </em>(2022) and served as a key member of the curatorial team for <em>Early Rubens</em> (2019–20). As a former classroom teacher, Chong is deeply committed to art education and interdisciplinary pedagogy. She holds degrees in art history and education from the University of Toronto and a doctorate in art history from the University of Edinburgh, where she also pursued word and music studies.</span></span></p><div><span style="font-size: 11pt;"><span style="font-family: georgia, serif;"><br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br />Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-79420807589644549812024-03-26T07:59:00.000-07:002024-03-26T15:12:18.482-07:00Andy Warhol: small is beautiful<p> </p><p style="text-align: center;"><span style="font-family: "Times New Roman";"><span style="font-size: large;"><b> Bruce Museum </b></span></span></p><p style="text-align: center;"><span style="font-family: "Times New Roman";"><span style="font-size: large;"><b>April 9-Oct. 13</b></span></span></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: left;">A new exhibition of Andy Warhol’s works coming to the Bruce Museum provides art enthusiasts the opportunity to see some of the 20th century’s most celebrated and quintessentially American images at an intimate scale. “Andy Warhol: small is beautiful,” on view April 9-Oct. 13, will invite viewers to look closely at iconic works in a more personal size—some as diminutive as 5-by-5 inches. The comprehensive exhibition includes nearly 100 paintings and sheds light on the working process of one of the leading figures of the Pop art movement. </p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">“Even though he rose to prominence six decades ago, Warhol’s influence is still very much felt today,” said Margarita Karasoulas, curator of art at the Bruce. “His embrace of celebrity, consumer culture, everyday life and the commodification of art and fame was a precursor to the influencer era of today.” Warhol used seriality, repetition, color and scale to explore his era and its ideas. </p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"></p><table cellpadding="0" cellspacing="0" class="t1" style="border-collapse: collapse;"><tbody><tr><td class="td1" style="padding: 0px 5px;" valign="top"><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"><br /></span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p><table cellpadding="0" cellspacing="0" class="t1" style="border-collapse: collapse;"><tbody></tbody></table><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"><br /></span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p></td></tr></tbody></table><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji0kQ9FwdNZvqWAEpI_mIBPIqojY2gb09A1qXBvtjKlfhkJKeesrt790HabzlFRsLiPd5qQ9trHHWFhoV0acRS_QdmHGGO1-ljTE49tC5sFy4dxAyxLkrLAdyLNHOY2y2WAjN0A5_ZRrZ4ZQzkeVT8Bha6PFsvWvlQbiCmwKt3UJyzZZnaWNK62yULBfdD/s1500/WARHOAN17.05%20copy.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1500" data-original-width="1183" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji0kQ9FwdNZvqWAEpI_mIBPIqojY2gb09A1qXBvtjKlfhkJKeesrt790HabzlFRsLiPd5qQ9trHHWFhoV0acRS_QdmHGGO1-ljTE49tC5sFy4dxAyxLkrLAdyLNHOY2y2WAjN0A5_ZRrZ4ZQzkeVT8Bha6PFsvWvlQbiCmwKt3UJyzZZnaWNK62yULBfdD/w504-h640/WARHOAN17.05%20copy.jpg" width="504" /></a><br /><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Andy Warhol (American, 1928–1987)<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><i>Campbell's Soup Can</i>, 1961<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Casein and pencil on canvas, 20 x 16 in.<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Hall Collection, courtesy Hall Art Foundation<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">© 2024 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Courtesy Hall Art Foundation<span class="Apple-converted-space"> </span></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Those tools are evident in key works in the exhibition, including an early iteration of “Campbell’s Soup Can” (1961). Featuring everyday objects with mass appeal, his iconic “Campbell’s Soup Cans” series (1962) was an example of the artist’s exploration of multiplicity and mechanical production techniques that included a complex, systematic painting process. Warhol later developed his now-signature silkscreen method. Appropriating from his own photographs as well as images circulating in mass media, he produced multiple versions of each picture, experimenting with different formats and colors of silkscreen ink and paint, an achievement he referred to as the “assembly-line effect.” </p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">The exhibition offers visitors a detailed look at one of the most recognizable elements of his practice. The show also includes celebrated self-portraits and portraits of artists, friends, celebrities and political figures including Joseph Beuys, Roy Lichtenstein and Mao Zedong. His curiosity about fame and beauty, both his own looks and the appearance of others, developed in part during his childhood in Pittsburgh. </p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Born in 1928 to immigrants from present-day Eastern<span class="Apple-converted-space"> </span>Slovakia, Warhol (then Andrew Warhola) had Sydenham chorea. The disorder sometimes kept him home from school, where he would pass the time reading comics and Hollywood magazines. It was a formative experience for his growing aesthetic. After attending the Carnegie Institute of Technology (now Carnegie Mellon University), Warhol dropped the “a” in Warhola and moved to New York City in 1949 to pursue a career in magazine and commercial illustration, which helped him discover art’s retail potential. Later, his work would blur the lines between art and commerce with images that were steeped in the era’s advertising, consumerism and mass media, challenging ideas of what constituted fine art and pop culture.<span class="Apple-converted-space"> </span></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"><br /></span></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Warhol was interested in what was current, and mass consumerism is just one more theme. “Andy Warhol: small is beautiful” explores the artist’s relationship with Catholicism, nature, politics, identity and mortality and also reveals his engagement with abstraction and nonrepresentational subject matter. The exhibition includes the “Shadow Paintings,” “Oxidation” paintings and “Positive/Negative” series, lesser-known works from the final two decades of Warhol’s career that demonstrate his inventive style and lifelong passion for experimentation.<span class="Apple-converted-space"> </span></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"><br /></span></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">“There is a trajectory beyond his most popular works. In the exhibition, you can see the richness of his curiosity and the depth of his energy for exploring new themes, even when they might be controversial or perhaps especially if they were controversial,” Karasoulas said. “He was of his time and ahead of his time, and we think audiences will really feel a connection to these works because they deal with so many of the topics we are still addressing today in pop culture and fine art.”<span class="Apple-converted-space"> </span></p><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"><br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBB6z9ZKJiTFblAU6J62nJ1IeRgBQoA5C0MRlC8FSK_TEKrUYlWmFior-3s1v8_RsFYWYxwJzktx4Tr6pCi_oTXrd1CAdMqgcBnUlBznKl5sNMxAHdtyYXopo15N-m1vwblOlZgbzm-PhmJ3CIrqiumQXYPGPcEUGyA_dgvC1HZtFS3RmMxOE-PSkAxY6N/s1500/WARHOAN02.01%20copy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1463" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBB6z9ZKJiTFblAU6J62nJ1IeRgBQoA5C0MRlC8FSK_TEKrUYlWmFior-3s1v8_RsFYWYxwJzktx4Tr6pCi_oTXrd1CAdMqgcBnUlBznKl5sNMxAHdtyYXopo15N-m1vwblOlZgbzm-PhmJ3CIrqiumQXYPGPcEUGyA_dgvC1HZtFS3RmMxOE-PSkAxY6N/w624-h640/WARHOAN02.01%20copy.jpg" width="624" /></a></div><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"><br style="font-family: Times;" /></span></p><div class="separator" style="clear: both; text-align: center;"><table cellpadding="0" cellspacing="0" class="t1" style="border-collapse: collapse;"><tbody><tr><td class="td1" style="padding: 0px 5px;" valign="top"><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Andy Warhol (American, 1928–1987)<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><i>Twenty Fuchsia Maos</i>, 1979<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Synthetic polymer and silkscreen inks on canvas, 39 ½ x 38 in.<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Hall Collection, courtesy Hall Art Foundation<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">© 2024 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Courtesy Hall Art Foundation<span class="Apple-converted-space"> </span></p></td></tr><tr><td class="td1" style="padding: 0px 5px;" valign="top"><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Andy Warhol (American, 1928–1987)<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"><br /></span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"></p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUo7NHtz6kYiIYVrva6am2MxBFQnA_nvwcflw3X9KwbgAaOwKGhPZWDgLt7h8dQDtMuqEJk6T8jHY1iR-8PJe_3MLhULsr-XfjgeHAnuE54CYFDeIYjIj__rMLYZH6Kx3p3mSuuLjOBDbV7xXO1i_FMjIA49XeR5HRLtdSB90t9b3dq0r5clc3Nmzft0aO/s1500/WARHOAN04.17%20copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1197" data-original-width="1500" height="510" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUo7NHtz6kYiIYVrva6am2MxBFQnA_nvwcflw3X9KwbgAaOwKGhPZWDgLt7h8dQDtMuqEJk6T8jHY1iR-8PJe_3MLhULsr-XfjgeHAnuE54CYFDeIYjIj__rMLYZH6Kx3p3mSuuLjOBDbV7xXO1i_FMjIA49XeR5HRLtdSB90t9b3dq0r5clc3Nmzft0aO/w640-h510/WARHOAN04.17%20copy.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"><br /></span></p></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="t1" style="border-collapse: collapse;"><tbody><tr><td class="td1" style="padding: 0px 5px;" valign="top"><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><i>Art (negative)</i>, 1985–86<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Synthetic polymer paint and silkscreen ink on canvas, 16 x 20 in.<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Hall Collection, courtesy Hall Art Foundation<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">© 2024 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Courtesy Hall Art Foundation<span class="Apple-converted-space"> </span></p></td></tr></tbody></table></div><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"><br style="font-family: Times;" /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnX9gXkLzk3mHZRdLXLbZuPQauv6Bw49iNGJn11ppKdvheYu3g9jw2WD6N0ZFx0SGkgTN6wE-ae9UDK6ay-XwiCR2Kexjr5QM8kwPmiX6R6fzR_AQspI1ELyQb7nUcUJrYnUG6pGAn8DRdM1aBX0rJz-LOE1YfvHjLQA00Ft2rCQl4a4ztM_yQAF3JJdHT/s1500/WARHOAN09.15%20copy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1490" data-original-width="1500" height="636" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnX9gXkLzk3mHZRdLXLbZuPQauv6Bw49iNGJn11ppKdvheYu3g9jw2WD6N0ZFx0SGkgTN6wE-ae9UDK6ay-XwiCR2Kexjr5QM8kwPmiX6R6fzR_AQspI1ELyQb7nUcUJrYnUG6pGAn8DRdM1aBX0rJz-LOE1YfvHjLQA00Ft2rCQl4a4ztM_yQAF3JJdHT/w640-h636/WARHOAN09.15%20copy.jpg" width="640" /></a></div><div><br /></div><table cellpadding="0" cellspacing="0" class="t1" style="border-collapse: collapse;"><tbody><tr><td class="td1" style="padding: 0px 5px;" valign="top"><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal;"> </span>Andy Warhol (American, 1928–1987)<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><i>Self-Portrait (Fright Wig)</i>, 1986<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Synthetic polymer paint and silkscreen ink on canvas, 10 x 10 in.<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Hall Collection, courtesy Hall Art Foundation<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">© 2024 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Courtesy Hall Art Foundation<span class="Apple-converted-space"> </span></p></td></tr><tr><td class="td1" style="padding: 0px 5px;" valign="top"><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Andy Warhol (American, 1928–1987)<span class="Apple-converted-space"> </span></p><p class="p2" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"><br /></span></p></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWGgAj0H0NqlGNqAUM4QMp7CpUKS_AbguwRujZYlTLAFv_jtuQDspds4nSKO0A1Gh26Fvijkf7lC9ym2uWLko0UTPHytZNQl4HBo7yQPUtWlR9YKLRQ1hv30b3ToylUwpbPHCqqMsqahoMsmBY6T1xRfNzkF_MJQaj0Lbs_EtQSpj5MD4hbUyEdDZGwEz0/s1500/WARHOAN12.02%20copy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1485" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWGgAj0H0NqlGNqAUM4QMp7CpUKS_AbguwRujZYlTLAFv_jtuQDspds4nSKO0A1Gh26Fvijkf7lC9ym2uWLko0UTPHytZNQl4HBo7yQPUtWlR9YKLRQ1hv30b3ToylUwpbPHCqqMsqahoMsmBY6T1xRfNzkF_MJQaj0Lbs_EtQSpj5MD4hbUyEdDZGwEz0/w634-h640/WARHOAN12.02%20copy.jpg" width="634" /></a></div><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="Apple-converted-space"></span></p><table cellpadding="0" cellspacing="0" class="t1" style="border-collapse: collapse;"><tbody><tr><td class="td1" style="padding: 0px 5px;" valign="top"><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p></td></tr><tr><td class="td1" style="padding: 0px 5px;" valign="top"><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><i>Flowers</i>, 1964<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Acrylic and silkscreen ink on linen, 14 x 14 in.<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Hall Collection, courtesy Hall Art Foundation<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">© 2024 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York<span class="Apple-converted-space"> </span></p><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Courtesy Hall Art Foundation<span class="Apple-converted-space"> </span></p></td></tr><tr><td class="td1" style="padding: 0px 5px;" valign="top"><p class="p1" style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;">Andy Warhol (American, 1928–1987)<span class="Apple-converted-space"> </span></p></td></tr></tbody></table><p class="p3" style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-52131682696921087032024-03-26T07:37:00.000-07:002024-03-26T07:37:14.088-07:00Modern Paris <p style="text-align: center;"><b><span style="font-size: large;"> Petit Palais</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">14 November 2023 to 14 April 2024 </span></b></p><p style="text-align: left;"><b><span style="font-size: large;"><br /></span></b></p><p style="text-align: left;"> After Romantic Paris, 1815-1858 and Paris 1900, City of Entertainment, the Petit Palais is devoting the last section of its trilogy to Modern Paris, 1905-1925. From the Belle Époque to the Roaring Twenties, Paris continued, more than ever before, to attract artists from all around the world. This cosmopolitan city was both a capital where innovation thrived and a place of tremendous cultural influence. Paris would maintain this status despite the reorganization of the international scene following the First World War, a period during which women played a major role, which has too often been forgotten. </p><p style="text-align: left;">Ambitious, unique, and exciting, this exhibition aims to demonstrate the dynamism of the period by highlighting the ruptures and brilliant advances that occurred, both artistic and technological. It brings together almost four hundred works by Robert Delaunay, Sonia Delaunay, Marcel Duchamp, Marie Laurencin, Fernand Léger, Tamara de Lempicka, Jacqueline Marval, Amedeo Modigliani, Chana Orloff, Pablo Picasso, Marie Vassilieff, and many others. It also features clothing designs by Paul Poiret and Jeanne Lanvin, jewellery by Cartier, a plane from Le Bourget Musée de l’Air et de l’Espace, and even a car on loan from the Musée national de l’Automobile in Mulhouse. Through fashion, cinema, photography, painting, sculpture, and drawing, as well as dance, design, architecture, and industry, this exhibition showcases the rich creativity of the period 1905-1925. </p><p style="text-align: left;">The exhibition, organized both chronologically and thematically, draws its originality from the geographical perimeter on which it mainly focuses, i.e., the Champs-Élysées, halfway between the districts of Montmartre and Montparnasse. Stretching from the Place de la Concorde to the Arc de Triomphe and the Esplanade des Invalides, it encompasses the Petit and Grand Palais, as well as the Théâtre des Champs-Élysées, and rue de la Boétie. This district was a veritable cradle and hub of Modernity. At the time, the Grand Palais hosted the latest in artistic creation at the Salon d’Automne and Salon des Indépendants every year, where the public could discover works by Douanier Rousseau, Henri Matisse, and Kees van Dongen amongst others. </p><p style="text-align: left;">During the First World War, the Petit Palais played an important patriotic role, exhibiting works of art that had been damaged during the conflict, as well as Mimi Pinson cockade (tricolour rosette) competitions. In 1925, it hosted the International Exhibition of Modern Decorative and Industrial Arts, displaying an exciting mix of traditional, Art Deco, and international avant-garde productions. A few steps away, on the current-day Avenue Franklin Roosevelt, at that time called the Avenue d’Antin, the great fashion designer Paul Poiret moved into a sumptuous private mansion in 1909. He soon earned a reputation for his lavish costume parties, such as “The Thousand and Second Night” held there in 1911, for which the designer created outfits and matching accessories. His mansion also housed the Galerie Barbazanges, where Picasso’s Young Ladies of Avignon was exhibited for the first time in 1916. The Spanish artist lived on the nearby rue de la Boétie with his wife Olga. The exhibition also offers an insight into the interiors of their home, allowing an unprecedenteglimpse into the couple’s private life. After the war, the Galerie Au Sans Pareil on the Avenue Kléber opened its doors to Dada and Surrealist art. On the Avenue Montaigne, the Théâtre des ChampsÉlysées, which had opened in 1913, hosted ballet productions by the Russian, and later Swedish Ballet Companies up until 1924, with works like Relâche and The Creation of the World. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://uploads7.wikiart.org/images/kees-van-dongen/josephine-baker-1925.jpg!Large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="437" height="600" src="https://uploads7.wikiart.org/images/kees-van-dongen/josephine-baker-1925.jpg!Large.jpg" width="437" /></a></div><br /><p style="text-align: left;"><br /></p><p>Kees van Dongen, Josephine Baker, 1925. Indian ink and watercolour on paper, on deposit at the Musée Singer Laren, Meerhout. © ADAGP, Paris 2023. Photo © AKG images.</p><p style="text-align: left;">In 1925, Josephine Baker, newly arrived in Paris, caused a sensation there with the Revue nègre. She frequented cabarets like Le Boeuf sur le Toit which opened in 1922 on the rue Boissy d’Anglas and where Jean Cocteau attracted many of the capital’s socialites. This history of “Modern Paris” is not linear; it was instead marked by numerous “accidents” and dramatic events. The scandals that punctuated artistic life are touched upon here: from the “wild beasts’ cage” (cage aux fauves) and the “Kubism” of Braque and Picasso to the highly erotic Nijinsky performing as a faun in The Rite of Spring, produced by the Ballets Russes in 1913, to the ballet Parade created by Cocteau during the war, with costumes designed by Picasso, of which some may be seen here. </p><p style="text-align: left;">Modernity assimilated all these scandals with many of them becoming key stages in the consecration of certain artists. Modernity also involved progress in the fields of technology and industry. Speed was of the essence with the development of bicycles, automobiles, and airplanes, to which trade fairs were dedicated at the Grand Palais. </p><p style="text-align: left;">This exhibition, which features an airplane and a Peugeot car, shows how the popularity of such fairs with artists like Marcel Duchamp and Robert Delaunay had a lasting influence on their work. The war also saw photographs flood the press. The development of cinema, machinery, and speed transformed society and Paris into an urban spectacle, akin to the one presented at the Théâtre des Champs-Élysées in Fernand Léger’s Ballet Mécanique, in 1924. The role of women during this period is highlighted throughout the exhibition. </p><p style="text-align: left;">From 1905 to 1925, French society experienced dramatic social upheavals. Women enjoyed a greater sense of freedom by doing away with the corset. Artists like Marie Laurencin, Sonia Delaunay, Jacqueline Marval, Marie Vassilieff, and Tamara de Lempicka held an important place in the avant-garde. A symbol of female emancipation, the figure of the flapper was immortalized in Victor Margueritte’s novel in 1922. </p><p style="text-align: left;">With her short stature and slim waist, Josephine Baker was the embodiment of this freedom. A biracial woman from St. Louis in the United States, she experienced terrible racial riots as a child, and upon her arrival in France, marvelled at the possibility of being served in a café on the Champs-Élysées like everyone else. Paris became her city, and France, her country of adoption. Josephine Baker was just one figure in a growing multicultural movement within French society. Aïcha Goblet for example, a renowned artists’ model of West Indian origin, was immortalized in works by Félix Vallotton. </p><p style="text-align: left;">The ballroom on the rue Blomet was a popular venue for Biguine (Martiniquanstyle) music. From the underground arts scene to elite social circles, well-known figures like Max Jacob and Gertrude Stein strove to build bridges: poor artists rubbed shoulders with the rich in Montparnasse, and the luckiest amongst them attracted the attention of generous patrons such as Chaïm Soutine or American billionaire Albert Barnes. A beacon for artists and tourists from all over—Eastern Europe, Brazil, the United States, and Russia—Paris was truly the “international capital of the world”. </p><p style="text-align: left;">The scenography designed by Philippe Pumain immerses visitors in this fascinating epoch, punctuated by a selection of films by René Clair, Fernand Léger, and Charlie Chaplin. </p><p style="text-align: left;">Curators: Annick Lemoine, Director and Head Curator of the Petit Palais Juliette Singer, Chief Heritage Curator, Curator of Modern and Contemporary Art at the Petit Palais</p><p style="text-align: left;">Section 1 – Montmartre and Montparnasse, hubs of creation </p><p style="text-align: left;">At the beginning of the 20th century, artists’ studios were mainly located in Montmartre, and later in Montparnasse. Located on the fringes, these neighbourhoods offered artistic bohemians a lively setting. The public space, with its cafés and community networks, held an important place. Since the late 19th century onwards, Montmartre had attracted “rapins” or budding artists. Coming from Paris or other regions of France, as well as Spain and Italy, they moved into inexpensive studios: those at the Bateau-Lavoir welcomed, from 1904 onwards, the “Picasso Gang”. A laboratory of modernity, this collective studio was a hub of impassioned aesthetic and artistic discussions. The regular meeting place was the Lapin-Agile Cabaret, where artists mingled with poets and writers, as well as the worst types of “villainous scoundrels”. </p><p style="text-align: left;">Incessant construction, a lack of safety, the emergence of tourism, and increasing rents gradually pushed these artists to leave Montmartre for Montparnasse, on the Left Bank of the Seine. </p><p style="text-align: left;">Section 2 – The Parisian Salons at the heart of the artistic sphere </p><p style="text-align: left;">The famous artistic exhibitions that were the Parisian Salons were the heirs to an academic tradition and remained essential events for the arts world of the early 20th century. Organized by artists’ societies, these salons had always been open to women. A place where artworks were sold and presented to the public and amateurs, they were of great importance to artists. Founded in 1884, the Salon des artistes indépendants offered a counterpart to the Salon des artistes français, which exhibited official trends. Established in 1903, the Salon d’Automne was held at the Petit Palais, before moving to the Grand Palais the following year. Its objective was to provide opportunities for young artists, and to showcase new trends to the general public. As early as 1905, it caused controversy with the presentation of Fauvist works, and by exhibiting the Neo-Impressionists, as well as the Cubists, it may be said to have accompanied the birth of Modern art. </p><p style="text-align: left;">Section 3 – The growing popularity of bicycle, automobile, and aviation fairs </p><p style="text-align: left;">The new and emerging modes of transport — the velocipede, automobile, and aviation — would soon have their own fairs in Paris. In 1901, the Grand Palais hosted the International Automobile, Bicycle, and Sports Exhibition, which was subsequently held every year, except in 1909 and 1911. Visitors flocked there in the hundreds of thousands to discover Serpollet automobiles, the first Renault car, and many other vehicles. In 1908, a small part of the fair was devoted to airplanes and balloons. The public could admire Clément Ader’s airplane, as well as Levavasseur’s Antoinette and Santos-Dumont’s Demoiselle. The success was such that a new fair specially dedicated to aviation was created. The first International Exhibition of Air Navigation was inaugurated in 1909 by the President of the Republic Armand Fallières. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://m.media-amazon.com/images/I/81CS3C+d7ML._AC_UF894,1000_QL80_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="496" height="800" src="https://m.media-amazon.com/images/I/81CS3C+d7ML._AC_UF894,1000_QL80_.jpg" width="496" /></a></div><br /><p style="text-align: left;"><br /></p><p style="text-align: left;">Pablo Picasso, Bust of a Woman or a Sailor (Study for The Young Ladies of Avignon), Paris, 1907. Oil on card, 53.5×36.2 cm. Musée national Picasso, Paris.© Succession Picasso 2023. Photo © RMN-Grand Palais (Musée national Picasso-Paris)/</p><p style="text-align: left;">Section 4 – “Poiret the Magnificent” </p><p style="text-align: left;">The son of a draper, Paul Poiret founded his own fashion house in 1903, at a very young age. History recounts that he “liberated” women from corsets in 1906. Above all, he provided a certain freedom of movement to his models, while taking inspiration from Fauvist artists and oriental aesthetics. A “marketing” genius, he invented the concept of derivative products, launching the first designer perfume in 1911. That same year, he established the Maison Martine, which manufactured decorative art items designed by young and creative apprentices, based on the model of the Viennese workshops, such as the Wiener Werkstätte. Strengthening his reputation thanks to the “stars” of the day, including actresses Réjane and Mistinguett, he quickly understood the importance of using the new media of film, the press, and photography to promote his designs. He was also amongst the first couturiers to open a premises on the Champs-Élysées. In his private mansion, he organized lavish themed parties, where guests wore fancy dress. </p><p style="text-align: left;">Section 5 – The Théâtre des Champs-Élysées opens! </p><p style="text-align: left;">When it opened in 1913, the Théâtre des Champs-Élysées was at the cutting edge of modernity. Built by Auguste and Gustave Perret, the building in reinforced concrete combined innovative materials and technologies with a refined aesthetic, foreshadowing art deco. The sculptor Antoine Bourdelle designed the decoration of the facade and oversaw the theatre’s interior decoration. Different artists played a role, including Maurice Denis, Édouard Vuillard, and Jacqueline Marval. </p><p style="text-align: left;">An exciting programme was inaugurated by the Russian Ballet Company (Ballets russes), founded by Serge Diaghilev, and whose star dancer was Vaslav Nijinsky. On 29 May 1913, to the music of Igor Stravinsky, the troupe shocked the public and critics alike with The Rite of Spring, adding to the renown of the work and the Théâtre des Champs-Élysées itself. These colourful Russian ballets, whose costumes were often inspired by traditional Russian folklore, were extremely popular, and influenced both fashion and jewellery of the time. </p><p style="text-align: left;">Section 6 – France at war </p><p style="text-align: left;">On 3 August 1914, Germany declared war on France. The lives of an entire nation were turned upside down: 72 million men were mobilized, and many experienced the horrors of the trenches. This war would be one of the deadliest in history, with almost 10 million killed and over 21 million injured. In Paris, taxis played a key role, transporting soldiers to the Front to the First Battle of the Marne. The Grand Palais served as a barracks, then as a military hospital, dependent on the Val-de-Grâce. It welcomed crippled soldiers and treated the disfigured, victims of a scientific and modern war that made use of new weapons. For the first time ever, war was filmed and photographed: the images from the Front, broadcast in Paris, contradicted those of propaganda campaigns. </p><p style="text-align: left;">Targeted by zeppelins (German-made airships), enemy planes, and cannons, Parisian civilians were not spared. Women worked as nurses or replaced men in vacant positions, and earned their living, amongst other places, in arms factories, where they were paid half as much as men. Many children, sometimes also forced to work, became orphans or “wards of the State”. </p><p style="text-align: left;">Section 7 – Far from the Front, life goes on </p><p style="text-align: left;">Parisian cultural life came to an abrupt halt when the capital was declared in a state of siege in August 1914. It gradually resumed in late 1915. The association Lyre and Palette organized readings and concerts, but also hosted the first French exhibition of African and Oceanian art, in November 1916, in the studio of painter Émile Lejeune. In Paul Poiret’s home, the Galerie Barbazanges presented “Modern Art in France” in July 1916, an exhibition organized by André Salmon. In it, Picasso exhibited his Young Ladies of Avignon for the first time. </p><p style="text-align: left;">The following year, an exhibition devoted to Amedeo Modigliani at the Galerie Berthe Weill had to be partly dismantled for “indecent exposure”, as his Nudes displayed hair on certain parts of the body! Theatres and performance halls also gradually reopened, and the public frequented cinemas in search of entertainment. With the representations of the ballet Parade in 1917 at the Théâtre du Châtelet, paradoxically, this period was a time of cultural effervescence and major artistic innovation. </p><p style="text-align: left;">Section 8 – Montparnasse: international melting pot </p><p style="text-align: left;">The return of peace saw the arrival of the so-called “Roaring Twenties”, characterized by intense artistic, social, and cultural activity. Coming from all over the world, myriads of artists flocked to Montparnasse. They formed what critic André Warnod called in 1925, the École de Paris (Paris School). Salons, galleries, art dealers, and free academies emerged. Cafés became meeting and exhibition spaces. Artists, Chaïm Soutine and Tsuguharu Foujita, enjoyed great success. Kiki of Montparnasse was the muse of this 1920s’ Paris that never slept, which saw the appearance of the first dance halls. Jazz was largely imported by Americans, many of whom had come to Europe to escape Prohibition, then in full swing at home. Some of them also fled American Segregationist laws. </p><p style="text-align: left;">Balls sprung up all over the city and cemented the sense of an artistic community. The Bal colonial (Colonial Ball) — later called the “Bal nègre” — was also a highlight of Parisian nightlife, with its Martinican biguine music. </p><p style="text-align: left;">Section 9 – Paris “faster, higher, stronger” </p><p style="text-align: left;">From 1920 to 1929, the Roaring Twenties celebrated a newfound peace coupled with a great thirst for life. The generation that had experienced the turmoil and conflicts of the Great War sought oblivion through alcohol and debauchery. They nonetheless contributed to making Paris into a kind of Eden, as Ernest Hemingway depicted in his novel A Moveable Feast (1964). Clothes reflected this novel art of living: cocktail dresses, sequins, and feathers were ideal for the new style of frenzied dancing. Dances too had accelerated, at a time when speed was embodied in everything new: from jazz and the Charleston from across the Atlantic, to the cinema, automobiles, trains, liners, etc. The ambivalent figure of the “flapper” appeared in this context. This “new woman”, with multiple facets, was both fascinating and disturbing. Depicted as a heroine by Victor Margueritte, she spread through literature and won over the female press, advertising, and the cosmetics industry. </p><p style="text-align: left;">Section 10 – The Swedish Ballets and La Revue nègre des ChampsÉlysées </p><p style="text-align: left;">In 1920, the Théâtre des Champs-Élysées renewed its repertoire with the Swedish Ballets, under the patronage of collector Rolf de Maré. He designed these performances as a total work of art showcasing his own collection. The choreography was created by Swedish dancer Jean Börlin up until 1925. Exploring the relationships between stage and painting, Börlin pushed the limits of dance in its interactions with the visual arts. The composers of the group Les Six (Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud, Francis Poulenc, Germaine Tailleferre), gathered around Jean Cocteau, participated in certain seasons, as did artists Marie Vassilieff and Fernand Léger. </p><p style="text-align: left;">After the departure of the Swedish Ballets, the Théâtre des Champs-Élysées hosted La Revue nègre in October 1925. Coming from the United States, the young Josephine Baker caused a sensation with her thrilling dance style. She was welcomed in Paris in a society free from segregation laws. She would later adopt France as her homeland. </p><p style="text-align: left;">Section 11 – The International Exhibition of Decorative Arts, 1925 </p><p style="text-align: left;">Postponed three times, the International Exhibition of Modern Decorative and Industrial Arts opened its doors on 28 April 1925. By the time it closed on 25 October, it had welcomed over 15 million visitors and met with immense popular success. This large-scale event was held from the Place de la Concorde to the Pont de l’Alma and extended from the Champs-Élysées roundabout to the Esplanade des Invalides, via the Alexandre-III Bridge. It brought together twenty-one nations–despite the absence of both Germany and the United States–represented by one hundred and fifty galleries and ephemeral pavilions, including the Grand Palais. Its importance was both economic and cultural. The aim was to promote the excellence of French traditions, in the face of a defeated Germany and international competition. It was also essential to revive industrial production and the luxury goods industry, in a France crippled by inflation. Dedicated to art, decoration, and modern life, this great celebration, sometimes considered the swan song of a luxury aesthetic, marked the appearance of the expression “art deco”. This style would have a global influence, from Asia to Oceania to the Americas, with Christ the Redeemer in Rio de Janeiro, the largest art deco sculpture in the world. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://media.mutualart.com/Images/2024_01/21/05/053640386/paul-colin-anniversary-issue-poster-EEJK1.Jpeg?w=480" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="630" height="800" src="https://media.mutualart.com/Images/2024_01/21/05/053640386/paul-colin-anniversary-issue-poster-EEJK1.Jpeg?w=480" width="630" /></a></div><br /><p style="text-align: left;"><br /></p><p style="text-align: left;">Paul Colin, Poster for La Revue nègre at the Champs-Élysées music hall, c. 1925. © ADAGP, Paris 2023 Photo © RMN-Grand Palais (Château de Blérancourt) / Gérard Blot. Modern Paris – 14 November 2023 to 14 April 20249 Press Visuals 1. </p><p style="text-align: left;"> At the Bateau-Lavoir, Picasso painted The Young Ladies of Avignon, a major turning point in his work. The final composition focuses on five massive female nudes, while the studies and preparatory sketches also included male figures. The bodies are violently abbreviated, constructed using large geometric lines. The faces are simplified and marked with hatching. The work breaks away from Western tradition and heralds the Cubist revolution. It made headlines with its obvious eroticism and references to African art. </p><p style="text-align: left;">Once nicknamed a “Jack of all trades” (“Jack of all trades, master of none”), Marie Vassilieff was a key figure of “Montparnos”. Her Scipio Africanus challenged the codes of portraiture and was inspired by Picasso’s formal deconstructions. The use of Black models and the pioneering valorisation of the Other were constants in the painter’s work. Here, the odalisque with the obelisk, which pays tribute to Vassilieff’s African domestic worker, is also a daring variation on the masculinefeminine gender binary. </p><p style="text-align: left;">Objects from Africa, Asia, the Americas, and Oceania provided artists with novel plastic solutions in line with their quest for abstraction. Picasso, Vlaminck, and Van Dongen considered these artworks in a new light, not devoid of an element of imagination concerning their ancient origin. The arts of Africa or Oceania, however, had nothing “primitive” or archaic about them, but were instead, often quite contemporary. Some artists, such as Vlaminck, collected them, and others, even attempted to sell them. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://upload.wikimedia.org/wikipedia/commons/thumb/1/12/Boronali_Impression.jpg/553px-Boronali_Impression.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="375" data-original-width="553" height="375" src="https://upload.wikimedia.org/wikipedia/commons/thumb/1/12/Boronali_Impression.jpg/553px-Boronali_Impression.jpg" width="553" /></a></div><br /><p style="text-align: left;"><br /></p><p style="text-align: left;">Joachim-Raphaël Boronali, also known as Lolo the Donkey, Aliboron the Donkey, Sunset over the Adriatic, 1910. Oil on canvas, 54×81 cm. Espace culturel communal Paul Bédu, Milly-la-Forêt. </p><p style="text-align: left;">Exhibited at the Salon des Indépendants in 1910, this sunset was painted by Joachim-Raphaël Boronali, an Italian artist laying claim to “Excessivism”. The critics’ reactions were rather positive, but the truth behind the work was soon revealed: a brush dipped in paint had been attached to the tail of a donkey. The animal’s movements smeared the canvas held behind it by the jokers. Orchestrated by writer Roland Dorgelès, this hoax was typical of the rebellious and playful spirit of Montmartre. </p><p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgIMpZhueiaINSsLg1rs0Op9krGE-rDrCTzfICaNJOHFM6AIAiqmjrzUEZNLDsoQDnYNZXJ6Hw-ne2FbChlNuSPiouilC97gCo-KD4Uw3eFArf6SyxNW2XJP5OweWiYj5m0dpRWNxgqSlJohWR6HNveiDiv3d-9AsAcYzM-fmPuj-2YG25sfHnxiXx4BJlQ" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3882" data-original-width="4298" height="577" src="https://blogger.googleusercontent.com/img/a/AVvXsEgIMpZhueiaINSsLg1rs0Op9krGE-rDrCTzfICaNJOHFM6AIAiqmjrzUEZNLDsoQDnYNZXJ6Hw-ne2FbChlNuSPiouilC97gCo-KD4Uw3eFArf6SyxNW2XJP5OweWiYj5m0dpRWNxgqSlJohWR6HNveiDiv3d-9AsAcYzM-fmPuj-2YG25sfHnxiXx4BJlQ=w640-h577" width="640" /></a></div><p></p><p style="text-align: left;">Henri Rousseau, also known as Douanier Rousseau, The Snake Charmer, 1907. Oil on canvas, 167×189.5 cm. Établissement public du musée d’Orsay et du musée de l’Orangerie - Valéry Giscard d’Estaing, Paris. Photo © RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski. At the Salon d’Automne of 1905, </p><p style="text-align: left;">Douanier Rousseau exhibited The Hungry Lion Throws Itself on the Antelope (Basel, Fondation Beyeler), whose lion may have indirectly inspired the term “fauve”, literally meaning “wild animal”. Two years later, he exhibited his famous Snake Charmer at the same Salon. In it, we can see a Black Eve playing music in a primitive natural setting that is as fantastic as it is disturbing, thus opening other paths to Modernity.</p><p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><br /></div><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiYIz1NrgbpLDph-5DNj4Flr9q-z3qYlqFemMgagK-XTe_wbahWlb5kqQxKJ0hDGI-TvkzAKxGzTnScVEJezdU0qREqXXDrLJxLdFy9HDoTTYP-6loccjuNsNuk_UlqulsiST3SPqkFoXFMB7Zy2Dr13gw0KuzGTAxDamPloPg_xjcxWuNSAa9E0-xBOWKk" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="4954" data-original-width="7021" height="452" src="https://blogger.googleusercontent.com/img/a/AVvXsEiYIz1NrgbpLDph-5DNj4Flr9q-z3qYlqFemMgagK-XTe_wbahWlb5kqQxKJ0hDGI-TvkzAKxGzTnScVEJezdU0qREqXXDrLJxLdFy9HDoTTYP-6loccjuNsNuk_UlqulsiST3SPqkFoXFMB7Zy2Dr13gw0KuzGTAxDamPloPg_xjcxWuNSAa9E0-xBOWKk=w640-h452" width="640" /></a><br /><p></p><p style="text-align: left;">Gino Severini, The Pan Pan Dance, 1909-1960 (copy of the original from 1910-1911). Oil on canvas, 280×400 cm. Musée national d’art moderne, Centre Georges Pompidou, Paris. Centre de création industrielle © ADAGP, Paris 2023 Photo © RMN-Grand Palais (Centre Pompidou, MNAM-CCI) / Hélène Mauri. </p><p style="text-align: left;">Severini’s Pan Pan Dance was hailed by Apollinaire as “the most important work painted by a Futurist brush” (L’Intransigeant, 7 February 1912). In the middle of the canvas are two dancers in red, depicted in movement. Around them is a compact lively crowd, comprising colourful diffracted shapes. The scene appears as if seen through a kaleidoscope. The painter succeeds in conveying the animation of a joyous working-class crowd and the spirited atmosphere of certain fashionable Parisian cafés. </p><p></p><p style="text-align: left;"> Robert, Delaunay, Tribute to Blériot, 1914. Oil on canvas, 46.7×46.5 cm. Musée de Grenoble. Photo © Ville de Grenoble /Musée de Grenoble / J.L. Lacroix. </p><p style="text-align: left;">After visiting the Buc Airfield, near Paris, Robert Delaunay paid tribute to the career of Blériot, a great manufacturer of biplanes, monoplanes, and military aircraft, who had also founded this airfield. Continuing his research into simultaneous contrasts, Delaunay built the painting around the motif of the propeller in motion. Its rotation creates a dynamic that radiates throughout the composition and translates the excitement of air shows. </p><p style="text-align: left;">The first International Air Transport Exhibition was held at the Grand Palais in 1909. The manufacturer and businessman Armand Deperdussin caused a sensation with his "monoplane". Hiring the services of young engineer Louis Béchereau, the Type B aeroplane exceeded 200 km/h for the first time and won the GordonBennett trophy in 1912 and 1913. Béchereau's talent survived Deperdussin's bankruptcy, and was put to good use on aircraft intended for aerial warfare. </p><p style="text-align: left;">Marcel Duchamp, Bicycle Wheel, 1913/1914. 126.5×31.5×6.5 / 53 cm (stool height) / 73 cm (wheel height) / 63.5 cm (wheel diameter), Object, metal, painted wood. Musée National d’Art moderne, Centre Georges Pompidou © ADAGP, Paris 2023 © Association Marcel Duchamp Photo © RMN-Grand Palais (Centre Pompidou, MNAM-CCI) / Christian Bahier / Philippe Migeat. </p><p style="text-align: left;">In 1912, Marcel Duchamp visited the 4th International Exhibition of Air Navigation with Fernand Léger and Constantin Brancusi. Fascinated by a large propeller exhibited amongst the engines and airplanes, he declared: “Painting is finished. Who could do anything better than this propeller?” and grabbed a stool to attach a wheel to it, which he made turn. The following year, he bought a bottle rack at the Bazar de l’Hôtelde-Ville department store and signed it. By elevating these “ready-made, already there” objects into works of art, he invented the concept of the ready-made. </p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiFJlzzsu3Np-RLLk5bVRprrGL8i2eh9diWhJ_6bY3YuvjCaS6wh7-TvVbAwbqg9tX-K_tVao1pLcuPqB6zcwht2c8zzAXfObur1KUTV-vV1O24LXuPXo_3H9pr1u0-G_nWjkwHKbefG5v2j6zCmMugSAaxF6xjGRmixHnuLpoFvBUIobWf0aQx6M_I_M_-" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="4390" data-original-width="3500" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiFJlzzsu3Np-RLLk5bVRprrGL8i2eh9diWhJ_6bY3YuvjCaS6wh7-TvVbAwbqg9tX-K_tVao1pLcuPqB6zcwht2c8zzAXfObur1KUTV-vV1O24LXuPXo_3H9pr1u0-G_nWjkwHKbefG5v2j6zCmMugSAaxF6xjGRmixHnuLpoFvBUIobWf0aQx6M_I_M_-=w509-h640" width="509" /></a></p><p style="text-align: left;">Marie Laurencin, The Dreamer, 1910-1911 Oil on canvas, 91.7×73.2×2.5 cm. Musée national Picasso, Paris. © ADAGP, Paris 2023, Photo © RMNGrand Palais (Musée national Picasso-Paris) / Adrien Didierjean © Fondation Foujita. 1</p><p style="text-align: left;"><br /></p><p style="text-align: left;">Having already covered the Balkan Wars in 1912, Georges Scott produced numerous drawings during the Great War, for the magazine L’Illustration. In this work, he provides a striking account of a shell explosion, which blows away all the soldiers in its path. An exhibition was dedicated to him at the Galerie Georges Petit in February 1915, entitled "Visions of War". </p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7TTkuhX9DmNth9L-1Tvgfc3vWl1_ILbpN2GzdQUK3CyaSYk1YIkeLWuq-RMUP5bZrl0OAYgohKBPuoo9Mb4pO2ZdWQ6pzasRUiOsXYGPPxssCqQIcBxMz3a1_nVPs7VdDbgbaPHwfFU-Onr2klZRag4qYV-dVJkPqf8jHz4GUqGXBwXZ_zHErGs6ELiSF/s2480/18.%20Jacqueline%20Marval%20Poupe%CC%81es%20patriotiques%201915.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2480" data-original-width="2123" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7TTkuhX9DmNth9L-1Tvgfc3vWl1_ILbpN2GzdQUK3CyaSYk1YIkeLWuq-RMUP5bZrl0OAYgohKBPuoo9Mb4pO2ZdWQ6pzasRUiOsXYGPPxssCqQIcBxMz3a1_nVPs7VdDbgbaPHwfFU-Onr2klZRag4qYV-dVJkPqf8jHz4GUqGXBwXZ_zHErGs6ELiSF/w548-h640/18.%20Jacqueline%20Marval%20Poupe%CC%81es%20patriotiques%201915.jpg" width="548" /></a></p><p style="text-align: left;">Jacqueline Marval, Patriotic Dolls, 1915. Oil on canvas, 80×70 cm. Comité Jacqueline Marval. Photo © Courtesy Comité Jacqueline Marval, Paris / Nicolas Roux Dit Buisson. </p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwXmLlr3-qiKXE_D6Rrn0-wvSRajob66s67Re7yWp1M7J-cz3aJIC3kZOpg0huhkH78rhGztwl15j_Est9YUbLM4EF-EUGY77fR8eQKvquQ3xwsWywAOIQJqO3C1ZHiIypjH91otJPC6bU8-aJBwlWbd24yTUiYyBXJ4HZmjt6z0YPnQEyj1RZRwDXgkR2/s3000/19.%20Marevna,%20La%20mort%20et%20la%20femme,%201917.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2390" data-original-width="3000" height="510" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwXmLlr3-qiKXE_D6Rrn0-wvSRajob66s67Re7yWp1M7J-cz3aJIC3kZOpg0huhkH78rhGztwl15j_Est9YUbLM4EF-EUGY77fR8eQKvquQ3xwsWywAOIQJqO3C1ZHiIypjH91otJPC6bU8-aJBwlWbd24yTUiYyBXJ4HZmjt6z0YPnQEyj1RZRwDXgkR2/w640-h510/19.%20Marevna,%20La%20mort%20et%20la%20femme,%201917.jpg" width="640" /></a></p><p style="text-align: left;"> Marevna, Death and the Woman, 1917. Oil on wood, 107×134 cm. Association des Amis du Petit Palais, Geneva. Photo © Studio Monique Bernaz, Geneva </p><p style="text-align: left;">The war violently erupts in this work by Marie Vorobieff, known as Marevna, who arrived from Russia in 1912. A young woman, wearing a light dress and fishnet stockings, is concealed under a gas mask. Sitting opposite her, Death has the features of a medal-winning soldier in a horizonblue uniform. His mutilated body features prosthetic legs and hands. The black and white tiles evoke a chessboard. The scene resembles a sinister game of chess, the outcome of which is likely to be catastrophic.</p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiutZ1kupliB3iwhBeRUx1aptjtK2SyMhFbe-9rPIeOiYnFoJfLBSXZhDhBuD7qO7HOzihjOTR_F00rBPdhNS9z3YOmrHxeRqxjQrJqobsUAYhaMpPuAvcjRYUBjO2W0PZ3Whyq2g5ofBpvXE1DDVGolI1nUpxR4b76Irmjtj055amBzPaSShtKelqE8xl4" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="6146" data-original-width="4956" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiutZ1kupliB3iwhBeRUx1aptjtK2SyMhFbe-9rPIeOiYnFoJfLBSXZhDhBuD7qO7HOzihjOTR_F00rBPdhNS9z3YOmrHxeRqxjQrJqobsUAYhaMpPuAvcjRYUBjO2W0PZ3Whyq2g5ofBpvXE1DDVGolI1nUpxR4b76Irmjtj055amBzPaSShtKelqE8xl4=w517-h640" width="517" /></a></div><p style="text-align: left;"><a href="https://www.navigart.fr/mamparis/artwork/kees-van-dongen-la-vasque-fleurie-180000000000621?note"></a> Here, Kees van Dongen paints a sensual portrait of his mistress, the eccentric and wealthy Countess Luisa Casati. She appears perched on high heels, contemplating her barely veiled nudity in a mirror. A glowing skull in the darkness (on the right), contrasts with this scene, evocative of the worldly life that the painter then led with his mistress, far from the Front. As with the ancient vanitas, it reminds us that death lurks in this time of war. 23. </p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2EOc7usmGAVO8ZzBo1uzs3Ihld0stmPwTMy7GxID3mLIruPt7ECaraMz0zVJBOFXf4dKg_VGIkPBRGX6pgcshjBrUf9MU44nsR8px2d3YY2wxRz9c1J84lUkxJBpMGWLx3gh979Hx96tHARiO9qT5H8IGz9JLJclKtpqcoMpyy4jmQK9JXYRzW6JCrw3M/s5446/24.%20Fe%CC%81lix%20Vallotton,%20Portrait%20d'Ai%CC%88cha%20Goblet,%201922%20%C2%A9%20BPK,%20Berlin,%20Dist.%20RMN-Grand%20Palais,%20image%20BPK.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="5446" data-original-width="4422" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2EOc7usmGAVO8ZzBo1uzs3Ihld0stmPwTMy7GxID3mLIruPt7ECaraMz0zVJBOFXf4dKg_VGIkPBRGX6pgcshjBrUf9MU44nsR8px2d3YY2wxRz9c1J84lUkxJBpMGWLx3gh979Hx96tHARiO9qT5H8IGz9JLJclKtpqcoMpyy4jmQK9JXYRzW6JCrw3M/w520-h640/24.%20Fe%CC%81lix%20Vallotton,%20Portrait%20d'Ai%CC%88cha%20Goblet,%201922%20%C2%A9%20BPK,%20Berlin,%20Dist.%20RMN-Grand%20Palais,%20image%20BPK.jpg" width="520" /></a></p><p style="text-align: left;">Madeleine Julie Goblet Oil on canvas, 100×81.5 cm. Hamburger Kunsthalle, Hamburg. Photo © RMN-Grand Palais. With a Martinican father and a mother from mainland France, Madeleine Julie Goblet stands out by wearing a turban and adopting the oriental pseudonym Aïcha. An actress, circus, and music-hall artist, she became a “star” model in 1920s’ Paris. Painted by Jules Pascin, Moïse Kisling, Henri Matisse, and Kees van Dongen, she was also represented by Félix Vallotton, here in a style with both classical and Modern undertones.</p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiSbamtXKhTV_LbFOfMM2QZVKh7crbZ0WdmS5Evk3_jKxt_0hkO0WcgIQg0jmgMriQSbtdnJWDzdhY9WMxxCcus8cATDWpX-5mdIs9SBJXa-RRlgGYmWRudmOFtw84-Mxn3zsujP3iJCh451pEqQsMk3EVG5TDuvQJ27XKk2dlaMs9TuIzv7_Dc6UtC24q3" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="4507" data-original-width="3300" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiSbamtXKhTV_LbFOfMM2QZVKh7crbZ0WdmS5Evk3_jKxt_0hkO0WcgIQg0jmgMriQSbtdnJWDzdhY9WMxxCcus8cATDWpX-5mdIs9SBJXa-RRlgGYmWRudmOFtw84-Mxn3zsujP3iJCh451pEqQsMk3EVG5TDuvQJ27XKk2dlaMs9TuIzv7_Dc6UtC24q3=w469-h640" width="469" /></a></p><p style="text-align: left;">Man Ray (Emmanuel Radnitsky), Black and White, 1926-1980 (print). Black and white photograph, 18×23.5 cm FRAC Bourgogne, Dijon. © ADAGP, Paris 2023 Photo © Telimages. </p><p style="text-align: left;">With her boyish haircut, upturned nose, and smooth, hairless body, Kiki (Alice Prin, her real name) was a Montparnasse legend. She was immortalized by both Foujita and Pablo Gargallo. In 1921, she became the companion and muse of American artist Man Ray, inspiring him to create works that marked the history of photography, including Black and White, for which she posed with a Baoulé mask. For Ingres’s Violin, she posed naked, shot from behind, her body transformed into a musical instrument by the addition of two f-holes positioned in the hollow of her back</p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhx7p-I9fS7-2qDFWJ3R8e9116ny0a_X6vahFYzs5BTnhEpmqXN-RJuD72ew0MKBJKbvQO16TRoEwWvo-ekKGG-xnNVf2yNlu_FGHDOalge--aUJHq3JtYW9MyE-KW-0oyGEZOXS4KNtG9CTr4oInY2-IkQ33j3j2wz1FaN9y3dUid0oXCmnk-7I7zYpYMy" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="2649" data-original-width="1969" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhx7p-I9fS7-2qDFWJ3R8e9116ny0a_X6vahFYzs5BTnhEpmqXN-RJuD72ew0MKBJKbvQO16TRoEwWvo-ekKGG-xnNVf2yNlu_FGHDOalge--aUJHq3JtYW9MyE-KW-0oyGEZOXS4KNtG9CTr4oInY2-IkQ33j3j2wz1FaN9y3dUid0oXCmnk-7I7zYpYMy=w475-h640" width="475" /></a></p><p style="text-align: left;">Man Ray (Emmanuel Radnitsky), Ingres’s Violin, 1924-1977 (print). Black and white photograph, 27×20 cm. FRAC Bourgogne, Dijon. © ADAGP, Paris 2023. </p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi1T7C3g19KWfRg1OPYCKWemL7pQsGxN-CdWEb6jcm65c_7uOBq1QMha_eX_GorcXX35_iAqD3dzOXanAN5D0LEARZNACbkN9cHZ60SBWwpuW5jwT9sDn4wfFJhXHl60OF_WNZjm_e9sSfTcBokVuXp9LfJgWbdGCbkrgJkbZ0rk2nbcOfxdWbpllaSZwBW" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="15000" data-original-width="8652" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEi1T7C3g19KWfRg1OPYCKWemL7pQsGxN-CdWEb6jcm65c_7uOBq1QMha_eX_GorcXX35_iAqD3dzOXanAN5D0LEARZNACbkN9cHZ60SBWwpuW5jwT9sDn4wfFJhXHl60OF_WNZjm_e9sSfTcBokVuXp9LfJgWbdGCbkrgJkbZ0rk2nbcOfxdWbpllaSZwBW=w368-h640" width="368" /></a></p><p style="text-align: left;">Chaïm Soutine, My Bride, 1923. Oil on canvas, 91×55 cm. Établissement public du musée d’Orsay et du musée de l’Orangerie - Valéry Giscard d’Estaing, Paris. Photo © RMN-Grand Palais (musée de l’Orangerie) / Hervé Lewandowski. </p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgM_wKNYUyb-KeShmGZvALeo9dYH75hft9lf2gsRvg7LLHorIBRjQtoWlTqsC4ePVfTeYEJtiPmZOGxBjMRt6e71idsB96BNip2_Hi5dDP9VG7HzR1FAQcmvz2SM0jbCfUAKDBIoBJ7t2HZ320tQjAv2dZxeziHYA0IYQBCFIutsu6fUlPHdZIdzZNAJTDt" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="6457" data-original-width="4034" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgM_wKNYUyb-KeShmGZvALeo9dYH75hft9lf2gsRvg7LLHorIBRjQtoWlTqsC4ePVfTeYEJtiPmZOGxBjMRt6e71idsB96BNip2_Hi5dDP9VG7HzR1FAQcmvz2SM0jbCfUAKDBIoBJ7t2HZ320tQjAv2dZxeziHYA0IYQBCFIutsu6fUlPHdZIdzZNAJTDt=w400-h640" width="400" /></a></p><p style="text-align: left;"> Amedeo Modigliani, Seated Woman with Child (Motherhood), 1919. Oil on canvas, 130×81 cm. Musée National d’Art moderne, Centre Georges Pompidou, Paris on deposit at the LaM, Villeneuve-d’Ascq. Photo © RMN-Grand Palais (Centre Pompidou, MNAM-CCI) / Bertrand Prévost. </p><p style="text-align: left;">Amedeo Modigliani painted this maternal scene at a time when his partner, Jeanne Hébuterne, was pregnant with their second child. Here, he renews the classical motif of the Virgin and Child in a secular fashion, with a pyramidal composition. This painting comprised one of his largest formats, for which he made use of materials provided by Polish art dealer Léopold Zborovski. Dying at age thirty-six, a few months after completing this painting, Modigliani left behind some three hundred portraits and twenty-five sculpted figures.</p><p style="text-align: left;">Tarsila do Amaral, A Cuca, c. February 1924. Oil on canvas, 60.5×72.5 cm. CNAP/FNAC, Paris la Défense on deposit at the Musée de Grenoble. Photo © Ville de Grenoble/Musée de Grenoble JeanLuc Lacroix. © Tarsila do Amaral Licenciamento e Empreendimentos Ltda / Cnap. </p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhTEAG4Wt40BGuWBa-POaUJU1uAwd7dvZoEbVMOB8Z0WibxG2zY9iyABmBGMS27p7O1k8GgYjMhTy-nfvWhGhct0Bv71yK80sxkrQQ2YVyzx4mZRlAGcAprlgDJeihQxCBxetUY0n6L9V91G4TNHH9OxcXlQmvcpR_qhH-6MHQRG1VvEfSDxwrC8yYbe4DR" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="2726" data-original-width="2267" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhTEAG4Wt40BGuWBa-POaUJU1uAwd7dvZoEbVMOB8Z0WibxG2zY9iyABmBGMS27p7O1k8GgYjMhTy-nfvWhGhct0Bv71yK80sxkrQQ2YVyzx4mZRlAGcAprlgDJeihQxCBxetUY0n6L9V91G4TNHH9OxcXlQmvcpR_qhH-6MHQRG1VvEfSDxwrC8yYbe4DR=w533-h640" width="533" /></a></p><p style="text-align: left;"> Max Ernst, Aquis Submersus, 1919. Oil on canvas, 54×43.8 cm. Städel Museum, Germany. © ADAGP, Paris 2023 Photo © RMN- Grand Palais (BPK, Berlin) / Image Städel Museum. </p><p style="text-align: left;">Aquis submersus means “submerged by water” in Latin. Flanked by blind buildings, a swimming pool features the round reflection of a moon dial in its centre. The two figures seem foreign to each other: in the foreground, we see a moustachioed being with an ambiguous shape, and in the swimming pool, a bather, doing a handstand, of whom we only see the legs. Enigmatic and as if frozen in time, this composition by Max Ernst recalls the metaphysical paintings of his contemporary, Italian artist Giorgio De Chirico. </p><p style="text-align: left;"><br /></p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9QB18mND1qRyBqmfVbFVubeGQETUFOaKVaMWV5bLxAU8y7Rm2KGKk_uol5oKni49ETlZOVydaUP4EA1dF_tzWiPzj8LHV11mxvEZZyn3a13Yr3vlnFXuQbfvsZjzG99uHJhAtqmFCdHagJ-t2gSgmVrX704VmRiEYcbxFt_9lb15_8GEF_ERCd1Asbvub/s3888/32.%20Jean%20Cocteau,%20Autoportrait,%20%C2%AB%20Ecrivez%20lisiblement%20%C2%BB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3888" data-original-width="2592" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9QB18mND1qRyBqmfVbFVubeGQETUFOaKVaMWV5bLxAU8y7Rm2KGKk_uol5oKni49ETlZOVydaUP4EA1dF_tzWiPzj8LHV11mxvEZZyn3a13Yr3vlnFXuQbfvsZjzG99uHJhAtqmFCdHagJ-t2gSgmVrX704VmRiEYcbxFt_9lb15_8GEF_ERCd1Asbvub/w426-h640/32.%20Jean%20Cocteau,%20Autoportrait,%20%C2%AB%20Ecrivez%20lisiblement%20%C2%BB.jpg" width="426" /></a></div><p style="text-align: left;">Jean Cocteau, “Write legibly” Masked SelfPortrait, 1919. Lithograph, 75×60 cm. Musée Jean Cocteau, Menton © ADAGP Paris, 2023. Photo © Musée Jean Cocteau Séverin Wunderman Collection, Menton / Serge Caussé. </p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl0dleJ1QphxoOruWtQYxpP4w_bv5ZEJwe_YPhsR-GBg0_uDqtRBMyw0QlLAFYhC8xC_Ie79RmgA7Vq-rSMPFkhcxY-dXwwr8EPP_gW8wHlCcfqEOMvttCkYo05aBbQzFNKTPTdlF4x5VX0IaOASM2-E0lua06rmGGTSUkZGKNrroJZhnzCFNzxt79b30R/s5766/31.%20Fernand%20Le%CC%81ger,%20L'homme%20a%CC%80%20la%20pipe,%201920%20%C2%A9%20RMN-Grand%20Palais,%20Agence%20Bulloz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="5766" data-original-width="4096" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl0dleJ1QphxoOruWtQYxpP4w_bv5ZEJwe_YPhsR-GBg0_uDqtRBMyw0QlLAFYhC8xC_Ie79RmgA7Vq-rSMPFkhcxY-dXwwr8EPP_gW8wHlCcfqEOMvttCkYo05aBbQzFNKTPTdlF4x5VX0IaOASM2-E0lua06rmGGTSUkZGKNrroJZhnzCFNzxt79b30R/w454-h640/31.%20Fernand%20Le%CC%81ger,%20L'homme%20a%CC%80%20la%20pipe,%201920%20%C2%A9%20RMN-Grand%20Palais,%20Agence%20Bulloz.jpg" width="454" /></a></p><p style="text-align: left;">Fernand Léger, Man with a Pipe, 1920. Oil on canvas, 91×65 cm. Musée d’Art Moderne, Paris. © ADAGP, Paris 2023. Photo © RMN-Grand Palais / Agence Bulloz. Modern Paris – 14 November 2023 to 14 April 202421 </p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhjXe2QmJafPV0j5kX8fgSvp0n5wXuwXMnnf58S91fPzCAELg73FcNVibnEcjJWo4HZyIHkmF9-bpihVRjh8NE02IYbqqOIoKezjKYDUz2doVj0V1EZrQWXYonVD-F0Nawe1KErU8jqJXixTzgKxykidIbs1uk8xpJAkT6NBPxLhUMLp5GHWjoNyat7eGUO" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="3544" data-original-width="2538" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhjXe2QmJafPV0j5kX8fgSvp0n5wXuwXMnnf58S91fPzCAELg73FcNVibnEcjJWo4HZyIHkmF9-bpihVRjh8NE02IYbqqOIoKezjKYDUz2doVj0V1EZrQWXYonVD-F0Nawe1KErU8jqJXixTzgKxykidIbs1uk8xpJAkT6NBPxLhUMLp5GHWjoNyat7eGUO=w459-h640" width="459" /></a></p><p style="text-align: left;">Tamara de Lempicka, Saint-Moritz, 1929. Oil on wood, 35×27×0.5 cm. Musée des BeauxArts d’Orléans / photo François Lauginie © ADAGP, Paris 2023 © Tamara Art Heritage. </p><p style="text-align: left;">The skier represented in this work appears almost as an archetype of the Art Deco style. With short hair and crimson lips, and a sweater borrowed from a man’s wardrobe, this modern woman, at the height of her seduction and social success, seems to emerge from the frame. Her features are a subtle combination of post-Cubism and Neoclassicism. Painted in 1929 for the cover of a magazine, the image can be said to embody the ascent of the “flapper” climbing the snowy peaks: skiing had only recently become a resort sport associated with the values of Modernity.</p><p style="text-align: left;">Born in St Louis, Missouri, Freda Josephine McDonald (1906-1975) worked as a maid as a child. She made a name for herself in music hall thanks to her flexible footwork and sense of burlesque. Biracial, she appeared as “White” or “Black” depending on the show. Spotted at the Plantation Club in New York, she joined La Revue nègre in Paris. The young dancer that can be seen in Paul Colin’s poster was inspired by a drawing by Miguel Covarrubias published in Vanity Fair and Josephine Baker was very quickly associated with this “Jazz Baby” figure. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://pro.boutiquesdemusees.fr/uploads/photos/41491/89711_xl.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="610" data-original-width="610" height="610" src="https://pro.boutiquesdemusees.fr/uploads/photos/41491/89711_xl.jpg" width="610" /></a></div><p style="text-align: left;">Robert Delaunay, Paris – Die Frau und der Turm (The City of Paris – The Woman and the Tower), 1925. Oil on canvas, 52.5×207.5 cm. Staatsgalerie Stuttgart. Photo © BPK, Berlin, Dist. RMN-Grand Palais / image Staatsgalerie Stuttgart. </p><p style="text-align: left;">To decorate the Pavilion of the Society of Decorative Artists, Robert Delaunay painted an immense Eiffel Tower measuring four and a half meters high, of which The Woman and the Tower constitutes a smaller version. Surrounded by factories, the Concorde Obelisk, and the roundabout at the Champs-Élysées, the Tower is painted here in bright colours. Represented from a low but dynamic angle, it was both the emblem of Paris and Modernity. In total, the artist dedicated over fifty paintings to the Eiffel Tower from 1911 onwards. According to him, “the Tower speaks to all humanity”. </p><p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><br /></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-74133927507156889782024-03-25T13:33:00.000-07:002024-03-25T13:33:21.782-07:00 Elective Affinities<p> <span lang="EN" style="box-sizing: border-box;">From<span style="box-sizing: border-box; font-weight: bolder;"> 24 March to 23 June 2024</span> a selection of paintings and drawings from </span><a href="https://www.smb.museum/museen-einrichtungen/museum-berggruen/home/" style="box-sizing: border-box; color: #506d6e;"><span lang="EN" style="box-sizing: border-box;">Museum Berggruen</span></a><span lang="EN" style="box-sizing: border-box;"> in Berlin, which is part of Neue Nationalgalerie, will be on display in Italy for the first time. More than 40 extraordinary works by <span style="box-sizing: border-box; font-weight: bolder;">Picasso</span>, <span style="box-sizing: border-box; font-weight: bolder;">Matisse</span>, <span style="box-sizing: border-box; font-weight: bolder;">Klee</span>, <span style="box-sizing: border-box; font-weight: bolder;">Giacometti </span>and <span style="box-sizing: border-box; font-weight: bolder;">Cézanne</span> will join those by Giorgione, Sebastiano Ricci, Pietro Longhi, Giambattista Tiepolo and Canova at the Gallerie dell’Accademia in Venice.</span></p><p><span lang="EN" style="box-sizing: border-box;">The exhibition, </span><em style="box-sizing: border-box;"><span lang="EN" style="box-sizing: border-box;">Elective Affinities</span></em><span lang="EN" style="box-sizing: border-box;">, will take place at Gallerie dell’Accademia and<span style="box-sizing: border-box; font-weight: bolder;"> Casa dei Tre Oci</span> on the Giudecca. The latter is the new headquarters of the </span><a href="https://berggruen.org/" style="box-sizing: border-box; color: #506d6e;"><span lang="EN" style="box-sizing: border-box;">Berggruen Institute Europe</span></a><span lang="EN" style="box-sizing: border-box;">, which has recently reopened to the public after a restoration programme.</span></p><div class="field__item" style="box-sizing: border-box;"><div class="paragraph paragraph--type--testo paragraph--view-mode--default" style="box-sizing: border-box; padding: 0px;"><div class="clearfix text-formatted field field--name-field-paragraph-testo-full field--type-text-long field--label-hidden field__item" style="box-sizing: border-box; padding: 0.5rem 0px;"><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;"><span lang="EN" style="box-sizing: border-box;">The exhibition is curated by <span style="box-sizing: border-box; font-weight: bolder;">Giulio Manieri Elia</span> and <span style="box-sizing: border-box; font-weight: bolder;">Michele Tavola</span>, Director and Curator of the Gallerie dell'Accademia of Venice, and <span style="box-sizing: border-box; font-weight: bolder;">Gabriel Montua</span> and <span style="box-sizing: border-box; font-weight: bolder;">Veronika Rudorfer</span>, Head of and Curator of Museum Berggruen in Berlin, one of the most important European state institutes of modern art, named after the Paris-based art dealer and collector Heinz Berggruen (1914-2007). In the year 2000, the Stiftung Preussischer Kulturbesitz (Prussian Cultural Heritage) managed to purchase Heinz Berggruen’s collection for the Nationalgalerie with funding from the German government and the state of Berlin. </span></p><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;"><span lang="EN" style="box-sizing: border-box;">The title of the exhibition, </span><em style="box-sizing: border-box;"><span lang="EN" style="box-sizing: border-box;">Elective Affinities, </span></em><span lang="EN" style="box-sizing: border-box;">was chosen to evoke and underline the potential dialogue that arises from the meeting of these two important collections from similarities in iconography to subject matter. The title is inspired by the famous novel of the same name by Johann Wolfgang von Goethe, a writer who spent time in Venice during his travels to Italy. </span></p></div></div></div><div class="field__item" style="box-sizing: border-box;"><div class="paragraph paragraph--type--descrizione-a-colonne-img paragraph--view-mode--default" style="box-sizing: border-box; padding: 0px 0px 1.25rem;"><div class="field field--name-field-colonna-img field--type-entity-reference field--label-hidden field--items" style="box-sizing: border-box;"><div class="row" style="--bs-gutter-x: 1.5rem; --bs-gutter-y: 0; box-sizing: border-box; display: flex; flex-wrap: wrap; margin-left: calc(-.5 * var(--bs-gutter-x)); margin-right: calc(-.5 * var(--bs-gutter-x)); margin-top: calc(-1 * var(--bs-gutter-y));"><div class="col" style="box-sizing: border-box; flex: 1 0 0%; margin-top: var(--bs-gutter-y); max-width: 100%; padding-left: calc(var(--bs-gutter-x) * .5); padding-right: calc(var(--bs-gutter-x) * .5); width: 570px;"><div style="box-sizing: border-box;"><div class="field field--name-field-media-image field--type-image field--label-visually_hidden" style="box-sizing: border-box;"><div class="field__label visually-hidden" style="border: 0px !important; box-sizing: border-box; clip: rect(0px, 0px, 0px, 0px) !important; height: 1px !important; margin: -1px !important; overflow-wrap: normal; overflow: hidden !important; padding: 0px !important; position: absolute !important; text-wrap: nowrap !important; width: 1px !important;">Image</div><div class="field__item" style="box-sizing: border-box; padding: 0.5rem 0px;"><img alt="P. Klee - Red-Gradation" height="1080" loading="lazy" src="https://www.gallerieaccademia.it/sites/default/files/repository/media/images/2024-03/Red-Gradation_0.png" style="box-sizing: border-box; height: auto; max-width: 100%; vertical-align: middle;" width="1080" /></div></div></div></div><div class="col" style="box-sizing: border-box; flex: 1 0 0%; margin-top: var(--bs-gutter-y); max-width: 100%; padding-left: calc(var(--bs-gutter-x) * .5); padding-right: calc(var(--bs-gutter-x) * .5); width: 570px;"><div style="box-sizing: border-box;"><div class="field field--name-field-media-image field--type-image field--label-visually_hidden" style="box-sizing: border-box;"><div class="field__label visually-hidden" style="border: 0px !important; box-sizing: border-box; clip: rect(0px, 0px, 0px, 0px) !important; height: 1px !important; margin: -1px !important; overflow-wrap: normal; overflow: hidden !important; padding: 0px !important; position: absolute !important; text-wrap: nowrap !important; width: 1px !important;">Image</div><div class="field__item" style="box-sizing: border-box; padding: 0.5rem 0px;"><img alt="P. Cézanne - Young Girl with Loose Hair" height="1080" loading="lazy" src="https://www.gallerieaccademia.it/sites/default/files/repository/media/images/2024-03/Young%20Girl%20with%20Loose%20Hair_1.png" style="box-sizing: border-box; height: auto; max-width: 100%; vertical-align: middle;" width="1080" /></div></div></div></div></div></div></div></div><div class="field__item" style="box-sizing: border-box;"><div class="paragraph paragraph--type--testo paragraph--view-mode--default" style="box-sizing: border-box; padding: 0px;"><h3 style="box-sizing: border-box; font-weight: 400; line-height: 1.2; margin-bottom: 0.5rem; margin-top: 0px; text-transform: uppercase;"><div class="elementor-element elementor-element-41f383bf e-flex e-con-boxed e-con" data-element_type="container" data-id="41f383bf" data-settings="{"content_width":"boxed"}" style="--align-content: initial; --align-items: initial; --align-self: initial; --background-transition: 0.3s; --border-color: initial; --border-radius: 0; --border-style: initial; --border-width-bottom: 0px; --border-width-left: 0px; --border-width-right: 0px; --border-width-top: 0px; --container-default-padding-bottom: 0px; --container-default-padding-left: 0px; --container-default-padding-right: 0px; --container-default-padding-top: 0px; --container-max-width: 1170px; --container-widget-align-self: initial; --container-widget-flex-grow: 0; --container-widget-height: initial; --container-widget-width: 100%; --content-width: Min(100%,var(--container-max-width,1140px)); --display: flex; --e-con-grid-template-columns: repeat(3,1fr); --e-con-grid-template-rows: repeat(2,1fr); --flex-basis: auto; --flex-direction: column; --flex-grow: 0; --flex-shrink: 1; --flex-wrap: initial; --gap: 0px; --height: auto; --justify-content: initial; --margin-bottom: 0; --margin-left: 0; --margin-right: 0; --margin-top: 0; --min-height: initial; --order: initial; --overflow: visible; --overlay-mix-blend-mode: initial; --overlay-opacity: 1; --overlay-transition: 0.3s; --padding-bottom: var(--container-default-padding-bottom,10px); --padding-left: var(--container-default-padding-left,10px); --padding-right: var(--container-default-padding-right,10px); --padding-top: var(--container-default-padding-top,10px); --position: relative; --swiper-navigation-size: 44px; --swiper-pagination-bullet-horizontal-gap: 6px; --swiper-pagination-bullet-size: 6px; --swiper-theme-color: #000; --text-align: initial; --widgets-spacing: 20px; --width: 100%; --z-index: revert; align-items: normal; align-self: var(--align-self); background-color: white; border-radius: var(--border-radius); box-sizing: border-box; display: var(--display); flex-flow: column; flex: var(--flex-grow) var(--flex-shrink) var(--flex-basis); font-family: Montserrat, sans-serif; font-size: 18px; gap: initial; height: var(--height); margin: var(--margin-top) var(--margin-right) var(--margin-bottom) var(--margin-left); min-height: var(--min-height); min-width: 0px; order: var(--order); overflow: var(--overflow); padding-left: var(--padding-left); padding-right: var(--padding-right); place-content: normal; position: var(--position); text-transform: none; transition: background var(--background-transition,.3s),border var(--border-transition,.3s),box-shadow var(--border-transition,.3s),transform var(--e-con-transform-transition-duration,.4s); width: var(--width); z-index: var(--z-index);"><div class="e-con-inner" style="align-content: var(--align-content); align-items: var(--align-items); align-self: auto; box-sizing: border-box; display: var(--display); flex-direction: var(--flex-direction); flex-wrap: var(--flex-wrap); flex: 1 1 auto; gap: var(--gap); height: 543.719px; justify-content: var(--justify-content); margin: 0px auto; max-width: var(--content-width); padding-bottom: var(--padding-bottom); padding-inline: 0px; padding-top: var(--padding-top); text-align: var(--text-align); width: 870.625px;"><div class="elementor-element elementor-element-70aadee elementor-widget elementor-widget-dyncontel-featured-image" data-element_type="widget" data-id="70aadee" data-widget_type="dyncontel-featured-image.default" style="--align-content: initial; --align-items: initial; --align-self: initial; --flex-basis: initial; --flex-direction: initial; --flex-grow: initial; --flex-shrink: initial; --flex-wrap: initial; --gap: initial; --justify-content: initial; --order: initial; --swiper-navigation-size: 44px; --swiper-pagination-bullet-horizontal-gap: 6px; --swiper-pagination-bullet-size: 6px; --swiper-theme-color: #000; --widgets-spacing: 20px; align-content: var(--align-content); align-items: var(--align-items); align-self: var(--align-self); box-sizing: border-box; flex-basis: var(--flex-basis); flex-direction: var(--flex-direction); flex-grow: var(--flex-grow); flex-shrink: var(--flex-shrink); flex-wrap: var(--flex-wrap); gap: var(--gap); justify-content: var(--justify-content); margin-bottom: 0px; max-width: 100%; min-width: 0px; order: var(--order); position: relative;"><div class="elementor-widget-container" style="box-sizing: border-box; height: 493.719px; transition: background .3s,border .3s,border-radius .3s,box-shadow .3s,transform var(--e-transform-transition-duration,.4s);"><div class="dce-featured-image " style="box-sizing: border-box; display: inline-block; margin-bottom: -4px; overflow: hidden; position: relative;"><div class="mask" style="box-sizing: border-box; overflow: hidden;"><div class="wrap-filters" style="box-sizing: border-box; transition: filter 0.5s linear 0s;"><img class="entered litespeed-loaded" data-lazyloaded="1" data-ll-status="loaded" data-src="https://venezianews.b-cdn.net/wp-content/uploads/elementor/thumbs/Young-Girl-with-Loose-Hair_0-ql5kjrh5c2tqwutz35dge1qfddw5ou35uwcmqmosns.jpg" height="540" src="https://venezianews.b-cdn.net/wp-content/uploads/elementor/thumbs/Young-Girl-with-Loose-Hair_0-ql5kjrh5c2tqwutz35dge1qfddw5ou35uwcmqmosns.jpg" style="border-radius: 0px; border: none; box-shadow: none; box-sizing: border-box; display: block; height: auto; max-width: 100%;" width="960" /><span style="background-color: transparent; font-size: 15px; font-style: italic; text-align: right;">Paul Cézanne, Jeune fille aux cheveux dénoués, ph: bpk Nationalgalerie, SMB, Museum Berggruen / Jens Ziehe</span></div><div class="wrap-filters" style="box-sizing: border-box; transition: filter 0.5s linear 0s;"><span style="background-color: transparent; font-size: 1.5rem; font-weight: 700; text-transform: uppercase;"><br /></span></div><div class="wrap-filters" style="box-sizing: border-box; transition: filter 0.5s linear 0s;"><span style="background-color: transparent; font-size: 1.5rem; font-weight: 700; text-transform: uppercase;"><br /></span></div><div class="wrap-filters" style="box-sizing: border-box; transition: filter 0.5s linear 0s;"><span style="background-color: transparent; font-size: 1.5rem; font-weight: 700; text-transform: uppercase;">AT THE GALLERIE DELL'ACCADEMIA</span></div></div></div></div></div></div></div></h3><div class="clearfix text-formatted field field--name-field-paragraph-testo-full field--type-text-long field--label-hidden field__item" style="box-sizing: border-box; padding: 0.5rem 0px;"><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;"><span lang="EN" style="box-sizing: border-box;">16 works from Museum Berggruen will be integrated into Gallerie dell'Accademia's permanent displays, where visitors are invited to discover two very different collections - some of the greatest Venetian paintings alongside Heinz Berggruen’s collection of modernist masterpieces.</span></p><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://arthive.net/res/media/img/oy1000/work/e1f/615595@2x.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="665" height="800" src="https://arthive.net/res/media/img/oy1000/work/e1f/615595@2x.jpeg" width="665" /></a></div><br /><span lang="EN" style="box-sizing: border-box;"><br /></span><p></p><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;"><span lang="EN" style="box-sizing: border-box;"><br /></span></p><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;"><span lang="EN" style="box-sizing: border-box;"><span style="box-sizing: border-box; font-weight: bolder;">Picasso</span>'s portrait of </span><em style="box-sizing: border-box;"><span lang="EN" style="box-sizing: border-box;">Dora Maar</span></em><span lang="EN" style="box-sizing: border-box;"> </span><em style="box-sizing: border-box;"><span lang="EN" style="box-sizing: border-box;">with Green Fingernails</span></em><span lang="EN" style="box-sizing: border-box;"> </span></p><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;"><span lang="EN" style="box-sizing: border-box;">is shown alongside</span></p><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;"><span lang="EN" style="box-sizing: border-box;"><br /></span></p><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Col_tempo_by_Giorgione.jpg/640px-Col_tempo_by_Giorgione.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="739" data-original-width="640" height="739" src="https://upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Col_tempo_by_Giorgione.jpg/640px-Col_tempo_by_Giorgione.jpg" width="640" /></a></div><br /><span lang="EN" style="box-sizing: border-box;"><br /></span><p></p><p style="box-sizing: border-box; margin-bottom: 1rem; margin-top: 0px;"><span lang="EN" style="box-sizing: border-box;"> <span style="box-sizing: border-box; font-weight: bolder;">Giorgione</span>'s </span><em style="box-sizing: border-box;"><span lang="EN" style="box-sizing: border-box;">La Vecchia</span></em><span lang="EN" style="box-sizing: border-box;"> - very different works linked by an intimate relationship with the sitter. Two studies by Picasso for </span><em style="box-sizing: border-box;"><span lang="EN" style="box-sizing: border-box;">Les Demoiselles d'Avignon</span></em><span lang="EN" style="box-sizing: border-box;"> are displayed alongside a series of sketches by <span style="box-sizing: border-box; font-weight: bolder;">Tiepolo</span>. Sculptures by<span style="box-sizing: border-box; font-weight: bolder;"> Giacometti </span>and <span style="box-sizing: border-box; font-weight: bolder;">Canova</span> will also be in dialogue with each other.</span></p></div></div></div><div class="field__item" style="box-sizing: border-box;"><div class="paragraph paragraph--type--testo paragraph--view-mode--default" style="box-sizing: border-box; padding: 0px;"><h3 style="box-sizing: border-box; font-size: 1.5rem; font-weight: 400; line-height: 1.2; margin-bottom: 0.5rem; margin-top: 0px; text-transform: uppercase;"><div class="field field--name-field-paragraph-testo-full-title field--type-string field--label-hidden field__item" style="box-sizing: border-box; font-weight: 700; padding: 0.5rem 0px;">AT CASA DEI TRE OCI</div></h3><div class="clearfix text-formatted field field--name-field-paragraph-testo-full field--type-text-long field--label-hidden field__item" style="box-sizing: border-box; padding: 0.5rem 0px;"><p style="background-color: white; box-sizing: border-box; color: #333333; font-family: Rubik, sans-serif; font-size: 19.278px; margin-bottom: 1rem; margin-top: 0px;"><span lang="EN" style="box-sizing: border-box;">On display at Casa dei Tre Oci on the Giudecca, are four works on paper from the graphic collection of Gallerie dell'Accademia and 26 from Museum Berggruen, including works on paper by <span style="box-sizing: border-box; font-weight: bolder;">Klee</span>, <span style="box-sizing: border-box; font-weight: bolder;">Picasso</span>, <span style="box-sizing: border-box; font-weight: bolder;">Cézanne</span> and <span style="box-sizing: border-box; font-weight: bolder;">Matisse</span>.</span></p><p style="background-color: white; box-sizing: border-box; color: #333333; font-family: Rubik, sans-serif; font-size: 19.278px; margin-bottom: 1rem; margin-top: 0px;"><span lang="EN" style="box-sizing: border-box;">This neo-Gothic palace, designed as a home and studio by the artist Mario de Maria and built in 1913, will reopen to the public after major restoration works to become the new headquarters of the Berggruen Institute Europe - a place of study and international discussion, hosting exhibitions, workshops and symposiums. </span></p><div><span lang="EN" style="box-sizing: border-box;"><br /></span></div></div></div></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-56390063544362088242024-03-19T08:43:00.000-07:002024-03-19T08:43:38.152-07:00Lucian Freud at the UBS Art Gallery<p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="186.943603515625" x="340.332397460938" y="-481.989990234375"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" textlength="101.154220581055" x="205.235610961914" y="-481.989990234375">The UBS Art Collection has </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.5123291015625" lengthadjust="spacingAndGlyphs" textlength="21.5318603515625" x="310.552398681641" y="-481.989990234375">open</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.5123291015625" lengthadjust="spacingAndGlyphs" textlength="3.72100830078125" x="333.309020996094" y="-481.989990234375">ed </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" textlength="186.943603515625" x="340.332397460938" y="-481.989990234375">an exhibition </text>of etchings and paintings by </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.98336791992188" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="204.874523162842" x="51.2112007141113" y="-470.110015869141">the acclaimed British artist Lucian Freud (1922</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="3.21023559570312" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="2.65057373046875" x="257.52294921875" y="-470.110015869141">-</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.98336791992188" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="28.6175842285156" x="261.098022460938" y="-470.110015869141">2011)</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="6.91680908203125" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="8.3424072265625" x="392.292388916016" y="-470.110015869141">at </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="14.4249572753906" x="403.721221923828" y="-470.110015869141">the</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="68.0169677734375" x="421.885345458984" y="-470.110015869141">UBS Art Gallery </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.70880126953125" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="30.8246765136719" x="493.654205322266" y="-470.110015869141">in New</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="22.8729591369629" x="51.1267204284668" y="-458.230010986328">York.</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="211.801895141602" x="78.0095977783203" y="-458.230010986328">The exhibition brings together 45 exemplary </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.16287231445312" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="237.452117919922" x="292.683929443359" y="-458.230010986328">works by Freud, representing one of the Collection’s </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="224.558403015137" x="51.7919998168945" y="-446.470001220703">notable pockets of depth, and marks the first time </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="45.2707214355469" x="279.501220703125" y="-446.470001220703">this group </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="38.6390686035156" x="328.504241943359" y="-446.470001220703">has been </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="131.609283447266" x="371.387420654297" y="-446.470001220703">displayed in the United States </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.5123291015625" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="8.96542358398438" x="506.682403564453" y="-446.470001220703">or </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="173.257881164551" x="51.4224014282227" y="-434.589996337891">anywhere outside of a museum setting.</text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="173.257881164551" x="51.4224014282227" y="-434.589996337891"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="488.716846466064" x="51.844799041748" y="-351.77001953125">Lucian Freud is considered one of the most distinguished artists of the last century and the greatest portraitist </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="46.5273590087891" x="51.4224014282227" y="-339.889984130859">of his time</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.70880126953125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="17.8252792358398" x="99.4588775634766" y="-339.889984130859">. His </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="26.8118362426758" x="120.573921203613" y="-339.889984130859">works </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.5123291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="13.6224060058594" x="150.682388305664" y="-339.889984130859">are </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="290.822296142578" x="168.014251708984" y="-339.889984130859">known for their psychological penetration and unsparing realism, </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="72.2726440429688" x="461.933898925781" y="-339.889984130859">which redefined </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.16287231445312" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="345.829429626465" x="51.770881652832" y="-328.130004882812">public understanding of portraiture. In addition to a large body of the artist’s </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="55.4505615234375" x="398.464233398438" y="-328.130004882812">late etchings </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.70880126953125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="63.2755432128906" x="457.612945556641" y="-328.130004882812">encompassing </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="413.086170196533" x="51.8342399597168" y="-316.010009765625">landscapes, portraits, and nudes, the exhibition will also feature two compelling oil paintings</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="3.16799926757812" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="10.5599975585938" x="465.459991455078" y="-316.010009765625">—</text></text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="173.257881164551" x="51.4224014282227" y="-434.589996337891"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; font-family: AtlasGrotesk, -apple-system, "system-ui", "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif;" textlength="67.3939208984375" x="476.290710449219" y="-316.010009765625"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1dtE7UhM2QyrhfHVeC9rPe08loilfbkdlvBhwvUe3yRz6ehyphenhyphenuEPPjp7FEXbGR9nnRgoWvPVf2a8dvW9CxBJ4xYnCRUqzjBA0WhJPRQMxK_Go6AjUu7xYtPij-YScMJG92k4fjIBFdSY-OQ03SqSdoFvc_JBVubFKzi0zV5JG_YKmqEpHKhdpclKx8MGkt/s2209/Double%20Portrait,%201988-90.tif" style="font-family: Times; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1806" data-original-width="2209" height="524" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1dtE7UhM2QyrhfHVeC9rPe08loilfbkdlvBhwvUe3yRz6ehyphenhyphenuEPPjp7FEXbGR9nnRgoWvPVf2a8dvW9CxBJ4xYnCRUqzjBA0WhJPRQMxK_Go6AjUu7xYtPij-YScMJG92k4fjIBFdSY-OQ03SqSdoFvc_JBVubFKzi0zV5JG_YKmqEpHKhdpclKx8MGkt/w640-h524/Double%20Portrait,%201988-90.tif" width="640" /></a></text></text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="173.257881164551" x="51.4224014282227" y="-434.589996337891"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; font-family: AtlasGrotesk, -apple-system, "system-ui", "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif;" textlength="67.3939208984375" x="476.290710449219" y="-316.010009765625">Double Portrait</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.98336791992188" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; font-family: AtlasGrotesk, -apple-system, "system-ui", "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif;" textlength="25.6080017089844" x="51.7180786132812" y="-303.410003662109">(1988</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="3.16799926757812" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; font-family: AtlasGrotesk, -apple-system, "system-ui", "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif;" textlength="5.39616394042969" x="77.4239959716797" y="-303.410003662109">–</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.98336791992188" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; font-family: AtlasGrotesk, -apple-system, "system-ui", "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif;" textlength="13.9564819335938" x="83.0275192260742" y="-303.410003662109">90) </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92001342773438" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="16.6003189086914" x="100.522399902344" y="-303.410003662109">and </text></text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="173.257881164551" x="51.4224014282227" y="-434.589996337891"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; font-family: AtlasGrotesk, -apple-system, "system-ui", "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif;" textlength="125.421104431152" x="120.290718078613" y="-303.410003662109"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPfb4QxTbNGg7HS2hMhYScdQeB64ice7KiO8M72dUVp2Q70Ubf6oCtYr9VHP0JKKBo0OfKcNiWEtOg8zRTN14_y_SMyOMJ0ePztLzPMlVp08QuG5HgvPpZZFBWQXMovcACoaj6qEkq0IfWa_9Q5BGkynr6xG_N7_eFE775BeI8RKlpzgHGVln6Qz3DTxEM/s3766/Head%20of%20a%20Naked%20Girl,%201999.jpeg" style="font-family: Times; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="3766" data-original-width="3025" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPfb4QxTbNGg7HS2hMhYScdQeB64ice7KiO8M72dUVp2Q70Ubf6oCtYr9VHP0JKKBo0OfKcNiWEtOg8zRTN14_y_SMyOMJ0ePztLzPMlVp08QuG5HgvPpZZFBWQXMovcACoaj6qEkq0IfWa_9Q5BGkynr6xG_N7_eFE775BeI8RKlpzgHGVln6Qz3DTxEM/w514-h640/Head%20of%20a%20Naked%20Girl,%201999.jpeg" width="514" /></a></text></text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="173.257881164551" x="51.4224014282227" y="-434.589996337891"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; font-family: AtlasGrotesk, -apple-system, "system-ui", "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif;" textlength="125.421104431152" x="120.290718078613" y="-303.410003662109">Head of a Naked Girl (1999)</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="3.16799926757812" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="10.5600128173828" x="246.050003051758" y="-303.410003662109">—</text></text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="173.257881164551" x="51.4224014282227" y="-434.589996337891"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="200.62939453125" x="256.821228027344" y="-303.410003662109">that are representative of his expressive style.</text></text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="173.257881164551" x="51.4224014282227" y="-434.589996337891"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.16287231445312" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="224.653434753418" x="51.105598449707" y="-220.25">The UBS Art Collection is one of the world’s most </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="44.9116821289062" x="276.169036865234" y="-220.25">significant </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="207.989776611328" x="324.622955322266" y="-220.25">corporate collections of contemporary art with </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="335.153312683105" x="51.4224014282227" y="-208.370010375977">over 30,000 artworks by influential artists of our time, including more than </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.44479370117188" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="10.3257446289062" x="390.498168945312" y="-208.370010375977">50 </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="67.4256286621094" x="404.303924560547" y="-208.370010375977">works by Freud</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="0.887039184570312" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="1.8450927734375" x="473.574890136719" y="-208.370010375977">.</text></text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="173.257881164551" x="51.4224014282227" y="-434.589996337891"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="0.887039184570312" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="1.8450927734375" x="473.574890136719" y="-208.370010375977"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" textlength="485.242603302002" x="51.844799041748" y="-161.059997558594">Born in Berlin in 1922, Freud was the grandson of Sigmund Freud, the founder of psychoanalysis. At the age </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" textlength="74.3212738037109" x="51.4224014282227" y="-149.18000793457">of ten, his family </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="49.7270355224609" x="129.494247436523" y="-149.18000793457">immigrated </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="45.9782562255859" x="183.111190795898" y="-149.18000793457">to London </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="6.91679382324219" lengthadjust="spacingAndGlyphs" textlength="9.14495849609375" x="232.22119140625" y="-149.18000793457">to </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.51231384277344" lengthadjust="spacingAndGlyphs" textlength="29.4940795898438" x="244.682952880859" y="-149.18000793457">escape </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="13.8758239746094" x="277.701202392578" y="-149.18000793457">the </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" textlength="122.126373291016" x="295.090637207031" y="-149.18000793457">forces of National Socialism </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="16.600341796875" x="421.332397460938" y="-149.18000793457">and </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="23.6016235351562" x="441.643096923828" y="-149.18000793457">Freud </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="72.6633911132812" x="469.710876464844" y="-149.18000793457">became a British </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" textlength="465.843841552734" x="51.3590393066406" y="-137.300003051758">subject in 1939. He studied briefly at the Central School of Art, then went on to attend the East Anglian </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.16287994384766" lengthadjust="spacingAndGlyphs" textlength="485.929023742676" x="51.6124801635742" y="-125.540000915527">School of Painting and Goldsmith’s College. While his early work is influenced by German painters and even </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="116.233924865723" x="51.6124801635742" y="-113.659996032715">Surrealism, by 1960 Freud </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" textlength="373.127197265625" x="171.01904296875" y="-113.659996032715">settled into his own distinctive style. He was a key figure in the School of London, a </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="76.44384765625" x="51.5174407958984" y="-101.900001525879">group who pursu</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="9.82752990722656" x="129.212951660156" y="-101.900001525879">ed </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.51232147216797" lengthadjust="spacingAndGlyphs" textlength="4.85760498046875" x="143.12239074707" y="-101.900001525879">a </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" textlength="140.257904052734" x="151.694244384766" y="-101.900001525879">unique form of figuration, even </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.51232147216797" lengthadjust="spacingAndGlyphs" textlength="8.60641479492188" x="295.312377929688" y="-101.900001525879">as </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="206.183990478516" x="307.562957763672" y="-101.900001525879">conceptual art and minimal art dominated the scene.</text></text></text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" style="color: #1a1918; font-family: SymbolMT, serif;" textlength="173.257881164551" x="51.4224014282227" y="-434.589996337891"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="0.887039184570312" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2;" textlength="1.8450927734375" x="473.574890136719" y="-208.370010375977"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="206.183990478516" x="307.562957763672" y="-101.900001525879"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="25.6924819946289" x="51.0950393676758" y="-66.3840026855469">While </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="67.4572830200195" x="80.5171127319336" y="-66.3840026855469">Freud has been </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="104.776306152344" x="151.652008056641" y="-66.3840026855469">most widely recognized </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="111.777618408203" x="259.792388916016" y="-66.3840026855469">as a painter, etchings are </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.51232147216797" lengthadjust="spacingAndGlyphs" textlength="10.61279296875" x="374.892395019531" y="-66.3840026855469">an </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="32.9788818359375" x="389.224212646484" y="-66.3840026855469">integral </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04672241210938" lengthadjust="spacingAndGlyphs" textlength="29.6208190917969" x="425.880889892578" y="-66.3840026855469">part of </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="11.1830444335938" x="459.214202880859" y="-66.3840026855469">his </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.70880126953125" lengthadjust="spacingAndGlyphs" textlength="33.8342590332031" x="474.390869140625" y="-66.3840026855469">practice</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="0.887039184570312" lengthadjust="spacingAndGlyphs" textlength="1.8450927734375" x="509.694885253906" y="-66.3840026855469">.</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91999816894531" lengthadjust="spacingAndGlyphs" textlength="16.2095947265625" x="514.525634765625" y="-66.3840026855469">The </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92000198364258" lengthadjust="spacingAndGlyphs" textlength="37.0128021240234" x="51.4329605102539" y="-54.5040016174316">etchings </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92000198364258" lengthadjust="spacingAndGlyphs" textlength="44.4575958251953" x="91.7664031982422" y="-54.5040016174316">on display </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.51232147216797" lengthadjust="spacingAndGlyphs" textlength="20.7715148925781" x="139.579040527344" y="-54.5040016174316">span </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.51232147216797" lengthadjust="spacingAndGlyphs" textlength="9.77471923828125" x="163.642395019531" y="-54.5040016174316">an</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.37088012695312" lengthadjust="spacingAndGlyphs" textlength="2.32321166992188" x="178.438873291016" y="-54.5040016174316">1</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.44480133056641" lengthadjust="spacingAndGlyphs" textlength="4.89984130859375" x="183.505767822266" y="-54.5040016174316">8</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="3.21023941040039" lengthadjust="spacingAndGlyphs" textlength="2.65057373046875" x="189.332946777344" y="-54.5040016174316">-</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04671859741211" lengthadjust="spacingAndGlyphs" textlength="133.045440673828" x="192.505035400391" y="-54.5040016174316">year period from 1982 to 200</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.44480133056641" lengthadjust="spacingAndGlyphs" textlength="4.83648681640625" x="326.62744140625" y="-54.5040016174316">0</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04671859741211" lengthadjust="spacingAndGlyphs" textlength="182.867492675781" x="332.440246582031" y="-54.5040016174316">, a prolific phase in Freud's graphic work. </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.92000198364258" lengthadjust="spacingAndGlyphs" textlength="16.2095947265625" x="519.325622558594" y="-54.5040016174316">The </text></text></text></text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.0361328125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="356.220481872559" x="51.4224014282227" y="-708.460021972656">artist’s process was as unorthodox as his approach to his subjects. Freud would </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.70880126953125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="34.0032043457031" x="408.480895996094" y="-708.460021972656">position </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="84.3849487304688" x="446.441223144531" y="-708.460021972656">the copper etching </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04669189453125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="467.734245300293" x="51.770881652832" y="-696.580017089844">plate upright on an easel, like a canvas, creating his impressions while standing. While the subjects of his </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04669189453125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="489.41381072998" x="51.770881652832" y="-684.820007324219">prints often relate to certain paintings, the etchings were not derivative but created from life during extended </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.70880126953125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="50.5296096801758" x="51.3590393066406" y="-672.940002441406">sittings. His </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="403.297080993652" x="105.212959289551" y="-672.940002441406">etchings are thus as intimate as his paintings, their linear constructions and croppings only </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04669189453125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="185.232929229736" x="51.8342399597168" y="-661.059997558594">heightening the sense of inherent tension </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="0.88702392578125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="1.8450927734375" x="239.044876098633" y="-661.059997558594">.</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="138.811218261719" x="244.678161621094" y="-661.059997558594">Presented alongside a substanti</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04669189453125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="153.626861572266" x="384.852386474609" y="-661.059997558594">al number of his works as context, </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="150.469432830811" x="51.2112007141113" y="-649.299987792969">these pieces inspire introspection.</text></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://m.media-amazon.com/images/I/51Yuz7hYroL._SX342_SY445_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="342" height="394" src="https://m.media-amazon.com/images/I/51Yuz7hYroL._SX342_SY445_.jpg" width="342" /></a></div><br /><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="150.469432830811" x="51.2112007141113" y="-649.299987792969"><br /></text><p></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.37091064453125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="6.76895904541016" x="51.137279510498" y="-625.299987792969">A </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04669189453125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="205.603206634521" x="61.4169654846191" y="-625.299987792969">c</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="8.04669189453125" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="205.603206634521" x="61.4169654846191" y="-625.299987792969">atalogue documenting the full slate of works </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="20.6870422363281" x="270.700866699219" y="-625.299987792969">by Fr</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.5123291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="9.9263916015625" x="291.842956542969" y="-625.299987792969">eu</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="5.36257934570312" x="303.087432861328" y="-625.299987792969">d </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="136.2451171875" x="312.164215087891" y="-625.299987792969">in the<a href="https://www.amazon.com/Lucian-Freud-Closer-UBS-Collection/dp/3775743111"> UBS Art Collection titled </a></text><a href="https://www.amazon.com/Lucian-Freud-Closer-UBS-Collection/dp/3775743111"><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: AtlasGrotesk, -apple-system, "system-ui", "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif;" textlength="89.9923400878906" x="451.715667724609" y="-625.299987792969">Lucian Freud: Closer </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: AtlasGrotesk, -apple-system, "system-ui", "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif;" textlength="80.9423980712891" x="51.8659210205078" y="-612.820007324219">UBS Art Collection</text></a><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="1.40447998046875" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="2.42974853515625" x="133.910232543945" y="-612.820007324219">,</text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="5.5123291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="17.476806640625" x="139.293914794922" y="-612.820007324219">was </text><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="79.0521697998047" x="160.390884399414" y="-612.820007324219">published in 2017.</text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="79.0521697998047" x="160.390884399414" y="-612.820007324219"><br /></text></p><p><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif;" textlength="79.0521697998047" x="160.390884399414" y="-612.820007324219">Images</text></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO-gpTvA9Mdhw77JPFjdeWJsup0YBZrBHxarf7EevE_xNsG9QBcUkoCGF2dJqEg44CR9biMmt_vhg_TuCg-KjXo28ly1I87tJQQEdb95j1xbjwttaU5PWGw1_BGeY8BGxsO3TuK6k1K4aOSHjlM4b6s60Lxs9clfvT3LK2x5jlZ56QEncSqBdP7o4loFgz/s7087/After%20Chardin%20(large%20plate),%202000.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5792" data-original-width="7087" height="524" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO-gpTvA9Mdhw77JPFjdeWJsup0YBZrBHxarf7EevE_xNsG9QBcUkoCGF2dJqEg44CR9biMmt_vhg_TuCg-KjXo28ly1I87tJQQEdb95j1xbjwttaU5PWGw1_BGeY8BGxsO3TuK6k1K4aOSHjlM4b6s60Lxs9clfvT3LK2x5jlZ56QEncSqBdP7o4loFgz/w640-h524/After%20Chardin%20(large%20plate),%202000.JPG" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0g1csUvDxx3J9tnzaVnbmNu3Rwn9rTLnlzVKWxN0Url6crZEhE_M_xiN6jqgxi8T8OjOavpdBN0lxwTHH01gC_6oKF4_i4y_3U1-z47ngbffTZ-JGCaAXQhD37FpsDU4_IO8lYcdIWPogvXwygqVnNbXbzyUYp7f79gWRcI98jrX9jun8OpUXWswR87Ra/s8274/After%20Chardin%20(small%20plate),%202000.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="6260" data-original-width="8274" height="484" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0g1csUvDxx3J9tnzaVnbmNu3Rwn9rTLnlzVKWxN0Url6crZEhE_M_xiN6jqgxi8T8OjOavpdBN0lxwTHH01gC_6oKF4_i4y_3U1-z47ngbffTZ-JGCaAXQhD37FpsDU4_IO8lYcdIWPogvXwygqVnNbXbzyUYp7f79gWRcI98jrX9jun8OpUXWswR87Ra/w640-h484/After%20Chardin%20(small%20plate),%202000.JPG" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNoxDrvZ5Tm6fQ6H_dvv3zQCU9UWgGSdCFcdKW36gE_TdUiViiHcS5jBFG1gDoJQc6td8ECKmVwmzRA9ZYi0q6bLX2l6JFl8BgkGyqQmo4JmieBH1GhEPq1BdvddYgVzvX0tvO-cwDrnDMrGJ-TOXFK6gheCriYeZWHoqRXVD5dOLQF6ywQ2WtkvpWeDhw/s7370/Garden%20in%20Winter,%201999.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="7370" data-original-width="5769" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNoxDrvZ5Tm6fQ6H_dvv3zQCU9UWgGSdCFcdKW36gE_TdUiViiHcS5jBFG1gDoJQc6td8ECKmVwmzRA9ZYi0q6bLX2l6JFl8BgkGyqQmo4JmieBH1GhEPq1BdvddYgVzvX0tvO-cwDrnDMrGJ-TOXFK6gheCriYeZWHoqRXVD5dOLQF6ywQ2WtkvpWeDhw/w500-h640/Garden%20in%20Winter,%201999.JPG" width="500" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0qayGX74G2emZp3XuSAI7x76lNZb9d8FpVFP_UpGe4753na8t-vgq3gfgveAScpam3RHmqd1XwknhbD2cnZzsijz5D_7IhADs9MtUoWLMv07EY233fqAoWiV9fcQ9TSU6B0sIX-ib2tXvQlaApf2wnad43mxVjaGevU3F3i4AWoxHmlIGpTCgBa9b0pXU/s2450/Girl%20Holding%20her%20Foot,%201985.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2450" data-original-width="2008" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0qayGX74G2emZp3XuSAI7x76lNZb9d8FpVFP_UpGe4753na8t-vgq3gfgveAScpam3RHmqd1XwknhbD2cnZzsijz5D_7IhADs9MtUoWLMv07EY233fqAoWiV9fcQ9TSU6B0sIX-ib2tXvQlaApf2wnad43mxVjaGevU3F3i4AWoxHmlIGpTCgBa9b0pXU/w524-h640/Girl%20Holding%20her%20Foot,%201985.jpg" width="524" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfa3JvB4273WdWsp4tFrQCmr1shgb0gY28CNXGn9vC2EtVaOP_NbxQpr5ysbJ-uuKD7nR9EtlG5Zo7ACABlN74z_ESqKtKc1LkZUeLio2wTIdBBioY2_dCcwpWgbCPQoW0Ie5UeOOEjgDVGynoKbwa0IWyC5ONIyQ538hgu4bAt_oSKCxqZYStd_-stx7I/s2450/Head%20and%20Shoulders%20of%20a%20Girl,%201990.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2450" data-original-width="1986" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfa3JvB4273WdWsp4tFrQCmr1shgb0gY28CNXGn9vC2EtVaOP_NbxQpr5ysbJ-uuKD7nR9EtlG5Zo7ACABlN74z_ESqKtKc1LkZUeLio2wTIdBBioY2_dCcwpWgbCPQoW0Ie5UeOOEjgDVGynoKbwa0IWyC5ONIyQ538hgu4bAt_oSKCxqZYStd_-stx7I/w518-h640/Head%20and%20Shoulders%20of%20a%20Girl,%201990.jpg" width="518" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-AAIOynxDh5jZ2jSXDCXtLGR_f6GIS5ybtqlKjvA-rRqkZ1qst3K1KcV4DmaGGaFZou086Y7Pq8JKW1tgm_fuxkmem1lSERpVt0ZTaCyB1GnAnKtgj9pSweLtiZ_yJcaF4g-PLR7ZKE0DyQBTSAo7s4I8U03w0icS5lVnvPUDOe5FS8m00iRqe6IWS4Cp/s7370/Landscape,%201993.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5442" data-original-width="7370" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-AAIOynxDh5jZ2jSXDCXtLGR_f6GIS5ybtqlKjvA-rRqkZ1qst3K1KcV4DmaGGaFZou086Y7Pq8JKW1tgm_fuxkmem1lSERpVt0ZTaCyB1GnAnKtgj9pSweLtiZ_yJcaF4g-PLR7ZKE0DyQBTSAo7s4I8U03w0icS5lVnvPUDOe5FS8m00iRqe6IWS4Cp/w640-h472/Landscape,%201993.JPG" width="640" /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-AAIOynxDh5jZ2jSXDCXtLGR_f6GIS5ybtqlKjvA-rRqkZ1qst3K1KcV4DmaGGaFZou086Y7Pq8JKW1tgm_fuxkmem1lSERpVt0ZTaCyB1GnAnKtgj9pSweLtiZ_yJcaF4g-PLR7ZKE0DyQBTSAo7s4I8U03w0icS5lVnvPUDOe5FS8m00iRqe6IWS4Cp/s7370/Landscape,%201993.JPG" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDf1aAn89xBWCvtF-qFEypO2Qt3CEB3zpRsjMMiCuqKeKjuzqBLUZShR6j7X70hOmGmEst9pXrzz-t8QikmXkaYV4OLwDGNN0QMCglE8BFpzMnT9FQk7ST7GEJmz_FKmB0wmJ-NRDNu0VKE8i8f5OEwS8KF0U2ChdDH__0dxZnO1lZfwO36ua6PsxreFZb/s3738/Head%20of%20a%20Naked%20Girl,%202000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3738" data-original-width="3600" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDf1aAn89xBWCvtF-qFEypO2Qt3CEB3zpRsjMMiCuqKeKjuzqBLUZShR6j7X70hOmGmEst9pXrzz-t8QikmXkaYV4OLwDGNN0QMCglE8BFpzMnT9FQk7ST7GEJmz_FKmB0wmJ-NRDNu0VKE8i8f5OEwS8KF0U2ChdDH__0dxZnO1lZfwO36ua6PsxreFZb/w616-h640/Head%20of%20a%20Naked%20Girl,%202000.jpg" width="616" /></a></div></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJhoUEfqg3Y7nTWAvnG9YZ3vtLHcuotryPzwvXIBXYOk25K55O_vQZvBDArHl6yDWfmmk827hE0FNkofILpbq7-LKPLRCM6W5hzUMEex0naDW29MXjHNvg6i4SV74TKq9zJa2pr2otacBMHWQ0IozH8N44iC64T6H18jIaGIxqCmlkW9rWKhqLqZ21J8u0/s2450/Large%20Sue%20(Benefits%20Supervisor%20Sleeping).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2450" data-original-width="2019" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJhoUEfqg3Y7nTWAvnG9YZ3vtLHcuotryPzwvXIBXYOk25K55O_vQZvBDArHl6yDWfmmk827hE0FNkofILpbq7-LKPLRCM6W5hzUMEex0naDW29MXjHNvg6i4SV74TKq9zJa2pr2otacBMHWQ0IozH8N44iC64T6H18jIaGIxqCmlkW9rWKhqLqZ21J8u0/w528-h640/Large%20Sue%20(Benefits%20Supervisor%20Sleeping).jpg" width="528" /></a></div><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR8zOF_K3aGpH-fqtRkz-XxPev9S21jgDx7z3VOClb9scFnOjOWZOADIhAIgp2ii6Ry3cpuqJFZbR9sqMb2SFj1oLXsOnv-tH29pdvv2HhSWV7XDUKuuE7hXf-Ze37MRt09JSgyfus4B7C1FHeTCo3HbYQeAayJmkfz8uMaCfKDNi7UAIkNRz_FknusMyw/s7795/Thistle,%201985.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="7795" data-original-width="5707" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR8zOF_K3aGpH-fqtRkz-XxPev9S21jgDx7z3VOClb9scFnOjOWZOADIhAIgp2ii6Ry3cpuqJFZbR9sqMb2SFj1oLXsOnv-tH29pdvv2HhSWV7XDUKuuE7hXf-Ze37MRt09JSgyfus4B7C1FHeTCo3HbYQeAayJmkfz8uMaCfKDNi7UAIkNRz_FknusMyw/w468-h640/Thistle,%201985.JPG" width="468" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjicVT3zry11wKdc3_pV7W7MzCux-r0K4BIPepkWBQuQ7L_6Nj_ED31-9dk_7aXXddy-jPgvZ2yHAIFhdF_KuOlHiwv3lO1dAJ2P120_7DvsTMJy8zR13mGJ7jqT9hZaqUhmSQq4dc5odmFIRMvYYfjME_Dw1GByItz9NzqZlD9f2tVDP2X7zpjLf6P92Ij/s2450/Woman%20with%20Arm%20Tattoo,%201996.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1891" data-original-width="2450" height="494" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjicVT3zry11wKdc3_pV7W7MzCux-r0K4BIPepkWBQuQ7L_6Nj_ED31-9dk_7aXXddy-jPgvZ2yHAIFhdF_KuOlHiwv3lO1dAJ2P120_7DvsTMJy8zR13mGJ7jqT9hZaqUhmSQq4dc5odmFIRMvYYfjME_Dw1GByItz9NzqZlD9f2tVDP2X7zpjLf6P92Ij/w640-h494/Woman%20with%20Arm%20Tattoo,%201996.jpg" width="640" /></a></div><br /><div><text class="_textbox_jifpk_15" data-test="textbox" direction="ltr" height="7.91998291015625" lengthadjust="spacingAndGlyphs" style="background-color: #f7f5f2; color: #1a1918; font-family: SymbolMT, serif; font-size: 10.56px;" textlength="148.051208496094" x="314.272369384766" y="-612.820007324219"><br /></text></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-13009415969322624422024-03-18T11:38:00.000-07:002024-03-18T11:53:24.064-07:00“Fighters for Freedom: William H. Johnson Picturing Justice”<p><span face="Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"" style="font-size: 1.25rem;"><br /></span></p><p><span face="Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"" style="font-size: 1.25rem;">Also see<a href="https://africanamericanartq.blogspot.com/2020/07/william-h-johnson.html"> https://africanamericanartq.blogspot.com/2020/07/william-h-johnson.html</a></span></p><p><span face="Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"" style="font-size: 1.25rem;">William H. Johnson (1901–1970) painted his last body of work, the “Fighters for Freedom” series, in the mid-1940s as a tribute to African American activists, scientists, teachers and performers as well as international leaders working to bring peace to the world. The landmark exhibition “Fighters for Freedom: William H. Johnson Picturing Justice,” brings together—for the first time since 1946—34 paintings featured in the series, including 32 drawn from the museum’s collection of more than 1,000 works by Johnson. </span></p><div class="azalea-reader" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, "system-ui", "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji";"><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">Two paintings, “Three Great Freedom Fighters” and “Against the Odds,” are on loan from the Hampton University Museum of Art exclusively for the presentation at the Smithsonian American Art Museum. The exhibition illuminates the extraordinary life and contributions of Johnson, an artist associated with the Harlem Renaissance but whose practice spanned several continents, as well as the contributions of historical figures he depicted. </p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">“<a href="https://americanart.si.edu/exhibitions/fighters-for-freedom" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-text-opacity: 1; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; text-decoration-color: inherit; text-decoration-line: none; text-decoration-style: inherit; text-decoration-thickness: inherit;">Fighters for Freedom: William H. Johnson Picturing Justice</a>” is on view from <b>March 8 through Sept. 8 at the Smithsonian American Art Museum</b>’s main building in Washington, D.C. It is organized by Virginia Mecklenburg, senior curator at the Smithsonian American Art Museum, and Laura Augustin Fox, curatorial collections coordinator. </p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">“By telling the stories of those who fought for social and racial justice, both historically and in his own time, the remarkable artist William H. Johnson should be more widely known and this exhibition aims to do that by reaffirming the central importance of African Americans to the American narrative,” said Stephanie Stebich, the Margaret and Terry Stent Director. “It is an awesome and humbling responsibility to build on more than 50 years of the Smithsonian American Art Museum of preserving, displaying and interpreting a lifetime of work by this great American artist whose bold graphic images are not soon forgotten.” </p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">Some of Johnson’s “Fighters”—Marian Anderson, George Washington Carver, Mohandas Gandhi and </p><div class="separator" style="clear: both; font-size: 16px; text-align: center;"><a href="https://cdn.saam.media/fnkFFO8jbyvWT25Nl_g27Us5lw0/2600/0/center/cover/webp/https%3A%2F%2Fd3ec1vt3scx7rr.cloudfront.net%2Ffiles%2Fpress%2Fimages%2Fimage%2F1709818338%2FHarriet%2520Tubman_1967.59.1146_1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="637" height="800" src="https://cdn.saam.media/fnkFFO8jbyvWT25Nl_g27Us5lw0/2600/0/center/cover/webp/https%3A%2F%2Fd3ec1vt3scx7rr.cloudfront.net%2Ffiles%2Fpress%2Fimages%2Fimage%2F1709818338%2FHarriet%2520Tubman_1967.59.1146_1.jpg" width="637" /></a></div><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;"><span style="font-size: 1.25rem;"><br /></span></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;"><span style="font-size: 1.25rem;">William H. Johnson,</span><span style="font-size: 1.25rem;"> </span><em style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-size: 1.25rem;">Harriet Tubman</em><span style="font-size: 1.25rem;">, ca. 1945, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1146</span></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;"></p><div class="separator" style="clear: both; font-size: 16px; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/D0rRGEkAVOA" width="320" youtube-src-id="D0rRGEkAVOA"></iframe></div><br /><span style="font-size: 1.25rem;"><span style="font-size: 1.25rem;"></span></span><p style="font-size: 16px;"></p><h1 class="style-scope ytd-watch-metadata" style="-webkit-box-orient: vertical; -webkit-line-clamp: 2; background: rgb(255, 255, 255); border: 0px; color: #0f0f0f; display: -webkit-box; font-family: Roboto, Arial, sans-serif; font-size: 2rem; line-height: 2.8rem; margin: 0px; max-height: 5.6rem; overflow: hidden; padding: 0px; text-overflow: ellipsis; word-break: break-word;"><yt-formatted-string class="style-scope ytd-watch-metadata" force-default-style="">Harriet Tubman’s Shawl</yt-formatted-string></h1><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">Harriet Tubman—are familiar figures; others—Nannie Helen Burroughs and William Grant Still, among them—are less well-known individuals whose achievements have been eclipsed over time. Johnson celebrates their accomplishments even as he acknowledges the realities of racism, oppression and sometimes violence they faced and overcame. Johnson clues viewers to significant episodes in the “Fighters” lives by punctuating each portrait with tiny buildings, flags and vignettes that give insight into their stories. Using a colorful palette to create evocative scenes and craft important narratives, he suggests that the pursuit of freedom is an ongoing, interconnected struggle, with moments of both triumph and tragedy. These paintings invite the viewer to reflect on the struggles for justice today. </p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">“Through Johnson’s ‘Fighters for Freedom’ paintings, we learn about people who changed lives, promoted equality, valued legacy and demonstrated unflagging determination in the face of almost insurmountable challenges,” Mecklenburg said. “He tells us that the continued fight for equity, dignity and equality for all is central to the American story.” </p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">The museum has created extensive educational materials and in-gallery interpretation strategies to deepen visitors’ understanding of Johnson and the featured historical figures. A visual timeline puts Johnson’s life events in context with key moments in African American history and the lives of his “Fighters.”</p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">The museum has produced short videos to accompany five paintings on view, each featuring commentary from curators from across the Smithsonian discussing collection objects, including Nat Turner’s Bible and Marian Anderson’s fur coat, that give insight into the people depicted in each work. Four interactive in-gallery kiosks provide information about Johnson’s visual references and historical source material that “decode” selected compositions and uncover the meaning behind the imagery. A separate media space invites visitors to experience select “Fighters” in action through archival video, audio and images. The museum’s efforts to conserve Johnson’s artworks are documented in a short video and wall panels, highlighting the recent preservation work of the “Fighters for Freedom” paintings. Additional elements include tactile reproductions and visual descriptions of key works; an all ages reading room that offers visitors a chance to gather, learn and reflect; and a mural featuring responses from students across the country about people they consider fighters for freedom today. </p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;"><span style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box;">About William H. Johnson</span></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">Johnson was born in Florence, South Carolina, in 1901, but left the Jim Crow South as a teenager to go to New York City. In 1921, he passed the entrance exam at the National Academy of Design. By the time he finished five years later, he had won most of the prizes the academy offered. Johnson left for Europe, where he painted landscapes that marked him as an up-and-coming modernist. After three years in France, Johnson returned to the United States in 1929, meeting Harlem Renaissance luminaries Alain Locke and Langston Hughes during that time. He left again for Europe after less than a year. He married Danish weaver Holcha Krake in 1930, and they spent most of the decade in Scandinavia, where Johnson's interest in European modernism had a noticeable impact on his work.</p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">In late 1938, with World War II imminent, the couple returned to New York, where he was soon recognized as a central figure in the Harlem Renaissance. Johnson abandoned the dazzling landscapes he painted in Scandinavia to focus instead on the lives of African Americans. He painted Southern sharecroppers, city hipsters, Black soldiers training for war, religious scenes and his last series, “the Fighters for Freedom.” It was a trying time in Johnson’s personal life. His wife developed breast cancer, and after she died in 1944, Johnson’s mental health deteriorated. In 1947, he was confined to Central Islip State Hospital in New York, where he remained until his death in 1970. </p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">In 1967, the William E. Harmon Foundation, the patron of African American artists that cared for Johnson’s work after his hospitalization, entrusted his life’s work—paintings, watercolors, prints and drawings—to the Smithsonian American Art Museum. The museum, in turn, offered almost 150 paintings and prints to other institutions. As a result, historically Black universities, including Fisk, Hampton, Howard, Morgan State and others, have rich collections of Johnson’s work. The Smithsonian American Art Museum holds the largest and most complete collection of work by Johnson. It has done much in the past 50 years to preserve Johnson’s art and establish his reputation by organizing exhibitions and installations of his work and an ongoing program of conservation for these fragile paintings. Most recently, the museum has loaned six works by Johnson to the Metropolitan Museum of Art’s groundbreaking exhibition “The Harlem Renaissance and Transatlantic Modernism” (2024). </p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;"><span style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box;">Book</span></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;"></p><div class="separator" style="clear: both; font-size: 16px; text-align: center;"><a href="https://cdn.saam.media/DdK_hYdLu7ews6rDTSxy7pzwx3U/2600/0/center/cover/webp/https%3A%2F%2Fd3ec1vt3scx7rr.cloudfront.net%2Ffiles%2Fimages%2Fimage%2F1700683397%2Ffighters-for-freedom-cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="675" height="800" src="https://cdn.saam.media/DdK_hYdLu7ews6rDTSxy7pzwx3U/2600/0/center/cover/webp/https%3A%2F%2Fd3ec1vt3scx7rr.cloudfront.net%2Ffiles%2Fimages%2Fimage%2F1700683397%2Ffighters-for-freedom-cover.jpg" width="675" /></a></div><br /><span style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-size: 16px;"><br /></span><p style="font-size: 16px;"></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">A beautifully illustrated catalog accompanies the exhibition, co-published by the Smithsonian American Art Museum in association with Scala Arts Publishers Inc. It is written by Mecklenburg, with an introduction by Smithsonian Secretary Lonnie G. Bunch III, a foreword by Stebich and contributions by Tiffany D. Farrell and Emily H. Rohan. </p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;"><span style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box;">National Tour</span></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">The exhibition debuted at the Gibbes Museum of Art in Charleston, South Carolina, in 2022. It traveled to the Albany Museum of Art in Georgia; the Oklahoma City Museum of Art; The Rockwell Museum in Corning, New York; and the Wichita Museum of Art in Kansas. Future presentations include the Patricia and Phillip Frost Museum in Miami.</p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;">Images</p><div class="separator" style="clear: both; font-size: 16px; text-align: center;"><a href="https://cdn.saam.media/V53OGs3_dwgG4VCT6c3LH3CCsG8/960/0/center/cover/jpg/https%3A%2F%2Fd3ec1vt3scx7rr.cloudfront.net%2Ffiles%2Fimages%2F2020-11%2Fsaam-1983.95.51_1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="448" data-original-width="800" height="448" src="https://cdn.saam.media/V53OGs3_dwgG4VCT6c3LH3CCsG8/960/0/center/cover/jpg/https%3A%2F%2Fd3ec1vt3scx7rr.cloudfront.net%2Ffiles%2Fimages%2F2020-11%2Fsaam-1983.95.51_1.jpg" width="800" /></a></div><br /><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;"><br /></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;"><span face="Raleway, sans-serif" style="background-color: white; color: #212121;">: William H. Johnson, </span><em style="background-color: white; border: 0px; box-sizing: border-box; color: #212121; font-family: Raleway, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Three Great Abolitionists: A. Lincoln, F. Douglass, J. Brown</em><span face="Raleway, sans-serif" style="background-color: white; color: #212121;"> (detail), ca. 1945. Oil on paperboard, 37 3/8 x 34 1/4 in. Smithsonian American Art Museum. Gift of the Harmon Foundation, 1983.95.51</span></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 1.25rem; line-height: 1.75rem; margin: 0px auto 1.5rem; max-width: 768px;"><img alt="Media - 1967.59.657 - SAAM-1967.59.657_2 - 141186" loading="lazy" src="https://d3ec1vt3scx7rr.cloudfront.net/files/styles/max_1300x1300/s3/files/images/1967/SAAM-1967.59.657_2.jpg?itok=ES2ruhio" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; display: block; font-size: 16px; height: auto; margin: 1.75rem auto; max-width: 100%; vertical-align: middle;" /></p><div class="azalea-caption mt-2 mb-4 font-body text-xs" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-size: 0.75rem; line-height: 1rem; margin: 0.5rem auto 1rem; max-width: 768px;"><div class="text-left" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 0.875rem; line-height: 1.25rem;"><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-family: Inter, ui-sans-serif, system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", Arial, "Noto Sans", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; font-size: 0.875rem; line-height: 1.25rem; margin: 0px auto 1.5rem; max-width: 768px;">William H. Johnson, <a data-entity-substitution="canonical" data-entity-type="node" data-entity-uuid="b160c1df-3cd2-4500-b4fa-2f6d7126b33a" href="https://americanart.si.edu/artwork/marian-anderson-11530" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-text-opacity: 1; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; text-decoration-color: inherit; text-decoration-line: none; text-decoration-style: inherit; text-decoration-thickness: inherit;"><em style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box;">Marian Anderson</em></a>, ca. 1945, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.657</p><div class="embedded-entity" data-embed-button="image" data-entity-embed-display-settings="[]" data-entity-embed-display="view_mode:media.featured" data-entity-type="media" data-entity-uuid="9fa5880a-335c-4ffe-94ec-ff97f82bae64" data-langcode="en" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-size: 16px;"><div style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box;"><img alt="Media - 1967.59.1154 - SAAM-1967.59.1154_3 - 142406" loading="lazy" src="https://d3ec1vt3scx7rr.cloudfront.net/files/styles/max_1300x1300/s3/files/images/1967/SAAM-1967.59.1154_3.jpg?itok=v0QQXTQq" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; display: block; height: auto; margin: 1.75rem auto; max-height: 100vh; max-width: 100%; vertical-align: middle;" /></div></div><figcaption style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-size: 0.875rem; line-height: 1.25rem; margin: 1rem auto; max-width: 768px;">William H. Johnson, <a href="https://americanart.si.edu/node/22665" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-text-opacity: 1; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; text-decoration-color: inherit; text-decoration-line: none; text-decoration-style: inherit; text-decoration-thickness: inherit;"><em style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box;">Toussaint l'Ouverture, Haiti</em></a>, ca. 1945, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1154</figcaption></div></div><div class="embedded-entity" data-embed-button="image" data-entity-embed-display-settings="[]" data-entity-embed-display="view_mode:media.featured" data-entity-type="media" data-entity-uuid="35c8a996-a366-4179-a88e-43fd2750b3d4" data-langcode="en" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-size: 16px;"><div style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box;"><img alt="Media - 1967.59.1150 - SAAM-1967.59.1150_2 - 141184" loading="lazy" src="https://d3ec1vt3scx7rr.cloudfront.net/files/styles/max_1300x1300/s3/files/images/1967/SAAM-1967.59.1150_2.jpg?itok=Oo64xDYQ" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; display: block; height: auto; margin: 1.75rem auto; max-height: 100vh; max-width: 100%; vertical-align: middle;" /></div></div><figcaption style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; font-size: 0.875rem; line-height: 1.25rem; margin: 1rem auto; max-width: 768px;">William H. Johnson, <a href="https://americanart.si.edu/node/22818" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-text-opacity: 1; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box; text-decoration-color: inherit; text-decoration-line: none; text-decoration-style: inherit; text-decoration-thickness: inherit;"><em style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid; box-sizing: border-box;">Women Builders</em></a>, 1945, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1150</figcaption></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-68104960190921676002024-03-18T09:48:00.000-07:002024-03-18T09:48:57.050-07:00The Harlem Renaissance and Transatlantic Modernism<p> </p><div class="image-container" id="ctl7" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br class="Apple-interchange-newline" /><br /></div><p style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin-left: 0px; margin-right: 0px; margin-top: 0px; margin: 0px 0px calc(16px + 0.5vw); max-width: 50em; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; font-weight: 600; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Exhibition Dates: February 25–July 28, 2024 <br />Exhibition Location: The Met Fifth Avenue, Gallery 999</span></p><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><img alt="A painting of a black woman in a blue dress seated on a yellow chair" height="644" src="https://www.metmuseum.org/-/media/images/press/press-images/exhibitions/2024/william-henry-johnson-woman-in-blue.jpg?h=644&iar=0&mw=495&w=495&sc_lang=en&hash=7DA485E3D7FF545409EFD6CBBFD2E222" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; height: auto; margin: 20px 0px; max-width: 100%; outline: 0px; padding: 0px; vertical-align: baseline;" width="495" /><br class="Apple-interchange-newline" /> </div><p style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin-left: 0px; margin-right: 0px; margin-top: 0px; margin: 0px 0px calc(16px + 0.5vw); max-width: 50em; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; font-weight: 600; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span></p><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><a href="mailto:Communications@metmuseum.org" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 20.4582px; margin: 0px; padding: 0px; vertical-align: baseline;"></a><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Image: William Henry Johnson (American, 1901–1970). </span><em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Woman in Blue</em><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">, c. 1943. Oil on burlap. Framed: 35 × 27 in. (88.9 × 68.6 cm). Clark Atlanta University Art Museum, Permanent Loan from the National Collection of Fine Art,</span></div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">The Metropolitan Museum of Art will present the groundbreaking exhibition <em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; font-weight: 600; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">The Harlem Renaissance and Transatlantic Modernism</span></em> from February 25 through July 28, 2024. Through some 160 works, it will explore the comprehensive and far-reaching ways in which Black artists portrayed everyday modern life in the new Black cities that took shape in the 1920s–40s in New York City’s Harlem and Chicago’s South Side and nationwide in the early decades of the Great Migration when millions of African Americans began to move away from the segregated rural South. The first survey of the subject in New York City since 1987, the exhibition will establish the Harlem Renaissance as the first African American–led movement of international modern art and will situate Black artists and their radically new portrayals of the modern Black subject as central to our understanding of international modern art and modern life. </div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/O5vZ-x5G0Zs" width="320" youtube-src-id="O5vZ-x5G0Zs"></iframe></div><br /><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /><br />A significant percentage of the paintings, sculpture, and works on paper on view in the exhibition come from the extensive collections of Historically Black Colleges and Universities (HBCUs), including Clark Atlanta University Art Museum, Fisk University Galleries, Hampton University Art Museum, and Howard University Gallery of Art. Other major lenders include the Schomburg Center for Research in Black Culture, the Smithsonian American Art Museum, and the National Portrait Gallery, Washington, D.C. The exhibition will also include loans from significant private collections and European museums.<br /><br />“This landmark exhibition reframes the Harlem Renaissance, cementing its place as the first African American–led movement of international modern art,” said Max Hollein, The Met’s Marina Kellen French Director and CEO. “Through compelling portraits, vibrant city scenes, history paintings, depictions of early mass protests and activism, and dynamic portrayals of night life created by leading artists of the time, the exhibition boldly underscores the movement’s pivotal role in shaping the portrayal of the modern Black subject—and indeed the very fabric of early 20th-century modern art.”<br /><br />“We are very pleased to present this wide-ranging exhibition that establishes the New Negro cohort of African American artists and their allies—now known as the Harlem Renaissance—at the vanguard of the portrayal of modern Black life and culture in Harlem and other new Black cities nationwide at a time of rapid expansion in the first decades of the Great Migration,” added Denise Murrell, The Met’s Merryl H. and James S. Tisch Curator at Large. “Many New Negro artists spent extended periods abroad and joined the multiethnic artistic circles in Paris, London, and Northern Europe that shaped the development of international modern art. The exhibition underscores the essential role of the Harlem Renaissance and its radically new modes of portraying the modern Black subject as central to the development of transatlantic modern art.”</div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">"This landmark exhibition celebrates the brilliant and talented artists behind the groundbreaking cultural movement we now know as the Harlem Renaissance," said Ford Foundation president Darren Walker. "I thank the dedicated team at The Met and applaud Denise Murrell for her vision and thoughtful curation of this vibrant collection of paintings, sculptures, film, and photography that gives a powerful glimpse into the Black experience in the early 20th century."</div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </em></div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">The Harlem Renaissance and Transatlantic Modernism</em> will open with galleries that explore the cultural philosophy that gave shape to the New Negro movement of art and literature, as the period was known at inception, using a term defined and popularized by the movement’s founding philosopher, Howard University professor Alain Locke, in dialogue and debate with W.E.B. Du Bois, Charles S. Johnson, and influential literary and music figures including Zora Neale Hurston, Langston Hughes, and James Weldon Johnson. At the core of the exhibition are the artists who shared a commitment to depicting the modern Black subject in a radically modern way and to refusing the prevailing racist stereotypes. <br /><br />Although united in their shared objective to portray all aspects of modern Black life and culture, individual New Negro artists developed widely varied representational styles, ranging from an engagement with African and Egyptian aesthetics and European avant-garde pictorial strategies to a commitment to classicized academic tradition. Featured artists include Charles Alston, Aaron Douglas, Meta Warrick Fuller, Palmer Hayden, Bert Hurley, William H. Johnson, Archibald Motley, Jr., Winold Reiss, Augusta Savage, James Van Der Zee, and Laura Wheeler Waring. <br /><br />The exhibition will continue with galleries devoted to genre scenes and portraiture that capture all aspects of Black city life in the 1920s–40s as seen in vibrant paintings, sculpture, and film projections as well as photography from The Met’s recently acquired James Van Der Zee Archive and artists’ cover illustrations for books and periodicals, including the NAACP’s <em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Crisis</em> and the National Urban League’s <em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Opportunity: A Journal of Negro Life</em>. Monumentally scaled allegorical history paintings and portraits of luminaries will provide compelling vista views.<br /><br />Galleries featuring paintings by New Negro artists who lived and worked in Europe during extended periods of expatriation will present their work in direct juxtaposition with portrayals of the international African diaspora by Black and white European artists including Henri Matisse, Edvard Munch, and Pablo Picasso, as well as Germaine Casse, Kees van Dongen, Jacob Epstein, and Ronald Moody.<br /><br />The New Negro era’s fraught approach to social issues including queer identity, colorism and class tensions, and interracial relations will be the subject of a gallery featuring paintings, ephemera, and photography animated by film clips. The exhibition will conclude with an artist-as-activist gallery spotlighting artists’ treatment of social justice issues as the New Negro era comes to a close on the cusp of the 1950s civil rights movement. A coda will feature Romare Bearden’s 15-foot-wide series of collages, <em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">The Block</em> (1970), from The Met collection, which evokes a town house row in mid-century Harlem and that sustains the legacy of the Harlem Renaissance.<br /><br />In preparation for the exhibition, The Met undertook extensive archival research, original photography, technical imaging, and conservation treatment of important but seldom seen works of art. For example, archival research by the curatorial team resulted in the first-ever dating of two Laura Wheeler Waring portraits from her family’s collections: <em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Girl with Pomegranate</em> (ca. 1940) and <em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Girl in Pink Dress</em> (ca. 1927). <br /><br />The Met has an extended history of collecting and displaying works by artists active during the Harlem Renaissance. In the 1940s, the Museum acquired several early works by gift from the Works Progress Administration (WPA), such as Jacob Lawrence’s <em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Pool Parlor </em>(1942) and Samuel Joseph Brown, Jr.’s <em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Self-Portrait</em> (ca. 1941). </div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /></div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">In 1969, the Museum presented the exhibition <em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">“Harlem on My Mind”: The Cultural Capital of Black America, 1900–1968</em>, which was met with great controversy for excluding works of painting and sculpture by Black artists and instead presenting a social narrative of Harlem told through reproductions of newspaper clippings and photographs of prominent leaders and anonymous Harlem residents—in large-scale dioramas more similar to ethnographic or natural history museum displays than to art museum galleries. </div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /></div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">For the nearly 50 years since that exhibition, The Met has expanded its holdings of works produced during the Harlem Renaissance—notably in 2021 with the establishment of the James Van Der Zee Archive in partnership with the Studio Museum in Harlem—and through the acquisition of paintings including by Aaron Douglas, Elizabeth Catlett, and Charles Alston it continues to be an area of focus. <em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">The Harlem Renaissance and Transatlantic Modernism</em> will provide an art and artist centered celebration and investigation into the Harlem Renaissance as a trailblazing, pivotal period within the art of the 20th century. <br /><br /><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; font-weight: 600; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Credits </span><br /><br /><em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">The Harlem Renaissance and Transatlantic Modernism</em> is organized by The Met’s Denise Murrell, PhD, Merryl H. and James S. Tisch Curator at Large, Office of the Director, in consultation with an advisory committee of leading scholars.<br /><br /><span style="font-size: 20.4582px; font-weight: 600;">Catalogue</span></div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><a href="https://m.media-amazon.com/images/I/61kgudvLS3L._AC_UF1000,1000_QL80_.jpg" imageanchor="1" style="font-family: Times; font-size: medium; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="800" data-original-width="661" height="800" src="https://m.media-amazon.com/images/I/61kgudvLS3L._AC_UF1000,1000_QL80_.jpg" width="661" /></a></div><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><b><br /></b><a href="https://www.amazon.com/Harlem-Renaissance-Transatlantic-Modernism/dp/1588397734">A fully illustrated scholarly catalogue </a>on the vibrant history of the Harlem Renaissance will accompany the exhibition. It will feature essays that explore how the flow of ideas through Black artistic communities on both sides of the Atlantic contributed to international conversations around art, race, and identity while helping to define our notion of modernism. The catalogue is published by The Metropolitan Museum of Art and distributed by Yale University Press; it will be available for purchase from The Met Store. <br /><span style="font-size: 20.4582px; font-weight: 600;"> </span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div><br /></div><span style="font-size: large;">Images:</span><div><a href="goog_964361299"><span style="font-size: large;"><br /></span></a></div><div><span style="font-size: large;"><a href="https://yrbmag.com/the-harlem-renaissance-and-transatlantic-modernism-february-25-through-july-28-2024/">https://yrbmag.com/the-harlem-renaissance-and-transatlantic-modernism-february-25-through-july-28-2024/</a><br /></span><div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 20.4582px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><a href="mailto:Communications@metmuseum.org" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 20.4582px; margin: 0px; padding: 0px; vertical-align: baseline;"></a><br /></div></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-62879395133058223552024-03-10T04:53:00.000-07:002024-03-10T04:53:55.596-07:00American Etchers<p> </p><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="padding-top: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; line-height: 24px; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><div style="text-align: center;"><span style="text-align: justify;"><span style="font-size: large;">Childs Gallery </span></span></div></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnImageBlock" style="border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody class="mcnImageBlockOuter"><tr><td class="mcnImageBlockInner" style="padding: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnImageContentContainer" style="border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td class="mcnImageContent" style="padding: 0px 9px; text-align: center; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=47647df0f8&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img align="center" alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/7429e42b-6277-8fa3-99c7-808aefd3d0f3.jpg" style="border: 0px; display: inline !important; height: auto; max-width: 829px; outline: none; padding-bottom: 0px; text-decoration-line: none; vertical-align: bottom;" width="366.6" /></a></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="padding-top: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><div style="text-align: center;"><span style="font-size: 14px;">Martin Lewis, American (1881-1962)<br /><em>Little Penthouse</em>, 1931<br />Drypoint, 10 x 7 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=63a9b47d8a&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnDividerBlock" style="border-collapse: collapse; min-width: 100%; table-layout: fixed !important; text-size-adjust: 100%; width: 100%;"><tbody class="mcnDividerBlockOuter"><tr><td class="mcnDividerBlockInner" style="min-width: 100%; padding: 18px; text-size-adjust: 100%;"><table border="0" cellpadding="0" cellspacing="0" class="mcnDividerContent" style="border-collapse: collapse; border-top: 2px solid rgb(234, 234, 234); min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td style="text-size-adjust: 100%;"></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="padding-top: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 24px; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: justify; text-size-adjust: 100%;">From 1929 to 1931, the American Etchers series was published as a set of twelve volumes, each dedicated to a contemporary printmaker and featuring reproductions of their works. A deluxe edition of seventy-five was also produced, which included commissioned, original prints by the artists.<br /><br />Childs Gallery is pleased to present eleven prints from the deluxe set, each sold with their original American Etchers volume. Each artwork and volume is number sixty-two from the limited edition of seventy-five, and all but the Heintzelman volume contain the original notarized certificate of authenticity.<br /><br />Artists featured are: John Taylor Arms, George Elbert Burr, Kerr Eby, Childe Hassam, Arthur W. Heintzelman, Alfred Hutty, Philip Kappel, Troy Kinney, Martin Lewis, Louis Rosenberg, and Ernest D. Roth. <br /><br />Please inquire for further information on individual prints.</p></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBlock" style="border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody class="mcnCaptionBlockOuter"><tr><td class="mcnCaptionBlockInner" style="padding: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 282px;"><tbody><tr><td align="center" class="mcnCaptionBottomImageContent" style="padding: 0px 9px 9px; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=376017e998&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/c2a5673b-39a3-ce1e-4908-d1490cfd4618.jpg" style="border: 0px; height: auto; max-width: 704px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="264" /></a></td></tr><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="282"><div style="text-align: center;"><span style="font-size: 14px;">Childe Hassam, American (1859-1935)<br /><em>Egeria</em>, 1929<br />Etching, 5 x 3 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=08f83c4b6c&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table><table align="right" border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 282px;"><tbody><tr><td align="center" class="mcnCaptionBottomImageContent" style="padding: 0px 9px 9px; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=1562813d72&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/f12fa498-b3b7-deaa-51f0-b32ca4708ec3.jpg" style="border: 0px; height: auto; max-width: 901px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="264" /></a></td></tr><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="282"><div style="text-align: center;"><span style="font-size: 14px;">John Taylor Arms, American (1887-1953)<br /><em>Rio del Santi Apostoli, Venice</em>, 1930<br />Etching, 8 x 6 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=13962e070a&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBlock" style="border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody class="mcnCaptionBlockOuter"><tr><td class="mcnCaptionBlockInner" style="padding: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 282px;"><tbody><tr><td align="center" class="mcnCaptionBottomImageContent" style="padding: 0px 9px 9px; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=ddf5e851b6&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/8ad0e382-2462-0e47-4178-a838770b3cd6.jpg" style="border: 0px; height: auto; max-width: 1200px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="264" /></a></td></tr><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="282"><div style="text-align: center;"><span style="font-size: 14px;">Alfred Hutty, American (1877-1954)<br /><em>In a Southern City</em>, 1929<br />Etching, 7 1/2 x 9 1/4 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=b0d70c53c3&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table><table align="right" border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 282px;"><tbody><tr><td align="center" class="mcnCaptionBottomImageContent" style="padding: 0px 9px 9px; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=a9cbbc67d2&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/46e5ffbe-376f-dc45-f312-9696dfa45c68.jpg" style="border: 0px; height: auto; max-width: 1200px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="264" /></a></td></tr><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="282"><div style="text-align: center;"><span style="font-size: 14px;">George Elbert Burr, American (1859-1939)<br /><em>Arizona Night</em>, 1930<br />Drypoint, 7 x 9 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=9a851e5be4&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBlock" style="border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody class="mcnCaptionBlockOuter"><tr><td class="mcnCaptionBlockInner" style="padding: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 282px;"><tbody><tr><td align="center" class="mcnCaptionBottomImageContent" style="padding: 0px 9px 9px; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=dce94d478c&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/aeb4659e-c6b7-bc31-34c2-79943f11ac3c.jpg" style="border: 0px; height: auto; max-width: 886px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="264" /></a></td></tr><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="282"><div style="text-align: center;"><span style="font-size: 14px;">Ernest D. Roth, American (1879-1964)<br /><em>Union Square, NYC</em>, 1929<br />Etching, 9 7/8 x 7 1/2 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=ebc5942eaf&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table><table align="right" border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 282px;"><tbody><tr><td align="center" class="mcnCaptionBottomImageContent" style="padding: 0px 9px 9px; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=d70f2c9399&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/4cd7d519-7870-c47c-3ba4-a1017aa3b627.jpg" style="border: 0px; height: auto; max-width: 877px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="264" /></a></td></tr><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="282"><div style="text-align: center;"><span style="font-size: 14px;">Louis Rosenberg, American (1890-1983)<br /><em>Bab-el-Khoukha, Kairovah</em>, 1930<br />Etching, 8 x 6 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=0cb2656d8b&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBlock" style="border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody class="mcnCaptionBlockOuter"><tr><td class="mcnCaptionBlockInner" style="padding: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 282px;"><tbody><tr><td align="center" class="mcnCaptionBottomImageContent" style="padding: 0px 9px 9px; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=db244dd22c&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/3a51dffd-aa0a-d585-7c05-0be031c8426a.jpg" style="border: 0px; height: auto; max-width: 927px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="264" /></a></td></tr><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="282"><div style="text-align: center;"><span style="font-size: 14px;">Philip Kappel, American (1901-1981)<br /><em>Barranquilla, Colombia, S.A.</em>, 1930<br />Etching, 9 x 7 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=0254a873a5&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table><table align="right" border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 282px;"><tbody><tr><td align="center" class="mcnCaptionBottomImageContent" style="padding: 0px 9px 9px; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=a495034a23&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/af21ae0c-92a8-7a62-f555-9da25cfc3441.jpg" style="border: 0px; height: auto; max-width: 869px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="264" /></a></td></tr><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="282"><div style="text-align: center;"><span style="font-size: 14px;">Troy Kinney, American (1871-1938)<br /><em>Ruth St. Denis</em>, 1930<br />Etching, 7 1/2 x 5 5/ 8 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=604a7d57f7&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBlock" style="border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody class="mcnCaptionBlockOuter"><tr><td class="mcnCaptionBlockInner" style="padding: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 282px;"><tbody><tr><td align="center" class="mcnCaptionBottomImageContent" style="padding: 0px 9px 9px; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=a53b57206f&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/1891c5f4-e422-b929-01da-28bda891f9a6.jpg" style="border: 0px; height: auto; max-width: 953px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="264" /></a></td></tr><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="282"><div style="text-align: center;"><span style="font-size: 14px;">Arthur W. Heintzelman, American<br />(1891-1965)<br />Bambino, 1930<br />Etching, 6 1/3 x 5 1/2 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=f127687c1e&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table><table align="right" border="0" cellpadding="0" cellspacing="0" class="mcnCaptionBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 282px;"><tbody><tr><td align="center" class="mcnCaptionBottomImageContent" style="padding: 0px 9px 9px; text-size-adjust: 100%;" valign="top"><a class="" href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=a853769cce&e=badec24b79" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/85efbd10430be8c3938cae02d/images/b0c088b2-2ad7-7c5d-36ad-111806012216.jpg" style="border: 0px; height: auto; max-width: 1200px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="264" /></a></td></tr><tr><td class="mcnTextContent" style="color: #757575; font-family: Helvetica; font-size: 16px; line-height: 16px; padding: 0px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="282"><div style="text-align: center;"><span style="font-size: 14px;">Kerr Eby, American (1889-1946)<br /><em>Spring Plowing</em>, 1930<br />Etching, 7 1/8 x 10 1/8 inches<br /><br /><a href="https://childsgallery.us15.list-manage.com/track/click?u=85efbd10430be8c3938cae02d&id=7029a0c7d0&e=badec24b79" rel="noopener noreferrer" style="color: #007c89; text-size-adjust: 100%;" target="_blank">Acquire this artwork</a></span></div></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnDividerBlock" style="border-collapse: collapse; min-width: 100%; table-layout: fixed !important; text-size-adjust: 100%; width: 100%;"><tbody class="mcnDividerBlockOuter"><tr><td class="mcnDividerBlockInner" style="min-width: 100%; padding: 9px 18px 0px; text-size-adjust: 100%;"><table border="0" cellpadding="0" cellspacing="0" class="mcnDividerContent" style="border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td style="text-size-adjust: 100%;"></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnDividerBlock" style="border-collapse: collapse; min-width: 100%; table-layout: fixed !important; text-size-adjust: 100%; width: 100%;"><tbody class="mcnDividerBlockOuter"><tr><td class="mcnDividerBlockInner" style="min-width: 100%; padding: 18px 18px 0px; text-size-adjust: 100%;"><table border="0" cellpadding="0" cellspacing="0" class="mcnDividerContent" style="border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td style="text-size-adjust: 100%;"></td></tr></tbody></table></td></tr></tbody></table>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-85691903538060105562024-03-08T08:15:00.000-08:002024-03-08T08:15:13.399-08:00ROY LICHTENSTEIN A Centennial Exhibition <p style="text-align: center;"><b><span style="font-size: large;">ALBERTINA</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">8. March – 14. July 2024 </span></b></p><p><br /></p><p><br /></p><p>The ALBERTINA Museum is celebrating what would have been the 100th birthday of pop art master Roy Lichtenstein (New York, 1923–1997) with a major retrospective. On exhibit are 100 of the most striking and significant paintings, sculptures, and works on paper ranging all the way from pop art’s beginnings in the 1960s to the artist’s late oeuvre, including generous loans from the most important European and US private collections and museums such as the National Gallery in Washington, D.C., the Museum of Modern Art and Whitney Museum in New York City, and the Yale University Art Gallery in New Haven. </p><p><b>More Images Below</b></p><p>Pop Art: An Assault on Convention </p><p>It was during the 1960s, with abstract expressionism still in full bloom, that Roy Lichtenstein initiated a return to a mode of art that was representational and self-reflective—as part of which he set about tearing down the walls between high art and everyday culture with ironic abandon. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://upload.wikimedia.org/wikipedia/en/4/43/Look_Mickey.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="263" data-original-width="379" height="263" src="https://upload.wikimedia.org/wikipedia/en/4/43/Look_Mickey.jpg" width="379" /></a></div><p><i>Look Mickey </i>is representative of this assault on convention, in which simple comic images and advertisements were cast in the monumental form of history paintings—an act tantamount to a violation of art’s dignity. Comics, to say nothing of product advertisements in newspapers and telephone books, are generally considered unworthy of the status of art. </p><p>Lichtenstein isolated and monumentalized comics, porting them into a museum setting—an absurd and ironic gesture with which he countered consumer society’s prejudicial notion of modern art’s general aloofness: “Taking a discredited subject matter like Donald Duck and Mickey Mouse and making it into a work of art was absurd or humorous, whereas the preceding period had been more serious-minded,” Lichtenstein remarked. </p><p>In 1963, Lichtenstein—asked just what pop art is—defined it as follows: </p><p>“The use of commercial art as a subject for painting. It was hard to find a painting that was disgusting enough to me to deal with the most shameless and threatening features of our culture: things that we reject, but that are overpowering, like advertising signs and comics.” </p><p>Despite more or less seriously leveled accusations of plagiarism and vigorous protests on the part of visitors, Lichtenstein’s first exhibition—held in 1962 at the Leo Castelli Gallery in New York—sold out before it had even opened. The artist became famous quasi-overnight, thereby helping American pop art achieve its breakthrough. </p><p>Today, Roy Lichtenstein is regarded as one of the United States’ three most popular and famous artists alongside Andy Warhol and Jackson Pollock. Moreover, he became an influential forerunner of appropriation art and pioneered the melding of high and low art in contemporary artistic output. Lichtenstein’s art is in no way moralizing, but by the same token, it also refrains from any affirmation. It reflects the 1960s’ already ambivalent attitude toward the advertising industry’s image machine, whose aesthetics Lichtenstein brought to art and into the museum. </p><p>“I am interested in portraying a kind of anti-sensibility that pervades society. Much of our communication is dominated by advertising. Our entire environment seems to be governed by the desire to sell products. This is the landscape I want to portray. But I am not interested in this topic to teach society anything or to improve our world,” said Lichtenstein. </p><p>The End of Pathos in Art </p><p>Preventing the reflection of any temperament or any statement of political positioning is part and parcel of this highly formalist concept: Lichtenstein’s images are meant to appear as if machine-made. He set about imitating the appearance of cheap and fast bulk printing processes, which indeed eventually became his trademark: his pictorial language features just a few outlines and primary colors as well as the monotonous matrix dots that he made famous—the so-called Ben Day Dots, named for their inventor Ben Day, which served to create tonal values in images to be printed. Lichtenstein applied these to his canvases using stencils, a process that he delegated to assistants from 1963 onward. The reason why the first pop art exhibitions also included minimalist works despite all the differences in terms of what was depicted in the images was their common denominator: antisubjectivism, serialism, and industrial production. Such works no longer put any faith in the pathos of subjective expression, of the artist’s emotionality, or of emotional authenticity. </p><p>“I am interested in portraying a kind of anti-sensibility that pervades society. Much of our communication is dominated by advertising. Our entire environment seems to be governed by the desire to sell products. This is the landscape I want to portray. But I am not interested in this topic to teach society anything or to improve our world,” said Lichtenstein. </p><p>Following his transferal of comics into the artistic realm, the mid-1960s saw Lichtenstein begin painting minimalist landscapes on panels made of enamel, a dirt-repellant and weather-resistant material used for commercial and subway system signage. The selection of such a glossy and reflective material as the substrate of an artwork intended for display indoors is hence thoroughly absurd and grotesque. Lichtenstein plays with the power inherent in clichés of masculinity and femininity as well as clichés of art itself. He takes up the visual language of popular mass culture’s advertisements and graphic novels, a language that lives from repetition of the ever-same standardized stereotypes, and makes it his own. </p><p>Upon migration into the realm of art, such motifs are utterly transformed. Enlargement, isolation, objectification, and anti-subjectivism have the effect of abstracting them, with subjects unworthy of art thus transformed into artworks full of harmony and beauty—an overall process by which Lichtenstein broke a taboo by violating clichéd expectations of art. He would later on apply his by-then trademark comic book style to the appropriation of works by canonical artists ranging from Picasso to Dalí or cast brushstrokes reminiscent of Jackson Pollock in bronze, leaving them wide open to ridicule. </p><p>The Exhibition </p><p>The present Centennial Exhibition offers a comprehensive impression of Roy Lichtenstein’s oeuvre, drawing an arc from his early pop paintings of the 1960s (including the pop art icon Look Mickey) to works from his later years. This exhibition also covers the black-and-white paintings of objects taken by Lichtenstein from product advertising, paintings that include Large Spool and Ball of Twine (both from 1963), as well as landscapes painted on enamel signs. His art-after-art paintings of works by Picasso, Dalí, and Pollock as well as the late interiors, female nudes, and still little-known sculptures can likewise be seen in this exhibition. </p><p>The world’s most important museums as well as numerous international private collectors have favored this Centennial Exhibition with their generous support: major works have been contributed by New York’s Museum of Modern Art and Whitney Museum, the National Gallery of Art (Washington, D.C.), the Yale University Art Gallery (New Haven), Museum Ludwig (Cologne), the Louisiana Museum (Humlebæk), the Tate (London), the Moderna Museet (Stockholm), the Museo Thyssen-Bornemisza (Madrid), and many others. </p><p><br /></p><p><b>Biography </b></p><p>1923 Roy Lichtenstein is born a son to German-Jewish parents in New York City on October 27. His father works in real estate</p><p>1937–1940 In addition to high school, Lichtenstein attends the New York School of Fine and Applied Art. </p><p>1941–1948 After a summer course at the Art Students League of New York he takes up his studies at the College of Education at Ohio State University. He visits the exhibition Picasso: Forty Years of His Art. In 1943, Lichtenstein is drafted and serves as a soldier in England, France, Belgium, and Germany. He visits the museums in London and Paris and attends courses at the Sorbonne. In 1945 he returns to the United States, where his father is dying. He paints in a naïve Cubist style</p><p>1949–1958 In 1949, Lichtenstein completes his studies at Ohio State University, where he holds a teaching position until 1951. He marries Isabel Wilson. The couple moves to Cleveland. From 1951/52 on, he has first solo exhibitions at galleries. He works as a drawing teacher, jewelry and furniture designer, technical draftsman, and model maker. His sons David and Mitchell are born in 1954 and 1956 respectively. In 1958, the first comic book motifs, such as Mickey Mouse and Donald Duck, begin to appear in his work, the style of which is still gestural and expressive at the time. </p><p>1959–1960 Lichtenstein creates abstract paintings. In 1959 he accepts a position at the State University of New York and in 1960 is appointed assistant professor of art at the women’s college of Rutgers, the State University of New Jersey. The family moves to New Jersey. Jasper Johns and Robert Rauschenberg are major influences on Lichtenstein’s development, as are the happenings, performances, environments, and assemblages of Claes Oldenburg, Jim Dine, Lucas Samaras, and Allan Kaprow; all of them deal with the subjects of industrial mass production and advertising. </p><p>1961–1965 In the early summer of 1961, Lichtenstein paints Look Mickey, his first picture to imitate comic book printing techniques. The renowned gallery owner Leo Castelli offers Lichtenstein a contract. The first solo exhibition at Castelli’s gallery in 1962 means Lichtenstein’s breakthrough. </p><p>In 1963 the artist separates from Isabel Wilson and moves to New York. First exhibitions in Los Angeles and Europe follow. First accusations of plagiarism are addressed in the magazines Time, Artnews, and Artforum. </p><p>In 1964, Life publishes the article “Is He the Worst Artist in the U.S.?” Lichtenstein meets Dorothy Herzka in New York City and marries her in 1968. Together with Warhol, Lichtenstein is now one of the internationally most renowned Pop artists. The architect Philip Johnson commissions him to paint a mural for the 1964/65New York World’s Fair. His first Pop silkscreen, Sandwich and Soda, is published. </p><p>1966–1979 At the Venice Biennale 1966, a special room is dedicated to Lichtenstein. The Cleveland Museum of Art is the first museum to present a solo exhibition of his art. This is followed by retrospectives in Los Angeles and Amsterdam in 1967, with further venues in Europe, including Tate in London in 1968. In 1969 he has his first retrospective at the New York Guggenheim Museum. He purchases a piece of land on Long Island, where he builds a house and studio in 1971 that become his permanent residence. In 1979 he is admitted to the American Academy of Arts and Sciences. His first outdoor public sculpture is installed in Miami. </p><p>1980–1996 In 1984, Lichtenstein moves back to a studio in New York City, which he uses in addition to his permanent residence in Southampton. In 1988 he buys an old brick building in Chelsea, now home to the Roy Lichtenstein Foundation. In 1990, Lichtenstein is at the center of the legendary exhibition High and Low: Modern Art and Popular Culture at the Museum of Modern Art, New York. Major successful exhibitions at the most prominent museums in the USA and Europe culminate in the Kyoto Prize, the highest award given to visual artists, in 1995. </p><p> 1997 On September 29, Roy Lichtenstein dies prematurely in New York City of complications from pneumonia at the age of seventy-three. </p><p><b>Exhibition Texts</b> </p><p>Introduction </p><p>To mark his 100th birthday, the ALBERTINA Museum dedicates a retrospective to Roy Lichtenstein (1923–1997), the pioneering father of American Pop Art, spanning from the artist’s early Pop paintings of the 1960s to his late work. When the international scene was still dominated by Abstract Expressionism, artists in Great Britain and the USA returned to a figurative and self-reflexive art, tearing down the traditional boundaries between high and low art while adding a good pinch of irony. Following a democratic ideal, they took an interest in the everyday imagery of the industrial, urban, and commercialized society at the time of the postwar years’ economic upswing. </p><p>With his groundbreaking invention in the form the appropriation of the new and aggressive visual language of popular culture, advertisements, and cartoons, Lichtenstein helped American Pop Art to its breakthrough in 1961. Embracing a meticulous manner of painting based on trivial comic book motifs, including the enlarged Ben Day dots borrowed from inexpensive mass printing and the speech bubbles accompanying the image, Lichtenstein turned away from the pathos of subjective expression in the visual arts. </p><p>For Lichtenstein, a flood of images that was subject to purely commercial considerations, directed at the taste of the masses, and optimized by graphic designers, advertising specialists, executive managers, and perceptual psychologists perfectly embodied the essence of his age. Throughout his artistic career, he pursued the exploration of aesthetic values and established clichés of the imagery of a contemporary culture informed by commercialization and industrialization—always with loving irony and, over the years, increasingly critically. The ambivalence between high and low art, between artist and machine, between originality and copy, between work of art and reproduction is the core theme of his art. </p><p>Early Pop Art </p><p>In the early 1960s, Lichtenstein elevated the comic strip to the status of high art. He appropriated the motifs of comic-strip panels and in his painting also imitated the simplified graphic style of inexpensive mass printing: he composed his images in a cold, impersonal, and mechanical style of enlarged ‘Ben-Day-dots’, black outlines, and few of primary colors. If initially he was still interested in such famous cartoon characters as Mickey Mouse and Donald Duck, his choice of motifs would soon be determined by the sentimental faces of war and love-story comics that had become a new market for adolescents after World War II. </p><p> With the standardized aesthetics of comics, Lichtenstein introduced a contemporary symbolism and universal language into art. Similar to Minimal Art, he challenged the common idea that art reflected the artist’s expressive individualism, declaring it an illusion. The uninhibited sexual allusions were considered revolutionary at the time. It was in a mostly ironic fashion that he exhibited the clichés of masculinity and femininity that Betty Friedan had been the first to criticize in her influential book The Feminine Mystique in 1963. Similarly, he negotiated the obtrusiveness, conformity, and emptiness of the mass media, their lack of deeper meaning. </p><p>Despite accusations of plagiarism and public outrage at his assault on the aura of the work of art, Lichtenstein soon became a leading artist of Pop Art. Copy or Appropriation Feigning commercial art imagery was part of Lichtenstein’s ironic and provocative concept. With his monumental paintings based on cheap comics, Lichtenstein committed a twofold sacrilege: he used visual material alien to art and edification, stereotypes of the entertainment industry, and brought them to galleries and museums; and he renounced the artist’s unique and unmistakable hand, accurately imitating the mechanic raster of the cheap printing technique of comics instead: the Ben Day dots (named after their inventor, Benjamin Day) would become his trademark. </p><p>Lichtenstein’s means of provocation only seems to be a mere copy; when looked at more closely, it turns out to be an ironically critical appropriation. It is a transformation of the model: Lichtenstein enlarges, isolates, stylizes, and de-emotionalizes it, deprives it of any perspectival depth while emphasizing the machine character of its fabrication, thereby elevating it to the realm of art. Sentimental motifs from love stories—kisses, thoughts of upcoming rendezvous, drowning in the sea, or tears after breaking up—are rendered with deliberate emotional coldness. The radical flatness of the subject matter was wrongly regarded as the artist’s incapability of truthfully copying the works of the comic-strip artists, which were mostly more dynamic and expressive. </p><p>Lichtenstein introduced a new topos: that of the artist as a machine — his response to the aggressiveness, the individual sentiment, and expansive force of the works of Abstract Expressionists like Jackson Pollock, Franz Kline, and Willem de Kooning. He fully exploited the possibilities and variations of stereotypes and the aesthetics of mass printing, exploring the power of words and typography in speech bubbles. Lichtenstein would hold on to the visual language of comics throughout his life. </p><p>Lichtenstein Black & White </p><p> In addition to comic-book illustrations, Roy Lichtenstein chose advertisements from telephone directories or newspapers as a repertoire of motifs, thus mocking the sublimity of art. Everyday, massproduced consumer goods representing the lifestyle of the new middle class were given the status of monumentality through magnification and isolation. He reduced them to simple forms and signs, different from Andy Warhol, who emphasized the standardization of mass products through the principle of repetition. Neither did Lichtenstein go in search of ubiquitous icons as Warhol did. In his art, figuration and abstraction overlap. </p><p>Allusions to Piet Mondrian, Minimal Art, or the geometric abstraction of Op Art can be found throughout Lichtenstein’s early work. Instead of the abstraction of form, he celebrated the anti-content of the motifs. Lichtenstein shares the deliberate lack of content with Minimal Artists: a work of art does not require an object. </p><p>The economic use of color and reduced visual language are due to his “shoddy” sources: the mechanical reproduction on low-quality newsprint called for strongly simplified outline drawings, and the goal of attracting attention in advertising required a focus on signs. More than any other Pop artist, Lichtenstein was thus not only a painter but also a draftsman of basic signs. His black and white drawings contradict everything one expects of an original drawing: the artist’s subjectivism, temperament, technical brilliance, and intuitive understanding of the motif. By contrast, Lichtenstein resorted to cheap sources of inspiration using a construction draftsman’s controlled and obsessively cold stroke. Lichtenstein breaks away from the Abstract Expressionists’ individualism and gestural act of painting. </p><p>Meticulous Preliminary Work </p><p>Roy Lichtenstein saw the essence of his age in the inexpensive and rapid printing technique of comics, which was based on commercial criteria. He deliberately imitated the anonymous, mechanical style of comic books that would become his trademark. Similar to a technical draftsman, he approached his final product, the painting, in meticulously prepared steps, slowly and impassionately. He spoke of himself as an “image duplicator.” </p><p>Unlike Andy Warhol’s Factory, Roy Lichtenstein’s studio was an austere work place where he painted on several canvases simultaneously, from morning to evening. All of the works were prepared with a multitude of (colored) pencil sketches and collages. He projected the sketches onto the canvas with the aid of an episcope and then retraced them. Using toothbrushes, he transferred the regular pattern of dots—the so-called Ben Day dots—through hole templates, perforated metal plates of various sizes, for which he would soon rely on assistants. Afterwards, he applied the areas of color and the outlines. The sketches and comic panels were always attached next to the respective easels. In the end, he viewed the picture in a mirror from a distance. Initially, the trickling of the oil paint and the shifting or misplacing of the stencils still ensured a lively structure of dots and lines. </p><p>In order to eliminate visible traces of the working process, in 1962 Lichtenstein began using acrylic instead of oil paint, because it would completely dissolve in turpentine. This allowed him to correct mistakes and arrive at a completely even, smooth and shining surface. He was eager to preserve the inartistic appearance of commercial imagery. The slick technique was all the more shocking as the messages often were highly emotional. It was practically overnight that Lichtenstein became one of the most coveted contemporary artists. </p><p>Landscapes </p><p>From the mid-1960s, Roy Lichtenstein devoted himself to the unrealistic, deserted landscape inspired by standardized motifs found in the background of comic strips, on flip image postcards, airplane wallpaper, and paint-by-numbers sets. They mark the transition to more personal, freer pictorial inventions that did not rely on a concrete model. However, Lichtenstein always retained the comicbook style, which had become his trademark. </p><p>Lichtenstein reduced the landscape motifs to their essential elements—a few black contours and colored areas. They do not reproduce reality, but are abstract signs symbolizing mountains and lakes. The artificial, garish colors, which still suggest a certain degree of spatial depth, are due to the technical limits of high-speed printing on newsprint. Lichtenstein retraced the upright-down images of colored pencil drawings he had projected onto the canvas, stenciling overlapping layers of Ben Day dots, a variation of halftone printing to generate new colors and grid patterns. He exploited the entire spectrum of motifs, painting landscapes and seascapes with and without sunsets: nature as clichéd as we know it from his depictions of lover’s grief and kissing couples. </p><p>Lichtenstein’s search for materials led him to glittering air bubble films, printed packing boards, and reflective enamel grids used in industry, the latter of which he employed to imitate Ben Day dots. In 1968 these works resulted in a silent film project of animated landscapes with Universal Studios in Los Angeles. Lichtenstein arranged these inartistic materials to create collages. Like other Pop artists, he wished to create “beautiful kitsch.” His pictures were meant to be deliberately “vulgar”—and thus new and contemporary, different from traditional art. </p><p>Art Based on Art </p><p>As his career proceeded, Roy Lichtenstein left the terrain of so-called “low art,” commercial art, reproducing works of fine art, “high art”—an academic exercise per se. More than any other Pop artist, Lichtenstein integrated art history into his oeuvre, which he had studied and taught before his breakthrough in 1961. Nevertheless he retained his “American” pseudo-comic-book style while he now copied primarily works from the European history of art. None of these works’ honorable creators considered this a case of plagiarism. Lichtenstein caused the respective artists’ hands to disappear, similar to how he had done with his own, merely imitating the essential formal features of the style in question, transforming it into a sign. </p><p>With his Americanizing appropriation, he reminds us of the established, clichéd ideas we have developed about familiar styles of modernism, like Art Déco, Impressionism, Fauvism, Expressionism, Cubism, Surrealism, or Abstract Expressionism. Doing so, he inflects such specifics as decorative art, woodcut, still life, series, stylistic pluralism, interior, monumental painting, or pastiche. He frequently makes ironical reference to famous forerunners of his art, which places special emphasis on the outline or the dot. </p><p>With his personal ironical perspective of art history introducing postmodernism, Lichtenstein conserved all of the movements of modernism one after the other, thus compiling an entire museum over the years. Through his free handling of various styles and his ambition of formal innovation, he defied the artist’s role as a provider of meaning and eluded the cliché of a purely subjective, emotional creative act. </p><p>Still Life</p><p> What resulted from Roy Lichtenstein’s appropriation of high art in 1970 was a series of still lifes: a genre that had been a field of formal experimentation since Cubism, with newspaper clippings finding their way into painting. </p><p>Lichtenstein was predestined for this rather unemotional genre. He relied on models in the form of advertising brochures, products of the economic boom, industrially manufactured ceramic-, glass-, and crystal ware, as well as such exotic imports as bananas and citrus fruit. He reduced, isolated, and enlarged these motifs, which were known from painted signboards and advertising billboards lining the highways. Their scale was larger than life, their execution emphasizing the brilliant light reflections on mass-produced goods. The artist increasingly made reference to the more and more widespread use of photography in advertising. He adhered to commercial art’s standardized images for the pieces of fruit so that the motifs could be taken in instantly and from a distance, while driving by. </p><p>Lichtenstein imitates the loud and insensitive features of consumerism and the language of advertising: it is the essence of Pop Art, from Warhol to Wesselman. Lichtenstein did not comment upon, judge, or glorify things. Like Minimal Art, Pop Art distanced itself from the subjective and emotional dimension of the creative act. It was no coincidence that in the 1960s Warhol, Lichtenstein, and Tom Wesselman exhibited together with Donald Judd, Sol LeWitt, or Carl Andre, Minimal Art’s standard-bearers. Their common denominator was anti-subjectivism, a position on the opposite end of emotionally charged Abstract Expressionism. </p><p>Following art history’s famous pictures of artists’ studios, from Henri Matisse to Jasper Johns, Lichtenstein was the first to compose his monumental still lifes of motifs deriving from his own pictures, thus creating ever-new pastiches. </p><p>Mirrors and Reflections </p><p>In his late work, from 1970 onward, Roy Lichtenstein dealt with the deceiving images of illusionary advertising and the falsification of art through art reproductions in bad printing quality that had meanwhile become ubiquitous. He took to depicting subjects in a comic-book style that were not borrowed from comic books after all. He depicted the plainest of motifs, which were frequently geometric and which he represented using illusionistic means: a series of mirrors inspired by mail-order catalogs and the artist’s own photographs of magnifying mirrors alludes to René Magritte and Alfred Hitchcock. The crescendo and decrescendo of dots simulates the tone values within the mirrors, while the canvases as such imitate the forms and formats of the mirrors: they are subject and object at the same time, “shaped canvases” reflecting nothing. </p><p>In a series entitled Reflections from the late 1980s, Lichtenstein placed his focus in works after famous masters of modernism like Picasso on the sometimes irritating reflections in the paintings, which museums often present behind glass. </p><p>Surrealism </p><p>In the mid-1960s, Roy Lichtenstein began paraphrasing famous styles of art history; from 1977 on, he did so with the visual language of Surrealism. He did not “copy” specific works, but rephrased the Surrealist motifs, formal idioms, and compositional strategies of Magritte, Hans Arp, Miró, or Dalí while resorting to his characteristic comic-book style. Lichtenstein brought together Surrealism’s conventions to create virtuoso showpieces: a combination of unconnected motifs typical of Surrealism within an illusionistic landscape. </p><p>At this point, Lichtenstein enriched his comic-book style with parallel hatching as one of multiple raster variants of mass printing. Similar to a collage, the monumental seascape combines a giant deformed girl’s head and a pre-Columbian wooden object with an advertisement of a dry-cleaner service for ties. With her biomorphic holes, the reclining blonde, melting away, alludes to the sculptures of Henry Moore. A mirror collides with an antique column. All motifs go back to the artist’s own early Pop Art works, which thus gather on the stage of this picture for the grand finale. </p><p>Instead of depicting Surrealist dream images, the picture has turned into a parody of Surrealism. Lichtenstein did not carry forward the history of art, but quoted styles of the past: in this way, he became the trailblazer of postmodernism and the most important forerunner of appropriation. </p><p>The Sculptures </p><p>As had been Picasso’s, Roy Lichtenstein’s sculptural oeuvre was long eclipsed by his painting, to which it is most closely connected. He made occasional sculptures as early as the 1960s: the artist painted the busts of mannequins in his comic-book style, by which he imitated mass printing. In the 1970s, first bronze sculptures of flat, overdimensioned mirrors, glasses, and coffee cups, which he painted with few primary colors, were created in the context of his still lifes, which Lichtenstein had carried to monumental dimensions, and objectified mirror images. These sculptures quote the “blow-up” of advertising. They do not offer multiple perspectives, but can only be viewed frontally, like paintings. Although made of the time-honored material of bronze, they look like mass-produced articles: forerunners and models of Jeff Koons’s polished Neo-Pop sculptures. </p><p> Lichtenstein made fun of Picasso’s absinth glasses, Giacometti’s ethereal statues, or the ready-mades of Duchamp and Jasper Johns, which were then in the focus of contemporary art discourse. Sometime later, Lichtenstein’s brushstrokes were similarly extracted from his pictures, becoming paradoxical, frozen objects. </p><p> Brushstrokes </p><p>In the mid-1960s, Roy Lichtenstein turned Abstract Expressionism’s spontaneous and impulsive brushstroke into an ironical—and eventually iconic—motif. Impetus came from a comic strip about a crazy painter who, followed by a demon, crosses out his persecutor with an expressive brushstroke. Lichtenstein deconstructs the expressive brushstrokes of De Kooning and Franz Kline, ironizing them as trompe l’œil in his distinctive comic-book style. In a deindividualized manner of lines, dots, and hatching, he disenchants the illusion of authenticity and immediacy of the Abstract Expressionists’ gestural brushwork as a merely simulated reflection of an artist’s temperament: the artist’s prominent gesture is caricatured here as it has been repainted as if by a decorator. There can hardly be a greater difference between motif and style. The abstract brushstroke is not the result of an inner artistic process, but is unmasked as a conventional symbol that can be reproduced like a traffic sign. </p><p>In response to Neo-Expressionism of the late 1970s, Lichtenstein revisited the theme of the expressive painterly brushstroke in the 1980s. This time, he painted freely invented landscapes using a bustle of small brushstrokes: Lichtenstein makes both his painted brushstrokes and the brushstroke objects dance rhythmically, as if they moved to the rhythm of the jazz music the artist listened to while working in his studio. </p><p>The Last Decade </p><p>A founding figure of Pop Art and an internationally successful artist, Roy Lichtenstein revisited the subject of the artist’s studio in the 1990s in the form of giant interiors. He chose it as a theme for a series of prints for which he enlarged illustrations of furniture from mail-order catalogs and telephone directory advertisements he had collected in his sourcebooks with the aid of projectors. This series exhibited the standardized domestic American culture and contemporary everyday life. Modern bedroom and living room decorations, with their built-in cabinets, panorama windows, and contemporary art on the walls, monumentally unfold before the spectator’s eye. Here Lichtenstein has created the ideal ambience for self-reference, which goes back to his still lifes and Surrealist adaptations. His models were the studio paintings of Picasso and Matisse, but also Diego Velázques’ Las Meninas, which is also a studio painting. </p><p>On the walls we can see some of Lichtenstein’s earlier paintings, such as Look Mickey (1961), his own version of Monet’s Les Nymphéas (1990s), or his </p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.christies.com/img/LotImages/2019/NYR/2019_NYR_16783_0065_001(roy_lichtenstein_pyramids120410).jpg?mode=max" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="800" height="372" src="https://www.christies.com/img/LotImages/2019/NYR/2019_NYR_16783_0065_001(roy_lichtenstein_pyramids120410).jpg?mode=max" width="800" /></a></div><br /><p><br /></p><p>Pyramids (1968/69). In the final decade of his life, Lichtenstein also revisited the most important theme of his early comic pictures of the 1960s and of his Surrealist pictures of the 1970s: the woman. </p><p>In the monumental masterpiece of those years, Beach Scene with Starfish (1995), Lichtenstein combines Picasso’s erotic painting Bathers Playing with a Ball (1928) with the model of a comic-book love story from the 1960s. His style now shows a much richer surface design: a crescendo and decrescendo of halftone dots suggesting light and dark, hatching, homogeneously colored areas, and rubbing. This late monumental painting celebrates vitality and joie de vivre. </p><p><b>Images</b></p><div class="separator" style="clear: both; text-align: center;"><br /></div><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc_KKFBZKxnytasM8F2x71TJVeehttROIbO4bVR3paQ4iDjSpd3MkvQW4dlUv48ds0kdUtDhG_aQLxVJGvEpIO1DYTfTELIcT1UYk0JCBEDEJMikT0055yr7XQ-USH_A-gWaKEP7PJDmCwwkVjbIwtXnhB8RKkMXNgRPwGBsxSnEz96qtY9TdW-p23lNxw/s2384/roy-lichtenstein_drowning-girl_1963_the-museum-of-modern-art_new-york_philip-johnson-fund-_by-exchange_and-gift-of-mr-and-mr.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2384" data-original-width="2362" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc_KKFBZKxnytasM8F2x71TJVeehttROIbO4bVR3paQ4iDjSpd3MkvQW4dlUv48ds0kdUtDhG_aQLxVJGvEpIO1DYTfTELIcT1UYk0JCBEDEJMikT0055yr7XQ-USH_A-gWaKEP7PJDmCwwkVjbIwtXnhB8RKkMXNgRPwGBsxSnEz96qtY9TdW-p23lNxw/w634-h640/roy-lichtenstein_drowning-girl_1963_the-museum-of-modern-art_new-york_philip-johnson-fund-_by-exchange_and-gift-of-mr-and-mr.jpg" width="634" /></a></p><p>Roy Lichtenstein<br />Drowning Girl, 1963<br />Oil and acrylic on canvas<br />The Museum of Modern Art, New York, Philip Johnson Fund (by exchange) and gift of Mr. and Mrs. Bagley Wright © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024<br />Photo: The Museum of Modern Art, New York/Scala, Florence</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg140nWJqEkqiTNBNjVZlYq3wPiMC-uAcbDj5z35t2-roSGYErdD3iYbkMD7dzlGZcWfpFLRU0Sjpgw9YLZlzApF91NxSf3K5XnJzBG2Ro29sktUavjCIzkdgyJpL9N51JBg83rSNyCtQw0sbO1AKley1pBYh2vA-FhvBP25oQkPemgM-nIBDrwYXZTnBEm/s2395/roy-lichtenstein_magnifying-glass_1963.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2395" data-original-width="2362" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg140nWJqEkqiTNBNjVZlYq3wPiMC-uAcbDj5z35t2-roSGYErdD3iYbkMD7dzlGZcWfpFLRU0Sjpgw9YLZlzApF91NxSf3K5XnJzBG2Ro29sktUavjCIzkdgyJpL9N51JBg83rSNyCtQw0sbO1AKley1pBYh2vA-FhvBP25oQkPemgM-nIBDrwYXZTnBEm/w632-h640/roy-lichtenstein_magnifying-glass_1963.jpg" width="632" /></a><br /><br />Roy Lichtenstein<br />Magnifying Glass, 1963<br />Oil on canvas<br />Privatsammlung/Kunstmuseum Liechtenstein, Vaduz © Estate of Roy Lichtenstein / Bildrecht, Vienna 2024<br />Photo: Stefan Altenburger Photography, Zürich</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3nLDa6uq6pLUmNr1ox58EdlEfizOWvFyfry9TznplYG9TzuSP0SO1rwDRQHiIfu9CTVBdCLzHMn7IuUFBUHN_EcPWWVFRGu4qRjrgCO8ZMU8wHun8gtzvmarPNy2BWje_dBDAp5777C0A3Mkz8kKhzMVQely67MZxrIxBfOVrcMTJaCRpYBFHGJMN2R1m/s2369/roy-lichtenstein_thinking-of-him_1963.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2362" data-original-width="2369" height="638" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3nLDa6uq6pLUmNr1ox58EdlEfizOWvFyfry9TznplYG9TzuSP0SO1rwDRQHiIfu9CTVBdCLzHMn7IuUFBUHN_EcPWWVFRGu4qRjrgCO8ZMU8wHun8gtzvmarPNy2BWje_dBDAp5777C0A3Mkz8kKhzMVQely67MZxrIxBfOVrcMTJaCRpYBFHGJMN2R1m/w640-h638/roy-lichtenstein_thinking-of-him_1963.jpg" width="640" /></a><br /><br />Roy Lichtenstein<br />Thinking of Him, 1963<br />Acrylic on canvas<br />Yale University Art Gallery, New Haven, Gift of Richard Brown Baker © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024<br />Photo: Yale University Art Gallery, New Haven</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivUC0TvSwFye5hDnTbYY_z24KZXHkgwBTzAcBfz26gS0a2cuiLPPL1iH9zuWjG8P4NH3xQDb5v10_oQ0Wiz8bjviyqOajlb4IjRLDg4yCTmFNq_qBWS_tlMVEKy2TnM49cfhKvpH6w4QKjvXgvxIamkIQ5WdFjl19mRMmQrc0fh4laxP6bQYuqlaHxyjUI/s4500/roy_lichtenstein_glas_und_zitrone_vor_einem_spiegel-_1974.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="4500" data-original-width="3646" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivUC0TvSwFye5hDnTbYY_z24KZXHkgwBTzAcBfz26gS0a2cuiLPPL1iH9zuWjG8P4NH3xQDb5v10_oQ0Wiz8bjviyqOajlb4IjRLDg4yCTmFNq_qBWS_tlMVEKy2TnM49cfhKvpH6w4QKjvXgvxIamkIQ5WdFjl19mRMmQrc0fh4laxP6bQYuqlaHxyjUI/w518-h640/roy_lichtenstein_glas_und_zitrone_vor_einem_spiegel-_1974.jpg" width="518" /></a><br /><br />Roy Lichtenstein<br />Glass and Lemon before a Mirror, 1974<br />Oil, acrylic and graphite pencil on canvas<br />ALBERTINA, Wien - Sammlung Batliner © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024<br />Photo: ALBERTINA, Vienna<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiowxbc8yzpsOLZbgsGOQe_FBKdfcaWNAcAeCgHKvt-rjyCKo56emJYMnHKJ8JNcnBv16cAp4G8SK619LV9VIhsQ7buNo-zovvKBwL4Y7W_RUdV8LDkCGdJ6vNr_9774OpzZpV5_i5M38tIMfdDmPn8J392vPtfWRGTZyOkdOP3_GlVoQyI877v6CsAQg8S/s2765/roy-lichtenstein_figures-in-landscape_1977.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1772" data-original-width="2765" height="410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiowxbc8yzpsOLZbgsGOQe_FBKdfcaWNAcAeCgHKvt-rjyCKo56emJYMnHKJ8JNcnBv16cAp4G8SK619LV9VIhsQ7buNo-zovvKBwL4Y7W_RUdV8LDkCGdJ6vNr_9774OpzZpV5_i5M38tIMfdDmPn8J392vPtfWRGTZyOkdOP3_GlVoQyI877v6CsAQg8S/w640-h410/roy-lichtenstein_figures-in-landscape_1977.jpg" width="640" /></a><br /><br />Roy Lichtenstein<br />Figures in Landscape, 1977<br />Oil and acrylic on canvas<br />Louisiana Museum of Modern Art, Humblebæk, Denmark Long-term loan: Museumsfonden © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024<br />Photo: Louisiana Museum of Modern Art, Humblebæk, Denmark</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK8jpFV-TmNtuyFkW91UJfz3KZGJheuiFSd3XDNFi0hSmWVFyrpQMWvVdJ6QMkH-yUmKQD5MLnk05PbF2RpUoVmCBofzIempmakfUjqu-rrbPuYNEHRM2So7MfxgWPQVLUJDPqOl-mEOnEgV1UU70_bOhNMUuKMKNTp7_k-xXqn5n75c_xVdhhtvx2i0lx/s1772/roy_lichtenstein_wallpaper_with_blue_floor_interior_1992.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1185" data-original-width="1772" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK8jpFV-TmNtuyFkW91UJfz3KZGJheuiFSd3XDNFi0hSmWVFyrpQMWvVdJ6QMkH-yUmKQD5MLnk05PbF2RpUoVmCBofzIempmakfUjqu-rrbPuYNEHRM2So7MfxgWPQVLUJDPqOl-mEOnEgV1UU70_bOhNMUuKMKNTp7_k-xXqn5n75c_xVdhhtvx2i0lx/w640-h428/roy_lichtenstein_wallpaper_with_blue_floor_interior_1992.jpg" width="640" /></a><br /><br />Roy Lichtenstein<br />Wallpaper with blue Floor Interior, 1992<br />Screen print on paper<br />ALBERTINA, Wien © Estate of Roy Lichtenstein/Bildrecht, Wien/Vienna 2024<br />Photo: ALBERTINA, Vienna</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpPjsZLBD0ySxA_aoAAIRed5zvUoRI7RnMG2nNxoeXdstyrX1tuo90cm7enmgrIKXmac5oFitKH0ZrO7NjBicsDGzT4Oq5u9iZ8GX8tFOMtVC60-bmkkt5l5YVc4qJ_-4431I6DgdME0laycui_IFrdTscv-DgE7gzlnyYCvkU3JMA0bHvGd2BR5U46y5B/s2500/roy-lichtenstein_mujer-en-el-bano_648-1978.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2492" data-original-width="2500" height="638" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpPjsZLBD0ySxA_aoAAIRed5zvUoRI7RnMG2nNxoeXdstyrX1tuo90cm7enmgrIKXmac5oFitKH0ZrO7NjBicsDGzT4Oq5u9iZ8GX8tFOMtVC60-bmkkt5l5YVc4qJ_-4431I6DgdME0laycui_IFrdTscv-DgE7gzlnyYCvkU3JMA0bHvGd2BR5U46y5B/w640-h638/roy-lichtenstein_mujer-en-el-bano_648-1978.jpg" width="640" /></a><br /><br />Roy Lichtenstein<br />Woman in Bath, 1963<br />Oil and acrylic on canvas<br />Museo Nacional Thyssen-Bornemisza, Madrid © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024</p><p><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbl8Sauv26C0rCBPnmKwFQtiK3QFJnXsPlDnJoWJ4a0JPV_zgMRhoK0lQxb-itSy2qdd7m570bKXu9fEq9NTd5XPopSfYmAnzamRUX7wdbDg06kn2ThUFj2dWfbGHNbS2SXx0g4-1saBcRhzaUoFJkZ-hjOPkwSTUEe6dly_Cgdj2dPk2IZ0j-GTGqiGEc/s2500/roy-lichtenstein-we-rose-up-slowly-1964-museum-mmk-fuer-moderne-kunst-frankfurt-ehemalige-sammlung-karl-stroeher-darmstadt-c.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1841" data-original-width="2500" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbl8Sauv26C0rCBPnmKwFQtiK3QFJnXsPlDnJoWJ4a0JPV_zgMRhoK0lQxb-itSy2qdd7m570bKXu9fEq9NTd5XPopSfYmAnzamRUX7wdbDg06kn2ThUFj2dWfbGHNbS2SXx0g4-1saBcRhzaUoFJkZ-hjOPkwSTUEe6dly_Cgdj2dPk2IZ0j-GTGqiGEc/w640-h472/roy-lichtenstein-we-rose-up-slowly-1964-museum-mmk-fuer-moderne-kunst-frankfurt-ehemalige-sammlung-karl-stroeher-darmstadt-c.jpg" width="640" /></a><br /><br />Roy Lichtenstein<br />We Rose Up Slowly, 1964<br />Oil and acrylic on canvas<br />MUSEUM MMK FÜR MODERNE KUNST, Frankfurt, Ehemalige Sammlung Karl Ströher, Darmstadt (DE) © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijx1h7905LE-lEyFls9S-C7y5oVLOEF7T9QAoaASJaAstJQEXgrhhFxJwzsGB7DyykCO-Tq_btE_j2NgEZBeE7gmiJ7R14tQ5SzoH5_h0ZG5CQ2Jmf00Fh3hEj745ZDO2v_VHFpMlDzI27hqlohsplyvRwrOzXbuctyUUAJIP4USOxCa9c0yOe4K2-jNwi/s2736/roy-lichtenstein-knock-knock-1961-the-sonnabend-homem-collection.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2736" data-original-width="2500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijx1h7905LE-lEyFls9S-C7y5oVLOEF7T9QAoaASJaAstJQEXgrhhFxJwzsGB7DyykCO-Tq_btE_j2NgEZBeE7gmiJ7R14tQ5SzoH5_h0ZG5CQ2Jmf00Fh3hEj745ZDO2v_VHFpMlDzI27hqlohsplyvRwrOzXbuctyUUAJIP4USOxCa9c0yOe4K2-jNwi/w584-h640/roy-lichtenstein-knock-knock-1961-the-sonnabend-homem-collection.jpg" width="584" /></a><br /><br />Roy Lichtenstein<br />Knock Knock, 1961<br />India ink on paper<br />The Sonnabend Homem Collection, Courtesy of The Sonnabend Collection © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7g083Q31m6SuIO8VdWKPesU7fVGGSgDcllZbcYNGWkWj1Lo2qx1wVDC5o1i9UtaMK98sHvBkox_u5ebt3mti5B_N4kju95x-2dO8gLIuDzwK_Gv5hTfPof5ccnPtYfs27umomqlqk8b5q0CApJYdshl7ob1ea8WZjkt9YHvIEQGMbSpHs8k7LmXqvOLB3/s3065/roy-lichtenstein-large-spool-1963-the-sonnabend-collection-foundation.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="3065" data-original-width="2531" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7g083Q31m6SuIO8VdWKPesU7fVGGSgDcllZbcYNGWkWj1Lo2qx1wVDC5o1i9UtaMK98sHvBkox_u5ebt3mti5B_N4kju95x-2dO8gLIuDzwK_Gv5hTfPof5ccnPtYfs27umomqlqk8b5q0CApJYdshl7ob1ea8WZjkt9YHvIEQGMbSpHs8k7LmXqvOLB3/w528-h640/roy-lichtenstein-large-spool-1963-the-sonnabend-collection-foundation.jpg" width="528" /></a><br /><br /><br />Roy Lichtenstein<br />Large Spool, 1963<br />Acrylic and pencil on canvas<br />The Sonnabend Collection Foundation © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ2SF06r3YCmjLhfWnVKw9VDIEF9Z9IHiSsOzV9OGRlOyPz9t2ekoqXKzaYzjOkH4n4rVc5TK_4kgOSYNbjO9hWWMDE3wnQzulumw7HxxdCb7JIH2FwuSBu8zzOIyuGDzGK25FhyWxrzDNKymIxDapWiOY6RK-A_UV-1dYp4KdNozESgRwFQQCVvIimDJ1/s2607/roy-lichtenstein-little-aloha-1962-the-sonnabend-collection-foundation.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2607" data-original-width="2500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ2SF06r3YCmjLhfWnVKw9VDIEF9Z9IHiSsOzV9OGRlOyPz9t2ekoqXKzaYzjOkH4n4rVc5TK_4kgOSYNbjO9hWWMDE3wnQzulumw7HxxdCb7JIH2FwuSBu8zzOIyuGDzGK25FhyWxrzDNKymIxDapWiOY6RK-A_UV-1dYp4KdNozESgRwFQQCVvIimDJ1/w614-h640/roy-lichtenstein-little-aloha-1962-the-sonnabend-collection-foundation.jpg" width="614" /></a><br /><br /><br />Roy Lichtenstein<br />Little Aloha, 1962<br />Oil and graphite pencil on canvas<br />The Sonnabend Collection Foundation © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitq7b6aikIjb8cM7hY8pN0v_S1XZ5ESxXjNdatmFXRA6y3wRLOEuyetWxu7lloaEtsJG89ty5f501H01w6sbXodx_3T1Ssznt7jjOkob4jNu0D6lzR7Av66H_7n26S2IQ1I-g8ptsv2RHPd4hT6gEbt-ArEzMwfU23mc7XwZ1Fcrqa_VLoIDr6MOSJuQNq/s2120/roy_lichtenstein_i_know_how_you_must_feel-_brad__1963_ludwig_forum_fuer_internationale_kunst_aachen-_leihgabe.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2120" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitq7b6aikIjb8cM7hY8pN0v_S1XZ5ESxXjNdatmFXRA6y3wRLOEuyetWxu7lloaEtsJG89ty5f501H01w6sbXodx_3T1Ssznt7jjOkob4jNu0D6lzR7Av66H_7n26S2IQ1I-g8ptsv2RHPd4hT6gEbt-ArEzMwfU23mc7XwZ1Fcrqa_VLoIDr6MOSJuQNq/w362-h640/roy_lichtenstein_i_know_how_you_must_feel-_brad__1963_ludwig_forum_fuer_internationale_kunst_aachen-_leihgabe.jpg" width="362" /></a><br /><br /><br />Roy Lichtenstein<br />I Know How You Must Feel, Brad …, 1963<br />Oil, acrylic and pencil on canvas<br />Ludwig Forum für Internationale Kunst Aachen, Leihgabe der Peter und Irene Ludwig Stiftung © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXq5V8LzwFmh7Y03G9o8xCawdKgJz0fjgeAeDQ5b_oTYPAG-oUrO_MkOMUfRurF_hSjjMeor7MmwbIumAp0KGfajFy8ZqedFix1Ik-bUmCKKm4zyEGrtXjs87w48vP9Us5N5RVLcjV61W_10-ksFxZerUxOqOfPXWzyyy9m8uo3mQhsai5seboX98iDalS/s2383/roy_lichtenstein_beach_scene_with_starfish_1995_fondation_beyeler-_riehen_basel-_sammlung_beyeler_c_estate_of.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1181" data-original-width="2383" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXq5V8LzwFmh7Y03G9o8xCawdKgJz0fjgeAeDQ5b_oTYPAG-oUrO_MkOMUfRurF_hSjjMeor7MmwbIumAp0KGfajFy8ZqedFix1Ik-bUmCKKm4zyEGrtXjs87w48vP9Us5N5RVLcjV61W_10-ksFxZerUxOqOfPXWzyyy9m8uo3mQhsai5seboX98iDalS/w640-h318/roy_lichtenstein_beach_scene_with_starfish_1995_fondation_beyeler-_riehen_basel-_sammlung_beyeler_c_estate_of.jpg" width="640" /></a><br /><br /><br />Roy Lichtenstein<br />Beach Scene with Starfish, 1995<br />Oil and acrylic on canvas<br />Fondation Beyeler, Riehen/Basel, Sammlung Beyeler © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024<br />Photo: Robert Bayer</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnvZ2UO7qKCMUvCJVmkgQlUhLg6tkMVx6x6n3Yxi5BaCFAhbMLLTWgkCsjvBO4kjzy-eamxhl6NHWGd0Xruy8QknwHWRG-pKwEAd2ehO5SwmBc9xiidQxxHE7iLHHygwS1DXso8cHD26m7tFMDl93bXS1Q4-aexZzBRTKqBkyvdIgyXdYtMuVcVMqwU4HZ/s1694/roy_lichtenstein_finger_pointing_1964_moderna_museet-_stockholm__donation_1977_from_the_artist_c_estate_of_roy_l.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1694" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnvZ2UO7qKCMUvCJVmkgQlUhLg6tkMVx6x6n3Yxi5BaCFAhbMLLTWgkCsjvBO4kjzy-eamxhl6NHWGd0Xruy8QknwHWRG-pKwEAd2ehO5SwmBc9xiidQxxHE7iLHHygwS1DXso8cHD26m7tFMDl93bXS1Q4-aexZzBRTKqBkyvdIgyXdYtMuVcVMqwU4HZ/w454-h640/roy_lichtenstein_finger_pointing_1964_moderna_museet-_stockholm__donation_1977_from_the_artist_c_estate_of_roy_l.jpg" width="454" /></a><br /><br />Roy Lichtenstein<br />Finger Pointing (poster design for the exhibition American Pop Art at the Moderna Museet, Stockholm, 1964), 1964<br />Indian ink on paper<br />Moderna Museet, Stockholm. Donation 1977 from the artist © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiDjY7n_XJm3phFvrIBBoJB3kOGpeHuN_vegYCHnVT6bE3oIvbqBkjJ63d6oVToIqr1y9C2Fl6VmiVLaUuuq8cqqnrZFAvIAvBoc5BQChkyVE52iSO7Q_S7hRdChDq45Si1uiirtBtjSDFVPFRBdzWLkV7S4w7GX7uhli5hPjSmElbKDd23ZS59AucFv3l/s1772/roy_lichtenstein_little_big_painting_1965_whitney_museum_of_american_art-_new_york_purchase_with_funds_from.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1505" data-original-width="1772" height="544" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiDjY7n_XJm3phFvrIBBoJB3kOGpeHuN_vegYCHnVT6bE3oIvbqBkjJ63d6oVToIqr1y9C2Fl6VmiVLaUuuq8cqqnrZFAvIAvBoc5BQChkyVE52iSO7Q_S7hRdChDq45Si1uiirtBtjSDFVPFRBdzWLkV7S4w7GX7uhli5hPjSmElbKDd23ZS59AucFv3l/w640-h544/roy_lichtenstein_little_big_painting_1965_whitney_museum_of_american_art-_new_york_purchase_with_funds_from.jpg" width="640" /></a><br /><br /><br />Roy Lichtenstein<br />Little Big Painting, 1965<br />Oil, acrylic and pencil on canvas<br />Whitney Museum of American Art, New York; Purchase with funds from the Friends of the Whitney Museum of American Art 66.2 © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx6eLGavHmEll-zvk9SXcoP6QKD6zsBUeCQK5aeOQX2EpibySPXQPF89mIauI_2fpZYuMUIKR31dx1X7TS223b_F4ifIliR6Ah2ZVbOZvzPPHy6Qt5q-CW9ubIhHu7m50vvNSBGplCo4Vtah5KmMsCDIq1mbbB67LiH5vQrs1remf6QpTHOZHdTUS28kfj/s2251/roy_lichtenstein_spray_1962_staatsgalerie_stuttgart_bpk_staatsgalerie_stuttgart_c_estate_of_roy_lichtenstein.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1181" data-original-width="2251" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx6eLGavHmEll-zvk9SXcoP6QKD6zsBUeCQK5aeOQX2EpibySPXQPF89mIauI_2fpZYuMUIKR31dx1X7TS223b_F4ifIliR6Ah2ZVbOZvzPPHy6Qt5q-CW9ubIhHu7m50vvNSBGplCo4Vtah5KmMsCDIq1mbbB67LiH5vQrs1remf6QpTHOZHdTUS28kfj/w640-h336/roy_lichtenstein_spray_1962_staatsgalerie_stuttgart_bpk_staatsgalerie_stuttgart_c_estate_of_roy_lichtenstein.jpg" width="640" /></a><br /><br />Roy Lichtenstein<br />Spray, 1962<br />Oil and pencil on canvas<br />Staatsgalerie Stuttgart, erworben mit Lotto-Mitteln 1977 © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024<br />Photo: bpk / Staatsgalerie Stuttgart</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMCI-J6s9b_OgjoCr5gywjjszZkSt10MA99SVYvziyDP0FvaikjlPS-wtTjxvxHPto9JWxJepCevAIlk9jNxrvSbrVvKRTJHX1JPYpd33ZdnfjJmSZ_AGg0TUrCP48j-OuB6P_TKqBet1g6qGt9yTr1GknD7wSHp8qiMwq1DYqxMja5fx8RdJShKd00EU9/s2190/roy_lichtenstein_still_life_with_crystal_bowl_1972_whitney_museum_of_american_art-_new_york_purchase_with.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2190" data-original-width="1772" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMCI-J6s9b_OgjoCr5gywjjszZkSt10MA99SVYvziyDP0FvaikjlPS-wtTjxvxHPto9JWxJepCevAIlk9jNxrvSbrVvKRTJHX1JPYpd33ZdnfjJmSZ_AGg0TUrCP48j-OuB6P_TKqBet1g6qGt9yTr1GknD7wSHp8qiMwq1DYqxMja5fx8RdJShKd00EU9/w518-h640/roy_lichtenstein_still_life_with_crystal_bowl_1972_whitney_museum_of_american_art-_new_york_purchase_with.jpg" width="518" /></a><br /><br />Roy Lichtenstein<br />Still Life with Crystal Bowl, 1972<br />Oil, acrylic and pencil on canvas<br />Whitney Museum of American Art, New York; Purchase with funds from Frances and Sydney Lewis 77.64 © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRcQqISLRD1ZDosquM5mBwLFhNx7ZIot404AslZ3JxxHcAm5d0f3lybePKNACezhGBNv86dsncLneChvnlcQGgxy14evoUkz9F6KRAMTOZTImpxJCkbh3gbGD_TRdsBfUfPaxpZrsFkxYfe-u7N4VSzYuUAHfg6LRlyWB2sxILJ96nfsrxKXSQOWjHksjv/s2236/roy_lichtenstein_yellow_sky_1966_museum_ulm_-_stiftung_sammlung_kurt_fried_c_estate_of_roy_lichtenstein_bildrecht.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1181" data-original-width="2236" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRcQqISLRD1ZDosquM5mBwLFhNx7ZIot404AslZ3JxxHcAm5d0f3lybePKNACezhGBNv86dsncLneChvnlcQGgxy14evoUkz9F6KRAMTOZTImpxJCkbh3gbGD_TRdsBfUfPaxpZrsFkxYfe-u7N4VSzYuUAHfg6LRlyWB2sxILJ96nfsrxKXSQOWjHksjv/w640-h338/roy_lichtenstein_yellow_sky_1966_museum_ulm_-_stiftung_sammlung_kurt_fried_c_estate_of_roy_lichtenstein_bildrecht.jpg" width="640" /></a><br /><br /><br />Roy Lichtenstein<br />Yellow Sky, 1966<br />Oil, acrylic and pencil on canvas<br />Museum Ulm - Stiftung Sammlung Kurt Fried © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024<br />Photo: © Museum Ulm-Stiftung Sammlung Kurt Fried, Fotograf: Oleg Kuchar, Ulm</p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnGgk2FCFj-kDNjylaLisSzkRjquHh0WNsV01-ZNMg1tbWFfq7NGtsX1ZcgQCTG-DyEi5UUo-hdlzTpljaMrunNoEdtRim-hx4FxWyN_kd2twi5BCjSCdlxIIv7V6LGRbC1V1LE2LI2sQqsIL0NU3OvHCx7kFxbYLf3L0bxqseSyKyIea-vw6Cm_VBgZ_P/s2509/roy-lichtenstein-kiss-with-cloud-1964-esther-grether-family-collection-esther-grether-familiensammlung-c-estate-of-roy-licht.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2509" data-original-width="2500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnGgk2FCFj-kDNjylaLisSzkRjquHh0WNsV01-ZNMg1tbWFfq7NGtsX1ZcgQCTG-DyEi5UUo-hdlzTpljaMrunNoEdtRim-hx4FxWyN_kd2twi5BCjSCdlxIIv7V6LGRbC1V1LE2LI2sQqsIL0NU3OvHCx7kFxbYLf3L0bxqseSyKyIea-vw6Cm_VBgZ_P/w638-h640/roy-lichtenstein-kiss-with-cloud-1964-esther-grether-family-collection-esther-grether-familiensammlung-c-estate-of-roy-licht.jpg" width="638" /></a><br /><br />Roy Lichtenstein<br />Kiss with Cloud, 1964<br />Oil and acrylic on canvas<br />Esther Grether Family Collection © Estate of Roy Lichtenstein/Bildrecht, Vienna 2024<br /></p>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-39686268410313250272024-03-07T08:08:00.000-08:002024-03-07T08:08:50.878-08:00 Chagall <p style="text-align: center;"><span style="font-size: large;">ALBERTINA </span></p><p style="text-align: center;"><span style="font-size: large;">28 September 2024– 9 February 2025 </span></p><p style="text-align: center;"><br /></p><p>Marc Chagall (1887–1985) numbers among the 20th century’s best-known artists, and his oneof-a-kind oeuvre encompasses works created as early as 1905 and as late as the 1980s. Born to an Orthodox Hasidic Jewish working-class family and raised in the small Belarusian town of Vitebsk, the artist experienced early childhood in ways that would influence him his entire life long. Chagall’s whimsical and poetic pictorial worlds, as familiar to us as they may be, continue to fascinate and present ever-new riddles. His oeuvre oscillates between the traditional and the avant-garde with respect to both style and substance. </p><p>Based on his experience of 20thcentury art’s development from primitivism to cubism, fauvism, and surrealism, Chagall created his very own visual language—one unmistakable feature of which is the essential continuity inherent in his multifaceted artistic expression. The central themes of motherhood and birth, death, and love predominate in Chagall’s paintings, which reflect upon and illuminate them from new perspectives in their repetition and variation. Recurring motifs such as the rooster and the donkey, the cow and the fish function within the artist’s variable, fantastical cosmos as elements that are flexible in terms of their respective meanings. The seeming contradictions and contrasts in Chagall’s compositions and visual worlds bear visible witness to the artist’s search for a “logic of the illogical”, via which he added a psychological dimension to traditional pictorial forms. </p><p>This presentation at the ALBERTINA Museum, encompassing around 90 works selected from all of the artist’s creative periods, concentrates on his lively engagement with life’s most primal and universal themes—thereby revealing a diverse multitude of “impossible possibilities.” </p><p>The exhibition is a collaboration between the ALBERTINA Museum, Vienna, and Kunstsammlung Nordrhein-Westfalen, Düsseldorf. </p><p><br /></p><p>Images</p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.kunstsammlung.de/media/Chagall_Marc_Der-Geiger_Kunstsammlung_NRW_1024.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="577" height="800" src="https://www.kunstsammlung.de/media/Chagall_Marc_Der-Geiger_Kunstsammlung_NRW_1024.jpg" width="577" /></a></div><div><br /></div><h1 style="background-color: white; border: 0px; box-sizing: border-box; font-family: UntitledSans, Arial, Helvetica, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 2.462vw; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; font-weight: normal; line-height: 1.15; margin: -8px 0px 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; vertical-align: inherit;">Le violiniste / The violinist, 1911</span></h1><p style="background-color: white; border: 0px; box-sizing: border-box; font-family: UntitledSans, Arial, Helvetica, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 22.4477px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 3rem 0px 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; vertical-align: inherit;">Oil on canvas</span><br style="box-sizing: border-box;" /><span style="box-sizing: border-box; vertical-align: inherit;">94.5 x 69.5 cm </span><span style="background-color: transparent;"> </span><span style="background-color: transparent;">Kunstsammlung Nordrhein-Westfalen, Düsseldorf. </span></p><p><br /></p><p style="background-color: white; border: 0px; box-sizing: border-box; font-family: UntitledSans, Arial, Helvetica, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 22.4477px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 3rem 0px 0px; padding: 0px; vertical-align: baseline;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.kunstsammlung.de/media/ObjId26-Chagall-Marc-Jour-de-fete-1914_Kunstsammlung_NRW_1024px.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="643" height="800" src="https://www.kunstsammlung.de/media/ObjId26-Chagall-Marc-Jour-de-fete-1914_Kunstsammlung_NRW_1024px.jpg" width="643" /></a></div><br /><span style="box-sizing: border-box; vertical-align: inherit;"><br /></span><p></p><p style="background-color: white; border: 0px; box-sizing: border-box; font-family: UntitledSans, Arial, Helvetica, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 22.4477px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 3rem 0px 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; vertical-align: inherit;">J</span><span style="font-size: 2.462vw;">our de fête, 1914</span></p><p style="background-color: white; border: 0px; box-sizing: border-box; font-family: UntitledSans, Arial, Helvetica, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 22.4477px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 3rem 0px 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; vertical-align: inherit;">Oil on cardboard, mounted on canvas</span><br style="box-sizing: border-box;" /><span style="box-sizing: border-box; vertical-align: inherit;">100.5 x 81.3 x 2.3 cm</span><span style="background-color: transparent;"> </span><span style="background-color: transparent;">Kunstsammlung Nordrhein-Westfalen, Düsseldorf. </span></p><p><br /></p><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuiWkGKvxtjjwWPT9qchYUakuFyPCHAItCk1o5KX0zY6_5-c7idtXplkUI6goXE7IHuT1fpjykftFa8fYFjxDx5fOQxFzNDLLRndqUGRet-DZqNWcmW87cMkfolK092hguupMFtwTOX539PGTtbyFQSa2egnW7bKuZ4K0NYS7MUCo6Z7vYQN0hic5G49gS/s3167/marc_chagall-das_brautpaar_am_blauen_himmel_von_paris-um_1976-albertina-_wien-sammlung_batliner-c-bildrecht_wien_2024.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3167" data-original-width="2500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuiWkGKvxtjjwWPT9qchYUakuFyPCHAItCk1o5KX0zY6_5-c7idtXplkUI6goXE7IHuT1fpjykftFa8fYFjxDx5fOQxFzNDLLRndqUGRet-DZqNWcmW87cMkfolK092hguupMFtwTOX539PGTtbyFQSa2egnW7bKuZ4K0NYS7MUCo6Z7vYQN0hic5G49gS/w505-h640/marc_chagall-das_brautpaar_am_blauen_himmel_von_paris-um_1976-albertina-_wien-sammlung_batliner-c-bildrecht_wien_2024.jpg" width="505" /></a></div><br />Marc Chagall<br />Das Brautpaar am blauen Himmel von Paris, um 1976<br />Gouache, Pastell, Tempera und Bleistift auf Papier<br />ALBERTINA, Wien – Sammlung Batliner © Bildrecht Wien 2024<br />Foto: ALBERTINA, Wien<br /><span style="box-sizing: border-box; vertical-align: inherit;"><br /></span></div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYnsVcgacc9JA6AllGsAT6BDff4cPfQR9UobzGiwMID8axfOIVQwC2YE43jh2NJq7Rb7Dd6We6s2d3UVft1uLiPgi-X8PAyvURjBZimN8JtdVjO94bi9E_sriMoV3uMR_iSXQ9PyH7BPNtc5F1iL9CLl8FJDwnsBeqMDjKjDFBCjvcJ9LuVCq0OzjNihqI/s2362/marc_chagall_das_gelbe_zimmer-_1911_riehen_basel_fondation_beyeler_bildrecht_wien_2023.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1776" data-original-width="2362" height="482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYnsVcgacc9JA6AllGsAT6BDff4cPfQR9UobzGiwMID8axfOIVQwC2YE43jh2NJq7Rb7Dd6We6s2d3UVft1uLiPgi-X8PAyvURjBZimN8JtdVjO94bi9E_sriMoV3uMR_iSXQ9PyH7BPNtc5F1iL9CLl8FJDwnsBeqMDjKjDFBCjvcJ9LuVCq0OzjNihqI/w640-h482/marc_chagall_das_gelbe_zimmer-_1911_riehen_basel_fondation_beyeler_bildrecht_wien_2023.jpg" width="640" /></a></div><p><br /></p>Marc Chagall<br />Das gelbe Zimmer, 1911<br />Öl auf Leinwand<br />Riehen/Basel, Fondation Beyeler © Bildrecht, Wien 2024<br /><br /><br /><br /><p></p>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-69983404358889818482024-03-06T13:54:00.000-08:002024-03-06T13:54:19.033-08:00Universe Max Beckmann<p> </p><div class="content-intro__content content-markup content-intro__content--first-letter" style="background-color: white; box-sizing: border-box; font-family: "Ping Regular", sans-serif; margin: 0px; padding: 35px 0px 0px; position: relative;"><p style="box-sizing: border-box; color: #404040; line-height: 1.9em; margin: 0px; padding: 0px 0px 40px; position: relative; text-align: center;"><span style="box-sizing: border-box; font-size: large; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span face=""Ping Bold", sans-serif"><b>Kunstmuseum The Hague</b></span></span></p><p style="box-sizing: border-box; color: #404040; line-height: 1.9em; margin: 0px; padding: 0px 0px 40px; position: relative; text-align: center;"><span style="box-sizing: border-box; font-size: large; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><b>January 27 to May 20, 2024</b></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px 0px 40px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span face=""Ping Bold", sans-serif" style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Sharp angles, alienating perspectives, oppressive frames. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">The painter Max Beckmann uses all kinds of techniques to manipulate the space in his paintings. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">The painted picture surface is his domain; </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">through painting, Beckmann gets a grip on reality, which for him consists of physical but also spiritual dimensions. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">With his unique imagination of space, he is one of the most idiosyncratic and unique artists of the twentieth century. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">In the exhibition </span></span><em style="box-sizing: border-box; font-family: "Ping Bold Italic", sans-serif; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Universum Max Beckmann,</span></span></em><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"> Kunstmuseum The Hague examines – for the first time – the painter's oeuvre based on his imagination of space.</span></span></span></span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span face=""Ping Bold", sans-serif" style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;">Universe Max Beckmann</span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Max Beckmann (1884-1950) fills his paintings with images and meanings that cannot be immediately unraveled; </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">a special visual language, which he develops based on countless sources (literature, religion, mythology) and his own observations. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">His paintings are charged, intellectual, spiritual. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">But the German-born Beckmann is just as much a sophisticated 'man of the world' who incorporates the influences of modern times into his work. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">He immerses himself in contemporary forms of entertainment: the magical world of theater, circus and cinema are important impulses. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Technological developments in the film literally offer new perspectives; </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">developments that he follows closely, and are recognizable in the way in which Beckmann himself comes to view the world. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Fragments from some influential productions from this time can </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">be seen in </span></span><em style="box-sizing: border-box; font-family: "Ping Regular Italic", sans-serif; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Universum Max Beckmann .</span></span></em><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">In his paintings, Max Beckmann follows the traditional genres of painting: portraits, still lifes, landscapes (including sea and city views) and mythological and historical scenes. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">The innovative and modern aspect of his work therefore lies not so much in his choice of subject, but rather in his elaboration of it. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">By taking elements from that reality and rearranging them in his performances, he gains a grip on the world around him.</span></span></span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Especially the way in which he represents, or actually manipulates, space is unique. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">From the early monumental, traditional compositions to sharp frames, angular and alienating perspectives, stacks, cut-offs and striking formats. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Feverish performances sometimes, with countless objects and figures in often defined, oppressive spaces. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Perspectives that are not separate from the artist's life and resonate with the turbulent Europe during and between two world wars. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Are Beckmann's paintings a reaction to the changing society? </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Are they processing his own experiences, during the war or later, when he fled Germany?</span></span></span></span></span></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px 0px 40px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span face=""Ping Bold", sans-serif" style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">After formative periods in Weimar</span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">, Berlin and Florence, and after the traumatic experiences of the First World War, Max Beckmann's reputation grew rapidly. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">In the interwar period he was based in Frankfurt. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">His work is published and exhibited, he teaches at the prestigious Städelschule, and he regularly travels to Paris or Berlin. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">A room with his work in Berlin's National Gallery – an honor that no other living artist deserves – is the crowning achievement of the work.</span></span></span></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px 0px 40px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">However, when the National Socialists seized power in 1933, Max Beckmann's success began to crumble. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">There is no room for his progressive, modern painting in the Germany they envision. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Beckmann loses his appointment at the Städelschule, 'his' hall of honor in Berlin is vacated, exhibitions of his work no longer take place. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">With the painful exception of the exhibition of 'degenerate' art – a comprehensive overview of what art, according to the National Socialists, should not be. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">He flees Germany with his wife Quappi, never to return.</span></span></span></span></span></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px 0px 40px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">They travel to the Netherlands, where he is fairly well known and has painted several seascapes: Scheveningen, Zandvoort, places of which he cherishes fond memories. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">From there he wants to move on to Paris, or better yet: New York. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">He sees a future there for him and his wife. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Interest in his work is also growing there. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">But they are overtaken by reality: due to the outbreak of the Second World War, further travel is no longer possible. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">The artist was forced to settle in Amsterdam, where he was able to move into a house with a studio on the Rokin.</span></span></span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">This forced 'isolation' leads to the most productive phase of Beckmann's life. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Here, in the Netherlands, during this period, he perfected his now recognizable formal language. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Alienating compositions, in which the picture plane is completely filled; </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">ambitious compositions, imposing sizes, figures and objects crammed together. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">The painter paints his paintings in bright colors that contrast strongly with the typical, heavy contours.</span></span></span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">While the world is in chaos, Beckmann continues to paint. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">The right contacts ensure that he can still sell his canvases in wartime, especially to collectors in Germany and the United States. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">The acclaimed painter had less success in the Netherlands - it was only at the end of the war that the Stedelijk Museum Amsterdam acquired the important double portrait of Beckmann and his wife.</span></span></span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">After the war, Beckmann managed to emigrate to the United States. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">He received an appointment at Washington University in Saint-Louis, later also in New York. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Here he receives the recognition that he might have received earlier under other circumstances: as one of the leaders of modern, Western European painting. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">He died in New York in 1950.</span></span></span></span></span></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span face=""Ping Bold", sans-serif" style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Max Beckmann and Kunstmuseum The Hague</span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Max Beckmann has a unique position in Western European art history. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">His expressive paintings and focus on the inner suggest a debt to German Expressionism. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">His vision of painting, which in his view cannot be anything other than figurative, also characterizes an alliance with new realistic trends after the First World War, the </span></span><em style="box-sizing: border-box; font-family: "Ping Regular Italic", sans-serif; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">returns a l'ordre</span></span></em><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"> . </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Movements that traditionally form important core collections of Kunstmuseum The Hague.</span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Between 1921 and 1926, the museum acquired five lithographs by Max Beckmann from the period 1921-1923; </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">the first purchases of his work in the Netherlands. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Only after his death, in 1956, was a major retrospective of his work shown in The Hague. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">That year, the museum acquired the first painting by Beckmann for the collection: </span></span></span></span></span></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><br /></span></span></span></span></span></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><em style="box-sizing: border-box; font-family: "Ping Regular Italic", sans-serif; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"></span></em></span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><em style="box-sizing: border-box; font-family: "Ping Regular Italic", sans-serif; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><a href="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Max_beckmann%2C_piccolo_caff%C3%A8%2C_porta_girevole%2C_1944.jpg/475px-Max_beckmann%2C_piccolo_caff%C3%A8%2C_porta_girevole%2C_1944.jpg?20210101225538" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="475" height="600" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Max_beckmann%2C_piccolo_caff%C3%A8%2C_porta_girevole%2C_1944.jpg/475px-Max_beckmann%2C_piccolo_caff%C3%A8%2C_porta_girevole%2C_1944.jpg?20210101225538" width="475" /></a></span></em></span></span></span></div><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><em style="box-sizing: border-box; font-family: "Ping Regular Italic", sans-serif; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><br /></span></em></span></span></span><p></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><em style="box-sizing: border-box; font-family: "Ping Regular Italic", sans-serif; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Small café, revolving door</span></span></em><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"> (1944). </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">In 2021 it was able to add a second painting: </span></span><em style="box-sizing: border-box; font-family: "Ping Regular Italic", sans-serif; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Bathers with a green changing cabin and skippers with red trousers,</span></span></em><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"> painted in 1934 after a visit to the Dutch coast.</span></span></span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><em style="box-sizing: border-box; font-family: "Ping Regular Italic", sans-serif; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">Universe Max Beckmann</span></span></span></em><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"> shows a cross-section of the oeuvre of a unique painter. </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">The exhibition shows the world through the eyes of Max Beckmann, who gives meaning to the chaos of the modern world around him with a special, personal visual language and idiosyncratic representation of space.</span></span></span></span></span></span><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span face=""Ping Bold", sans-serif" style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;">Catalog</span></span></span></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span face=""Ping Bold", sans-serif" style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><br /></span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://images.copyrightbookshop.be/site/wp-content/uploads/2024/03/01145915/be1-900x800.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="711" data-original-width="800" height="711" src="https://images.copyrightbookshop.be/site/wp-content/uploads/2024/03/01145915/be1-900x800.jpg" width="800" /></a></div><br /><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><br style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;" /><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">The exhibition is accompanied by<a href="https://www.copyrightbookshop.be/en/shop/universum-max-beckmann-kunstmuseum-den-haag/"> a richly illustrated catalog</a> with contributions from, among others, Daniel Koep (Head of Exhibitions, Kunstmuseum The Hague), Thijs de Raedt (Curator, Kunstmuseum The Hague), Oliver Kase (Head of Modern Art, Pinakothek Munich) and Vera de Lange (Film historian). </span><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;">The catalog is published by Waanders.</span></span></span></span></span></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><br /></span></span></span></span></span></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"></span></span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOqw53rYuBtgHRj3qx8-vQpen9nqqP8hRbuPCH3c-ZxBvVm9GNRo2B7LwO9w1W5lEGu_yk3IdBDx7Ar2x5hlPAtqwlrSfSWj_fYD36XEmrlWJyYF6Bo5U5qEIjk_KwbTqqCQ-6mj4_REUxjQRysUFTUq5TVaXvJLQ4ewtp-GcUp6G-wMBC8tPCR-wQf9-u/s3000/Max%20Beckmann,%20Baders%20met%20groene%20kleedcabine%20en%20schippers%20met%20rode%20broek,%201934.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2232" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOqw53rYuBtgHRj3qx8-vQpen9nqqP8hRbuPCH3c-ZxBvVm9GNRo2B7LwO9w1W5lEGu_yk3IdBDx7Ar2x5hlPAtqwlrSfSWj_fYD36XEmrlWJyYF6Bo5U5qEIjk_KwbTqqCQ-6mj4_REUxjQRysUFTUq5TVaXvJLQ4ewtp-GcUp6G-wMBC8tPCR-wQf9-u/w476-h640/Max%20Beckmann,%20Baders%20met%20groene%20kleedcabine%20en%20schippers%20met%20rode%20broek,%201934.jpg" width="476" /></a></span></span></span></span></div><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;"><br class="Apple-interchange-newline" />Max Beckmann, Bathers with green changing cabin and skippers with red trousers, 1934. Oil on canvas, 80 x 60 cm. </span><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;">Art Museum The Hague, purchased with financial support from the Rembrandt Association, the Mondriaan Fund, VriendenLoterij, Kunstmuseum Fund and the Mondriaan Business Club.</span></span></span></span></span><p></p><p style="box-sizing: border-box; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="color: #666666;"><span style="font-size: 18px;"><br /></span></span></span></span></span></span></span></p><div class="separator" style="clear: both; color: #404040; font-size: 1em; text-align: center;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjddMEyh6gQf1kb2kf9MHkhAMeVrJvYYAvs-aPaAgdE0oSZWPoLUsX-XH50g5UcmffyGDi6UrGqIVpdXIlmTrU-HBNCGhwQirl8SQgbWBRwHAUI7Vre6TqaKpyD76WO1fQ7C4qGAjouePHVbbw2u-qrXUTGGLr84INV61f4gqsMXNCboCH7PVLh6FRw7u6K/s7228/Max%20Beckmann,%20Droom%20van%20de%20soldaat,%201942.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4537" data-original-width="7228" height="402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjddMEyh6gQf1kb2kf9MHkhAMeVrJvYYAvs-aPaAgdE0oSZWPoLUsX-XH50g5UcmffyGDi6UrGqIVpdXIlmTrU-HBNCGhwQirl8SQgbWBRwHAUI7Vre6TqaKpyD76WO1fQ7C4qGAjouePHVbbw2u-qrXUTGGLr84INV61f4gqsMXNCboCH7PVLh6FRw7u6K/w640-h402/Max%20Beckmann,%20Droom%20van%20de%20soldaat,%201942.jpg" width="640" /></a></span></span></span></span></div><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;">Max Beckmann, The Soldier's Dream, 1942. Oil on canvas, 90 x 145 cm. </span><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;">Hilti Art Foundation, Vaduz</span><br /><div class="separator" style="clear: both; color: #404040; font-size: 1em; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbXgbsOTG7pF7Z5r5uhrIXK-cZfX_mRorfV0Z3RZGGFgkQYboPM0mWTRMnRbdNv4wQZNL530Fuctda5wxmm9NctcEdqMijYDcYTW7eN2q5VS5EZ_vEg25yPl3H6MSEkz7qQgq7yY3E4JLAvFROTUcNXMRrHRDYWvjoXR7SfpbdnqdNDbWHZktEXZ3ryDJJ/s4124/Max%20Beckmann,%20Dubbelportret,%201941.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4124" data-original-width="1915" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbXgbsOTG7pF7Z5r5uhrIXK-cZfX_mRorfV0Z3RZGGFgkQYboPM0mWTRMnRbdNv4wQZNL530Fuctda5wxmm9NctcEdqMijYDcYTW7eN2q5VS5EZ_vEg25yPl3H6MSEkz7qQgq7yY3E4JLAvFROTUcNXMRrHRDYWvjoXR7SfpbdnqdNDbWHZktEXZ3ryDJJ/w298-h640/Max%20Beckmann,%20Dubbelportret,%201941.jpg" width="298" /></a></div><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;"><p style="box-sizing: border-box; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;"><br /></span></span></span></span></span></span></p>Max Beckmann, Double portrait, 1941. Oil on canvas, 193.5 x 89 cm. </span><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;">Stedelijk Museum, Amsterdam</span><br /><div class="separator" style="clear: both; color: #404040; font-size: 1em; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg332Y80urO_BU2IYpGDZ9XbNwNXECPA3k3ndOIoymFLAFiq-Tmw2rR_b2BhnPL6dHFJqJ1imK0jeT2uPm7602XMo4eJKQSBQwbxA6DUrOdDPwr6EXnZUmc9uBc3xhzsMEcGEmMgR7W6Yq4i-FTysN9_m3sY3NPOsSFMb0iXMwgqMDN_Pfw5lvXkyiDQZ8g/s4904/Max%20Beckmann,%20Liggend%20naakt%20met%20hond,%201927.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4904" data-original-width="3295" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg332Y80urO_BU2IYpGDZ9XbNwNXECPA3k3ndOIoymFLAFiq-Tmw2rR_b2BhnPL6dHFJqJ1imK0jeT2uPm7602XMo4eJKQSBQwbxA6DUrOdDPwr6EXnZUmc9uBc3xhzsMEcGEmMgR7W6Yq4i-FTysN9_m3sY3NPOsSFMb0iXMwgqMDN_Pfw5lvXkyiDQZ8g/w430-h640/Max%20Beckmann,%20Liggend%20naakt%20met%20hond,%201927.jpg" width="430" /></a></div><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><br /></span></span></span></span></span></p><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;">Max Beckmann, Reclining Nude with Dog, 1927. Oil on canvas, 67 x 47 cm. </span><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;">Museum Wiesbaden</span></span></span></span></span><p></p><p style="box-sizing: border-box; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="color: #666666;"><span style="font-size: 18px;"><br /></span></span></span></span></span></span></span></p><p style="box-sizing: border-box; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVqfUHSdiVFncqWAjp67g-ueDEHcK_TOsMlfb3Wlgu6epVaLSs3fB-TRCkgK5Sfr7fRhMSpvXkeh0pt3d7PLw2iHiF2nH9lQUpgwdqMFip_0aqpeOR_-zLcYk5gqpUESe1TZudBqzZ_5ODCSqSq01duQC3tjjQbkpHdeJ0atvhDz-A1FhzY8rTALYSsQBm/s4509/Toneelspelers,%201941-1942,%20olieverf%20op%20doek%20(triptiek),%20detail%20uit%20rechterdeel%20.jpg" style="font-size: 16px; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="4509" data-original-width="3103" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVqfUHSdiVFncqWAjp67g-ueDEHcK_TOsMlfb3Wlgu6epVaLSs3fB-TRCkgK5Sfr7fRhMSpvXkeh0pt3d7PLw2iHiF2nH9lQUpgwdqMFip_0aqpeOR_-zLcYk5gqpUESe1TZudBqzZ_5ODCSqSq01duQC3tjjQbkpHdeJ0atvhDz-A1FhzY8rTALYSsQBm/w440-h640/Toneelspelers,%201941-1942,%20olieverf%20op%20doek%20(triptiek),%20detail%20uit%20rechterdeel%20.jpg" width="440" /></a><span style="color: #666666;"><span style="font-size: 18px;"><br /></span></span><span style="box-sizing: border-box; color: #404040; font-size: 1em; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><br /></span></span></span></span></span></span></p><p style="box-sizing: border-box; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; color: #404040; font-size: 1em; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="color: #666666; font-size: 18px;">Actors, 1941-1942, oil on canvas (triptych), detail from right part 199.4 x 83.7 cm, Harvard Art Museums/Fogg Museum, Cambridge, MA, Gift of Lois Orswell.</span></span></span></span></span></span></span></p><p style="box-sizing: border-box; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; color: #404040; font-size: 1em; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="color: #666666; font-size: 18px;"><br /></span></span></span></span></span></span></span></p><p style="box-sizing: border-box; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; color: #404040; font-size: 1em; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"></span></span></span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; color: #404040; font-size: 1em; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5ynYQTp1osedwLr_1mka_SyKB6wzGtIa4KPh8_vKE9J-V6P7ZHeH4-8imDOtdSn2IJSt_9IQ1riXWyeSYV6rZOc1v1pc1gfKru_qiQJ4t8fL6rc10BjhnrjmnVgVoRlZG813LqnQoRiFBIvJCswF4dJx7KD-jahWPcAXq_taQmE0ygGuocLVqQiJqUXlq/s4134/Toneelspelers,%201941-42.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2538" data-original-width="4134" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5ynYQTp1osedwLr_1mka_SyKB6wzGtIa4KPh8_vKE9J-V6P7ZHeH4-8imDOtdSn2IJSt_9IQ1riXWyeSYV6rZOc1v1pc1gfKru_qiQJ4t8fL6rc10BjhnrjmnVgVoRlZG813LqnQoRiFBIvJCswF4dJx7KD-jahWPcAXq_taQmE0ygGuocLVqQiJqUXlq/w640-h392/Toneelspelers,%201941-42.jpg" width="640" /></a></span></span></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; color: #404040; font-size: 1em; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><br /></span></span></span></span></span></div><p></p><p style="box-sizing: border-box; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative;"><span style="box-sizing: border-box; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; color: #404040; font-size: 1em; margin: 0px; padding: 0px; position: relative; vertical-align: inherit;"><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;">Actors, 1941-42, Oil on canvas, left: 199.4 × 83.7 cm / center: 199.4 × 150 cm / right: 199.4 × 83.7 cm, Harvard Art Museums, Fogg Art Museum, Cambridge , MA. </span><span style="box-sizing: border-box; color: #666666; font-size: 18px; margin: 0px; padding: 0px; vertical-align: inherit;">Gift of Lois Orswell, Photo: President and Fellows of Harvard Colleg</span></span></span></span></span></span></span></p><p style="box-sizing: border-box; color: #404040; font-size: 1em; line-height: 1.9em; margin: 0px; padding: 0px; position: relative;"><br /></p></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-3482539869195047292024-03-01T14:05:00.000-08:002024-03-01T14:05:14.707-08:0025th Annual Hudson River School Exhibition<p> <span style="background-color: white; color: #1a1a1a; font-family: universmedium, sans-serif; font-size: 17px;">After decades collecting exceptional works by Hudson River School artists, Questroyal Fine Art is proud to present our 25th Annual Hudson River School Exhibition! Over 75 works will be on display, created by significant artists of the movement, including Albert Bierstadt, Thomas Moran, George Inness, and John Frederick Kensett. There is no better way to appreciate these paintings than to view them for yourself. We invite you to examine the immaculate details of Richard William Hubbard’s </span><em style="background-color: white; box-sizing: inherit; color: #1a1a1a; font-family: universmedium, sans-serif; font-size: 17px;">A Mountain Stream</em><span style="background-color: white; color: #1a1a1a; font-family: universmedium, sans-serif; font-size: 17px;">, to admire the iridescent colors of Thomas Moran’s </span><em style="background-color: white; box-sizing: inherit; color: #1a1a1a; font-family: universmedium, sans-serif; font-size: 17px;">Grand Canyon</em><span style="background-color: white; color: #1a1a1a; font-family: universmedium, sans-serif; font-size: 17px;">, and to experience the dramatic scale of the Arctic region through William Bradford’s </span><em style="background-color: white; box-sizing: inherit; color: #1a1a1a; font-family: universmedium, sans-serif; font-size: 17px;">Icebound Sealer Under Winter Sun</em><span style="background-color: white; color: #1a1a1a; font-family: universmedium, sans-serif; font-size: 17px;">. This exhibition and sale will be on view through April 6, 2024. </span></p><h3>In This Exhibition :</h3><ul id="exhibition_paintings"><li><a data-cke-saved-href="https://www.questroyalfineart.com/view-on-the-hudson-the-catskills-in-the-distance/" href="https://www.questroyalfineart.com/view-on-the-hudson-the-catskills-in-the-distance/" title="View on the Hudson, the Catskills in the Distance"><img alt="View on the Hudson, the Catskills in the Distance" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Silva-View-on-the-Hudson-the-Catskills-in-the-Distance-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Silva-View-on-the-Hudson-the-Catskills-in-the-Distance-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/view-on-the-hudson-the-catskills-in-the-distance/" href="https://www.questroyalfineart.com/view-on-the-hudson-the-catskills-in-the-distance/" title="View on the Hudson, the Catskills in the Distance">Francis Augustus SilvaView on the Hudson, the Catskills in the Distance</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/icebound-sealer-under-winter-sun/" href="https://www.questroyalfineart.com/icebound-sealer-under-winter-sun/" title="Icebound Sealer Under Winter Sun"><img alt="Icebound Sealer Under Winter Sun" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Bradford-Icebound-Sealer-Under-Winter-Sun-1877-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Bradford-Icebound-Sealer-Under-Winter-Sun-1877-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/icebound-sealer-under-winter-sun/" href="https://www.questroyalfineart.com/icebound-sealer-under-winter-sun/" title="Icebound Sealer Under Winter Sun">William BradfordIcebound Sealer Under Winter Sun</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/summer-landscape/" href="https://www.questroyalfineart.com/summer-landscape/" title="Summer Landscape"><img alt="Summer Landscape" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Brevoort-Summer-Landscape-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Brevoort-Summer-Landscape-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/summer-landscape/" href="https://www.questroyalfineart.com/summer-landscape/" title="Summer Landscape">James Renwick BrevoortSummer Landscape</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/twilight-in-the-marshes/" href="https://www.questroyalfineart.com/twilight-in-the-marshes/" title="Twilight in the Marshes"><img alt="Twilight in the Marshes" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Brevoort-Twilight-in-the-Marshes-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Brevoort-Twilight-in-the-Marshes-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/twilight-in-the-marshes/" href="https://www.questroyalfineart.com/twilight-in-the-marshes/" title="Twilight in the Marshes">James Renwick BrevoortTwilight in the Marshes</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/twilight-on-hunter-mountain/" href="https://www.questroyalfineart.com/twilight-on-hunter-mountain/" title="Twilight on Hunter Mountain"><img alt="Twilight on Hunter Mountain" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-Twilight-on-Hunter-Mountain-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-Twilight-on-Hunter-Mountain-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/twilight-on-hunter-mountain/" href="https://www.questroyalfineart.com/twilight-on-hunter-mountain/" title="Twilight on Hunter Mountain">Sanford Robinson GiffordTwilight on Hunter Mountain</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/sunday-after-the-meeting/" href="https://www.questroyalfineart.com/sunday-after-the-meeting/" title="Sunday after the Meeting"><img alt="Sunday after the Meeting" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Hart-Sunday-after-the-Meeting-2-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Hart-Sunday-after-the-Meeting-2-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/sunday-after-the-meeting/" href="https://www.questroyalfineart.com/sunday-after-the-meeting/" title="Sunday after the Meeting">James M. HartSunday after the Meeting</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/a-mountain-stream/" href="https://www.questroyalfineart.com/a-mountain-stream/" title="SOLD A Mountain Stream"><img alt="SOLD A Mountain Stream" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Hubbard-A-Mountain-Stream-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Hubbard-A-Mountain-Stream-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/a-mountain-stream/" href="https://www.questroyalfineart.com/a-mountain-stream/" title="SOLD A Mountain Stream">Richard William HubbardSOLD A Mountain Stream</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/buck-mountain-lake-george/" href="https://www.questroyalfineart.com/buck-mountain-lake-george/" title="SOLD Buck Mountain, Lake George"><img alt="SOLD Buck Mountain, Lake George" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Johnson-Buck-Mountain-Lake-George-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Johnson-Buck-Mountain-Lake-George-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/buck-mountain-lake-george/" href="https://www.questroyalfineart.com/buck-mountain-lake-george/" title="SOLD Buck Mountain, Lake George">David JohnsonSOLD Buck Mountain, Lake George</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/palisades-on-the-hudson/" href="https://www.questroyalfineart.com/palisades-on-the-hudson/" title="Palisades on the Hudson"><img alt="Palisades on the Hudson" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Inness-Palisades-on-the-Hudson-3-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Inness-Palisades-on-the-Hudson-3-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/palisades-on-the-hudson/" href="https://www.questroyalfineart.com/palisades-on-the-hudson/" title="Palisades on the Hudson">George InnessPalisades on the Hudson</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/punting-on-the-river-cam-england/" href="https://www.questroyalfineart.com/punting-on-the-river-cam-england/" title="Punting on the River Cam, England"><img alt="Punting on the River Cam, England" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/MoranT-Punting-on-the-River-Cam-England-1885-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/MoranT-Punting-on-the-River-Cam-England-1885-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/punting-on-the-river-cam-england/" href="https://www.questroyalfineart.com/punting-on-the-river-cam-england/" title="Punting on the River Cam, England">Thomas MoranPunting on the River Cam, England</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/grand-canyon/" href="https://www.questroyalfineart.com/grand-canyon/" title="Grand Canyon"><img alt="Grand Canyon" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Moran-Grand-Canyon-1919-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Moran-Grand-Canyon-1919-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/grand-canyon/" href="https://www.questroyalfineart.com/grand-canyon/" title="Grand Canyon">Thomas MoranGrand Canyon</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/campfire-at-sunset/" href="https://www.questroyalfineart.com/campfire-at-sunset/" title="Campfire at Sunset"><img alt="Campfire at Sunset" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Inness-Campfire-at-Sunset-1-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Inness-Campfire-at-Sunset-1-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/campfire-at-sunset/" href="https://www.questroyalfineart.com/campfire-at-sunset/" title="Campfire at Sunset">George InnessCampfire at Sunset</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/view-on-the-connecticut/" href="https://www.questroyalfineart.com/view-on-the-connecticut/" title="View on the Connecticut"><img alt="View on the Connecticut" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Cropsey-View-on-the-Connecticut-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Cropsey-View-on-the-Connecticut-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/view-on-the-connecticut/" href="https://www.questroyalfineart.com/view-on-the-connecticut/" title="View on the Connecticut">Jasper Francis CropseyView on the Connecticut</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/sunrise/" href="https://www.questroyalfineart.com/sunrise/" title="SOLD Sunrise"><img alt="SOLD Sunrise" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Bierstadt-Sunrise-4-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Bierstadt-Sunrise-4-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/sunrise/" href="https://www.questroyalfineart.com/sunrise/" title="SOLD Sunrise">Albert BierstadtSOLD Sunrise</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/lifting-fog-grand-manan/" href="https://www.questroyalfineart.com/lifting-fog-grand-manan/" title="Lifting Fog, Grand Manan"><img alt="Lifting Fog, Grand Manan" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Bricher-Lifting-Fog-Grand-Manan-1-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Bricher-Lifting-Fog-Grand-Manan-1-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/lifting-fog-grand-manan/" href="https://www.questroyalfineart.com/lifting-fog-grand-manan/" title="Lifting Fog, Grand Manan">Alfred Thompson BricherLifting Fog, Grand Manan</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/autumn-landscape-with-cattle/" href="https://www.questroyalfineart.com/autumn-landscape-with-cattle/" title="Autumn Landscape with Cattle"><img alt="Autumn Landscape with Cattle" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Cropsey-Autumn-Landscape-with-Cattle-1879-1-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Cropsey-Autumn-Landscape-with-Cattle-1879-1-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/autumn-landscape-with-cattle/" href="https://www.questroyalfineart.com/autumn-landscape-with-cattle/" title="Autumn Landscape with Cattle">Jasper Francis CropseyAutumn Landscape with Cattle</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/shoreline-with-basket-and-boats/" href="https://www.questroyalfineart.com/shoreline-with-basket-and-boats/" title="Shoreline with Basket and Boats"><img alt="Shoreline with Basket and Boats" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/de-Haas-Shoreline-with-Basket-and-Boats-1-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/de-Haas-Shoreline-with-Basket-and-Boats-1-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/shoreline-with-basket-and-boats/" href="https://www.questroyalfineart.com/shoreline-with-basket-and-boats/" title="Shoreline with Basket and Boats">William Frederick de HaasShoreline with Basket and Boats</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/south-coast-of-block-island/" href="https://www.questroyalfineart.com/south-coast-of-block-island/" title="South Coast of Block Island"><img alt="South Coast of Block Island" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/De-Haas-South-Coast-of-Block-Island-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/De-Haas-South-Coast-of-Block-Island-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/south-coast-of-block-island/" href="https://www.questroyalfineart.com/south-coast-of-block-island/" title="South Coast of Block Island">William Frederick de HaasSouth Coast of Block Island</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/road-side-view-view-in-wisconsin/" href="https://www.questroyalfineart.com/road-side-view-view-in-wisconsin/" title="Road-Side View (View in Wisconsin)"><img alt="Road-Side View (View in Wisconsin)" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Eastman-Road-Side-View-View-in-Wisconsin-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Eastman-Road-Side-View-View-in-Wisconsin-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/road-side-view-view-in-wisconsin/" href="https://www.questroyalfineart.com/road-side-view-view-in-wisconsin/" title="Road-Side View (View in Wisconsin)">Seth EastmanRoad-Side View (View in Wisconsin)</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/presidential-range-new-hampshire/" href="https://www.questroyalfineart.com/presidential-range-new-hampshire/" title="Presidential Range, New Hampshire"><img alt="Presidential Range, New Hampshire" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Fairman-Presidential-Range-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Fairman-Presidential-Range-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/presidential-range-new-hampshire/" href="https://www.questroyalfineart.com/presidential-range-new-hampshire/" title="Presidential Range, New Hampshire">James FairmanPresidential Range, New Hampshire</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/niagara-falls-2/" href="https://www.questroyalfineart.com/niagara-falls-2/" title="Niagara Falls"><img alt="Niagara Falls" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/2010/08/Gignoux-Niagara-Falls2-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/2010/08/Gignoux-Niagara-Falls2-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/niagara-falls-2/" href="https://www.questroyalfineart.com/niagara-falls-2/" title="Niagara Falls">Régis François GignouxNiagara Falls</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/sunset-glow-roman-campagna/" href="https://www.questroyalfineart.com/sunset-glow-roman-campagna/" title="Sunset Glow, Roman Campagna"><img alt="Sunset Glow, Roman Campagna" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Haseltine-Sunset-Glow-Roman-Campagna-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Haseltine-Sunset-Glow-Roman-Campagna-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/sunset-glow-roman-campagna/" href="https://www.questroyalfineart.com/sunset-glow-roman-campagna/" title="Sunset Glow, Roman Campagna">William Stanley HaseltineSunset Glow, Roman Campagna</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/pompton-new-jersey/" href="https://www.questroyalfineart.com/pompton-new-jersey/" title="Pompton, New Jersey"><img alt="Pompton, New Jersey" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Johnson-Pompton-New-Jersey-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Johnson-Pompton-New-Jersey-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/pompton-new-jersey/" href="https://www.questroyalfineart.com/pompton-new-jersey/" title="Pompton, New Jersey">David JohnsonPompton, New Jersey</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/sketch-from-nature-pear-tree-in-blossom/" href="https://www.questroyalfineart.com/sketch-from-nature-pear-tree-in-blossom/" title="Sketch from Nature: Pear Tree in Blossom"><img alt="Sketch from Nature: Pear Tree in Blossom" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Johnson-Sketch-from-Nature-Pear-Tree-in-Blossom-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Johnson-Sketch-from-Nature-Pear-Tree-in-Blossom-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/sketch-from-nature-pear-tree-in-blossom/" href="https://www.questroyalfineart.com/sketch-from-nature-pear-tree-in-blossom/" title="Sketch from Nature: Pear Tree in Blossom">David JohnsonSketch from Nature: Pear Tree in Blossom</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/new-england-coastal-scene-with-figures/" href="https://www.questroyalfineart.com/new-england-coastal-scene-with-figures/" title="New England Coastal Scene with Figures"><img alt="New England Coastal Scene with Figures" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/2012/02/Kensett-New-England-Coast-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/2012/02/Kensett-New-England-Coast-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/new-england-coastal-scene-with-figures/" href="https://www.questroyalfineart.com/new-england-coastal-scene-with-figures/" title="New England Coastal Scene with Figures">John Frederick KensettNew England Coastal Scene with Figures</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/winter-sports/" href="https://www.questroyalfineart.com/winter-sports/" title="Winter Sports"><img alt="Winter Sports" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Kensett-Winter-Sports-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Kensett-Winter-Sports-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/winter-sports/" href="https://www.questroyalfineart.com/winter-sports/" title="Winter Sports">John Frederick KensettWinter Sports</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/watching-the-regatta-near-newburgh-new-york/" href="https://www.questroyalfineart.com/watching-the-regatta-near-newburgh-new-york/" title="Watching the Regatta Near Newburgh, New York"><img alt="Watching the Regatta Near Newburgh, New York" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/McCord-Watching-the-Regatta-Near-Newburgh-New-York-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/McCord-Watching-the-Regatta-Near-Newburgh-New-York-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/watching-the-regatta-near-newburgh-new-york/" href="https://www.questroyalfineart.com/watching-the-regatta-near-newburgh-new-york/" title="Watching the Regatta Near Newburgh, New York">George Herbert McCordWatching the Regatta Near Newburgh, New York</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/summer-hills-hunter-mountain/" href="https://www.questroyalfineart.com/summer-hills-hunter-mountain/" title="Summer Hills, Hunter Mountain"><img alt="Summer Hills, Hunter Mountain" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/2011/04/McEntee-Summer-Hunter-Mtn2-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/2011/04/McEntee-Summer-Hunter-Mtn2-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/summer-hills-hunter-mountain/" href="https://www.questroyalfineart.com/summer-hills-hunter-mountain/" title="Summer Hills, Hunter Mountain">Jervis McEnteeSummer Hills, Hunter Mountain</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/moonrise-over-a-snowy-landscape/" href="https://www.questroyalfineart.com/moonrise-over-a-snowy-landscape/" title="Moonrise Over a Snowy Landscape"><img alt="Moonrise Over a Snowy Landscape" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Palmer-Moonlight-Over-Snowy-Landscape-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Palmer-Moonlight-Over-Snowy-Landscape-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/moonrise-over-a-snowy-landscape/" href="https://www.questroyalfineart.com/moonrise-over-a-snowy-landscape/" title="Moonrise Over a Snowy Landscape">Walter Launt PalmerMoonrise Over a Snowy Landscape</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/mountain-vista/" href="https://www.questroyalfineart.com/mountain-vista/" title="Mountain Vista"><img alt="Mountain Vista" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Wyant-Mountain-Vista-3-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Wyant-Mountain-Vista-3-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/mountain-vista/" href="https://www.questroyalfineart.com/mountain-vista/" title="Mountain Vista">Alexander Helwig WyantMountain Vista</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/a-trail-through-the-trees/" href="https://www.questroyalfineart.com/a-trail-through-the-trees/" title="A Trail through the Trees"><img alt="A Trail through the Trees" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Bierstadt-A-Trail-through-the-Trees-1-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Bierstadt-A-Trail-through-the-Trees-1-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/a-trail-through-the-trees/" href="https://www.questroyalfineart.com/a-trail-through-the-trees/" title="A Trail through the Trees">Albert BierstadtA Trail through the Trees</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/lake-in-the-mountains/" href="https://www.questroyalfineart.com/lake-in-the-mountains/" title="Lake in the Mountains"><img alt="Lake in the Mountains" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/2018/01/Bigelow-Lake-in-the-Mountains-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/2018/01/Bigelow-Lake-in-the-Mountains-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/lake-in-the-mountains/" href="https://www.questroyalfineart.com/lake-in-the-mountains/" title="Lake in the Mountains">Daniel Folger BigelowLake in the Mountains</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/fairhaven-harbor-old-tack-works-wharf/" href="https://www.questroyalfineart.com/fairhaven-harbor-old-tack-works-wharf/" title="Fairhaven Harbor (Old Tack Works Wharf)"><img alt="Fairhaven Harbor (Old Tack Works Wharf)" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/2017/10/Bradford-Fairhaven-Harbor-Old-Tack-Works-Wharf-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/2017/10/Bradford-Fairhaven-Harbor-Old-Tack-Works-Wharf-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/fairhaven-harbor-old-tack-works-wharf/" href="https://www.questroyalfineart.com/fairhaven-harbor-old-tack-works-wharf/" title="Fairhaven Harbor (Old Tack Works Wharf)">William BradfordFairhaven Harbor (Old Tack Works Wharf)</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/lights-of-the-aurora/" href="https://www.questroyalfineart.com/lights-of-the-aurora/" title="Lights of the Aurora"><img alt="Lights of the Aurora" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Bradford-Lights-of-the-Aurora-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Bradford-Lights-of-the-Aurora-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/lights-of-the-aurora/" href="https://www.questroyalfineart.com/lights-of-the-aurora/" title="Lights of the Aurora">William BradfordLights of the Aurora</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/rocky-shore/" href="https://www.questroyalfineart.com/rocky-shore/" title="Rocky Shore"><img alt="Rocky Shore" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Bradford-Rocky-Shore-4-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Bradford-Rocky-Shore-4-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/rocky-shore/" href="https://www.questroyalfineart.com/rocky-shore/" title="Rocky Shore">William BradfordRocky Shore</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/moonlight-seascape/" href="https://www.questroyalfineart.com/moonlight-seascape/" title="Moonlight Seascape"><img alt="Moonlight Seascape" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Bricher-Moonlight-Seascape-1-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Bricher-Moonlight-Seascape-1-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/moonlight-seascape/" href="https://www.questroyalfineart.com/moonlight-seascape/" title="Moonlight Seascape">Alfred Thompson BricherMoonlight Seascape</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/autumn-scene-with-lake/" href="https://www.questroyalfineart.com/autumn-scene-with-lake/" title="Autumn Scene with Lake"><img alt="Autumn Scene with Lake" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Brown-Autumn-Scene-with-Lake-2-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Brown-Autumn-Scene-with-Lake-2-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/autumn-scene-with-lake/" href="https://www.questroyalfineart.com/autumn-scene-with-lake/" title="Autumn Scene with Lake">William Mason BrownAutumn Scene with Lake</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/landscape/" href="https://www.questroyalfineart.com/landscape/" title="Landscape"><img alt="Landscape" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Colman-Landscape-1-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Colman-Landscape-1-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/landscape/" href="https://www.questroyalfineart.com/landscape/" title="Landscape">Samuel ColmanLandscape</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/rocky-beach-pacific-coast/" href="https://www.questroyalfineart.com/rocky-beach-pacific-coast/" title="Rocky Beach, Pacific Coast"><img alt="Rocky Beach, Pacific Coast" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Colman-Rocky-Beach-Pacific-Coast-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Colman-Rocky-Beach-Pacific-Coast-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/rocky-beach-pacific-coast/" href="https://www.questroyalfineart.com/rocky-beach-pacific-coast/" title="Rocky Beach, Pacific Coast">Samuel ColmanRocky Beach, Pacific Coast</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/landscape-with-cows-near-warwick-new-york/" href="https://www.questroyalfineart.com/landscape-with-cows-near-warwick-new-york/" title="Landscape with Cows near Warwick, New York"><img alt="Landscape with Cows near Warwick, New York" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/2015/04/Cropsey-Landscape-with-Cows-near-Warwick-New-York-1885-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/2015/04/Cropsey-Landscape-with-Cows-near-Warwick-New-York-1885-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/landscape-with-cows-near-warwick-new-york/" href="https://www.questroyalfineart.com/landscape-with-cows-near-warwick-new-york/" title="Landscape with Cows near Warwick, New York">Jasper Francis CropseyLandscape with Cows near Warwick, New York</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/niagara-falls-with-view-of-clifton-house/" href="https://www.questroyalfineart.com/niagara-falls-with-view-of-clifton-house/" title="Niagara Falls with View of Clifton House"><img alt="Niagara Falls with View of Clifton House" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Cropsey-Niagara-Falls-with-View-of-Clifton-House-1852-1-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Cropsey-Niagara-Falls-with-View-of-Clifton-House-1852-1-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/niagara-falls-with-view-of-clifton-house/" href="https://www.questroyalfineart.com/niagara-falls-with-view-of-clifton-house/" title="Niagara Falls with View of Clifton House">Jasper Francis CropseyNiagara Falls with View of Clifton House</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/ruins-with-figures/" href="https://www.questroyalfineart.com/ruins-with-figures/" title="Ruins with Figures"><img alt="Ruins with Figures" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Cropsey-Classical-Landscape-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Cropsey-Classical-Landscape-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/ruins-with-figures/" href="https://www.questroyalfineart.com/ruins-with-figures/" title="Ruins with Figures">Jasper Francis CropseyRuins with Figures</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/figures-along-the-coast-with-sailboats/" href="https://www.questroyalfineart.com/figures-along-the-coast-with-sailboats/" title="Figures Along the Coast with Sailboats"><img alt="Figures Along the Coast with Sailboats" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/De-Haas-Figures-Along-the-Coast-with-Sailboats-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/De-Haas-Figures-Along-the-Coast-with-Sailboats-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/figures-along-the-coast-with-sailboats/" href="https://www.questroyalfineart.com/figures-along-the-coast-with-sailboats/" title="Figures Along the Coast with Sailboats">Mauritz Frederik Hendrik de HaasFigures Along the Coast with Sailboats</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/a-sketch-of-derwentwater/" href="https://www.questroyalfineart.com/a-sketch-of-derwentwater/" title="A Sketch of Derwentwater"><img alt="A Sketch of Derwentwater" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-A-Sketch-of-DerWentWater-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-A-Sketch-of-DerWentWater-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/a-sketch-of-derwentwater/" href="https://www.questroyalfineart.com/a-sketch-of-derwentwater/" title="A Sketch of Derwentwater">Sanford Robinson GiffordA Sketch of Derwentwater</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/manchester-massachusetts/" href="https://www.questroyalfineart.com/manchester-massachusetts/" title="Manchester, Massachusetts"><img alt="Manchester, Massachusetts" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-Manchester-Massachusetts-1864-3-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-Manchester-Massachusetts-1864-3-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/manchester-massachusetts/" href="https://www.questroyalfineart.com/manchester-massachusetts/" title="Manchester, Massachusetts">Sanford Robinson GiffordManchester, Massachusetts</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/marina-grande-capri-with-figures/" href="https://www.questroyalfineart.com/marina-grande-capri-with-figures/" title="Marina Grande, Capri, with Figures"><img alt="Marina Grande, Capri, with Figures" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-Mariana-Grande-Capri-with-Figures-1857-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-Mariana-Grande-Capri-with-Figures-1857-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/marina-grande-capri-with-figures/" href="https://www.questroyalfineart.com/marina-grande-capri-with-figures/" title="Marina Grande, Capri, with Figures">Sanford Robinson GiffordMarina Grande, Capri, with Figures</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/mount-etna-from-catania/" href="https://www.questroyalfineart.com/mount-etna-from-catania/" title="Mount Etna from Catania"><img alt="Mount Etna from Catania" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-Mount-Etna-from-Catania-1868-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-Mount-Etna-from-Catania-1868-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/mount-etna-from-catania/" href="https://www.questroyalfineart.com/mount-etna-from-catania/" title="Mount Etna from Catania">Sanford Robinson GiffordMount Etna from Catania</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/on-the-long-island-coast/" href="https://www.questroyalfineart.com/on-the-long-island-coast/" title="On the Long Island Coast"><img alt="On the Long Island Coast" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/2017/08/Gifford-On-the-Long-Island-Coast-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/2017/08/Gifford-On-the-Long-Island-Coast-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/on-the-long-island-coast/" href="https://www.questroyalfineart.com/on-the-long-island-coast/" title="On the Long Island Coast">Sanford Robinson GiffordOn the Long Island Coast</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/sunset-over-the-shawangunks/" href="https://www.questroyalfineart.com/sunset-over-the-shawangunks/" title="Sunset Over the Shawangunks"><img alt="Sunset Over the Shawangunks" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-Sunset-Over-the-Shawangunks-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Gifford-Sunset-Over-the-Shawangunks-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/sunset-over-the-shawangunks/" href="https://www.questroyalfineart.com/sunset-over-the-shawangunks/" title="Sunset Over the Shawangunks">Sanford Robinson GiffordSunset Over the Shawangunks</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/coastal-scene-at-sunset-with-ships/" href="https://www.questroyalfineart.com/coastal-scene-at-sunset-with-ships/" title="Coastal Scene at Sunset with Ships"><img alt="Coastal Scene at Sunset with Ships" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Hamilton-Coastal-Scene-at-Sunset-with-Ships-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Hamilton-Coastal-Scene-at-Sunset-with-Ships-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/coastal-scene-at-sunset-with-ships/" href="https://www.questroyalfineart.com/coastal-scene-at-sunset-with-ships/" title="Coastal Scene at Sunset with Ships">James HamiltonCoastal Scene at Sunset with Ships</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/house-in-stockbridge/" href="https://www.questroyalfineart.com/house-in-stockbridge/" title="House in Stockbridge"><img alt="House in Stockbridge" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Hart-House-in-Stockbridge-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Hart-House-in-Stockbridge-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/house-in-stockbridge/" href="https://www.questroyalfineart.com/house-in-stockbridge/" title="House in Stockbridge">James M. HartHouse in Stockbridge</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/figures-on-the-shore/" href="https://www.questroyalfineart.com/figures-on-the-shore/" title="Figures on the Shore"><img alt="Figures on the Shore" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/HartW-Figures-on-the-Shore-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/HartW-Figures-on-the-Shore-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/figures-on-the-shore/" href="https://www.questroyalfineart.com/figures-on-the-shore/" title="Figures on the Shore">William HartFigures on the Shore</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/hunter-and-canoe/" href="https://www.questroyalfineart.com/hunter-and-canoe/" title="Hunter and Canoe"><img alt="Hunter and Canoe" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Herzog-Hunter-and-Canoe-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Herzog-Hunter-and-Canoe-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/hunter-and-canoe/" href="https://www.questroyalfineart.com/hunter-and-canoe/" title="Hunter and Canoe">Hermann HerzogHunter and Canoe</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/on-the-hudson-looking-north/" href="https://www.questroyalfineart.com/on-the-hudson-looking-north/" title="On the Hudson Looking North"><img alt="On the Hudson Looking North" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Hill-On-the-Hudson-Looking-North-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Hill-On-the-Hudson-Looking-North-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/on-the-hudson-looking-north/" href="https://www.questroyalfineart.com/on-the-hudson-looking-north/" title="On the Hudson Looking North">John William HillOn the Hudson Looking North</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/smith-farm/" href="https://www.questroyalfineart.com/smith-farm/" title="Smith Farm"><img alt="Smith Farm" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Johnson-Smith-Farm-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Johnson-Smith-Farm-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/smith-farm/" href="https://www.questroyalfineart.com/smith-farm/" title="Smith Farm">David JohnsonSmith Farm</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/at-pasture/" href="https://www.questroyalfineart.com/at-pasture/" title="At Pasture"><img alt="At Pasture" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/2018/01/Kensett-At-Pasture-1-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/2018/01/Kensett-At-Pasture-1-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/at-pasture/" href="https://www.questroyalfineart.com/at-pasture/" title="At Pasture">John Frederick KensettAt Pasture</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/beacon-rock-newport/" href="https://www.questroyalfineart.com/beacon-rock-newport/" title="Beacon Rock, Newport"><img alt="Beacon Rock, Newport" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Kensett-Beacon-Rock-Newport-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Kensett-Beacon-Rock-Newport-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/beacon-rock-newport/" href="https://www.questroyalfineart.com/beacon-rock-newport/" title="Beacon Rock, Newport">John Frederick KensettBeacon Rock, Newport</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/mount-chocorua/" href="https://www.questroyalfineart.com/mount-chocorua/" title="Mount Chocorua"><img alt="Mount Chocorua" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Kensett-Mount-Chocorua-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Kensett-Mount-Chocorua-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/mount-chocorua/" href="https://www.questroyalfineart.com/mount-chocorua/" title="Mount Chocorua">John Frederick KensettMount Chocorua</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/newport-beach/" href="https://www.questroyalfineart.com/newport-beach/" title="Newport Beach"><img alt="Newport Beach" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Richards-Newport-Beach-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Richards-Newport-Beach-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/newport-beach/" href="https://www.questroyalfineart.com/newport-beach/" title="Newport Beach">William Trost RichardsNewport Beach</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/study-of-three-coastal-scenes/" href="https://www.questroyalfineart.com/study-of-three-coastal-scenes/" title="Study of Three Coastal Scenes"><img alt="Study of Three Coastal Scenes" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Richards-Study-of-Three-Coastal-Scenes-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Richards-Study-of-Three-Coastal-Scenes-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/study-of-three-coastal-scenes/" href="https://www.questroyalfineart.com/study-of-three-coastal-scenes/" title="Study of Three Coastal Scenes">William Trost RichardsStudy of Three Coastal Scenes</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/trout-fisherman-in-a-mountain-stream/" href="https://www.questroyalfineart.com/trout-fisherman-in-a-mountain-stream/" title="Trout Fisherman in a Mountain Stream"><img alt="Trout Fisherman in a Mountain Stream" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Whittredge-Trout-Fisherman-in-a-Mountain-Stream-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Whittredge-Trout-Fisherman-in-a-Mountain-Stream-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/trout-fisherman-in-a-mountain-stream/" href="https://www.questroyalfineart.com/trout-fisherman-in-a-mountain-stream/" title="Trout Fisherman in a Mountain Stream">Worthington WhittredgeTrout Fisherman in a Mountain Stream</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/homeward-bound/" href="https://www.questroyalfineart.com/homeward-bound/" title="Homeward Bound"><img alt="Homeward Bound" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Whittredge-Homeward-Bound-3-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Whittredge-Homeward-Bound-3-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/homeward-bound/" href="https://www.questroyalfineart.com/homeward-bound/" title="Homeward Bound">Worthington WhittredgeHomeward Bound</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/indian-summer-2/" href="https://www.questroyalfineart.com/indian-summer-2/" title="Indian Summer"><img alt="Indian Summer" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Williamson-Indian-Summer-1871-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Williamson-Indian-Summer-1871-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/indian-summer-2/" href="https://www.questroyalfineart.com/indian-summer-2/" title="Indian Summer">John WilliamsonIndian Summer</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/kaaterskill-clove/" href="https://www.questroyalfineart.com/kaaterskill-clove/" title="Kaaterskill Clove"><img alt="Kaaterskill Clove" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Yost-Kaaterskill-Clove-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Yost-Kaaterskill-Clove-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/kaaterskill-clove/" href="https://www.questroyalfineart.com/kaaterskill-clove/" title="Kaaterskill Clove">Tom YostKaaterskill Clove</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/the-hudson-river/" href="https://www.questroyalfineart.com/the-hudson-river/" title="The Hudson River"><img alt="The Hudson River" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Yost-The-Hudson-River-1-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Yost-The-Hudson-River-1-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/the-hudson-river/" href="https://www.questroyalfineart.com/the-hudson-river/" title="The Hudson River">Tom YostThe Hudson River</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/a-mountain-trail-colorado/" href="https://www.questroyalfineart.com/a-mountain-trail-colorado/" title="A Mountain Trail, Colorado"><img alt="A Mountain Trail, Colorado" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Whittredge-Mountain-Trail-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Whittredge-Mountain-Trail-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/a-mountain-trail-colorado/" href="https://www.questroyalfineart.com/a-mountain-trail-colorado/" title="A Mountain Trail, Colorado">Worthington WhittredgeA Mountain Trail, Colorado</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/bay-of-new-york-at-sunrise/" href="https://www.questroyalfineart.com/bay-of-new-york-at-sunrise/" title="Bay of New York at Sunrise"><img alt="Bay of New York at Sunrise" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Moran-E-Bay-of-New-York-at-Sunrise-1875-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Moran-E-Bay-of-New-York-at-Sunrise-1875-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/bay-of-new-york-at-sunrise/" href="https://www.questroyalfineart.com/bay-of-new-york-at-sunrise/" title="Bay of New York at Sunrise">Edward MoranBay of New York at Sunrise</a></li><li><a data-cke-saved-href="https://www.questroyalfineart.com/under-the-palisades/" href="https://www.questroyalfineart.com/under-the-palisades/" title="Under the Palisades"><img alt="Under the Palisades" data-cke-saved-src="https://www.questroyalfineart.com/wp-content/uploads/Cropsey-Under-the-Palisades-1899-540x540.jpg" src="https://www.questroyalfineart.com/wp-content/uploads/Cropsey-Under-the-Palisades-1899-540x540.jpg" /></a><br /><a data-cke-saved-href="https://www.questroyalfineart.com/under-the-palisades/" href="https://www.questroyalfineart.com/under-the-palisades/" title="Under the Palisades">Jasper Francis CropseyUnder the Palisades</a></li></ul>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-67309525220314341832024-02-27T14:55:00.000-08:002024-02-27T14:55:27.493-08:00Christie's Modern British and Irish Art Evening Sale on 20 March<div class="single-template__main-content--headline" style="border: 0px; box-sizing: border-box; font-size: 16px; margin: 48px auto 0px; outline: 0px; padding: 0px; text-align: center; text-transform: uppercase; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><div class="single-template__main-content--headline" style="border: 0px; box-sizing: border-box; margin: 48px auto 0px; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><img alt="<strong>L.S. LOWRY’S <em>SUNDAY AFTERNOON</em>, UNSEEN IN PUBLIC FOR 57 YEARS, WILL HIGHLIGHT CHRISTIE’S </strong>
<strong>MODERN BRITISH AND IRISH ART EVENING SALE <br />ON 20 MARCH</strong>" class="image" src="https://press.christies.com/wp-content/uploads/2024/02/08dc5536a8d038f4bb588f96fe6357a0-l.jpg" style="border: 0px; box-sizing: border-box; height: 418px; margin: 0px; object-fit: cover; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;" /></div><div class="single-template__main-content--text" style="border: 0px; box-sizing: border-box; font-family: "ABC Arizona Sans"; line-height: 1.25rem; margin: 16px auto 0px; outline: 0px; padding: 0px; text-align: left; text-transform: none; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><div class="single-template__main-content--subtitle2" style="border: 0px; box-sizing: border-box; font-size: 0.75rem; line-height: 1.8rem; margin: 0px auto; outline: 0px; padding: 0px; text-align: center; transition: all 0.3s ease-in 0s; vertical-align: baseline;">L.S. Lowry, Sunday Afternoon (1957, estimate: £4,000,000-6,000,000)</div><div class="single-template__main-content--text" style="border: 0px; box-sizing: border-box; line-height: 1.25rem !important; margin: 16px auto 0px !important; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><strong style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">London – </strong>Christie’s will offer L.S. Lowry’s masterpiece <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Sunday Afternoon</em> (1957, estimate: £4,000,000-6,000,000) as a leading highlight of the Modern British and Irish Art Evening Sale, taking place on 20 March. Presented from the Collection of Sir Keith and Lady Showering, the painting has not been exhibited publicly in 57 years. Last sold in 1967 at Christie’s, during the artist’s lifetime, it realised a then record price for a painting by the artist. Christie’s has achieved seven of the current top ten prices for Lowry’s work at auction. <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Sunday Afternoon’s</em> epic and highly populated industrial landscape exemplifies some of the most widely celebrated themes, landmarks and motifs from within Lowry’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">oeuvre, </em>something incredibly rare to see within a single composition. Thought to be one of around 12 works created on this, his largest scale, with almost all similar paintings of this size now held in prominent public museums including The Lowry, Salford; Tate, London; and National Museum of Wales, Cardiff. The painting will be on view for all to see, at Christie’s headquarters on King Street in London, from 13 to 20 March. <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> </em></p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;">Keith Showering was a dynamic businessman whose career was founded on a 300-year-old Somerset family cider making business and the meteoric success of Babycham. By 1975, Showering was Chairman and CEO of Allied Breweries, Europe’s biggest drinks business, becoming the youngest ever Chairman and CEO of a FTSE 100 company. In 1981 he was knighted for services to industry and that same year he took over as Master of the Worshipful Company of Brewers. By the time of his death he was on the board of a wide variety of companies and arts organisations. </p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><strong style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Philip Harley, Senior Director, Modern British and Irish Art, Christie’s</strong>: “Sunday Afternoon<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> by L.S. Lowry will return to the public eye at Christie’s for the first time since it was last seen here 57 years ago. This important painting has remained in the Collection of Sir Keith and Lady Showering since 1967, offering a once-in-a-generation opportunity to acquire a work of this magnitude and scale. The composition represents the wonder the artist felt as he recorded his many observations of the evolving society around him. We are thrilled to bring </em>Sunday Afternoon<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> back to auction in the Modern British and Irish Art Evening Sale. We look forward to welcoming our clients and visitors alike to view the painting when it goes on free display in London on 13 March.</em>”</p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;">Lowry believed that crowds of people, with their individual characteristics, created unique patterns. These rhythms, he felt, revealed much about that person and their purpose for being present within the scene. This lifelong pursuit to capture what he described as the ‘battle of life’ continues to enthral audiences internationally. </p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><br /></p><div class="single-template__main-content--headline" style="border: 0px; box-sizing: border-box; margin: 48px auto 0px; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><img alt="CHRISTIE’S WILL OFFER PAULINE BOTY’S
<em>EPITAPH TO SOMETHING’S GOTTA GIVE </em>
IN THE MODERN BRITISH AND IRISH ART EVENING SALE ON 20 MARCH" class="image" src="https://press.christies.com/wp-content/uploads/2024/02/c61d3c009b0f6b6952248c75ceeaf849-l.png" style="border: 0px; box-sizing: border-box; height: 418px; margin: 0px; object-fit: cover; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;" /></div><div class="single-template__main-content--subtitle2" style="border: 0px; box-sizing: border-box; font-size: 0.75rem; line-height: 1.8rem; margin: 0px auto; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Pauline Boty, Epitaph to Something’s Gotta Give (1962, estimate: £500,000-800,000)</div><div class="single-template__main-content--text" style="border: 0px; box-sizing: border-box; line-height: 1.25rem; margin: 16px auto 0px; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><p style="border: 0px; box-sizing: border-box; font-size: 1rem; line-height: 1.25rem; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;">Christie’s will offer Pauline Boty’s celebratory tribute to Marilyn Monroe, <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Epitaph to Something’s Gotta Give</em> (1962, estimate: £500,000-800,000), as a leading highlight of the Modern British and Irish Art Evening Sale on 20 March. The painting was gifted to a close friend of Boty’s in 1964 and has remained in the same collection since. One of Pop Art’s founding members, Pauline Boty died prematurely at the age of 28 in 1966. <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Epitaph to Something’s Gotta Give</em> is one of only around 25 Pop paintings that Boty created and was included in a rare lifetime exhibition at Arthur Jeffress Gallery in London in 1962.</p><p style="border: 0px; box-sizing: border-box; font-size: 1rem; line-height: 1.25rem; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;">Boty painted two further depictions of Monroe as tributes to the actress following her death, both of which are held in museum collections: <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Colour Her Gone</em>, 1962 (Wolverhampton Art Gallery) and <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">The Only Blond in the World</em>, 1963 (Tate, London). <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Epitaph to Something’s Gotta Give </em>will be on view in New York from 9 to 21 February before being exhibited in London from 13 to 20 March.</p><p style="border: 0px; box-sizing: border-box; font-size: 1rem; line-height: 1.25rem; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><strong style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Angus Granlund, Head of Modern British and Irish Art Evening Sale, Christie’s</strong>: “<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Painted in Boty’s distinctive style</em>, Epitaph to Something’s Gotta Give <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">takes the form of a pictorial collage that is entirely rendered in oil paint.</em> <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">A</em><em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> celebration of female empowerment, this is thought to be Boty’s only painting of Monroe painted during the actress’ lifetime. The epitaph referred to in the title relates to the film </em>Something’s Gotta Give<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> shutting down production. The centrepiece of the composition is taken from a photograph published in </em>Life<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> magazine on 22 June 1962, depicting Monroe swimming in a pool on set. </em><em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Collecting, collating and synthesising mass culture imagery from newspapers, adverts and magazines was central to Boty’s practice. A true polymath, as well as being a ground-breaking artist, Boty was also a talented actress and political activist. She strongly identified with Monroe and is often associated with her. Held in the same private collection since 1964, this rare painting brings together these two celebrated 1960s icons. Christie’s is honoured to present </em>Epitaph to Something’s Gotta Give<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> as a leading highlight of the Modern British and Irish Art Evening Sale and look forward to welcoming clients in New York and London to view this Pop Art masterpiece</em>.”</p><p style="border: 0px; box-sizing: border-box; font-size: 1rem; line-height: 1.25rem; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;">Pauline Boty was a pioneering artist whose work shaped one of the greatest movements in British art of the 20<span style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">th</span> century. Within her short lifetime, she created a powerful, vibrant group of works that explored popular culture and left-wing politics, subjects which were coming into sharp focus in the 1960s. Boty studied at the Royal College of Art, the seedbed of the Pop Art movement, where she met, befriended and went on to exhibit with Sir Peter Blake, Derek Boshier, David Hockney, Peter Phillips and Patrick Caulfield. In 1961, she exhibited along with Blake and two others at the A.I.A. Gallery in a group show seen as the very first Pop Art exhibition.</p><p style="border: 0px; box-sizing: border-box; font-size: 1rem; line-height: 1.25rem; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><br /></p></div></div></div></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-72300817317090516372024-02-27T14:44:00.000-08:002024-02-27T14:44:41.529-08:00Christie's Impressionist and Modern Art Day and Works on Paper Sale March 8<span style="background-color: white; color: #222222; font-family: AtlasGrotesk; font-size: 14px;">This March, the highly anticipated return of the Impressionist and Modern Art Day and Works on Paper Sale offers an exciting and diverse array of works across media. Our auction showcases ground-breaking Impressionists alongside Modern masters who defined the critical movements of the early 20th Century. Leading the sale are paintings by Ernst Ludwig Kirchner, Henri Hayden, Otto Dix, Pierre-Auguste Renoir and Henri de Toulouse-Lautrec, works on paper by Pablo Picasso, Marc Chagall, Henri Matisse and Hannah Höch, as well as sculptures by Edgar Degas, Auguste Rodin, Camille Claudel, Diego Giacometti and more.</span><br /><button aria-label="Display lots as a list" type="button"></button><main data-analytics-region="auction:browse lots" id="main-content"><section><ul><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0211_000(marc_chagall_fleurs_et_fruits100542).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 211<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470008?ldp_breadcrumb=back&intobjectid=6470008&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470008?ldp_breadcrumb=back&intobjectid=6470008&from=salessummary&lid=1">MARC CHAGALL (1887-1985)</a></h2><p>Fleurs et fruits</p><br />EstimateGBP 500,000 - 800,000<br /><button aria-label="Follow MARC CHAGALL (1887-1985)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0243_000(ernst_ludwig_kirchner_sonnentanzerin073533).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 243<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470040?ldp_breadcrumb=back&intobjectid=6470040&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470040?ldp_breadcrumb=back&intobjectid=6470040&from=salessummary&lid=1">ERNST LUDWIG KIRCHNER (1880-1938)</a></h2><p>Sonnentänzerin</p><br />EstimateGBP 500,000 - 800,000<br /><button aria-label="Follow ERNST LUDWIG KIRCHNER (1880-1938)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0273_000(karl_schmidt-rottluff_frau_und_wald101339).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 273<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470070?ldp_breadcrumb=back&intobjectid=6470070&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470070?ldp_breadcrumb=back&intobjectid=6470070&from=salessummary&lid=1">KARL SCHMIDT-ROTTLUFF (1884-1976)</a></h2><p>Frau und Wald</p><br />EstimateGBP 400,000 - 600,000<br /><button aria-label="Follow KARL SCHMIDT-ROTTLUFF (1884-1976)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0224_000(edgar_degas_danseuse_grande_arabesque_deuxieme_temps100738).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 224<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470021?ldp_breadcrumb=back&intobjectid=6470021&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470021?ldp_breadcrumb=back&intobjectid=6470021&from=salessummary&lid=1">EDGAR DEGAS (1834-1917)</a></h2><p>Danseuse, grande arabesque, deuxième temps</p><br />EstimateGBP 350,000 - 550,000<br /><button aria-label="Follow EDGAR DEGAS (1834-1917)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0225_000(henri_de_toulouse-lautrec_lenfant_au_chien_fils_de_madame_marthe_et_la100743).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 225<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470022?ldp_breadcrumb=back&intobjectid=6470022&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470022?ldp_breadcrumb=back&intobjectid=6470022&from=salessummary&lid=1">HENRI DE TOULOUSE-LAUTREC (1864-1901)</a></h2><p>L'enfant au chien, fils de Madame Marthe et la chienne Pamela-Taussat</p><br />EstimateGBP 300,000 - 500,000<br /><button aria-label="Follow HENRI DE TOULOUSE-LAUTREC (1864-1901)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0246_000(henri_hayden_la_plage101029).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 246<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470043?ldp_breadcrumb=back&intobjectid=6470043&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470043?ldp_breadcrumb=back&intobjectid=6470043&from=salessummary&lid=1">HENRI HAYDEN (1883-1970)</a></h2><p>La plage</p><br />EstimateGBP 300,000 - 500,000<br /><button aria-label="Follow HENRI HAYDEN (1883-1970)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0257_000(pablo_picasso_femme_nue_couchee101133).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 257<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470054?ldp_breadcrumb=back&intobjectid=6470054&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470054?ldp_breadcrumb=back&intobjectid=6470054&from=salessummary&lid=1">PABLO PICASSO (1881-1973)</a></h2><p>Femme nue couchée</p><br />EstimateGBP 300,000 - 500,000<br /><button aria-label="Follow PABLO PICASSO (1881-1973)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0265_000(otto_dix_frau_mit_rotem_hut101231).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 265<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470062?ldp_breadcrumb=back&intobjectid=6470062&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470062?ldp_breadcrumb=back&intobjectid=6470062&from=salessummary&lid=1">OTTO DIX (1891-1969)</a></h2><p>Frau mit rotem Hut</p><br />EstimateGBP 300,000 - 500,000<br /><button aria-label="Follow OTTO DIX (1891-1969)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0280_000(max_liebermann_blumenstauden_am_gartnerhauschen_nach_nordosten121623).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 280<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470077?ldp_breadcrumb=back&intobjectid=6470077&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470077?ldp_breadcrumb=back&intobjectid=6470077&from=salessummary&lid=1">MAX LIEBERMANN (1847-1935)</a></h2><p>Blumenstauden am Gärtnerhäuschen nach Nordosten</p><br />EstimateGBP 300,000 - 500,000<br /><button aria-label="Follow MAX LIEBERMANN (1847-1935)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0242_000(otto_mueller_waldlandschaft100949).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 242<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470039?ldp_breadcrumb=back&intobjectid=6470039&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470039?ldp_breadcrumb=back&intobjectid=6470039&from=salessummary&lid=1">OTTO MUELLER (1874-1930)</a></h2><p>Waldlandschaft</p><br />EstimateGBP 250,000 - 350,000<br /><button aria-label="Follow OTTO MUELLER (1874-1930)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0281_000(alexej_von_jawlensky_bildnis101449).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 281<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470078?ldp_breadcrumb=back&intobjectid=6470078&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470078?ldp_breadcrumb=back&intobjectid=6470078&from=salessummary&lid=1">ALEXEJ VON JAWLENSKY (1864-1941)</a></h2><p>Bildnis (Bildnis Toni)</p><br />EstimateGBP 250,000 - 350,000<br /><button aria-label="Follow ALEXEJ VON JAWLENSKY (1864-1941)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0219_000(pierre-auguste_renoir_vache_dans_un_verger121545).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 219<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470016?ldp_breadcrumb=back&intobjectid=6470016&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470016?ldp_breadcrumb=back&intobjectid=6470016&from=salessummary&lid=1">PIERRE-AUGUSTE RENOIR (1841-1919)</a></h2><p>Vache dans un verger</p><br />EstimateGBP 200,000 - 300,000<br /><button aria-label="Follow PIERRE-AUGUSTE RENOIR (1841-1919)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0237_000(otto_freundlich_kopf052254).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 237<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470034?ldp_breadcrumb=back&intobjectid=6470034&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470034?ldp_breadcrumb=back&intobjectid=6470034&from=salessummary&lid=1">OTTO FREUNDLICH (1878-1943)</a></h2><p>Kopf (Selbstbildnis)</p><br />EstimateGBP 200,000 - 300,000<br /><button aria-label="Follow OTTO FREUNDLICH (1878-1943)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0250_000(jean_helion_equilibre101055).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 250<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470047?ldp_breadcrumb=back&intobjectid=6470047&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470047?ldp_breadcrumb=back&intobjectid=6470047&from=salessummary&lid=1">JEAN HÉLION (1904-1987)</a></h2><p>Equilibre</p><br />EstimateGBP 200,000 - 300,000<br /><button aria-label="Follow JEAN HÉLION (1904-1987)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0252_000(diego_giacometti_carcasse_a_la_chauve-souris101107).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 252<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470049?ldp_breadcrumb=back&intobjectid=6470049&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470049?ldp_breadcrumb=back&intobjectid=6470049&from=salessummary&lid=1">DIEGO GIACOMETTI (1902-1985)</a></h2><p>Carcasse à la chauve-souris</p><br />EstimateGBP 200,000 - 300,000<br /><button aria-label="Follow DIEGO GIACOMETTI (1902-1985)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0270_000(otto_dix_laterne101314).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 270<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470067?ldp_breadcrumb=back&intobjectid=6470067&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470067?ldp_breadcrumb=back&intobjectid=6470067&from=salessummary&lid=1">OTTO DIX (1891-1969)</a></h2><p>Laterne (Die Motten und das Licht)</p><br />EstimateGBP 200,000 - 300,000<br /><button aria-label="Follow OTTO DIX (1891-1969)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0282_000(oskar_schlemmer_ruckenakt_und_vier_kopfe101458).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 282<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470079?ldp_breadcrumb=back&intobjectid=6470079&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470079?ldp_breadcrumb=back&intobjectid=6470079&from=salessummary&lid=1">OSKAR SCHLEMMER (1888-1943)</a></h2><p>Rückenakt und vier Köpfe</p><br />EstimateGBP 200,000 - 300,000<br /><button aria-label="Follow OSKAR SCHLEMMER (1888-1943)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0311_000(juan_gris_femme104054).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 311<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470108?ldp_breadcrumb=back&intobjectid=6470108&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470108?ldp_breadcrumb=back&intobjectid=6470108&from=salessummary&lid=1">JUAN GRIS (1887-1927)</a></h2><p>Femme</p><br />EstimateGBP 220,000 - 280,000<br /><button aria-label="Follow JUAN GRIS (1887-1927)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0241_000(gabriele_munter_abendlandschaft_mit_weiem_mond100940).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 241<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470038?ldp_breadcrumb=back&intobjectid=6470038&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470038?ldp_breadcrumb=back&intobjectid=6470038&from=salessummary&lid=1">GABRIELE MÜNTER (1877-1962)</a></h2><p>Abendlandschaft mit weißem Mond</p><br />EstimateGBP 150,000 - 250,000<br /><button aria-label="Follow GABRIELE MÜNTER (1877-1962)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0271_000(hannah_hoch_selbstbildnis064749).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 271<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470068?ldp_breadcrumb=back&intobjectid=6470068&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470068?ldp_breadcrumb=back&intobjectid=6470068&from=salessummary&lid=1">HANNAH HÖCH (1889-1978)</a></h2><p>Selbstbildnis</p><br />EstimateGBP 150,000 - 250,000<br /><button aria-label="Follow HANNAH HÖCH (1889-1978)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0272_000(marc_chagall_la_vache_dans_la_chambre101329).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 272<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470069?ldp_breadcrumb=back&intobjectid=6470069&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470069?ldp_breadcrumb=back&intobjectid=6470069&from=salessummary&lid=1">MARC CHAGALL (1887-1985)</a></h2><p>La vache dans la chambre</p><br />EstimateGBP 150,000 - 250,000<br /><button aria-label="Follow MARC CHAGALL (1887-1985)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0274_000(felix_vallotton_la_seine_pres_les_andelys_matin_soleil101351).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 274<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470071?ldp_breadcrumb=back&intobjectid=6470071&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470071?ldp_breadcrumb=back&intobjectid=6470071&from=salessummary&lid=1">FÉLIX VALLOTTON (1865-1925)</a></h2><p>La Seine près Les Andelys, matin soleil</p><br />EstimateGBP 180,000 - 250,000<br /><button aria-label="Follow FÉLIX VALLOTTON (1865-1925)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0276_000(oskar_kokoschka_die_zeder101406).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 276<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470073?ldp_breadcrumb=back&intobjectid=6470073&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470073?ldp_breadcrumb=back&intobjectid=6470073&from=salessummary&lid=1">OSKAR KOKOSCHKA (1886-1980)</a></h2><p>Die Zeder</p><br />EstimateGBP 180,000 - 250,000<br /><button aria-label="Follow OSKAR KOKOSCHKA (1886-1980)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0284_000(lyonel_feininger_seascape101509).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 284<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470081?ldp_breadcrumb=back&intobjectid=6470081&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470081?ldp_breadcrumb=back&intobjectid=6470081&from=salessummary&lid=1">LYONEL FEININGER (1871-1956)</a></h2><p>Seascape</p><br />EstimateGBP 180,000 - 250,000<br /><button aria-label="Follow LYONEL FEININGER (1871-1956)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0248_000(jean_metzinger_nature_morte_pommes_coupe_a_fruits_et_pichet101043).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 248<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470045?ldp_breadcrumb=back&intobjectid=6470045&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470045?ldp_breadcrumb=back&intobjectid=6470045&from=salessummary&lid=1">JEAN METZINGER (1883-1956)</a></h2><p>Nature morte: pommes, coupe à fruits et pichet</p><br />EstimateGBP 150,000 - 200,000<br /><button aria-label="Follow JEAN METZINGER (1883-1956)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0277_000(felix_vallotton_la_claire-voie_menton104039).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 277<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470074?ldp_breadcrumb=back&intobjectid=6470074&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470074?ldp_breadcrumb=back&intobjectid=6470074&from=salessummary&lid=1">FÉLIX VALLOTTON (1865-1925)</a></h2><p>La claire-voie, Menton</p><br />EstimateGBP 100,000 - 200,000<br /><button aria-label="Follow FÉLIX VALLOTTON (1865-1925)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0314_000(fernand_leger_portrait_du_fils_bignou101856).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 314<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470111?ldp_breadcrumb=back&intobjectid=6470111&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470111?ldp_breadcrumb=back&intobjectid=6470111&from=salessummary&lid=1">FERNAND LÉGER (1881-1955)</a></h2><p>Portrait du fils Bignou</p><br />EstimateGBP 120,000 - 180,000<br /><button aria-label="Follow FERNAND LÉGER (1881-1955)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22658_0220_000(pierre_bonnard_paysage_arbres_fruitiers100701).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 220<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6470017?ldp_breadcrumb=back&intobjectid=6470017&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6470017?ldp_breadcrumb=back&intobjectid=6470017&from=salessummary&lid=1">PIERRE BONNARD (1867-1947)</a></h2><p>Paysage, arbres fruitiers</p><br />EstimateGBP 100,000 - 150,000<br /><button aria-label="Follow PIERRE BONNARD (1867-1947)" type="button">FOLLOW</button></li></ul></section></main><p> </p>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-18371608553199113222024-02-27T14:38:00.000-08:002024-02-27T14:38:55.310-08:00 Christie’s The Art of The Surreal Evening Sale 7 March<p><br /></p><div class="image-container portrait" id="main_center_0_PressContentRepeater_GenImageBlock_0" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-color: white; box-sizing: border-box; color: #333333; display: table; font-family: Lyon, Georgia, Cambria, "Times New Roman", Times, serif; height: auto; margin: 54px auto 0px; max-width: 1180px; padding-bottom: 5px; width: 580px;"><div class="image-preview-container" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-color: black; box-sizing: border-box; float: left; height: auto; margin-bottom: 20px; overflow: hidden; padding-bottom: 0px; position: relative; width: 580px;"><img class="image-preview" data-id="6d19c5e7-aa21-4de1-abfe-05d615fb61a7" src="http://www.christies.com/PresscenterImages/11167/vcsPRAsset_3568579_188109_a25e54b8-41ca-440b-b463-f8dc0db109e7_0.jpg" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-position: 50% 50%; background-repeat: no-repeat; background-size: cover; border: none; box-sizing: border-box; height: auto; inset: 0px; max-height: 100%; max-width: 100%; position: relative; user-select: none; vertical-align: bottom; width: 580px;" /><span style="font-family: inherit;"><span style="border-radius: 3em; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; transition-property: background-color;"><button class="play-slide" data-id="1a" data-imagecount="1" data-lang="1" data-pressid="11167" id="main_center_0_PressContentRepeater_ImagePlayBut8_0" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); appearance: none; background-clip: padding-box; background-color: rgba(0, 0, 0, 0.25); background-image: none; border-color: rgb(255, 255, 255); border-radius: 3em; border-style: solid; color: white; cursor: pointer; font-family: inherit; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; height: 40px; line-height: 40px; margin: 0px; opacity: 1; overflow: hidden; position: absolute; right: 10px; top: 10px; transition: background-color 0.2s ease 0s; vertical-align: baseline; width: 40px;"></button></span></span></div><div class="image-description" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; margin: 0px; max-width: 580px; padding: 0px; width: 580px;"><h5 class="image-caption" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: grey; font-family: AtlasGroteskRegular, Arial, Helvetica, sans-serif; font-stretch: normal; font-weight: normal; line-height: 20px; margin: 0px;"><p style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-family: inherit; font-stretch: normal; height: auto; line-height: 20px; margin: 0px; max-width: none; min-height: initial; padding: 0px;"><span style="font-size: small;">René Magritte, <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">L’ami intime (The Intimate Friend)</em> (1958, estimate: £30,000,000-50,000,000)</span></p></h5></div></div><div class="module-body-text" id="main_center_0_PressContentRepeater_GenArticleContent_1" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-color: white; box-sizing: border-box; color: #333333; display: table; font-family: Lyon, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 10px; margin: 65px auto 0px; max-width: 580px; width: 580px;"><p data-mce-style="text-align: justify;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-family: LyonRegular, Arial, Helvetica, sans-serif; font-size: 20px; font-stretch: normal; line-height: 30px; margin: 0px 0px 30px; text-align: justify;">Christie’s will offer René Magritte's <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">L’ami intime (The Intimate Friend)</em> as the leading highlight of The Art of The Surreal Evening Sale, the annual auction dedicated to Surreal and Dada art, taking place in London on 7 March. Presented to coincide with the centenary of the Surrealist Manifesto, penned by André Breton in October 1924, the painting comes to auction for the first time since 1980. Depicting the enigmatic bowler-hatted man, Magritte's 'everyman', <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">L’ami intime (The Intimate Friend)</em> is property from the Gilbert and Lena Kaplan Collection and was last exhibited in Brussels at the Musées Royaux des Beaux-Arts de Belgique in 1998. The work will be displayed at Christie’s LA from 5 to 6 February, Rockefeller Center in New York from 9 to 14 February and in Hong Kong from 21 to 23 February. The pre-sale exhibition in London will take place from 1 to 7 March.</p><p data-mce-style="text-align: justify;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-family: LyonRegular, Arial, Helvetica, sans-serif; font-size: 20px; font-stretch: normal; line-height: 30px; margin: 0px 0px 30px; text-align: justify;">Gilbert Kaplan was a pioneering entrepreneur who founded <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">Institutional Investor </em>in 1967 at the age of 25. He was also a renowned cultural connoisseur. Having established and built a commercially successful company, he celebrated its 15<span style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; font-size: 15px; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;">th</span> anniversary, together with his own 40<span style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; font-size: 15px; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;">th</span> birthday, by conducting Gustav Mahler’s Second Symphony, the Resurrection Symphony, at the Lincoln Center in New York. The debut was well received and following the sale of <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">Institutional Investor</em>, he went on to conduct the symphony around the world, lecturing and teaching at Juilliard. Reflecting his lifelong passion, he had a radio show on WQXR called ‘Mad About Music’. Two of the men close to Gilbert Kaplan’s heart were Gustav Mahler and René Magritte. Kaplan served on the Board of Carnegie Hall for more than 30 years and set up a fellowship programme at Harvard’s Music Department, which continues to support students today.</p><p data-mce-style="text-align: justify;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-family: LyonRegular, Arial, Helvetica, sans-serif; font-size: 20px; font-stretch: normal; line-height: 30px; margin: 0px 0px 30px; text-align: justify;"><span face="atlasgroteskmedium, Arial, Helvetica, sans-serif" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; font-stretch: normal;">Olivier Camu, Deputy Chairman, Impressionist and Modern Art, Christie’s, London</span>: “<em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">It is an honour to have been entrusted by the Gilbert Kaplan family with this masterpiece, which they have enjoyed for over 40 years. René Magritte, of all Surrealist artists, is the most sought after internationally. </em>L’ami Intime (The Intimate Friend)<em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;"> belongs to one of Magritte’s two most iconic subject-series of paintings - the other being his ‘Empire des lumières’. </em>L’ami Intime (The Intimate Friend)<em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;"> is one of the most powerful and impressive of only a few of these iconic images left in private hands, a tour de force of the artist’s hyper-realistic technique</em><em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">. Extremely poetic, silent and mysterious, especially given the unknown identity of the sitter together with its evocative title. We are looking forward to the market’s reaction to this exquisite painting, the like of which has not been seen at auction since the Torczyner sale of Magritte paintings in 1998.</em>”</p><p class="x_elementToProof" data-mce-style="text-align: justify;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-family: LyonRegular, Arial, Helvetica, sans-serif; font-size: 20px; font-stretch: normal; line-height: 30px; margin: 0px; text-align: justify;">The figure of a man in a bowler-hat made his first appearance in Magritte’s work in the 1926 painting <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">Les rêveries du promeneur solitaire (The Musings of a Solitary Wanderer)</em>. The figure came to function within Magritte’s <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">oeuvre </em>as a symbol of the bourgeois, of the anonymous, faceless masses, the everyday working man and that of the lone wanderer. In <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">L’ami intime (The Intimate Friend)</em> the distinctly ordinary, yet also mysteriously anonymous bowler-hatted man is seen, almost like a silhouette, from behind. Gazing out the window onto a serene, mountainous landscape and a cloud-filled sky, he appears oblivious to the strange sight of a baguette and wine glass floating in mid-air behind him. </p><p class="x_elementToProof" data-mce-style="text-align: justify;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-family: LyonRegular, Arial, Helvetica, sans-serif; font-size: 20px; font-stretch: normal; line-height: 30px; margin: 0px; text-align: justify;"> </p><ul><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0112_000(rene_magritte_la_magie_noire_d6469572124503).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 112<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469572?ldp_breadcrumb=back&intobjectid=6469572&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469572?ldp_breadcrumb=back&intobjectid=6469572&from=salessummary&lid=1">RENÉ MAGRITTE (1898-1967)</a></h2><p>La magie noire</p><br />EstimateGBP 3,000,000 - 5,000,000<br /><button aria-label="Follow RENÉ MAGRITTE (1898-1967)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0116_000(joan_miro_lechelle_de_levasion124229).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 116<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469576?ldp_breadcrumb=back&intobjectid=6469576&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469576?ldp_breadcrumb=back&intobjectid=6469576&from=salessummary&lid=1">JOAN MIRÓ (1893-1983)</a></h2><p>L'échelle de l'évasion (The Escape Ladder)</p><br />EstimateGBP 2,700,000 - 3,500,000<br /><button aria-label="Follow JOAN MIRÓ (1893-1983)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0109_000(rene_magritte_le_paysage_de_baucis_d6469569124203).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 109<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469569?ldp_breadcrumb=back&intobjectid=6469569&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469569?ldp_breadcrumb=back&intobjectid=6469569&from=salessummary&lid=1">RENÉ MAGRITTE (1898 – 1967)</a></h2><p>Le paysage de Baucis</p><br />EstimateGBP 2,400,000 - 3,000,000<br /><button aria-label="Follow RENÉ MAGRITTE (1898 – 1967)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0107_000(francis_picabia_veglione113545).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 107<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469567?ldp_breadcrumb=back&intobjectid=6469567&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469567?ldp_breadcrumb=back&intobjectid=6469567&from=salessummary&lid=1">FRANCIS PICABIA (1879-1953)</a></h2><p>Veglione</p><br />EstimateGBP 2,200,000 - 2,800,000<br /><button aria-label="Follow FRANCIS PICABIA (1879-1953)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0110_000(salvador_dali_the_birth_of_liquid_anguish_d6469570073158).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 110<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469570?ldp_breadcrumb=back&intobjectid=6469570&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469570?ldp_breadcrumb=back&intobjectid=6469570&from=salessummary&lid=1">SALVADOR DALÍ (1904-1989)</a></h2><p>The Birth of Liquid Anguish (Naissance des angoisses liquides)</p><br />EstimateGBP 1,600,000 - 2,400,000<br /><button aria-label="Follow SALVADOR DALÍ (1904-1989)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0106_000(remedios_varo_nino_y_mariposa050550).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 106<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469566?ldp_breadcrumb=back&intobjectid=6469566&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469566?ldp_breadcrumb=back&intobjectid=6469566&from=salessummary&lid=1">REMEDIOS VARO (1908-1963)</a></h2><p>Niño y mariposa ( Niño triste )</p><br />EstimateGBP 1,200,000 - 1,800,000<br /><button aria-label="Follow REMEDIOS VARO (1908-1963)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0114_000(joan_miro_oiseau_insecte_constellation111724).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 114<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469574?ldp_breadcrumb=back&intobjectid=6469574&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469574?ldp_breadcrumb=back&intobjectid=6469574&from=salessummary&lid=1">JOAN MIRÓ (1893-1983)</a></h2><p>Oiseau, insecte, constellation</p><br />EstimateGBP 1,000,000 - 1,500,000<br /><button aria-label="Follow JOAN MIRÓ (1893-1983)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0123_000(rene_magritte_le_duo124644).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 123<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469583?ldp_breadcrumb=back&intobjectid=6469583&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469583?ldp_breadcrumb=back&intobjectid=6469583&from=salessummary&lid=1">RENÉ MAGRITTE (1898-1967)</a></h2><p>Le duo</p><br />EstimateGBP 600,000 - 900,000<br /><button aria-label="Follow RENÉ MAGRITTE (1898-1967)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0111_000(yves_tanguy_parure_d8217insomnie_d6469571124452).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 111<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469571?ldp_breadcrumb=back&intobjectid=6469571&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469571?ldp_breadcrumb=back&intobjectid=6469571&from=salessummary&lid=1">YVES TANGUY (1900-1955)</a></h2><p>Parure d’insomnie (Clothed in Wakefulness)</p><br />EstimateGBP 500,000 - 800,000<br /><button aria-label="Follow YVES TANGUY (1900-1955)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0102_000(rene_magritte_levidence_eternelle_genoux124303).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 102<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469562?ldp_breadcrumb=back&intobjectid=6469562&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469562?ldp_breadcrumb=back&intobjectid=6469562&from=salessummary&lid=1">RENÉ MAGRITTE (1898-1967)</a></h2><p>L'évidence éternelle: genoux</p><br />EstimateGBP 400,000 - 700,000<br /><button aria-label="Follow RENÉ MAGRITTE (1898-1967)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0101_000(rene_magritte_le_principe_darchimede124246).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 101<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469561?ldp_breadcrumb=back&intobjectid=6469561&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469561?ldp_breadcrumb=back&intobjectid=6469561&from=salessummary&lid=1">RENÉ MAGRITTE (1898-1967)</a></h2><p>Le principe d'Archimède</p><br />EstimateGBP 450,000 - 650,000<br /><button aria-label="Follow RENÉ MAGRITTE (1898-1967)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0118_000(man_ray_portrait_d6469578124555).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 118<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469578?ldp_breadcrumb=back&intobjectid=6469578&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469578?ldp_breadcrumb=back&intobjectid=6469578&from=salessummary&lid=1">MAN RAY (1890-1976)</a></h2><p>Portrait (Patti Cadby Birch)</p><br />EstimateGBP 350,000 - 550,000<br /><button aria-label="Follow MAN RAY (1890-1976)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0121_000(rene_magritte_la_race_blanche063125).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 121<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469581?ldp_breadcrumb=back&intobjectid=6469581&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469581?ldp_breadcrumb=back&intobjectid=6469581&from=salessummary&lid=1">RENÉ MAGRITTE (1898-1967)</a></h2><p>La race blanche</p><br />EstimateGBP 300,000 - 500,000<br /><button aria-label="Follow RENÉ MAGRITTE (1898-1967)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0117_000(pablo_picasso_composition125352).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 117<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469577?ldp_breadcrumb=back&intobjectid=6469577&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469577?ldp_breadcrumb=back&intobjectid=6469577&from=salessummary&lid=1">PABLO PICASSO (1881-1973)</a></h2><p>Composition</p><br />EstimateGBP 200,000 - 300,000<br /><button aria-label="Follow PABLO PICASSO (1881-1973)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0103_000(max_ernst_demonstration_hydrometrique_a_tuer_par_la_temperature053401).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 103<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469563?ldp_breadcrumb=back&intobjectid=6469563&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469563?ldp_breadcrumb=back&intobjectid=6469563&from=salessummary&lid=1">MAX ERNST (1891-1976)</a></h2><p>démonstration hydrométrique à tuer par la température</p><br />EstimateGBP 150,000 - 250,000<br /><button aria-label="Follow MAX ERNST (1891-1976)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0119_000(gustave_van_de_woestyne_angele_d6469579124621).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 119<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469579?ldp_breadcrumb=back&intobjectid=6469579&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469579?ldp_breadcrumb=back&intobjectid=6469579&from=salessummary&lid=1">GUSTAVE VAN DE WOESTYNE (1881-1947)</a></h2><p>Angèle</p><br />EstimateGBP 180,000 - 250,000<br /><button aria-label="Follow GUSTAVE VAN DE WOESTYNE (1881-1947)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0124_000(max_ernst_untitled_d6469584124732).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 124<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469584?ldp_breadcrumb=back&intobjectid=6469584&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469584?ldp_breadcrumb=back&intobjectid=6469584&from=salessummary&lid=1">MAX ERNST (1891-1976)</a></h2><p>Untitled (Person with two birds)</p><br />EstimateGBP 150,000 - 250,000<br /><button aria-label="Follow MAX ERNST (1891-1976)" type="button">FOLLOW</button></li><li><img alt="" data-cke-saved-src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?mode=max&w=1" data-sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" data-srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" sizes="(min-width: 768px) 420px, (min-width: 576px) 750px, 560px" src="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?mode=max&w=1" srcset="https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=640&maxWidth=560&mode=max 560w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=1280&maxWidth=1120&mode=max 1120w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=1920&maxWidth=1680&mode=max 1680w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=857&maxWidth=750&mode=max 750w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=1714&maxWidth=1500&mode=max 1500w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=2571&maxWidth=2250&mode=max 2250w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=480&maxWidth=420&mode=max 420w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=960&maxWidth=840&mode=max 840w, https://www.christies.com/img/lotimages/2024/CKS/2024_CKS_22618_0104_000(meret_oppenheim_tisch_mit_vogelfussen124320).jpg?maxHeight=1440&maxWidth=1260&mode=max 1260w" /><br />LOT 104<h2><a data-cke-saved-href="https://www.christies.com/lot/lot-6469564?ldp_breadcrumb=back&intobjectid=6469564&from=salessummary&lid=1" href="https://www.christies.com/lot/lot-6469564?ldp_breadcrumb=back&intobjectid=6469564&from=salessummary&lid=1">MERET OPPENHEIM (1913-1985)</a></h2><p>Tisch mit Vogelfüssen</p><br />EstimateGBP 100,000 - 200,000<br /><button aria-label="Follow MERET OPPENHEIM (1913-1985)" type="button">FOLLOW</button></li></ul></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-84510715933373384282024-02-27T13:54:00.000-08:002024-02-27T13:54:30.419-08:00Christie’s 20th / 21st Century: London Evening Sale on 7 March<h2 class="secondary-title" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-color: white; box-sizing: border-box; font-stretch: normal; font-weight: normal; line-height: 30px; margin: 0px auto 43px; max-width: 580px; text-align: center; width: 580px;"><p style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; font-stretch: normal; height: auto; line-height: 30px; margin: 0px auto; max-width: 580px; min-height: initial; padding: 0px; width: 580px;"><span style="font-family: inherit; font-size: small;"><br class="Apple-interchange-newline" />A HIGHLIGHT OF THE</span></p><p style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; font-stretch: normal; height: auto; line-height: 30px; margin: 0px auto; max-width: 580px; min-height: initial; padding: 0px; width: 580px;"><span style="font-family: inherit; font-size: small;">20<span style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;">TH</span> / 21<span style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;">ST</span> CENTURY: LONDON EVENING SALE</span></p></h2><div class="image-container default" id="main_center_0_PressContentRepeater_GenImageBlock_0" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-color: white; box-sizing: border-box; color: #333333; display: table; height: auto; margin: 54px auto 0px; max-width: 1180px; padding-bottom: 5px; width: 780px;"><div class="image-preview-container" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-color: black; box-sizing: border-box; float: left; height: auto; margin-bottom: 20px; overflow: hidden; padding-bottom: 0px; position: relative; width: 780px;"><span style="font-family: inherit;"><img class="image-preview" data-id="a894ded2-c185-4c10-b5c3-9731f9afed80" src="http://www.christies.com/PresscenterImages/11165/70839364-frame-new.jpg" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-position: 50% 50%; background-repeat: no-repeat; background-size: cover; border: none; box-sizing: border-box; height: auto; inset: 0px; max-height: 100%; max-width: 100%; position: relative; user-select: none; vertical-align: bottom; width: 780px;" /></span><button class="play-slide" data-id="1a" data-imagecount="1" data-lang="1" data-pressid="11165" id="main_center_0_PressContentRepeater_ImagePlayBut8_0" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); appearance: none; background-clip: padding-box; background-color: rgba(0, 0, 0, 0.25); background-image: none; border-color: rgb(255, 255, 255); border-radius: 3em; border-style: solid; color: white; cursor: pointer; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; height: 40px; line-height: 40px; margin: 0px; opacity: 1; overflow: hidden; position: absolute; right: 10px; top: 10px; transition: background-color 0.2s ease 0s; vertical-align: baseline; width: 40px;"></button></div><div class="image-description" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; margin: 0px; max-width: 580px; padding: 0px; width: 580px;"><h5 class="image-caption" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: grey; font-stretch: normal; font-weight: normal; line-height: 20px; margin: 0px;"><p data-mce-style="text-align: center;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-stretch: normal; height: auto; line-height: 20px; margin: 0px; max-width: none; min-height: initial; padding: 0px; text-align: center;"><span style="font-family: inherit; font-size: small;">David Hockney, <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">California</em> (1965, Estimate on request: in the region of £16,000,000)</span></p></h5></div></div><div class="module-body-text" id="main_center_0_PressContentRepeater_GenArticleContent_1" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-color: white; box-sizing: border-box; color: #333333; display: table; margin: 65px auto 0px; max-width: 580px; width: 580px;"><p data-mce-style="text-align: justify;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-stretch: normal; line-height: 30px; margin: 0px 0px 30px; text-align: justify;"><span style="font-family: inherit;">Christie’s will offer David Hockney’s masterpiece, <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">California</em> (1965, Estimate on request: in the region of £16,000,000) as a highlight of the 20<span style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;">th</span> / 21<span style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;">st</span> Century: London Evening Sale on 7 March. Held in the same European private collection since 1968, the painting stands among Hockney’s first great swimming pool paintings and has been unseen in public for more than 40 years.<span face="atlasgroteskmedium, Arial, Helvetica, sans-serif" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; font-stretch: normal;"> </span></span></p><p data-mce-style="text-align: justify;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-stretch: normal; line-height: 30px; margin: 0px 0px 30px; text-align: justify;"><span style="font-family: inherit;"><em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">California</em> was acquired by the present owner in 1968. The painting was unveiled in London on 25 January ahead of a touring exhibition schedule that includes Paris from 3 to 8 February and New York from 15 to 19 February. <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">California</em> will then be on view in London at Christie’s global headquarters on King Street from 1 to 7 March. <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">California</em> is the largest and finest in the extraordinary group of early pool paintings created in London after Hockney’s first visit to Los Angeles in 1964. The art historians Paul Melia and Ulrich Luckhardt have noted that ‘Hockney considers it to be one of his most important pool paintings’. The paintings that followed have come to be synonymous with his <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">oeuvre</em>, combining dazzling technical virtuosity with strains of fantasy, desire and longing.</span></p><p data-mce-style="text-align: justify;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-stretch: normal; line-height: 30px; margin: 0px 0px 30px; text-align: justify;"><span style="font-family: inherit;"><br style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;" /><span face="atlasgroteskmedium, Arial, Helvetica, sans-serif" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; font-stretch: normal;">Katharine Arnold, Head of Post-War and Contemporary Art, Europe</span>: “<em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">David Hockney’s pool paintings have become some of the most iconic and loved images of our time. </em>California <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">is an exceptional painting made shortly after Hockney’s first trip to Los Angeles in 1964 where he marvelled at the brilliant light and mosaic-like cityscape populated by bright blue swimming pools. After a childhood brought up in the north of England, and having studied in London, still reeling from the Second World War, California must have felt like Arcadia; a beautiful place to be free and enjoy being young. This sense of the artist’s optimism and jubilation is in the very fabric of Hockney’s </em>California. <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">Owned by a private European collector since 1968 and last seen in public in 1979, this painting is sensational and follows in the footsteps of </em>Portrait of an Artist (Pool with Two Figures), <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">which achieved a world record at Christie’s in 2018</em>.”</span></p><p data-mce-style="text-align: justify;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-stretch: normal; line-height: 30px; margin: 0px 0px 30px; text-align: justify;"><span style="font-family: inherit;"><span face="atlasgroteskmedium, Arial, Helvetica, sans-serif" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; font-stretch: normal;">Joseph Braka, Junior Specialist, Post-War and Contemporary Art, London</span>: <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">“As one of David Hockney’s first of a series of now fabled pool paintings, </em>California<em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;"> stands as one of the most important pictures of the artist’s career. Executed on a grand scale, with dynamic line and vibrant colour, the painting vividly conveys the wide-eyed exhilaration of a young Englishman plunged into a social revolution sweeping the West Coast of America. Through a body of tangled lines and cells, emblematic of his early style before his move towards naturalism, Hockney masterfully captures the elusive and ever-changing properties of water and light.”</em></span></p><p data-mce-style="text-align: justify;" style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box; color: black; font-stretch: normal; line-height: 30px; margin: 0px 0px 30px; text-align: justify;"><span style="font-family: inherit;">A halcyon vista of carefree summer bliss, <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">California</em> is among Hockney’s earliest iterations of the swimming pool motif and was one of the first pool paintings to include figures. While Hockney incorporated a swimming pool in the 1964 painting <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">California Art Collector</em>, it was not until he returned to London for Christmas that year that he made his first full pool painting: a figureless composition entitled <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">Picture of a Hollywood Swimming Pool</em> (1964). <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">California</em> followed shortly afterwards, along with the closely related painting <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">Two Boys in a Pool, Hollywood </em>(1965). <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">California</em> anticipates many of the achievements that followed in Hockney’s subsequent masterpieces. Its kaleidoscopic depiction of moving water lays the foundations for the techniques explored in <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">A Bigger Splash</em> (1967, Tate, London) and <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">Portrait of an Artist (Pool with Two Figures)</em> (1972). Its naked figures foreshadow the sensuous male nudes of <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">Sunbather</em> (1966, Museum Ludwig, Cologne) and <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">Peter Getting Out of Nick’s Pool</em> (1966, Walker Art Gallery, Liverpool). So essential did Hockney consider the painting to his <em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); box-sizing: border-box;">oeuvre</em> that, when unable to include it in his 1988 retrospective at the Los Angeles County Museum of Art, he made his own copy, now held in the museum’s permanent collection. </span></p></div><p><span style="font-family: inherit;"><span face="LyonRegular, Arial, Helvetica, sans-serif" style="background-color: white; text-align: justify;">Faced with depicting the elusive, ever-changing properties of water and light, a theme which lies at the heart of Hockney's practice, he made his first great forays into the themes of vision and perception that would come to define his work. </span><em style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0); background-color: white; box-sizing: border-box; text-align: justify;">California</em><span face="LyonRegular, Arial, Helvetica, sans-serif" style="background-color: white; text-align: justify;">’s stylised vocabulary of tangled lines and cells is particularly distinctive of this early period, predating the artist’s turn towards naturalism and his landmark double portraits made during the late 1960s and early 1970s. </span> </span></p><div class="single-template__main-content--headline" style="border: 0px; box-sizing: border-box; margin: 48px auto 0px; outline: 0px; padding: 0px; text-align: center; text-transform: uppercase; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><span style="font-family: inherit;"><img alt="CHRISTIE’S WILL OFFER CLAUDE MONET’S
<em>MATINÉE SUR LA SEINE, TEMPS NET</em>
AT AUCTION FOR THE FIRST TIME IN 45 YEARS" class="image" src="https://press.christies.com/wp-content/uploads/2024/02/96a7ce9f7e02c0e6943b96fe4c34f683-l.png" style="border: 0px; box-sizing: border-box; height: 418px; margin: 0px; object-fit: cover; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;" /></span></div><div class="single-template__main-content--subtitle2" style="border: 0px; box-sizing: border-box; line-height: 1.8rem; margin: 0px auto; outline: 0px; padding: 0px; text-align: center; transition: all 0.3s ease-in 0s; vertical-align: baseline;"><span style="font-family: inherit; font-size: small;">Claude Monet, Matinée sur la Seine, temps net (1897, estimate: £12,000,000-18,000,000)</span></div><div class="single-template__main-content--text" style="border: 0px; box-sizing: border-box; line-height: 1.25rem; margin: 16px auto 0px; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><p style="border: 0px; box-sizing: border-box; line-height: 1.25rem; margin: 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><span style="font-family: inherit;">Christie’s will offer Claude Monet’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Matinée sur la Seine, temps net</em> (1897, estimate: £12,000,000-18,000,000) at auction for the first time in 45 years. A leading highlight of the 20th / 21st Century: London Evening Sale on 7 March, this magnificent painting captures a tranquil moment on the Seine, the morning light casting an iridescent glow across the scene. <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Matinée sur la Seine, temps net</em> dates to an important period in Monet’s practice during which time he began to serialise his motifs, a technique that would ultimately transform his art. Last seen at exhibition in 1990 when it was included in ‘Monet in the ‘90s: The Series Paintings’ (Museum of Fine Arts, Boston; The Art Institute of Chicago and Royal Academy of Arts, London), <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Matinée sur la Seine, temps net</em> will be displayed at Christie’s in New York from 9 to 14 February and in Hong Kong from 21 to 23 February. The view in London will take place at King Street from 1 to 7 March.</span></p><p class="x_elementToProof" style="border: 0px; box-sizing: border-box; line-height: 1.25rem; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><span style="font-family: inherit;">The series to which the painting belongs, titled ‘Matinées sur la Seine’, conveys the landscape during the summer mornings of 1896 and 1897 as the light transforms the atmosphere. Tracing the sun as it passes over the scene, from the first rays of light at dawn, to the full brilliance of the sun at mid-morning, this extraordinary sequence of works was conceived as a connected, interrelated sequence of canvases. These would become some of the last scenes the artist would create of the Seine, a frequent subject in his <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">oeuvre</em> and one of the defining images of the Impressionist movement. </span></p><p class="x_elementToProof" style="border: 0px; box-sizing: border-box; line-height: 1.25rem; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><span style="font-family: inherit;"><strong style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Michelle McMullan, Co-Head of 20th / 21st Century: London Evening Sale, Christie’s:</strong> “<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">We are thrilled to offer </em>Matinée sur la Seine, temps net <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">in London, a masterpiece by Claude Monet, in the year that marks the 150th anniversary of the birth of Impressionism. The painting is a poetic meditation on time that places equal significance on both the ‘real world’ of the pictorial sky and its mirror image reflected in the water. In the morning mist, these two realms meld together, focusing the viewer on the sensation of the scene unfolding before them. Following the sale of Monet’s </em>Le bassin aux<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> </em>nymphéas<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> in New York in November of 2023, we look forward to presenting </em>Matinée sur la Seine, temps net<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> to our international clients, who we are confident will be enthralled by the mesmeric beauty of one of Monet’s most cherished subjects</em>.” </span></p><p class="x_elementToProof" style="border: 0px; box-sizing: border-box; line-height: 1.25rem; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><span style="font-family: inherit;">The idea of serialisation first occurred to Monet when he was painting a church in the misty sunlight. While he often painted several versions of the same scene, it was not until he completed his depictions of the Creuse valley in 1889, an example of which will also be offered in the Evening sale on 7 March, that Monet returned to the creative possibilities the serial technique offered. Time was deeply embedded in the process and presentation of the ‘Matinée sur la Seine’ with each painting depicting a specific instant. To capture the sun’s first rays illuminating a small inlet on the Seine, Monet would set out at 3:30am, remaining on the river until the light no longer suited his purpose. Monet would work on many canvases at the same time, slotted into different grooves that lined his bateau-atelier. As the light changed during the course of the morning, he quickly switched from one canvas to the next. It is possible to track the rising sun across the canvases when seen as a group. </span></p><p class="x_elementToProof" style="border: 0px; box-sizing: border-box; line-height: 1.25rem; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><span style="font-family: inherit;">Monet explained, ‘<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline;">I am pursuing the impossible. Other painters paint a bridge, a house, a boat… I want to paint the air in which the bridge, the house, and the boat are to be found – the beauty of the air around them, and that is nothing less than the impossible</em>’. </span></p><div class="single-template__main-content--headline" style="border: 0px; box-sizing: border-box; font-size: 16px; margin: 48px auto 0px; outline: 0px; padding: 0px; text-align: center; text-transform: uppercase; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><img alt="CHRISTIE’S 20/21 LONDON MARCH EVENING SALES TO PRESENT WORKS WITH A COMBINED LOW ESTIMATE OF £169,225,000" class="image" src="https://press.christies.com/wp-content/uploads/2024/02/e9b5d97195f11aa50dade9fbdfcdeead-l.png" style="border: 0px; box-sizing: border-box; height: 418px; margin: 0px; object-fit: cover; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;" /></div><div class="single-template__main-content--subtitle2" style="border: 0px; box-sizing: border-box; font-family: "ABC Arizona Sans"; font-size: 0.75rem; line-height: 1.8rem; margin: 0px auto; outline: 0px; padding: 0px; text-align: center; transition: all 0.3s ease-in 0s; vertical-align: baseline;">René Magritte, L'ami intime (The Intimate Friend) (1958, estimate: £30,000,000-50,000,000) Francis Bacon, Landscape near Malabata, Tangier (1963, estimate: £15,000,000-20,000,000)</div><p class="x_elementToProof" style="border: 0px; box-sizing: border-box; line-height: 1.25rem; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-align: justify; text-transform: inherit; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><span style="font-family: inherit;"></span></p><div class="single-template__main-content--text" style="border: 0px; box-sizing: border-box; font-family: "ABC Arizona Sans" !important; font-size: 16px; line-height: 1.25rem !important; margin: 16px auto 0px !important; outline: 0px; padding: 0px; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><strong style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Giovanna Bertazzoni, Vice Chairman, 20<span style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">th</span> / 21<span style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">st</span> Century Art Department, Christie’s: </strong><em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">“</em><em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Christie’s 20/21 March season launches our auction programme for the year with a robust presentation of blue-chip works of the 20<span style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">th</span> Century from prestigious provenances, showcased alongside exciting creations by the most sought-after artists active today. The majesty of Claude Monet’s view of the Seine is placed in dialogue with David Hockney’s iconic image of California. Masterpieces by</em> <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Francis Bacon, Lucian Freud and Michael Andrews highlight the enduring legacy of London as a vibrant art capital. René Magritte’s </em>L'ami intime (The Intimate Friend) <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">is the jewel of the ‘Art of the Surreal’, Christie’s uniquely devised auction happening once a year in London, dedicated to the exciting outputs of the Dada and Surrealist polymaths. Fittingly coinciding with the centenary of the Surrealist Manifesto, Magritte’s iconic canvas will lead our season.</em> <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">We look forward to convening collectors in our London galleries when we unveil the carefully selected works in the pre-sale exhibition, taking place at our headquarters on London’s King Street from 1 March</em><em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">.”</em></p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;">René Magritte’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">L'ami intime (The Intimate Friend) </em>(1958, estimate: £30,000,000-50,000,000) is offered from the Gilbert and Lena Kaplan Collection. Depicting the enigmatic bowler-hatted man, Magritte's 'everyman', the painting will lead the 24th edition of The Art of the Surreal Evening Sale. The auction will present the work of 14 artists, and with a low estimate of £48,000,000, represents the highest pre-sale estimate for the category in 24 years of the standalone sale being held.</p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><img alt="" class="uploaded_image" height="258" src="https://christies.epresspack.me/storage/clients/641/overview_2_1708948631.png" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;" width="600" /></p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;">.</p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;">Francis Bacon’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Landscape near Malabata, Tangier </em>(1963, estimate: £15,000,000-20,000,000), previously part of the collection of Roald Dahl, has been included in 32 major exhibitions of the artist’s work across 27 cities. Lucian Freud’s intimate portrait, <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Kai </em>(1991-92, estimate: £4,000,000-6,000,000), depicts Kai Boyt, the son of Suzy Boyt, who also appears in the world record painting <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Large Interior W11 (after Watteau)</em>.<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"> </em>Held in the same collection since 1995, <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Kai </em>was unveiled in Freud's touring exhibition, which opened at the Whitechapel Art Gallery in 1993.</p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><img alt="" class="uploaded_image" height="292" src="https://christies.epresspack.me/storage/clients/641/overview_3_1708948680.png" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;" width="600" /></p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;">The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale includes 112 lots, over half appearing for the first time at auction. Alexej von Jawlensky’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Frau mit Fächer (Frau aus Turkestan) </em>(1912, estimate: £4,000,000-6,000,000) has remained in the same collection since 1960. The pioneering art dealer Galka Scheyer acquired the work directly from the artist – an exceptional provenance that is testament to the quality of the painting, positioning it alongside the Magritte, Hockney, Bacon, and Monet.</p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;">From Méret Oppenheim’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Tisch mit Vogelfüssen </em>(1939, estimate: £100,000-200,000) to Hannah Höch’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Das schöne Mädchen (The Beautiful Girl) </em>(<em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">circa </em>1920, estimate: £120,000-180,000), powerful connections are established across the centuries and genres in Christie’s 20/21 season. Tracey Emin’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">I Wanted You to Fuck the Inside of my Mind </em>(2018, estimate: £900,000-1,500,000) follows the incredible result achieved for <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Like a Cloud of Blood</em> when it set a record for the artist at Christie’s in October 2022. Alice Neel’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">David McKee and his First Wife Jane </em>(1968, estimate: £1,200,000-1,800,000) sits alongside Lynette Yiadom-Boakye’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Of All The Seasons </em>(2017, estimate: £500,000-700,000) and Sonia Delaunay’s <em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Rythme-Couleur (no. 132) </em>(1953, estimate: £1,000,000-1,500,000).</p><p style="border: 0px; box-sizing: border-box; font-size: 1rem !important; line-height: 1.25rem !important; margin: 25px 0px 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline; width: 631px;"><em style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">A selection of Christie’s Stories to date relating to the 20<span style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">th</span>/21<span style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">st</span> Century: London Evening Sale can be found below:</em></p><ul style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px 0px 0px 28px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"><li style="border: 0px; box-sizing: border-box; list-style: disc; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"><a href="https://www.christies.com/stories/david-hockney-california-1965-aa86e1159afa4dbb922485cbe33e43f8" style="border: 0px; box-sizing: border-box; color: blue; display: inline-block; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">David Hockney’s <em style="border: 0px; box-sizing: border-box; color: rgb(0, 0, 0) !important; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">California</em>, 1965</a></li><li style="border: 0px; box-sizing: border-box; list-style: disc; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"><a href="https://www.christies.com/stories/claude-monet-mornings-on-the-seine-0dad8f65ea1b4d00b26aa9d12bb9d48b" style="border: 0px; box-sizing: border-box; color: blue; display: inline-block; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Claude Monet’s <em style="border: 0px; box-sizing: border-box; color: rgb(0, 0, 0) !important; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Matinée sur la Seine, temps net</em>, 1897</a></li></ul><div><br /></div><ul style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px 0px 0px 28px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"><li style="border: 0px; box-sizing: border-box; list-style: disc; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"><a href="https://www.christies.com/stories/alice-neel-david-mckee-and-his-first-wife-jane-033065d6341f47cda4de9c5e1c8ae28b" style="border: 0px; box-sizing: border-box; color: blue; display: inline-block; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Alice Neel’s <em style="border: 0px; box-sizing: border-box; color: rgb(0, 0, 0) !important; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">David McKee and his First Wife Jane</em>, 1968</a></li><li style="border: 0px; box-sizing: border-box; list-style: disc; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"><a href="https://www.christies.com/stories/british-artist-michael-andrews-1052699c9e1b4b5eb6535c7562ccc62f" style="border: 0px; box-sizing: border-box; color: blue; display: inline-block; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Michael Andrews’ <em style="border: 0px; box-sizing: border-box; color: rgb(0, 0, 0) !important; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">School III: Butterfly Fish and Damsel Fish</em>, 1978</a></li><li style="border: 0px; box-sizing: border-box; list-style: disc; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;"><a href="https://www.christies.com/stories/10-things-to-know-about-alighiero-boetti-fed4f079bea84873a596aa43072a4820" style="border: 0px; box-sizing: border-box; color: blue; display: inline-block; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Alighiero Boetti <em style="border: 0px; box-sizing: border-box; color: rgb(0, 0, 0) !important; margin: 0px; outline: 0px; padding: 0px; text-transform: inherit !important; transition: all 0.3s ease-in 0s; vertical-align: baseline;">Mettere al Mondo il Mondo</em> Exhibition</a></li></ul></div></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-60846834462910169972024-02-27T06:28:00.000-08:002024-02-27T06:28:35.061-08:00MARÍA BLANCHARD. PAINTER IN SPITE OF CUBISM<p> </p><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="background-color: white; border-collapse: collapse; min-width: 100%; text-align: center; text-size-adjust: 100%; width: 100%;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="padding-top: 9px; text-size-adjust: 100%;" valign="top"><table border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-align: left; text-size-adjust: 100%; width: 100%;"><tbody><tr><td class="mcnTextContent" style="color: #202020; font-family: Arial, "Helvetica Neue", Helvetica, sans-serif; line-height: 24px; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><h2 class="null" style="font-family: Verdana, Geneva, sans-serif; line-height: 18px; margin: 0px; padding: 0px;"><strong><span style="font-size: large;">MUSEO PICASSO MÁLAGA</span></strong></h2><div><span style="font-size: large;"><br style="font-family: Helvetica;" /><strong style="font-family: Helvetica;">30 April to 29 September 2024</strong></span></div></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="background-color: white; border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="padding-top: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td class="mcnTextContent" style="color: #202020; font-family: Helvetica; line-height: 24px; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><ul><li style="text-size-adjust: 100%;"><h2 class="null" style="font-family: Verdana, Geneva, sans-serif; line-height: 18px; margin: 0px; padding: 0px;"><span style="font-size: small;">Opening to the public on 30 April,<em> María Blanchard. Painter in spite of Cubism, </em>a retrospective exhibition that will be a chronological survey of the different periods in the career of the painter María Blanchard (Santander, 1881-Paris,1932).</span></h2></li><li style="text-size-adjust: 100%;"><h2 class="null" style="font-family: Verdana, Geneva, sans-serif; line-height: 18px; margin: 0px; padding: 0px;"><span style="font-size: small;">Blanchard was the first woman in Spain to adopt a Cubist approach and to experiment with fragmentation and multiple viewpoints in her compositions. For this reason her contribution to the modern movement is regarded as particularly notable.Combined with her level of technical mastery and the respect she earned among her contemporaries, this has made Blanchard’s work a significant point of reference.</span></h2></li><li style="text-size-adjust: 100%;"><h2 class="null" style="font-family: Verdana, Geneva, sans-serif; line-height: 18px; margin: 0px; padding: 0px;"><span style="font-size: small;">It complements the exhibitions organised over the past two decades by the Museo Picasso Málaga that have drawn attention to the importance of women artists’ work.</span></h2></li></ul></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBlock" style="background-color: white; border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody class="mcnImageCardBlockOuter"><tr><td class="mcnImageCardBlockInner" style="padding: 9px 18px; text-size-adjust: 100%;" valign="top"><table align="right" border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody><tr><td align="left" class="mcnImageCardBottomImageContent" style="padding: 18px 18px 0px; text-size-adjust: 100%;" valign="top"><a class="" href="https://museopicasso.us12.list-manage.com/track/click?u=7840f12b5b6fa9f42f2203cfe&id=5012dc8870&e=53b99dbee7" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/7840f12b5b6fa9f42f2203cfe/images/55cef0e5-cfd3-68e1-cb50-470551fb8d07.jpg" style="border: 0px; height: auto; max-width: 1200px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="528" /></a></td></tr><tr><td class="mcnTextContent" style="font-family: Arial, "Helvetica Neue", Helvetica, sans-serif; line-height: 16.5px; padding: 9px 18px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="528">María Blanchard (1881 - 1932) <em>The Fortune-Teller, </em>1924–1925<br />Oil on canvas, 97 × 130 cm<br />Association Des Amis du Petit Palais, Geneva<br />© Studio Monique Bernaz, Geneva<br /><br /></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="background-color: white; border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="padding-top: 9px; text-size-adjust: 100%;" valign="top"><br /></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="background-color: white; border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="padding-top: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td class="mcnTextContent" style="font-family: Verdana, Geneva, sans-serif; line-height: 18px; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><p style="line-height: 18px; margin: 10px 0px; padding: 0px; text-size-adjust: 100%;">This monographic exhibition organised by the Museo Picasso Málaga will present a chronological survey of the different periods in the artistic life of the painter María Blanchard (Santander, Spain, 1881-Paris, France, 1932). It will thus highlight the symbolic richness, social commitment, formal complexity and innovative nature of her work produced during her relatively short career. Blanchard’s activities were not sufficiently appreciated in her lifetime in a cultural context that espoused the inferiority of women’s artistic creation. A painter committed to her particular lifestyle and to creating to the very end, Blanchard transcended the limits of gender stereotypes.<br /> <br />As the first woman artist in Spain who systematically employed a Cubist approach in order to construct her images, María Blanchard contributed to the modern movement. The combination of geometrical elements and a skilful simultaneity of viewpoints give both her more abstract images from her early period and her post-Cubist figural compositions, which were produced from the period after 1920, a unique character. Blanchard’s range of subject matter - mother and child and domestic scenes, children and working women - reflect a deeply-felt female concern for the vulnerable nature of the human condition and the evocative power of emotions. She emphasised these aspects through her impeccable mastery of technique and her evident interest in the history and tradition of European painting. Curated by José Lebrero Stals, this retrospective includes approximately 90 works by the Spanish painter considered the “grande dame” of Cubism.<br /> <br />With this exhibition the Museo Picasso Málaga is reaffirming its commitment to highlighting the importance of 20<sup>th</sup>-century women artists, following its previous exhibitions <em>Sophie Taeuber-Arp</em> (2009); <em>Hilma af Klint</em> (2013); <em>Louise Bourgeois</em> (2015); <em>We are completely free. Women artists and Surrealism</em> (2017); and <em>Paula Rego</em> (2022).</p></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBlock" style="background-color: white; border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody class="mcnImageCardBlockOuter"><tr><td class="mcnImageCardBlockInner" style="padding: 9px 18px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody><tr><td align="left" class="mcnImageCardBottomImageContent" style="padding: 18px 18px 0px; text-size-adjust: 100%;" valign="top"><a class="" href="https://museopicasso.us12.list-manage.com/track/click?u=7840f12b5b6fa9f42f2203cfe&id=9d59b43b2e&e=53b99dbee7" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/7840f12b5b6fa9f42f2203cfe/images/1297beb1-412c-d2e6-01b9-59482f8404ed.jpg" style="border: 0px; height: auto; max-width: 988px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="528" /></a></td></tr><tr><td class="mcnTextContent" style="font-family: Arial, "Helvetica Neue", Helvetica, sans-serif; line-height: 16.5px; padding: 9px 18px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="528">María Blanchard (1881 - 1932) <em>Still Life, </em>1917-1918<br />Oil on canvas, 73 × 60 cm<br />Colección Abelló © Photo: Joaquín Cortés<br /><em><strong>To download the image, click on it</strong></em></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBlock" style="background-color: white; border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody class="mcnImageCardBlockOuter"><tr><td class="mcnImageCardBlockInner" style="padding: 9px 18px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody><tr><td align="left" class="mcnImageCardBottomImageContent" style="padding: 18px 18px 0px; text-size-adjust: 100%;" valign="top"><a class="" href="https://museopicasso.us12.list-manage.com/track/click?u=7840f12b5b6fa9f42f2203cfe&id=e661d3912b&e=53b99dbee7" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/7840f12b5b6fa9f42f2203cfe/images/7a15e47a-312c-362b-14aa-3d5199c742e8.jpg" style="border: 0px; height: auto; max-width: 821px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="528" /></a></td></tr><tr><td class="mcnTextContent" style="font-family: Arial, "Helvetica Neue", Helvetica, sans-serif; font-size: 11px; line-height: 16.5px; padding: 9px 18px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="528"><span style="font-size: small;">María Blanchard (1881 - 1932) <em>Girl in Black and Pink, </em>c. 1926<br />Oil on canvas, 73 × 50 cm<br />Musée d’Art Moderne de Paris<br />© Paris Musées/Musée d’Art Moderne de la Ville de Paris</span></td></tr></tbody></table></td></tr></tbody></table>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-14630455925111211802024-02-24T09:59:00.000-08:002024-02-24T09:59:53.276-08:00Max Weber: Art and Life Are Not Apart<table bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="4974" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; text-align: center; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; text-align: center; width: 100%;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; text-align: center; width: 100%;"><tbody><tr><td class="ace-item" data-id="af2c" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><div class="text-style-body-text" data-bind="text" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; letter-spacing: 0px; line-height: 22.4px; text-align: center;"><b><span style="font-size: large;">Schoelkopf Gallery<br /></span></b></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="b03e" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; text-align: center; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="ace-item" data-id="4630" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><div class="text-style-body-text" data-bind="text" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; letter-spacing: 0px; line-height: 22.4px;"><b><span style="font-size: large;">through April 5, 2024</span></b></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><p style="text-align: center;"> </p><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="98b3" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="ace-item" data-id="0bb0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><div class="text-style-body-text" data-bind="text" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 0px; line-height: 22.4px;"><br />Between 1905 and 1908, Max Weber resided and worked in Paris, the epicenter of emerging revolutionary modes of visual expression developed by the avant-garde. By 1911, Max Weber had returned to New York, and garnered recognition from his contemporaries as a trailblazer of modern art in the United States.<br /></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" table-collapse mailing-container mailing-layout-large-detail-grid" data-ace-container-id="636f" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="mailing_two_column_grid ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px 15px;"><table border="0" cellspacing="0" class="table-collapse" colspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="ace-item td-collapse" data-id="55f6" style="border-collapse: collapse; border-spacing: 0px; margin: 0px; padding: 0px;" valign="top"><table align="left" border="0" cellspacing="0" class="table-collapse grid-col" colspacing="0" style="border-collapse: collapse; border-spacing: 0px; float: left; margin-left: 0px; margin-right: 0px; padding: 0px;" valign="top"><tbody><tr><td class="td-collapse collapse-pb-20" style="border-collapse: collapse; border-spacing: 0px; margin: 0px; padding: 0px 15px 0px 0px; width: 285px;" width="285"><div class="mailing-grid-item mailing-grid-item-image" style="border-collapse: collapse; border: 0px;"><img alt="<b>Max Weber</b>, <em>Abstract Still Life</em>, c. 1914, Inscribed at lower right by the artist's wife: MAX WEBER (FW), Pastel on paper, 21 x 17 inches, 53.3 x 43.2 cm" class="block-image" data-bind="img" src="https://artlogic-res.cloudinary.com/w_800,h_800,c_limit/artlogicstorage/msfineart/images/view/b2b63e1cfcc9bd9edacbf8ce64678f44.jpg" style="border-collapse: collapse; border: 0px; display: block; height: auto; line-height: 16px; max-width: 100%; outline: none; width: 285px;" width="285" /></div></td></tr></tbody></table><table align="left" border="0" cellspacing="0" class="table-collapse grid-col" colspacing="0" style="border-collapse: collapse; border-spacing: 0px; float: left; margin-left: 0px; margin-right: 0px; padding: 0px;" valign="top"><tbody><tr><td align="left" class="td-collapse collapse-width-auto collapse-pt-0 " style="border-collapse: collapse; border-spacing: 0px; margin: 0px; padding: 0px 0px 0px 15px; width: 285px;" valign="top" width="285"><div class="mailing-grid-item mailing-grid-item-heading" style="border-collapse: collapse; border: 0px;"><h3 data-bind="heading" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 10px; font-weight: normal; letter-spacing: 0px; line-height: 14px; margin: 0px; overflow-wrap: break-word;"><b>Max Weber</b>, <em>Abstract Still Life</em>, c. 1914, Inscribed at lower right by the artist's wife: MAX WEBER (FW), Pastel on paper, 21 x 17 inches, 53.3 x 43.2 cm</h3></div><div class="mailing-grid-item mailing-grid-item-subtitle" style="border-collapse: collapse; border: 0px;"><h4 data-bind="subheading" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 8px; font-weight: normal; letter-spacing: 0px; line-height: 15.2px; margin: 0px; overflow-wrap: break-word;"></h4></div><div class="mailing-grid-item mailing-grid-item-content" style="border-collapse: collapse; border: 0px;"><div class="text-style-body-text" data-bind="text" style="border-collapse: collapse; border: 0px; font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: 0px; line-height: 20.8px;">Max Weber created a transparency effect in <i>Abstract Still Life</i> (c. 1914) that anticipates subsequent critical developments in the twentieth century including Man Ray's Rayographs (1920s) and Francis Picabia's transparencies (1928–31). The significance of this work in Weber's oeuvre has been recognized by major institutions. Notably, It was included in the important 1991–93 exhibition <i>Max Weber: The Cubist Decade, 1910–1920</i> organized by the High Museum in Atlanta, which later traveled to the Museum of Fine Arts, Houston; Corcoran Gallery of Art, Washington, D.C; Albright-Knox Art Gallery, Buffalo; Brooklyn Museum; and Los Angeles County Museum of Art.</div></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="cd6d" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td align="center" class="ace-item" data-id="2ba6" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; border: 1px solid rgb(204, 204, 204); margin-left: 0px; margin-right: 0px; padding: 0px;"><a class="mailing-button-link text-style-body-text" data-bind="text" href="mailto:adele@schoelkopfgallery.com?subject=Inquiry%3A%20Max%20Weber%2C%20%27Abstract%20Still%20Life%27&body=Hello%2C%20%0AI%20am%20writing%20to%20inquire%20for%20additional%20information%20about%20Max%20Weber%2C%20%27Abstract%20Still%20Life%27." rel="noopener noreferrer" style="border-color: transparent; border-style: solid; border-width: 15px 20px; color: black; display: inline-block; font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 14px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; letter-spacing: 0px; line-height: 22.4px; margin: 0px; text-decoration-line: none; width: auto;" target="_blank">Inquire about Max Weber, <i>Abstract Still Life</i></a></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container mailing-layout-two-column-grid table-collapse" data-ace-container-id="e89d" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="mailing_two_column_grid ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 15px;" width="100%"><table align="left" border="0" cellspacing="0" class="table-collapse" colspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><tbody><tr class="ace-img-height-row"><td border="0" class="td-collapse collapse-pb-0" style="border-collapse: collapse; border-spacing: 0px; margin: 0px; padding: 0px;" valign="top" width="100%"><table align="left" border="0" cellspacing="0" class="ace-item table-collapse grid-col" colspacing="0" data-id="cb5f" style="border-collapse: collapse; border-spacing: 0px; float: left; margin-left: 0px; margin-right: 0px; padding: 0px;"><tbody><tr><td border="0" class="td-collapse mailing-grid-item-image-wrapper ace-img-height-element" style="border-collapse: collapse; border-spacing: 0px; height: 413px; margin: 0px; padding: 0px 30px 0px 0px; width: 285px;" valign="middle" width="285"><div class="mailing-grid-item mailing-grid-item-image" style="border-collapse: collapse; border: 0px;"><a class="mailing-link" href="http://link.schoelkopfgallery.com/ls/click?upn=Kblq7hHXMIPlf732B4OtW1XV5Th76N-2B4ueaSHoCIu-2FLYC-2BJi4aD3ciTLU2UaJoUNzI71rJ9UPE08e97lj0FRkgFiufsCfe-2BsAyeMXoZGI8LBpAb8eFTTALBvNkel4pvpr62WaiCyH6J-2F4e7PcQT3Zw-3D-3DLJ0U_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMeZVEswi4SIga1b9tKa3zm0jw7vk4E3mrMIvn7YC2NcnrjzIEkdzxIpkwi-2BT3CuG-2BNz4Ylo5KM7UTVXUznyqBqchosvPISnaA3q-2FrmJvqmGiUAD9YLiUH-2FYHRPlgwCAMGV86Zb0MVqZD6C6THIiVt0j3u0uTbCcAImgwo4rdc-2FF9Uu91fSrW1AZfAqspyjeq7aoX5PSEMLD5rqSKPYm7FJk63rxIBpPxG6mnu4N9QYEEl1hjsHmVFnF6fd23mIuex4zm4Z2-2FaRTa83SkqVWcfVKZpRlfcwjPUWbe0p8bElpnyXsomF8dBfvFpMfzAFJevzc7E9zm0f1mSuUr8-2FNEINKJB6A2E-2B1rgaM9CXz1Px9-2B0VkiyHZrYV04rtwOo-2Bhg9wcqBhvr35YAYMc8PXz83xDt8NuypgqNft1VGUWeJal58GOOJKcZfNB7xQZY8gy9GFHVTWT-2BN0n3aOn6xl80yrKViAqFY2FaKd7RKN1ZUbp4U5aUkA-2FTesUkvDc-2Bjcugq3WYBsKq6yhv29ThvSrejjrVKUKtvvhdDNtPnC8M4smv93i95-2BgYAL8zcb-2F6cQU1IoCenL-2FzYpI-2BmBCYqh5rilWKuQtueIPRDNg8mJXYMsnBlwdfFcUgUVVuRbMZf-2Beqhe9ujS8b-2BLwuwPOZjmBq2xXa-2Frc7OCFDNOEDvB3yf4Nzryb7uN1-2B4fxQ2CkVcXNE5N2ymYbsQfseIE6ReJ9sgSFVcye6feAUOBk6lX9-2BbmP-2Bf78Rw4bSbDkUTaQUppbSs" rel="noopener noreferrer" style="font: inherit; margin: 0px; text-decoration-line: none;" target="_blank"><img alt="<strong>Max Weber</strong>, <em>The Pewter Cup</em>, 1921, Signed and dated at lower right: MAX WEBER 1921, Gouache on paper on board, 14 x 10 inches, 35.6 x 25.4 cm" class="block-image" data-bind="img" src="https://artlogic-res.cloudinary.com/w_800,h_800,c_limit/artlogicstorage/msfineart/images/view/5302d0cf9af3a704493dde5d33c54723.jpg" style="border-collapse: collapse; border: 0px; display: block; height: auto; line-height: 16px; max-width: 100%; outline: none; width: 285px;" width="285" /></a></div></td></tr><tr><td align="left" border="0" class="td-collapse mailing-mobile-padding-fallback collapse-pb-40" style="border-collapse: collapse; border-spacing: 0px; margin: 0px; padding: 20px 30px 10px 0px; width: 285px;" valign="top" width="285"><div class="mailing-grid-item mailing-2colimggrid-content-container" style="border-collapse: collapse; border: 0px;" width="285"><div class="mailing-grid-item mailing-grid-item-heading" style="border-collapse: collapse; border: 0px;"><h3 data-bind="heading" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 10px; font-weight: normal; letter-spacing: 0px; line-height: 14px; margin: 0px; overflow-wrap: break-word;"><strong>Max Weber</strong>, <em>The Pewter Cup</em>, 1921, Signed and dated at lower right: MAX WEBER 1921, Gouache on paper on board, 14 x 10 inches, 35.6 x 25.4 cm</h3></div><div class="mailing-grid-item mailing-grid-item-subtitle" style="border-collapse: collapse; border: 0px;"><h4 data-bind="subheading" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 16px; font-weight: normal; letter-spacing: 0px; line-height: 12.8px; margin: 0px; overflow-wrap: break-word;"><br /><br /><br /></h4></div><div class="mailing-grid-item mailing-grid-item-content" style="border-collapse: collapse; border: 0px;"><div class="text-style-body-text" data-bind="text" style="border-collapse: collapse; border: 0px; font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 0px; line-height: 22.4px;"><a href="mailto:adele@schoelkopfgallery.com?subject=Inquiry%3A%20Max%20Weber%20%27The%20Pewter%20Cup%27&body=Hello%2C%20%0AI%20am%20writing%20to%20inquire%20for%20additional%20information%20about%20Max%20Weber%20%27The%20Pewter%20Cup%27.%0A" rel="noopener noreferrer" style="color: #3f96e5; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; letter-spacing: 0px; line-height: 22.4px; margin: 0px; text-decoration-line: none;" target="_blank">Click to inquire about <i>The Pewter Cup</i></a></div></div></div></td></tr></tbody></table><table align="left" border="0" cellspacing="0" class="ace-item table-collapse grid-col" colspacing="0" data-id="6333" style="border-collapse: collapse; border-spacing: 0px; float: left; margin-left: 0px; margin-right: 0px; padding: 0px;"><tbody><tr><td border="0" class="td-collapse mailing-grid-item-image-wrapper ace-img-height-element" style="border-collapse: collapse; border-spacing: 0px; height: 413px; margin: 0px; padding: 0px; width: 285px;" valign="middle" width="285"><div class="mailing-grid-item mailing-grid-item-image" style="border-collapse: collapse; border: 0px;"><a class="mailing-link" href="http://link.schoelkopfgallery.com/ls/click?upn=Kblq7hHXMIPlf732B4OtW1XV5Th76N-2B4ueaSHoCIu-2FLYC-2BJi4aD3ciTLU2UaJoUNzI71rJ9UPE08e97lj0FRkgFiufsCfe-2BsAyeMXoZGI8LBpAb8eFTTALBvNkel4pvpr62WaiCyH6J-2F4e7PcQT3Zw-3D-3DCHxT_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMeZVEswi4SIga1b9tKa3zm0jw7vk4E3mrMIvn7YC2NcnrjzIEkdzxIpkwi-2BT3CuG-2BNz4Ylo5KM7UTVXUznyqBqchosvPISnaA3q-2FrmJvqmGiUAD9YLiUH-2FYHRPlgwCAMGV86Zb0MVqZD6C6THIiVt0j3u0uTbCcAImgwo4rdc-2FF9Uu91fSrW1AZfAqspyjeq7aoX5PSEMLD5rqSKPYm7FJk63rxIBpPxG6mnu4N9QYEEl1hjsHmVFnF6fd23mIuex4zm4Z2-2FaRTa83SkqVWcfVKZpRlfcwjPUWbe0p8bElpnyXsomF8dBfvFpMfzAFJevzc7E9zm0f1mSuUr8-2FNEINKJB6A2E-2B1rgaM9CXz1Px9-2B0VkiyHZrYV04rtwOo-2Bhg9wcqBhvr35YAYMc8PXz83xDt8NuypgqNft1VGUWeJal58GOOJKcZfNB7xQZY8gy9GFHVTWT-2BN0n3aOn6xl80yrKViAqFY2FaKd7RKN1ZUbp6YJxXRbeJmmjqLQAwxxXaZ7dLLcM5qnKCgwdEpyMbZKC3p6dS8IKfaYxbU-2FhJEuC2kjz9oix9sCgaxU7pb8H-2F6JYxRiOS39rYlDJwsf-2BydohjrYATn5XoOkpenlOuLbflTrgtJMOzbNutQ2KHEm-2F7FBsfY79879sQIVf7HMhfA2UIlCbN2E7kkQijQMC3ckd1j37-2F6fc-2FvqKEG99riWf0sko2L0iwzW0aSBrJh0AMg7b9PHsYQE4-2Bv0xpCE8remOj13d04Bv0QbW9r7gY7Zaat" rel="noopener noreferrer" style="font: inherit; margin: 0px; text-decoration-line: none;" target="_blank"><img alt="<strong>Max Weber, </strong><em>The Pitcher</em>, 1911, Watercolor on paper, 13⅞ x 10⅛ inches, 35.2 x 25.7 cm<br><br>" class="block-image" data-bind="img" src="https://artlogic-res.cloudinary.com/w_800,h_800,c_limit/artlogicstorage/msfineart/images/view/d51db98fb132bcce46aded247de6fa80.jpg" style="border-collapse: collapse; border: 0px; display: block; height: auto; line-height: 16px; max-width: 100%; outline: none; width: 285px;" width="285" /></a></div></td></tr><tr><td align="left" border="0" class="td-collapse mailing-mobile-padding-fallback " style="border-collapse: collapse; border-spacing: 0px; margin: 0px; padding: 20px 0px 10px; width: 285px;" valign="top" width="285"><div class="mailing-grid-item mailing-2colimggrid-content-container" style="border-collapse: collapse; border: 0px;" width="285"><div class="mailing-grid-item mailing-grid-item-heading" style="border-collapse: collapse; border: 0px;"><h3 data-bind="heading" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 10px; font-weight: normal; letter-spacing: 0px; line-height: 14px; margin: 0px; overflow-wrap: break-word;"><strong>Max Weber, </strong><em>The Pitcher</em>, 1911, Watercolor on paper, 13⅞ x 10⅛ inches, 35.2 x 25.7 cm<br /><br /></h3></div><div class="mailing-grid-item mailing-grid-item-subtitle" style="border-collapse: collapse; border: 0px;"><h4 data-bind="subheading" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 16px; font-weight: normal; letter-spacing: 0px; line-height: 12.8px; margin: 0px; overflow-wrap: break-word;"><br /><br /><br /></h4></div><div class="mailing-grid-item mailing-grid-item-content" style="border-collapse: collapse; border: 0px;"><div class="text-style-body-text" data-bind="text" style="border-collapse: collapse; border: 0px; font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 0px; line-height: 22.4px;"><a href="mailto:adele@schoelkopfgallery.com?subject=Inquiry%3A%20Max%20Weber%20%27The%20Pitcher%27&body=Hello%2C%20%0AI%20am%20writing%20to%20inquire%20for%20additional%20information%20about%20Max%20Weber%20%27The%20Pitcher%27.%0A" rel="noopener noreferrer" style="color: #3f96e5; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; letter-spacing: 0px; line-height: 22.4px; margin: 0px; text-decoration-line: none;" target="_blank">Click to inquire about <i>The Pitcher</i></a></div></div></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="f7df" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="ace-item" data-id="ef35" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><div class="text-style-body-text" data-bind="text" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 0px; line-height: 22.4px;">Max Weber's early still lifes reveal his fluency in Cubist principles. His experiments with overlapping visual planes echo the collage compositions of Synthetic Cubism, which reached its height from 1912 to 1914.<br /><br />Max Weber transformed what had previously been regarded as a movement unique to the European avant-garde into a style reflective of America’s growing cultural prominence on the world stage.<br /></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="11a0" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="mailing-full-img-container ace-item" data-id="36cf" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td align="" class="mailing-full-img" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><img alt="" class="block-image" data-bind="img" src="https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit/artlogicstorage/msfineart/images/view/c22596de10d2df45e681baaf335ab2b6.jpg" style="border: 0px; display: block; height: auto; line-height: 16px; max-width: 100%; outline: none; width: 600px;" usemap="#map-11a0" width="600" /></td></tr><tr><td class="mailing-image-caption" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 15px 0px 0px;"><div class="text-style-image-caption" data-bind="text" style="color: #888888; font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 10px; letter-spacing: 0px; line-height: 16px;"><strong>Max Weber</strong>, <em>Still Life</em>, c. 1917, Gouache on paper, 12⅞ x 9¾ inches, 32.7 x 24.8 cm</div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="bed1" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td align="center" class="ace-item" data-id="7611" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; border: 1px solid rgb(204, 204, 204); margin-left: 0px; margin-right: 0px; padding: 0px;"><a class="mailing-button-link text-style-body-text" data-bind="text" href="mailto:adele@schoelkopfgallery.com?subject=Inquiry%3A%20Max%20Weber%2C%20%27Still%20Life%27&body=Hello%2C%20%0AI%20am%20writing%20to%20inquire%20for%20additional%20information%20about%20Max%20Weber%2C%20%27Still%20Life%27" rel="noopener noreferrer" style="border-color: transparent; border-style: solid; border-width: 15px 20px; color: black; display: inline-block; font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 14px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; letter-spacing: 0px; line-height: 22.4px; margin: 0px; text-decoration-line: none; width: auto;" target="_blank">Inquire about Max Weber, <i>Still Life</i></a></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="4974" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="ace-item" data-id="af2c" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><div class="text-style-body-text" data-bind="text" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 0px; line-height: 22.4px;">Please be in touch with Alana Ricca <a href="mailto:alana@schoelkopfgallery.com" rel="noopener noreferrer" style="color: #3f96e5; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; letter-spacing: 0px; line-height: 22.4px; margin: 0px; text-decoration-line: none;" target="_blank">alana@schoelkopfgallery.com</a>, or (212) 879-8815 to receive additional information, or learn more about works available at Schoelkopf Gallery.<br /></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="b03e" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="ace-item" data-id="4630" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><div class="text-style-body-text" data-bind="text" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 0px; line-height: 22.4px;">Current Exhibitions:<br /><i>Max Weber: Art and Life Are Not Apart</i>, through April 5, 2024<br /></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-81099831599993462882024-02-21T16:43:00.000-08:002024-02-21T16:43:56.228-08:00KLIMT LANDSCAPES<p style="text-align: center;"><b><span>Neue Galerie New York</span></b></p><p style="text-align: center;"><b><span>February 15 - May 6, 2024</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.neuegalerie.org/sites/default/files/styles/work/public/work/Klimt%2C-Park-at-Kammer-Castle%2C-1909.JPG?itok=ZQGlpJ6g" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="404" height="400" src="https://www.neuegalerie.org/sites/default/files/styles/work/public/work/Klimt%2C-Park-at-Kammer-Castle%2C-1909.JPG?itok=ZQGlpJ6g" width="404" /></a></div><br /><p style="text-align: center;"><br /></p><p> Gustav Klimt, Park at Kammer Castle, 1909, oil on canvas. Neue Galerie New York. This work is part</p><p>of the collection of Estée Lauder and was made available through the generosity of Estée Lauder.</p><p><br /></p><p><br /></p><p>Neue Galerie New York is delighted</p><p>to present “Klimt Landscapes,” opening on February 15, 2024. This major</p><p>exhibition of Gustav Klimt's (1862–1918) idyllic depictions in the landscape</p><p>genre, on view through May 6, 2024, will feature significant paintings made</p><p>while the artist was on his Sommerfrische (summer holiday) in the Austrian</p><p>countryside. "Klimt Landscapes" will present highlights from Neue Galerie</p><p>New York's holdings, such as Park at Kammer Castle (1909) and </p><div class="separator" style="clear: both; text-align: center;"><a href="https://neuegalerie.org/sites/default/files/styles/work/public/work/Forester'sHouseInWeissenbachII_018.JPG?itok=9pmqu8_f" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="396" height="400" src="https://neuegalerie.org/sites/default/files/styles/work/public/work/Forester'sHouseInWeissenbachII_018.JPG?itok=9pmqu8_f" width="396" /></a></div><br /><p><br /></p><p>Forester’s</p><p>House in Weissenbach II (Garden) (1914), alongside important loans from</p><p>museums and private collections in Europe and the United States,</p><p>including works from the Harvard Art Museums, the Museum of Modern Art,</p><p>and the Wien Museum. </p><p><br /></p><p>For the last twenty years of his career, Klimt devoted</p><p>considerable energy to painting landscapes during his summer vacations on</p><p>the Attersee in the Salzkammergut region of Austria, known for its tranquil</p><p>lakes. Created purely for his own pleasure, these bucolic scenes became</p><p>among his most sought-after pictures and were highly coveted by collectors.</p><p>Most were made in a square format—a reflection of his fascination with</p><p>photography.</p><p><br /></p><p>This special exhibition will examine Klimt’s landscapes within the context of</p><p>his larger oeuvre and trace the evolution of his style from one informed by</p><p>historicism and the academic tradition, to an embrace of Symbolist</p><p>tendencies. After the founding of the Vienna Secession in 1897, Klimt</p><p>became a leading proponent of the modern movement. He spent a decade</p><p>exploring the ideal of the Gesamtkunstwerk (total work of art) and his</p><p>approach evolved during this period to become more decorative and ornate,</p><p>culminating in his Golden Style. Thereafter, he shifted to a more painterly</p><p>manner of working in pure color and one influenced by French artists, in</p><p>particular.</p><p><br /></p><p>Klimt’s landscapes will be situated alongside the rare print portfolio, Das</p><p>Werk Gustav Klimts, as well as photography, fashion, and the decorative arts</p><p>of the Wiener Werkstätte (Vienna Workshops). </p><p><br /></p><p>The exhibition will also</p><p>consider Klimt’s relationship with his sister-in-law, fashion designer Emilie</p><p>Unknown photographer, Emilie Flöge and Gustav Klimt in a rowboat on the Attersee, 1910</p><p>Courtesy Asenbaum Photo Archive, Vienna</p><p>Flöge, who was a lifelong friend and trusted confidante; his deep engagement</p><p>with the Viennese avant-garde; and the techniques he employed to achieve</p><p>mesmerizing, harmonious works that literally shimmer with color and light.</p><p><br /></p><p>Neue Galerie New York is renowned for its resplendent Klimt Gallery, which</p><p>permanently features works from all periods of the artist's career, including</p><p>his 1907 Portrait of Adele Bloch Bauer I, a masterpiece of Klimt’s Golden</p><p>Style. Few paintings have captured the public's imagination as thoroughly as</p><p>the so-called “Woman in Gold,” and for this reason Klimt is most admired for</p><p>his sensual portraits of women. Klimt was a central figure in the cultural life of</p><p>Vienna at the fin de siècle, and this major show will situate his work in an</p><p>interdisciplinary context to help yield new insights and understanding about</p><p>his considerable artistic achievements and contributions.</p><p><br /></p><p>RELATED PUBLICATION</p><div class="separator" style="clear: both; text-align: center;"><a href="https://shop.neuegalerie.org/cdn/shop/products/Gustav-Klimt-Landscapes_Stephan-Koja_a4b3537b-446e-4d5e-a200-8e1d79c5ef01_1024x1024.jpg?v=1620240466" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="558" height="700" src="https://shop.neuegalerie.org/cdn/shop/products/Gustav-Klimt-Landscapes_Stephan-Koja_a4b3537b-446e-4d5e-a200-8e1d79c5ef01_1024x1024.jpg?v=1620240466" width="558" /></a></div><br /><p><br /></p><p>A fully illustrated catalogue, published by Neue Galerie New York and</p><p>Prestel, accompanies the exhibition. It is edited by Janis Staggs, with a</p><p>preface by Ronald S. Lauder and a foreword by Renée Price. The publication</p><p>features essays by leading scholars in their respective fields,</p><p>including Shawn Digney-Peer, Monika Faber, Kathrin Pallestrang, Janis</p><p>Staggs, and Yagna Yass-Alston.Bill Loccisano designed the publication.</p><p><br /></p>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-80854227273436862712024-02-17T17:25:00.000-08:002024-02-17T17:25:54.303-08:00Munch and Kirchner: Anxiety and Expression<p style="text-align: center;"><b><span style="font-size: large;"><br /></span></b></p><p style="background-color: white; box-sizing: border-box; color: #231f20; font-family: "Moderne LL", sans-serif; letter-spacing: 0.025561px; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch; text-align: center;"><b><span style="font-size: large;">February 16, 2024–June 23, 2024</span></b></p><p style="background-color: white; box-sizing: border-box; color: #231f20; font-family: "Moderne LL", sans-serif; letter-spacing: 0.025561px; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch; text-align: center;"><b><span style="font-size: large;">The Yale University Art Gallery</span></b></p><p style="background-color: white; box-sizing: border-box; color: #231f20; font-family: "Moderne LL", sans-serif; font-size: 21.3008px; letter-spacing: 0.025561px; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><div class="gc-content-left--1 mb-component" style="background-color: white; box-sizing: border-box; color: #231f20; font-family: "Moderne LL", sans-serif; font-size: 21.3008px; grid-column: content-left--1; letter-spacing: 0.025561px; margin-bottom: var(--component-spacing);"><div class="gc-content-left mb-component grid rg-60" style="--grid-column-gap: 1.5023474178rem; --grid-template-columns: [full-start sidebar-left-start content-left-start content-left--1-start] repeat(2,1fr) [center-start] repeat(1,1fr) [center--1-start] repeat(1,1fr) [sidebar-left-end content-right-start] repeat(1,1fr) [content-right--1-start] repeat(2,1fr) [content-left--1-end] repeat(1,1fr) [content-left-end sidebar-right-start] repeat(1,1fr) [center--1-end] repeat(1,1fr) [center-end] repeat(2,1fr) [full-end content-right--1-end content-right-end sidebar-right-end]; box-sizing: border-box; display: grid; grid-auto-flow: dense; grid-column: content-left; grid-template-columns: var(--grid-template-columns); margin-bottom: var(--component-spacing); margin-top: 0px !important; row-gap: 1.50235rem;"><figure class="content-block content-block--image gc-h" style="box-sizing: border-box; grid-column: span 6; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px !important;"><figcaption class="text-caption" style="--inner-spacing: var(--font-metric-70-margin); box-sizing: border-box; font-size: var(--font-metric-70-size); letter-spacing: var(--font-metric-70-spacing); line-height: var(--font-metric-70-height); margin-bottom: 0px !important; margin-top: 0.56338rem; max-width: 70ch;"><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><em style="box-sizing: border-box; font-size: 21.3008px; letter-spacing: 0.025561px; margin-bottom: 0px !important; margin-top: 0px !important;"><br /></em></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><em style="box-sizing: border-box; font-size: 21.3008px; letter-spacing: 0.025561px; margin-bottom: 0px !important; margin-top: 0px !important;"><br /></em></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://artgallery.yale.edu/sites/default/files/styles/max_2600x2600/public/2023-06/2023_Forest_ag-obj-324214-0001-pub.jpg?itok=kIuUdwIT" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="628" data-original-width="800" height="628" src="https://artgallery.yale.edu/sites/default/files/styles/max_2600x2600/public/2023-06/2023_Forest_ag-obj-324214-0001-pub.jpg?itok=kIuUdwIT" width="800" /></a></div><br /><em style="box-sizing: border-box; font-size: 21.3008px; letter-spacing: 0.025561px; margin-bottom: 0px !important; margin-top: 0px !important;"><br /></em><p></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;">Edvard Munch, <em style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important;">Toward the Forest I (Mot skogen I)</em>, 1897, printed 1913–15. Woodcut printed in pink and green. Collection of Nelson Blitz, Jr., and Catherine Woodard</p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p></figcaption></figure><figure class="content-block content-block--image gc-h" style="box-sizing: border-box; grid-column: span 6; margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><picture style="box-sizing: border-box; margin-top: 0px !important;"><source height="2600" media="(min-width: 60em)" srcset="/sites/default/files/styles/max_2600x2600/public/2023-06/2023_Dr.%20Bauer_ag-obj-12823-0001-pub.jpg?itok=vGYW58c2 1x" style="box-sizing: border-box; margin-top: 0px !important;" type="image/jpeg" width="1783"></source><source height="1360" media="(min-width: 48em)" srcset="/sites/default/files/styles/max_1360x1360/public/2023-06/2023_Dr.%20Bauer_ag-obj-12823-0001-pub.jpg?itok=Swosu4uA 1x" style="box-sizing: border-box;" type="image/jpeg" width="933"></source><source height="800" media="(min-width: 30em)" srcset="/sites/default/files/styles/max_800x800/public/2023-06/2023_Dr.%20Bauer_ag-obj-12823-0001-pub.jpg?itok=SKhwpgr3 1x" style="box-sizing: border-box;" type="image/jpeg" width="549"></source></picture><figcaption class="text-caption" style="--inner-spacing: var(--font-metric-70-margin); box-sizing: border-box; font-size: var(--font-metric-70-size); letter-spacing: var(--font-metric-70-spacing); line-height: var(--font-metric-70-height); margin-bottom: 0px !important; margin-top: 0.56338rem; max-width: 70ch;"><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important; max-width: 70ch;"><br /></p></figcaption></figure></div><div class="gc-content-left mb-component" style="box-sizing: border-box; grid-column: content-left; margin-bottom: var(--component-spacing);"><div class="content-block content-block--text" style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important;"><div class="body-text gc-full mb-30" style="box-sizing: border-box; grid-column: full; margin-bottom: 0.751174rem; margin-top: 0px !important;"><div class="field__item" style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important;"><div class="separator" style="clear: both; text-align: center;"><a href="https://artgallery.yale.edu/sites/default/files/styles/max_2600x2600/public/2023-06/2023_Dr.%20Bauer_ag-obj-12823-0001-pub.jpg?itok=vGYW58c2" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="549" height="800" src="https://artgallery.yale.edu/sites/default/files/styles/max_2600x2600/public/2023-06/2023_Dr.%20Bauer_ag-obj-12823-0001-pub.jpg?itok=vGYW58c2" width="549" /></a></div><br /><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><span style="font-size: 21.3008px; letter-spacing: 0.025561px;">Ernst Ludwig Kirchner, </span><em style="box-sizing: border-box; font-size: 21.3008px; letter-spacing: 0.025561px; margin-top: 0px !important;">Head of Dr. Frédéric Bauer (Kopf Dr. Frédéric Bauer)</em><span style="font-size: 21.3008px; letter-spacing: 0.025561px;">,</span><em style="box-sizing: border-box; font-size: 21.3008px; letter-spacing: 0.025561px; margin-bottom: 0px !important;"> </em><span style="font-size: 21.3008px; letter-spacing: 0.025561px;">1933. Woodcut printed in black, ochre, maroon, purple, red, blue, and green. Yale University Art Gallery, Gift of Molly and Walter Bareiss, B.S. 1940S</span></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">The Yale University Art Gallery is pleased to present <em style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important;">Munch and Kirchner: Anxiety and Expression</em>, organized by Freyda Spira, the Gallery’s Robert L. Solley Curator of Prints and Drawings, with the assistance of Joseph Henry, the Florence B. Selden Fellow in Prints and Drawings. </p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/1x8gEWVjeN8" width="320" youtube-src-id="1x8gEWVjeN8"></iframe></div><br /><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">The exhibition is the first to examine the work of Edvard Munch (Norwegian, 1863–1944) and Ernst Ludwig Kirchner (German, 1880–1938), demonstrating how both artists grappled with the anxieties of their age. Though they operated in very close circles and shared friends, dealers, and patrons, Munch and Kirchner surprisingly met only once, at the monumental exhibition of modern art sponsored by the Sonderbund group in Cologne in 1912. </p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">The younger and extremely ambitious Kirchner repeatedly tried to distance himself from Munch, declaring “he is the end, I am the beginning.” Nevertheless, there remain fascinating overlaps in the creative output and personal biographies of the two artists. Both Munch and Kirchner were experimental printmakers who exploited the perceptual and emotional power of color and distortion for creative expression, and both artists portrayed what they perceived to be the fragmented, harrowing reality of European modernity.</p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">The art, science, and popular culture of the late 19th and early 20th centuries saw a marked interest in new questions of psychology and personal identity. Considered foundational figures of the artistic style known as Expressionism, Munch and Kirchner paved a new, visionary—even spiritual—path, especially in their printmaking practices. These artistic pursuits often overlapped with their struggles with mental health: the two men underwent existential crises, endured bouts of depression, grappled with substance abuse, and received psychiatric care. To express these conditions, Munch and Kirchner thematized illness as a universal and deeply affecting human experience, and Munch, at least, often insisted that he derived his portrayals from his personal life. </p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">Their artistic output reflects, and in many cases explicitly represents, their confrontations with mental and physical health within a rapidly changing European culture. While the notion of the suffering and marginalized artist has been a key leitmotif of modern European art, its stakes were soon weaponized in this period, as seen in the Nazi persecution of both the radical avant-garde and of those perceived as mentally, physically, and racially “degenerate.”</p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">Across six thematic sections, this exhibition explores issues around personal expression and mental health, as well as the politics of care and the transformative potential of art. </p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">The first section, “Women/Anxiety/Love/Death,” showcases prints that poignantly engage with these ideas. Here, Munch and Kirchner voice their attitudes toward sexuality and gender, their female subjects functioning as symbols of either innocence or corrupted eroticism around which sensations of violence, fear, and desire coalesce. </p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">Building on this idea, the next section, “The City,” highlights the artists’ respective engagement with the metropolis as a site of urban transformation, inspiration, and culture but also of alienation. </p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">“Landscape” presents the artists’ uniquely expressive representations of nature—prints that evoke feelings rather than accurately reproduce their surroundings. Munch’s and Kirchner’s landscapes are spaces of melancholy, loneliness, and physical separation as well as of healing, interconnectedness, and vitality. </p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">“Illness” features a selection of self-portraits by Munch and Kirchner that explore both physical and mental ailments and touch on broader themes of psychological angst and social belonging. </p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">The exhibition concludes with two print portfolios: Kirchner’s <em style="box-sizing: border-box; margin-top: 0px !important;">Peter Schlemihl’s Wondrous Journey</em> (1915) and Munch’s <em style="box-sizing: border-box; margin-bottom: 0px !important;">Alpha and Omega</em> (1908–9). The former is a strikingly illustrated and deeply personal woodcut series that details Kirchner’s feelings of loss and alienation amid the beginnings of World War I, while the latter is a lithographic series that follows Munch’s eccentric and personal creation story.</p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">The exhibition features a large group of prints from the collection of Nelson Blitz, Jr., and Catherine Woodard, leading collectors of Expressionism in the United States. Amassed over the course of forty years, the Blitz-Woodard collection not only includes around a dozen woodcuts and lithographs by Munch, many printed in color and some with hand-coloring, but also stands as the most extensive group of Kirchner prints in private hands. Also included in the exhibition are works from Yale University Art Gallery’s collection as well as from other U.S. museums.</p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">This intriguing focus on Munch and Kirchner gathers the most current scholarship about the artists’ lives and work and considers it alongside the contemporary medical establishments and individuals who catered to the mentally ill. The exhibition and related catalogue further probe the politics of this infrastructure, from the privileges afforded to successful artists to gendered inequities in treatment. </p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">Engaging with challenging topics, <em style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important;">Munch and Kirchner: Anxiety and Expressionism</em> brings into sharp focus discussions about the history of psychology and psychiatry, anxiety, depression, and substance abuse, as well as the relationship between mental health, well-being, and the visual arts.</p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><h3 style="--color-palette-deep-blue: #202d7f; --color-palette-orange: #ec6a1f; --color-palette-sky-blue: #0394d6; --inner-spacing: var(--font-metric-30-fluid-margin); box-sizing: border-box; color: var(--color-ui-color,inherit); font-size: var(--font-metric-30-fluid-size); letter-spacing: var(--font-metric-30-fluid-spacing); line-height: var(--font-metric-30-fluid-height); margin-bottom: var(--inner-spacing); margin-top: var(--pre-heading-spacing); max-width: 70ch;"><br /></h3><h3 style="--color-palette-deep-blue: #202d7f; --color-palette-orange: #ec6a1f; --color-palette-sky-blue: #0394d6; --inner-spacing: var(--font-metric-30-fluid-margin); box-sizing: border-box; color: var(--color-ui-color,inherit); font-size: var(--font-metric-30-fluid-size); letter-spacing: var(--font-metric-30-fluid-spacing); line-height: var(--font-metric-30-fluid-height); margin-bottom: var(--inner-spacing); margin-top: var(--pre-heading-spacing); max-width: 70ch;">Related Publication</h3><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://artgallery.yale.edu/sites/default/files/styles/max_2600x2600/public/2023-09/2023-Pub_Munch_Kirchner_cover.jpg?itok=-uwLrdWI" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="599" height="800" src="https://artgallery.yale.edu/sites/default/files/styles/max_2600x2600/public/2023-09/2023-Pub_Munch_Kirchner_cover.jpg?itok=-uwLrdWI" width="599" /></a></div><br /><div><br /></div><div><br /></div><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">Freyda Spira<br style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px !important;" />With an essay by Allison Morehead</p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">The Norwegian artist Edvard Munch (1863–1944) and the German artist Ernst Ludwig Kirchner (1880–1938) are considered modernist visionaries. They were also pioneering printmakers, eschewing the mastery of one technique for experimentation across many. Born a generation apart, they worked in an expressionist mode, in which they did not simply replicate what they saw but rather filtered everything through their own emotions, memories, and imaginations. Exploiting the perceptual and emotional power of color and distortion for creative expression, they portrayed what they perceived to be a fragmented, harrowing reality; both artists endured bouts of anxiety and depression, battled substance abuse, and received psychiatric care. </p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">Featuring prints from the collection of Nelson Blitz, Jr., and Catherine Woodard, as well as etchings, lithographs, and woodcuts from select public and private collections across the United States, this volume puts these two giants of Expressionism in a dialogue that foregrounds issues of mental health and offers a fresh approach that blends art history and the medical humanities. The included essays examine the artistic affinities and divergences in their printmaking and the ways in which they used shadows to imagine pathologized psychological and psychiatric experiences in their art.</p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;"><br /></p><p style="box-sizing: border-box; margin-bottom: var(--inner-spacing); margin-top: 0px; max-width: 70ch;">192 pages / 9 x 12 inches / 98 color illustrations / Distributed by Yale University Press / 2024</p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px; max-width: 70ch;">Paperback with flaps<br style="box-sizing: border-box; margin-top: 0px !important;" />ISBN 978-0-300-27585-8<br style="box-sizing: border-box; margin-bottom: 0px !important;" /></p><p style="box-sizing: border-box; margin-bottom: 0px !important; margin-top: 0px; max-width: 70ch;"><br /></p></div></div></div></div></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-13208723391380285012024-02-13T08:24:00.000-08:002024-02-13T08:24:37.196-08:00 Small but Sublime: Albert Bierstadt’s Cabinet Paintings and Oil Studies<p> </p><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="98b3" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="ace-item" data-id="0bb0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><div class="text-style-body-text" data-bind="text" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 0px; line-height: 22.4px;"><em>Small but Sublime: Albert Bierstadt’s Cabinet Paintings and Oil Studies</em> investigates oil paintings of intimate scale descended in the family of the artist’s wife, Rosalie Osborn. In November 1866, at the pinnacle of his career, Bierstadt married into the Osborn family of Waterville, New York, and the couple would go on to lead a glamorous life together, traveling widely with sojourns in Europe and in California.<br /></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="eca9" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px 5px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="mailing-full-img-container ace-item" data-id="5d7e" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td align="" class="mailing-full-img" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><a class="mailing-link" href="http://link.schoelkopfgallery.com/ls/click?upn=Kblq7hHXMIPlf732B4OtW1XV5Th76N-2B4ueaSHoCIu-2FLYC-2BJi4aD3ciTLU2UaJoUNYhQ0ZvdfIKcMo2PMGMCq30MXxrphNDJ0QYYU3IlzH-2Fk7XolpqtebGBwLtLKH37w6wM8A7AQxlAyPd6CmkmKgQM-2B05ZSHrKhzrdSirPxL4TFB1-2FlxuPGvfnS25JhW4Ijm5wDt_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMIrcJyO6x5Gr5Z63dIG2j2-2BoYctR9Fw4z3652G6azrCdcVA59K3MO1JvfWMGQJDnRIYuxhqeKg0PkHjBLsLYfFAfWRB8ldz90PlAewwyKCg4ai7eXR9Ea3BiIX4eWphes46CjrcdXSKxBH0fzvPEOI6iZVdev-2FuUhZmZfEpBYNBMtRW8tggaLaA7gHCEwSefa1dvsNFvRaPaI7FUNdW-2F-2BYabeCi5QJBPOtmLPHNWLUIEEQDHOxNYjqXRdqaDmDPLXkkt1ZEriokJiaiG4RIzqnE6jtQaSt-2FbV-2F38scL3piL-2F9IBwMQ1a5cJLH3NqMoG4p81rGoEGSzbMRucUzwaDRfcpNJMyxSPNNNrQcaDriXkRA2IDLBWJ8sUkv-2BbnY3pTQxVnGSzMT5c6fYqvUHW8w6z5uUVAolJxtXW8oHgWQMs1ycl8lodXb4QWaKqh3eMVuuAqjDI7V5gsuIeNZmBnHOJ7f-2Fy01cY-2BbbHMabHgQ-2FwrixmZkLki-2FCOMO2LqO110d30XRrSJ5C7Ov5xilUhbfK9j571U8h8rc4uRgRCSeDcCVJi8fYtInLFuOxeG-2FUeKbAmng8kC5qYCxTQKLl7Cr5XGyfjt-2B5OrW-2BWO-2FenAwyrCSwGZNe-2B6Gc90q4nOAswW5gTgjKGPQv6q271KJkeCONLJ5W5NjCY9FiJ0-2BVRYUF9od1YNW9w3yM6zISvM-2Fr1NRNhWEHmWMTrbNf-2BYwVbYEpp3X-2Bg7tZPuzRZemzanTE31MtNtWrffe6zeoa58FZP2k" rel="noopener noreferrer" style="font: inherit; margin: 0px; text-decoration-line: none;" target="_blank"><img alt="" class="block-image" data-bind="img" src="https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit/artlogicstorage/msfineart/images/view/7755407f335ef2abe240db0608a0c6eb.jpg" style="border: 0px; display: block; height: auto; line-height: 16px; max-width: 100%; outline: none; width: 600px;" usemap="#map-eca9" width="600" /></a></td></tr><tr><td class="mailing-image-caption" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 5px 0px 0px;"><div class="text-style-image-caption" data-bind="text" style="color: #888888; font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 10px; letter-spacing: 0px; line-height: 16px;"><strong>Albert Bierstadt</strong> (1830-1902), <em>The Heron</em>, undated, signed with the artist's monogram at lower right: AB, oil on panel, 11¾ x 17¾ inches, 29.8 x 45.1 cm</div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="a4d5" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px 10px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="ace-item" data-id="7df6" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><div class="text-style-body-text" data-bind="text" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 0px; line-height: 22.4px;">An aerial glow mirrored in still waters creates an actual but still otherworldly environment in <i>The Heron</i> that may suggest celestial associations or invoke the venerable eighteenth-century modes of the beautiful and the sublime. In this intimately scaled painting, the pervasive golden light wields a powerful force uniting terrestrial features into an expression of the visionary. This is not the brilliance of plein-air painting, but rather the radiance of poetic realms. -- Linda S. Ferber, excerpt from "Small but Sublime: Albert Bierstadt Cabinet Paintings and Oil Studies," 2024<br /></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="5276" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td align="center" class="ace-item" data-id="c0f0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; border: 1px solid rgb(204, 204, 204); margin-left: 0px; margin-right: 0px; padding: 0px;"><a class="mailing-button-link text-style-body-text" data-bind="text" href="mailto:alana@schoelkopfgallery.com?subject=%27The%20Heron%27%20Inquiry&body=Hello%2C%20%0AI%20am%20writing%20to%20inquire%20for%20additional%20details%20about%20Albert%20Bierstadt%2C%20%27The%20Heron%27.%20" rel="noopener noreferrer" style="border-color: transparent; border-style: solid; border-width: 14px 20px; color: black; display: inline-block; font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 14px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; letter-spacing: 0px; line-height: 22.4px; margin: 0px; text-decoration-line: none; width: auto;" target="_blank">Inquire about <i>The Heron</i></a></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" table-collapse mailing-container mailing-layout-large-detail-grid" data-ace-container-id="c897" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="mailing_two_column_grid ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 10px 15px 15px;"><table border="0" cellspacing="0" class="table-collapse" colspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="ace-item td-collapse" data-id="a93b" style="border-collapse: collapse; border-spacing: 0px; margin: 0px; padding: 0px;" valign="top"><table align="left" border="0" cellspacing="0" class="table-collapse grid-col" colspacing="0" style="border-collapse: collapse; border-spacing: 0px; float: left; margin-left: 0px; margin-right: 0px; padding: 0px;" valign="top"><tbody><tr><td class="td-collapse collapse-pb-20" style="border-collapse: collapse; border-spacing: 0px; margin: 0px; padding: 0px 15px 0px 0px; width: 285px;" width="285"><div class="mailing-grid-item mailing-grid-item-image" style="border-collapse: collapse; border: 0px;"><a class="mailing-link" href="http://link.schoelkopfgallery.com/ls/click?upn=Kblq7hHXMIPlf732B4OtW1XV5Th76N-2B4ueaSHoCIu-2FLYC-2BJi4aD3ciTLU2UaJoUNYhQ0ZvdfIKcMo2PMGMCq30MXxrphNDJ0QYYU3IlzH-2Fk7XolpqtebGBwLtLKH37w6wM8A7AQxlAyPd6CmkmKgQM-2B05ZSHrKhzrdSirPxL4TFB1-2FlxuPGvfnS25JhW4Ijmzvd8_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMIrcJyO6x5Gr5Z63dIG2j2-2BoYctR9Fw4z3652G6azrCdcVA59K3MO1JvfWMGQJDnRIYuxhqeKg0PkHjBLsLYfFAfWRB8ldz90PlAewwyKCg4ai7eXR9Ea3BiIX4eWphes46CjrcdXSKxBH0fzvPEOI6iZVdev-2FuUhZmZfEpBYNBMtRW8tggaLaA7gHCEwSefa1dvsNFvRaPaI7FUNdW-2F-2BYabeCi5QJBPOtmLPHNWLUIEEQDHOxNYjqXRdqaDmDPLXkkt1ZEriokJiaiG4RIzqnE6jtQaSt-2FbV-2F38scL3piL-2F9IBwMQ1a5cJLH3NqMoG4p81rGoEGSzbMRucUzwaDRfcpNJMyxSPNNNrQcaDriXkRA2IDLBWJ8sUkv-2BbnY3pTQxVnGSzMT5c6fYqvUHW8w6z5uUVAolJxtXW8oHgWQMs1ycl8lodXb4QWaKqh3eMVuuAqjDI7V5gsuIeNZmBnHOJ7f-2Fy01cY-2BbbHMabHgQ-2FwrzeIR02JSL4Z3mrUlhY-2B0DiKbs1qu44DBiUJrqJ9E2wLUoiZEqfc1xbK-2BDyjH8cfyy0RQh5IKaTuWQQQk7540HoNfBAy3-2BI9QD9Uy8rW6WC3kJHTAhmqaYmfa-2F9gDfCm3QoBN6baZAwgyPOjtpeCJ1irIVTjwIG1cysug6fcTrNktpteV1PnQVMYMSAFsHE92W4z-2FEMiWCgMfKndNQj52C8T3IV2CCBAqFat88h5bbOsPcHPoPuNyS21Ij4HAo4W6Z4w4IyiP7JuwzDdBd7PND" rel="noopener noreferrer" style="font: inherit; margin: 0px; text-decoration-line: none;" target="_blank"><img alt="<strong>Albert Bierstadt</strong> (1830-1902), <em>Mountain Scene</em>, undated, oil on paper on board, 13⅛ x 9⅛ inches, 33.3 x 23.2 cm" class="block-image" data-bind="img" src="https://artlogic-res.cloudinary.com/w_800,h_800,c_limit/artlogicstorage/msfineart/images/view/6ea2f627f1b6780d2a7d6fbd0d690ac9.jpg" style="border-collapse: collapse; border: 0px; display: block; height: auto; line-height: 16px; max-width: 100%; outline: none; width: 285px;" width="285" /></a></div></td></tr></tbody></table><table align="left" border="0" cellspacing="0" class="table-collapse grid-col" colspacing="0" style="border-collapse: collapse; border-spacing: 0px; float: left; margin-left: 0px; margin-right: 0px; padding: 0px;" valign="top"><tbody><tr><td align="left" class="td-collapse collapse-width-auto collapse-pt-0 " style="border-collapse: collapse; border-spacing: 0px; margin: 0px; padding: 0px 0px 0px 15px; width: 285px;" valign="top" width="285"><div class="mailing-grid-item mailing-grid-item-heading" style="border-collapse: collapse; border: 0px;"><h3 data-bind="heading" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 10px; font-weight: normal; letter-spacing: 0px; line-height: 14px; margin: 0px; overflow-wrap: break-word;"><strong>Albert Bierstadt</strong> (1830-1902), <em>Mountain Scene</em>, undated, oil on paper on board, 13⅛ x 9⅛ inches, 33.3 x 23.2 cm</h3></div><div class="mailing-grid-item mailing-grid-item-subtitle" style="border-collapse: collapse; border: 0px;"><h4 data-bind="subheading" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 8px; font-weight: normal; letter-spacing: 0px; line-height: 15.2px; margin: 0px; overflow-wrap: break-word;"></h4></div><div class="mailing-grid-item mailing-grid-item-content" style="border-collapse: collapse; border: 0px;"><div class="text-style-body-text" data-bind="text" style="border-collapse: collapse; border: 0px; font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: 0px; line-height: 20.8px;"><i><br />Mountain Scene</i>’s vertical format cleverly reinforces the impression of vastness and grandeur in this snapshot slice of a mountain lake ringed by very high peaks whose looming reflections darken the distant water surface. Snow fields glitter at their summits over which rise even higher towers of cumulus clouds. The descent of distant snow-fed cascades gleam from across the expanse of water. A shallow foreground is created by the rocky outcrop to which clings a deciduous tree and a conifer, indicating proximity to the timberline nearby; the higher elevations without trees. A solitary boatman tends his craft drawn up on the narrow shore, while, tiny in the distance, a couple row by on the broad expanse of the lake. —Linda S. Ferber, excerpt from "Small but Sublime: Albert Bierstadt Cabinet Paintings and Oil Studies," 2024<br /></div></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="369c" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px 15px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td align="center" class="ace-item" data-id="c4ae" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; border: 1px solid rgb(204, 204, 204); margin-left: 0px; margin-right: 0px; padding: 0px;"><a class="mailing-button-link text-style-body-text" data-bind="text" href="mailto:alana@schoelkopfgallery.com?subject=%27Mountain%20Scene%27%20Inquiry&body=Hello%2C%20%0AI%20am%20writing%20to%20inquire%20for%20additional%20details%20about%20Albert%20Bierstadt%2C%20%27Mountain%20Scene%27.%20" rel="noopener noreferrer" style="border-color: transparent; border-style: solid; border-width: 15px 20px; color: black; display: inline-block; font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 14px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; letter-spacing: 0px; line-height: 22.4px; margin: 0px; text-decoration-line: none; width: auto;" target="_blank">Inquire about <i>Mountain Scene</i></a></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><table align="center" bgcolor="ffffff" border="0" cellpadding="0" cellspacing="0" class=" mailing-container" data-ace-container-id="f7df" style="background-color: white; border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 630px;"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 10px 15px 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px; width: 100%;"><tbody><tr><td class="ace-item" data-id="ef35" style="border-collapse: collapse; border-spacing: 0px; margin-left: 0px; margin-right: 0px; padding: 0px;"><div class="text-style-body-text" data-bind="text" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 0px; line-height: 22.4px;">The Osborn family works above, which have never before been exhibited, reveal Albert Bierstadt’s capacity to surprise the viewer with ambitious scenes presented in a jewel-box scale for private interiors.<br /><br /><i>Small but Sublime: Albert Bierstadt Cabinet Paintings and Oil Studies</i> is on view at the gallery through February 23, 2024.<br /></div><div class="text-style-body-text" data-bind="text" style="font-family: HelveticaNeue-Light, "Helvetica Neue Light", HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 0px; line-height: 22.4px;"><br data-cke-eol="1" /><ul></ul><ul><li data-record-type="artworks"><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7979-albert-bierstadt-boats-1879/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7979-albert-bierstadt-boats-1879/"><img alt="Albert Bierstadt Boats, 1879" data-cke-saved-src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg" data-responsive-src="{'750': 'https://artlogic-res.cloudinary.com/w_750,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '850': 'https://artlogic-res.cloudinary.com/w_850,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '650': 'https://artlogic-res.cloudinary.com/w_650,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '1600': 'https://artlogic-res.cloudinary.com/w_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '1200': 'https://artlogic-res.cloudinary.com/w_1200,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '345': 'https://artlogic-res.cloudinary.com/w_345,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '470': 'https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '3000': 'https://artlogic-res.cloudinary.com/w_3000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '2400': 'https://artlogic-res.cloudinary.com/w_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '2600': 'https://artlogic-res.cloudinary.com/w_2600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '2800': 'https://artlogic-res.cloudinary.com/w_2800,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '1400': 'https://artlogic-res.cloudinary.com/w_1400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg', '1000': 'https://artlogic-res.cloudinary.com/w_1000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg'}" data-src="https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg" src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/477f0590f07afc87c8adcb46f794d818j/schoelkopfgallery-albert-bierstadt-boats-1879.jpg" /></a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7979-albert-bierstadt-boats-1879/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7979-albert-bierstadt-boats-1879/">Albert Bierstadt</a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7979-albert-bierstadt-boats-1879/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7979-albert-bierstadt-boats-1879/">Boats, 1879</a></li><li data-record-type="artworks"><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5949-albert-bierstadt-fiery-landscape-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5949-albert-bierstadt-fiery-landscape-undated/"><img alt="Albert Bierstadt Fiery Landscape, undated" data-cke-saved-src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg" data-responsive-src="{'750': 'https://artlogic-res.cloudinary.com/w_750,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '850': 'https://artlogic-res.cloudinary.com/w_850,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '650': 'https://artlogic-res.cloudinary.com/w_650,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '1600': 'https://artlogic-res.cloudinary.com/w_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '1200': 'https://artlogic-res.cloudinary.com/w_1200,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '345': 'https://artlogic-res.cloudinary.com/w_345,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '470': 'https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '3000': 'https://artlogic-res.cloudinary.com/w_3000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '2400': 'https://artlogic-res.cloudinary.com/w_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '2600': 'https://artlogic-res.cloudinary.com/w_2600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '2800': 'https://artlogic-res.cloudinary.com/w_2800,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '1400': 'https://artlogic-res.cloudinary.com/w_1400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg', '1000': 'https://artlogic-res.cloudinary.com/w_1000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg'}" data-src="https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg" src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/5d0faf58030b0a14c25f374233c1fb18j/schoelkopfgallery-albert-bierstadt-fiery-landscape-undated.jpg" /></a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5949-albert-bierstadt-fiery-landscape-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5949-albert-bierstadt-fiery-landscape-undated/">Albert Bierstadt</a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5949-albert-bierstadt-fiery-landscape-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5949-albert-bierstadt-fiery-landscape-undated/">Fiery Landscape, undated</a></li><li data-record-type="artworks"><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7982-albert-bierstadt-moonlight-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7982-albert-bierstadt-moonlight-undated/"><img alt="Albert Bierstadt Moonlight, undated" data-cke-saved-src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg" data-responsive-src="{'750': 'https://artlogic-res.cloudinary.com/w_750,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '850': 'https://artlogic-res.cloudinary.com/w_850,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '650': 'https://artlogic-res.cloudinary.com/w_650,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '1600': 'https://artlogic-res.cloudinary.com/w_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '1200': 'https://artlogic-res.cloudinary.com/w_1200,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '345': 'https://artlogic-res.cloudinary.com/w_345,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '470': 'https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '3000': 'https://artlogic-res.cloudinary.com/w_3000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '2400': 'https://artlogic-res.cloudinary.com/w_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '2600': 'https://artlogic-res.cloudinary.com/w_2600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '2800': 'https://artlogic-res.cloudinary.com/w_2800,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '1400': 'https://artlogic-res.cloudinary.com/w_1400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg', '1000': 'https://artlogic-res.cloudinary.com/w_1000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg'}" data-src="https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg" src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/ddbc28c952873c1981b2162160578f49j/schoelkopfgallery-albert-bierstadt-moonlight-undated.jpg" /></a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7982-albert-bierstadt-moonlight-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7982-albert-bierstadt-moonlight-undated/">Albert Bierstadt</a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7982-albert-bierstadt-moonlight-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7982-albert-bierstadt-moonlight-undated/">Moonlight, undated</a></li><li data-record-type="artworks"><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7976-albert-bierstadt-mountain-landscape-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7976-albert-bierstadt-mountain-landscape-undated/"><img alt="Albert Bierstadt Mountain Landscape, undated" data-cke-saved-src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg" data-responsive-src="{'750': 'https://artlogic-res.cloudinary.com/w_750,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '850': 'https://artlogic-res.cloudinary.com/w_850,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '650': 'https://artlogic-res.cloudinary.com/w_650,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '1600': 'https://artlogic-res.cloudinary.com/w_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '1200': 'https://artlogic-res.cloudinary.com/w_1200,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '345': 'https://artlogic-res.cloudinary.com/w_345,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '470': 'https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '3000': 'https://artlogic-res.cloudinary.com/w_3000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '2400': 'https://artlogic-res.cloudinary.com/w_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '2600': 'https://artlogic-res.cloudinary.com/w_2600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '2800': 'https://artlogic-res.cloudinary.com/w_2800,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '1400': 'https://artlogic-res.cloudinary.com/w_1400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg', '1000': 'https://artlogic-res.cloudinary.com/w_1000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg'}" data-src="https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg" src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/7edccc680ce71a211a7d0f239e340bd4j/schoelkopfgallery-albert-bierstadt-mountain-landscape-undated.jpg" /></a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7976-albert-bierstadt-mountain-landscape-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7976-albert-bierstadt-mountain-landscape-undated/">Albert Bierstadt</a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7976-albert-bierstadt-mountain-landscape-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7976-albert-bierstadt-mountain-landscape-undated/">Mountain Landscape, undated</a></li><li data-record-type="artworks"><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5947-albert-bierstadt-mountain-scene-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5947-albert-bierstadt-mountain-scene-undated/">Albert Bierstadt</a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5947-albert-bierstadt-mountain-scene-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5947-albert-bierstadt-mountain-scene-undated/">Mountain Scene, undated</a></li><li data-record-type="artworks"><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-3587-albert-bierstadt-sunset-glow-mount-shasta-1880s/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-3587-albert-bierstadt-sunset-glow-mount-shasta-1880s/"><img alt="Albert Bierstadt Sunset Glow, Mount Shasta, 1880s" data-cke-saved-src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg" data-responsive-src="{'750': 'https://artlogic-res.cloudinary.com/w_750,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '850': 'https://artlogic-res.cloudinary.com/w_850,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '650': 'https://artlogic-res.cloudinary.com/w_650,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '1600': 'https://artlogic-res.cloudinary.com/w_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '1200': 'https://artlogic-res.cloudinary.com/w_1200,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '345': 'https://artlogic-res.cloudinary.com/w_345,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '470': 'https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '3000': 'https://artlogic-res.cloudinary.com/w_3000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '2400': 'https://artlogic-res.cloudinary.com/w_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '2600': 'https://artlogic-res.cloudinary.com/w_2600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '2800': 'https://artlogic-res.cloudinary.com/w_2800,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '1400': 'https://artlogic-res.cloudinary.com/w_1400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg', '1000': 'https://artlogic-res.cloudinary.com/w_1000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg'}" data-src="https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg" src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/8c795fdfaac08f93dc432911d4a57dc0j/schoelkopfgallery-albert-bierstadt-sunset-glow-mount-shasta-1880s.jpg" /></a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-3587-albert-bierstadt-sunset-glow-mount-shasta-1880s/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-3587-albert-bierstadt-sunset-glow-mount-shasta-1880s/">Albert Bierstadt</a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-3587-albert-bierstadt-sunset-glow-mount-shasta-1880s/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-3587-albert-bierstadt-sunset-glow-mount-shasta-1880s/">Sunset Glow, Mount Shasta, 1880s</a><br /><br /></li><li data-record-type="artworks"><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7981-albert-bierstadt-view-in-the-sierras-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7981-albert-bierstadt-view-in-the-sierras-undated/"><img alt="Albert Bierstadt View in the Sierras, undated" data-cke-saved-src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg" data-responsive-src="{'750': 'https://artlogic-res.cloudinary.com/w_750,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '850': 'https://artlogic-res.cloudinary.com/w_850,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '650': 'https://artlogic-res.cloudinary.com/w_650,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '1600': 'https://artlogic-res.cloudinary.com/w_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '1200': 'https://artlogic-res.cloudinary.com/w_1200,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '345': 'https://artlogic-res.cloudinary.com/w_345,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '470': 'https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '3000': 'https://artlogic-res.cloudinary.com/w_3000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '2400': 'https://artlogic-res.cloudinary.com/w_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '2600': 'https://artlogic-res.cloudinary.com/w_2600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '2800': 'https://artlogic-res.cloudinary.com/w_2800,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '1400': 'https://artlogic-res.cloudinary.com/w_1400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg', '1000': 'https://artlogic-res.cloudinary.com/w_1000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg'}" data-src="https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg" src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/878013f22d1b672f0f6e541f988e388aj/schoelkopfgallery-albert-bierstadt-view-in-the-sierras-undated.jpg" /></a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7981-albert-bierstadt-view-in-the-sierras-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7981-albert-bierstadt-view-in-the-sierras-undated/">Albert Bierstadt</a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7981-albert-bierstadt-view-in-the-sierras-undated/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-7981-albert-bierstadt-view-in-the-sierras-undated/">View in the Sierras, undated</a></li><li data-record-type="artworks"><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5948-albert-bierstadt-waterville-pond-in-autumn-c.-1885/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5948-albert-bierstadt-waterville-pond-in-autumn-c.-1885/"><img alt="Albert Bierstadt Waterville Pond in Autumn, c. 1885" data-cke-saved-src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg" data-responsive-src="{'750': 'https://artlogic-res.cloudinary.com/w_750,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '850': 'https://artlogic-res.cloudinary.com/w_850,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '650': 'https://artlogic-res.cloudinary.com/w_650,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '1600': 'https://artlogic-res.cloudinary.com/w_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '1200': 'https://artlogic-res.cloudinary.com/w_1200,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '345': 'https://artlogic-res.cloudinary.com/w_345,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '470': 'https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '3000': 'https://artlogic-res.cloudinary.com/w_3000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '2400': 'https://artlogic-res.cloudinary.com/w_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '2600': 'https://artlogic-res.cloudinary.com/w_2600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '2800': 'https://artlogic-res.cloudinary.com/w_2800,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '1400': 'https://artlogic-res.cloudinary.com/w_1400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg', '1000': 'https://artlogic-res.cloudinary.com/w_1000,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg'}" data-src="https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg" src="https://artlogic-res.cloudinary.com/w_470,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/msfineart/images/view/e9e92215ab54fb2528eefdcfa1c1d832j/schoelkopfgallery-albert-bierstadt-waterville-pond-in-autumn-c.-1885.jpg" /></a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5948-albert-bierstadt-waterville-pond-in-autumn-c.-1885/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5948-albert-bierstadt-waterville-pond-in-autumn-c.-1885/">Albert Bierstadt</a><br /><a data-cke-saved-href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5948-albert-bierstadt-waterville-pond-in-autumn-c.-1885/" draggable="false" href="https://schoelkopfgallery.com/exhibitions/35/works/artworks-5948-albert-bierstadt-waterville-pond-in-autumn-c.-1885/">Waterville Pond in Autumn, c. 1885</a></li></ul></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-47157550594637942252024-02-12T09:32:00.000-08:002024-02-12T09:32:52.099-08:00Mary Cassatt at Work<p style="text-align: center;"><b><span style="font-size: large;"><span style="box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-style: inherit; font-variant-ligatures: none;"> </span><span style="background-color: white; color: #363636; font-family: Tahoma, Verdana, Segoe, sans-serif;">Philadelphia Museum of Art</span></span></b></p><span style="background-color: white; color: #363636; font-family: Tahoma, Verdana, Segoe, sans-serif;"><div style="text-align: center;"><b><span style="font-size: large;">(May 18-September 8, 2024)</span></b></div></span><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: Tahoma, Verdana, Segoe, sans-serif;"></p><p style="background-color: white; box-sizing: border-box; color: #363636; font-family: Tahoma, Verdana, Segoe, sans-serif; text-align: center;"><b><span style="font-size: large;"><span style="box-sizing: border-box;">The Fine Arts Museums of San Francisco</span><br style="box-sizing: border-box;" /></span></b></p><p style="text-align: center;"><span style="box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-style: inherit; font-variant-ligatures: none;"><span style="background-color: white; color: #363636; font-family: Tahoma, Verdana, Segoe, sans-serif;"><b><span style="font-size: large;">(October 5, 2024-January 26, 2025)</span></b></span></span></p><p style="text-align: center;"><span style="box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-style: inherit; font-variant-ligatures: none; font-weight: inherit;">The </span><span style="box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-style: inherit; font-variant-ligatures: none;"><b>Philadelphia Museum of Art </b></span><span style="box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-style: inherit; font-variant-ligatures: none; font-weight: inherit;">is thrilled to present </span><i style="box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none;">Mary Cassatt at Work,</i><span style="box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-style: inherit; font-variant-ligatures: none; font-weight: inherit;"> the first large-scale exhibition of the artist’s work in the U.S. in a quarter century. The exhibition will run from</span><span style="box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-style: inherit; font-variant-ligatures: none;"><b> May 18 through September 8, 2024.</b></span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;">Pennsylvania-born and a celebrated member of the French Impressionists, Mary Cassatt built a groundbreaking career through hard work and artistic vision. For six decades, Cassatt was a committed, professional artist, making the social, intellectual, and working lives of modern women a core subject of her prints, paintings, and pastels. She once wrote: “Oh the dignity of work, give me the chance of earning my own living, five francs a day and self-respect.” </span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><i style="box-sizing: inherit;">Mary Cassatt at Work</i><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;"> will present over </span><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;">130 of her works in various media </span><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;">to show her evolving practice as an artist and demonstrate her commitment to the “serious work” of artmaking. It will present new findings about her materials and working methods—which were advanced and radical for her era—based on detailed technical studies of the Philadelphia Museum of Art’s significant Cassatt holdings. </span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;">“Art was Mary Cassatt’s life’s purpose and living,” said Sasha Suda, the George D. Widener Director and CEO of the Philadelphia Museum of Art. “This exhibition will focus on Cassatt’s professionalism, her biography, and the wider Parisian world she inhabited. It’s my hope that this exhibition will reshape contemporary conversations about gender, work, and artistic agency.” </span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><i style="box-sizing: inherit;">Mary Cassatt at Work</i><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;"> will feature works from the PMA’s extensive collection, including some of Cassatt’s most celebrated paintings and prints, as well as loans from the Metropolitan Museum of Art, the Art Institute of Chicago, the Cleveland Museum of Art, the Viginia Museum of Fine Arts, and private collections.</span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;">“We hope visitors come away with a sense of who Cassatt was and how carefully she constructed her identity as a working artist,” said curators Jennifer A. Thompson, The Gloria and Jack Drosdick Curator of European Painting and Sculpture and Curator of the John G. Johnson Collection, and Laurel Garber, The Park Family Assistant Curator of Prints and Drawings. “With this exhibition, we’ve sought to reexamine the full breadth of Cassatt’s art through the lens of her creative enterprise and draw attention to her commitment to ceaseless experimentation and bold techniques."</span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;"><i style="box-sizing: inherit;">Mary Cassatt at Work </i>opens on May 18, 2024, and will be on view until September 8, 2024. A multimedia tour will be available, featuring audio, images, and videos. . Following its run at the PMA, this exhibition will travel to the Fine Arts Museums of San Francisco, Legion of Honor.</span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;"><br /></span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit;"><b>Catalogue</b></span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://i.thriftbooks.com/api/imagehandler/m/3E36290B49F02F2C602CC2B016161B2BA8B29545.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="264" height="350" src="https://i.thriftbooks.com/api/imagehandler/m/3E36290B49F02F2C602CC2B016161B2BA8B29545.jpeg" width="264" /></a></div><br /><b><br /></b><p></p><div style="background-color: white; box-sizing: border-box; color: #363636; font-family: Tahoma, Verdana, Segoe, sans-serif;"><h1 class="WorkMeta-title Alternative Alternative-title" itemprop="name" style="box-sizing: border-box; font-size: 1.3rem; line-height: 1.75rem; margin: 0px; max-width: 80%; overflow: hidden; text-overflow: ellipsis;"><a href="https://www.thriftbooks.com/w/mary-cassatt-at-work_jennifer-a-thompson_laurel-garber/51098641/item/61690996/?utm_source=google&utm_medium=cpc&utm_campaign=pmax_new_books&utm_adgroup=&utm_term=&utm_content=&gad_source=1&gclid=Cj0KCQiAoKeuBhCoARIsAB4Wxtc6kM4T33pmPsyA50e04zqm6NBsyycQLgrrEmKaaqlcLxM5viQ7zZcaAmP7EALw_wcB#idiq=61690996&edition=70043526">Mary Cassatt at Work</a></h1><div class="WorkMeta-byline Alternative Alternative-byline" style="box-sizing: border-box; font-size: 1rem; line-height: 1.3rem; margin: 0px; max-width: 80%; overflow: hidden; text-overflow: ellipsis;"><div class="WorkMeta-authors" style="box-sizing: border-box; display: inline-block; margin-top: 0.2rem; vertical-align: bottom; width: 467.188px;">by <a href="https://www.thriftbooks.com/a/laurel-garber/10431751/" itemprop="author" style="background-color: transparent; box-sizing: border-box; color: #008575; font-weight: 600; text-decoration-line: none;">Laurel Garber</a> and <a href="https://www.thriftbooks.com/a/jennifer-a-thompson/2435383/" itemprop="author" style="background-color: transparent; box-sizing: border-box; color: #008575; font-weight: 600; text-decoration-line: none;">Jennifer A. Thompson</a></div></div></div><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;"></span></p><div class="WorkMeta-overview-noSelector" style="background-color: white; box-sizing: border-box; color: #363636; font-family: Tahoma, Verdana, Segoe, sans-serif; margin-top: 16px;"><div style="box-sizing: border-box;"><div style="box-sizing: border-box;"><p class="WorkMeta-overview" style="box-sizing: border-box; line-height: 21px; margin-bottom: 1.25rem; margin-top: 0px;"><span style="box-sizing: border-box;"><span style="box-sizing: border-box; font-weight: 700;">A new study of Mary Cassatt that explores the centrality of work to both her inventive technical practice and her distinctive approach to modern subjects</span></span></p><p style="box-sizing: border-box;"></p>Mary Cassatt's (1844-1926) sensitive depictions of the social, intellectual, and professional lives of modern women often emphasize the work involved in the undervalued sphere of feminized activity. From her renowned portrayals of women and children that foreground the labor of caregiving--whether performed by hired help or mothers--to her images of embroidering, theatergoing, and reading, her female subjects are actively engaged, and often engrossed, in what they are doing.<p style="box-sizing: border-box;"></p>Highlighting Cassatt's attention to women's roles in the making of modern life, this study connects her recurring subjects and rigorous techniques to her own understanding of her status as a professional artist. Rather than inspiration, genius, or sentiment, it was intense effort that Cassatt most identified with in her processes of pastel drawing, intaglio printmaking, and oil painting, which resulted in an ever-evolving style that left the labors of art-making visible. Drawing on previously unpublished letters, Cassatt family correspondence, and groundbreaking insights from technical examination of her works, <i style="box-sizing: border-box;">Mary Cassatt at Work</i> places the artist's carefully constructed professional identity within the wider social contexts of Parisian modernity.<p></p></div></div></div><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit;"><b><br /></b></span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit;"><b>Images</b></span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;"><br /></span></p><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px;"><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ1HK4l6ris3hsJpLrH7_xhVtOabMBopd2uEmdX4gphmtoQMJaVpzZAvDg8to9bhqCtxJxta3yUvLCaiNF0p4K-qxA91CCXMkJj-SMHBh0KfWBlLqdQ1zf5IkJ3w6D3UyTqRXaEEf8wlxR42TjaOLpyuHVWoRZPiuuuTItAsYZnhiFydY8DFnPK4_jaUU4/s1200/agoodnighthug-1880.pastelonbrownpaperlaiddownonboard-16916x2434in.42x62.8cm.jpg" imageanchor="1" style="font-family: Times; font-size: medium; font-variant-ligatures: normal; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="810" data-original-width="1200" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ1HK4l6ris3hsJpLrH7_xhVtOabMBopd2uEmdX4gphmtoQMJaVpzZAvDg8to9bhqCtxJxta3yUvLCaiNF0p4K-qxA91CCXMkJj-SMHBh0KfWBlLqdQ1zf5IkJ3w6D3UyTqRXaEEf8wlxR42TjaOLpyuHVWoRZPiuuuTItAsYZnhiFydY8DFnPK4_jaUU4/w640-h432/agoodnighthug-1880.pastelonbrownpaperlaiddownonboard-16916x2434in.42x62.8cm.jpg" width="640" /></a></span></p><span style="color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; white-space-collapse: preserve;"><p style="background-color: white; box-sizing: inherit; color: #4a4a4a; font-family: AvenirforPMA-Regular, sans-serif; font-size: 18px; font-variant-ligatures: none; margin: 12px 0px 12px 0in; padding: 0px; text-align: center;"><span style="color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; white-space-collapse: preserve;"><br /></span></p><div style="text-align: center;">A Goodnight Hug, 1880. Pastel on brown paper laid down on board, 16 9/16 x 24 3/4 in. (42 x 62.8 cm)</div><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEN0vSoxG-8yPMIn_wnxfBnufeoKLFH8n21T3rKr-KaNhcpTm-JWKna0hBDyH0MvmrfCkuxTzYN68TONi9gb06PNtYp_nSZ4UtH9OCef7AdOWYR5kExrd_qmt7MtqL897SdcTf11zxmtBfDBMzhY3M0EzCtjKenXROT-oOHMb56ClPEnvl4dPLs4s_y1Cj/s400/500_thebath1890ndash91.colordrypointaquatintandsoft-groundetchingfromtwoplatesprintedagravelapoupeacuteeonivorylaidpaperp.jpg" imageanchor="1" style="font-family: Times; font-size: medium; font-weight: 400; margin-left: 1em; margin-right: 1em; white-space-collapse: collapse;"><img border="0" data-original-height="400" data-original-width="268" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEN0vSoxG-8yPMIn_wnxfBnufeoKLFH8n21T3rKr-KaNhcpTm-JWKna0hBDyH0MvmrfCkuxTzYN68TONi9gb06PNtYp_nSZ4UtH9OCef7AdOWYR5kExrd_qmt7MtqL897SdcTf11zxmtBfDBMzhY3M0EzCtjKenXROT-oOHMb56ClPEnvl4dPLs4s_y1Cj/w268-h400/500_thebath1890ndash91.colordrypointaquatintandsoft-groundetchingfromtwoplatesprintedagravelapoupeacuteeonivorylaidpaperp.jpg" width="268" /></a></div></span><div class="separator" style="clear: both; text-align: center;"><span style="color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; text-align: left; white-space-collapse: preserve;">The Bath, 1890–91. Color drypoint, aquatint and soft-ground etching from two plates, printed à la poupée, on ivory laid paper; plate 12 58 × 9 34 in. (32.1 × 24.7 cm); sheet 17 316 × 11 1316 in. (43.6 × 30 cm). Art Institute of Chicago Mr. and Mrs. Martin A. Ryerson Collection, 1932.1287</span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHYRdPQ6ePGAVCC1rm47dVOiam0Nr8pqDYibif9WMaG2t0_l6m3_gx9d6Q2JRKRb4pERkXsNzzhyLetpU8bDeTYzq09agMFqdYfg-XHjMEFB0tXdY9k2OMzdkPZ2iFmW8_eplnR4l-zokL2Wnfs6XMnCgJsXsTWnWlYkuKPoc5JaPdj28NHmRxcsQMxaNs/s4000/womanandchilddriving-1881-marycassatt-oiloncanvas-philadelphiamuseumofartpurchasedwiththewpwilstachfundw1921-1-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2720" data-original-width="4000" height="436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHYRdPQ6ePGAVCC1rm47dVOiam0Nr8pqDYibif9WMaG2t0_l6m3_gx9d6Q2JRKRb4pERkXsNzzhyLetpU8bDeTYzq09agMFqdYfg-XHjMEFB0tXdY9k2OMzdkPZ2iFmW8_eplnR4l-zokL2Wnfs6XMnCgJsXsTWnWlYkuKPoc5JaPdj28NHmRxcsQMxaNs/w640-h436/womanandchilddriving-1881-marycassatt-oiloncanvas-philadelphiamuseumofartpurchasedwiththewpwilstachfundw1921-1-1.jpg" width="640" /></a><br /><div class="separator" style="clear: both; text-align: center;"><span style="color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; text-align: left; white-space-collapse: preserve;">Driving, 1881. Oil on canvas, 35 5/16 × 51 3/8 in. (89.7 × 130.5 cm). Philadelphia Museum of Art: Purchased with the W. P. Wilstach Fund, W1921-1-1</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim1DfNJ1ay6QMlmjQTJceiwEaMuuqBz-9smu5z2yZY2WFD2Xw169UWzP2YX2hZShvkYgmQNAA8DTQkiYbMvnKSv2hVEEnMKrJmNYboOF48d1DhJFfG8u8Kn0VVvdu8GrTaGiguqIvo6dPmgcZbrAvuIe5g9LW3dh43VXd5qqylWtqIfQqc7SADKC8-aQt_/s1536/thevisitor-1881-marycassatt-softgroundaquatintdrypointandetchingonpaper-theclarkartinstitute1967.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="1221" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim1DfNJ1ay6QMlmjQTJceiwEaMuuqBz-9smu5z2yZY2WFD2Xw169UWzP2YX2hZShvkYgmQNAA8DTQkiYbMvnKSv2hVEEnMKrJmNYboOF48d1DhJFfG8u8Kn0VVvdu8GrTaGiguqIvo6dPmgcZbrAvuIe5g9LW3dh43VXd5qqylWtqIfQqc7SADKC8-aQt_/w508-h640/thevisitor-1881-marycassatt-softgroundaquatintdrypointandetchingonpaper-theclarkartinstitute1967.jpg" width="508" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; text-align: left; white-space-collapse: preserve;">The Visitor, c. 1881. Soft-ground, aquatint, etching, drypoint, and fabric texture, plate: 15 5/8 × 12 1/8 in. (39.7 × 30.8 cm), sheet: 20 1/2 × 15 3/4 in. (52.1 × 40 cm). </span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://www.artic.edu/iiif/2/21cfd347-e6aa-6a11-f1e7-bf84a4e87a3d/full/843,/0/default.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="589" data-original-width="800" height="589" src="https://www.artic.edu/iiif/2/21cfd347-e6aa-6a11-f1e7-bf84a4e87a3d/full/843,/0/default.jpg" width="800" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;">Under the Lamp, c. 1882. Soft-ground etching and aquatint in black on cream wove paper, plate: 7 9/16 × 8 5/8 in. (19.2 × 21.8 cm), sheet: 9 3/8 × 12 11/16 in. (23.7 × 32.1 cm). Art Institute of Chicago: Albert H. Wolf Memorial Collection, 1938.33</span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHeMmxZ5f80dKzMTfnBXgvRVpXjQ1TcfBw4wVKYLhdldq6ir0yWOxqV5lAsxL5iEIdpEhppELaKZBCXMU0vNPR61xoeZ56Dj0dmSrIsVDNDh-eIoevt6BrWwu8C-DVU3yGTSAOSn1a7aUNu8DjdLVm81BJ0J_o52GkafnOJWfrw9PLVLcc5f34W8j0dUc3/s777/lydiaseatedinthegardenwithadogonherlap1878ndash79-oiloncanvas-1034times16in.27.3times40.6cm.cathylasry-newyork.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="490" data-original-width="777" height="404" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHeMmxZ5f80dKzMTfnBXgvRVpXjQ1TcfBw4wVKYLhdldq6ir0yWOxqV5lAsxL5iEIdpEhppELaKZBCXMU0vNPR61xoeZ56Dj0dmSrIsVDNDh-eIoevt6BrWwu8C-DVU3yGTSAOSn1a7aUNu8DjdLVm81BJ0J_o52GkafnOJWfrw9PLVLcc5f34W8j0dUc3/w640-h404/lydiaseatedinthegardenwithadogonherlap1878ndash79-oiloncanvas-1034times16in.27.3times40.6cm.cathylasry-newyork.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;">Lydia Seated in the Garden with a Dog on Her Lap, 1878–79. Oil on canvas, 10 3/4 × 16 in. (27.3 × 40.6 cm). Cathy Lasry, New York</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi-IMjoN__JZnXWstdHV5xldzZkOWK9uJrgNDjFLdu8eSdHq2PkgVaoPHsxPgNqP1DkN5DG6J6caLTFgVFBV9NWerKoMWjzzArwBtFpv1NEG7zwfMbbR0qdE96O9c91Pmgd5sUhTyWzd7z0mULxwe1QWBRW5DLJfBXiOL-m4pwXA7H3oUN3ZCRPaHFC-Ni/s4000/intheloge-1879-marycassatt-pastelwithgoldmetallicpaintoncanvas-philadelphiamuseumofartgiftofmrssargentmckean1950-52-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3211" data-original-width="4000" height="514" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi-IMjoN__JZnXWstdHV5xldzZkOWK9uJrgNDjFLdu8eSdHq2PkgVaoPHsxPgNqP1DkN5DG6J6caLTFgVFBV9NWerKoMWjzzArwBtFpv1NEG7zwfMbbR0qdE96O9c91Pmgd5sUhTyWzd7z0mULxwe1QWBRW5DLJfBXiOL-m4pwXA7H3oUN3ZCRPaHFC-Ni/w640-h514/intheloge-1879-marycassatt-pastelwithgoldmetallicpaintoncanvas-philadelphiamuseumofartgiftofmrssargentmckean1950-52-1.jpg" width="640" /></a><br /><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;">In the Loge, 1879. Pastel with gold metallic paint on canvas. Philadelphia Museum of Art, Gift of Mrs Sargent McKean, 1950-52-1</span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://upload.wikimedia.org/wikipedia/commons/c/cb/Mary_Cassatt_-_Little_Girl_in_a_Blue_Armchair_-_NGA_1983.1.18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="536" data-original-width="800" height="536" src="https://upload.wikimedia.org/wikipedia/commons/c/cb/Mary_Cassatt_-_Little_Girl_in_a_Blue_Armchair_-_NGA_1983.1.18.jpg" width="800" /></a></div><br /><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;">Little Girl in a Blue Armchair, 1877–78. Oil on canvas, 35 1/4 × 51 1/8 in. (89.5 × 129.9 cm). National Gallery of Art, Washington, DC: Collection of Mr. and Mrs. Paul Mellon, 1983.1.18</span></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUMk_UGw-zzoZwgcDWF9TOa6qKBDmuPoA9yjo6-XFFEof9bwg5Jhp_CWNlNGI_ax7myOvFqh9LaD9EGmzUMX_AbTlFXW-Q3gV3efyofOKbt5X1oz2nrfe0DfP_aPW4DrzDnTfRsCtsR3XfrNhx0lk-PW2Sr7G2sQjoW8CBQrX1Ja2SYK-6PJSz_uAO5Jag/s1200/womanathertoilettec.1891.oiloncanvasapprox.30x25in.76.2x63.5cmprivatecollection..jpg" imageanchor="1" style="background-color: white; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; margin-left: 1em; margin-right: 1em; white-space-collapse: preserve;"><img border="0" data-original-height="1200" data-original-width="977" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUMk_UGw-zzoZwgcDWF9TOa6qKBDmuPoA9yjo6-XFFEof9bwg5Jhp_CWNlNGI_ax7myOvFqh9LaD9EGmzUMX_AbTlFXW-Q3gV3efyofOKbt5X1oz2nrfe0DfP_aPW4DrzDnTfRsCtsR3XfrNhx0lk-PW2Sr7G2sQjoW8CBQrX1Ja2SYK-6PJSz_uAO5Jag/w522-h640/womanathertoilettec.1891.oiloncanvasapprox.30x25in.76.2x63.5cmprivatecollection..jpg" width="522" /></a><br /><span style="color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-weight: 700; text-align: left; white-space-collapse: preserve;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;">Woman at Her Toilette, c. 1891. Oil on canvas, approx. 30 x 25 in. (76.2 x 63.5 cm) Private Collection.</span></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisO0KsPbiGbYc9PCrdTTBsgloCTa4i2yDsiBnarhns6Jk49WyNR330tLDcqtJW8v3HVf1pdQdHy4O3ADH8dl7QtbqFFstBLDwAwKvB8433kmXXBPGa2P4gQ8S45szGyxdXN3axYgfohLgVOGOHUJHfFeX7caOzEKe6hPDykpqI8zroGTx86CYeqnZatOdm/s1200/maternalcaress1896.oiloncanvas15times2114in.38.1times54cm.philadelphiamuseumofartbequestofaarone.carpenter1970-75-2.jpg" imageanchor="1" style="background-color: white; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; margin-left: 1em; margin-right: 1em; white-space-collapse: preserve;"><img border="0" data-original-height="900" data-original-width="1200" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisO0KsPbiGbYc9PCrdTTBsgloCTa4i2yDsiBnarhns6Jk49WyNR330tLDcqtJW8v3HVf1pdQdHy4O3ADH8dl7QtbqFFstBLDwAwKvB8433kmXXBPGa2P4gQ8S45szGyxdXN3axYgfohLgVOGOHUJHfFeX7caOzEKe6hPDykpqI8zroGTx86CYeqnZatOdm/w640-h480/maternalcaress1896.oiloncanvas15times2114in.38.1times54cm.philadelphiamuseumofartbequestofaarone.carpenter1970-75-2.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "system-ui", -apple-system, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Fira Sans", "Droid Sans", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; font-variant-ligatures: none; font-weight: 700; text-align: left; white-space-collapse: preserve;">Maternal Caress, 1896. Oil on canvas, 15 × 21 1/4 in. (38.1 × 54 cm). Philadelphia Museum of Art: Bequest of Aaron E. Carpenter, 1970-75-2<div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /></span></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br /><span style="box-sizing: inherit; font-style: inherit; font-weight: inherit;"><br /></span><p></p>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-62612886493224924502024-02-09T18:59:00.000-08:002024-02-09T19:01:48.064-08:00Discovering Creativity<p> On January 10, 2024, Ann Norton Sculpture Gardens will debut its newest exhibition in partnership with Heather James Fine Art entitled Discovering Creativity, which features artists that are all members of the Historic Artists' Homes and Studios (HAHS) program. </p><p>The collection will be on display in the gallery until March 17, 2024. "We are thrilled to be partnering once again with Heather James Fine Art - building on the success of last winter's exhibition," said France Fisher, Board Chairwoman for the Ann Norton Sculpture Gardens. </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.heatherjames.com/Art_Images/Large/45302.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="690" height="800" src="https://www.heatherjames.com/Art_Images/Large/45302.jpg" width="690" /></a></div><br /><div class="artistfirstname" style="background-color: white; font-family: Lato, "Lucida Grande", "Lucida Sans Unicode", Tahoma, sans-serif; font-size: 20px; font-weight: bold; line-height: 1; text-align: center; text-transform: uppercase;">GRANT</div><div class="artistlastname" style="background-color: white; font-family: Lato, "Lucida Grande", "Lucida Sans Unicode", Tahoma, sans-serif; font-size: 28px; font-weight: bold; line-height: 1; margin-bottom: 10px; text-align: center; text-transform: uppercase;">WOOD</div><div class="artname" style="background-color: white; font-family: Lato, "Lucida Grande", "Lucida Sans Unicode", Tahoma, sans-serif; font-size: 16px; font-style: italic; text-align: center;">Portrait of Nan<br />1931</div><div class="artinfo" style="background-color: white; font-family: Lato, "Lucida Grande", "Lucida Sans Unicode", Tahoma, sans-serif; font-size: 12px; margin-bottom: 20px; margin-top: 5px; text-align: center;">oil on masonite<br />35 1/2 x 29 1/2 x 1 in.<br />(90.17 x 74.93 x 2.54 cm)<br />45302</div><div class="artinfo" style="background-color: white; font-family: Lato, "Lucida Grande", "Lucida Sans Unicode", Tahoma, sans-serif; font-size: 12px; margin-bottom: 20px; margin-top: 5px; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.heatherjames.com/Art_Images/Large/40147.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="668" height="800" src="https://www.heatherjames.com/Art_Images/Large/40147.jpg" width="668" /></a></div><br /><div class="artinfo" style="background-color: white; font-family: Lato, "Lucida Grande", "Lucida Sans Unicode", Tahoma, sans-serif; font-size: 12px; margin-bottom: 20px; margin-top: 5px; text-align: center;"><div class="artistfirstname" style="font-size: 20px; font-weight: bold; line-height: 1; text-transform: uppercase;">GEORGIA</div><div class="artistlastname" style="font-size: 28px; font-weight: bold; line-height: 1; margin-bottom: 10px; text-transform: uppercase;">O'KEEFFE</div><div class="artname" style="font-size: 16px; font-style: italic;">Cottonwood Tree (Near Abiquiu), New Mexico<br />1943</div><div class="artinfo" style="margin-bottom: 20px; margin-top: 5px;">oil on canvas<br />36 x 30 in.<br />(91.44 x 76.20 cm)<br />40147</div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.heatherjames.com/Art_Images/Large/43950.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="590" height="800" src="https://www.heatherjames.com/Art_Images/Large/43950.jpg" width="590" /></a></div><br /><div class="artinfo" style="margin-bottom: 20px; margin-top: 5px;"><div style="font-family: Times; font-size: medium; text-align: start;"><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><b><span style="font-size: 15pt; text-transform: uppercase;">WINSLOW</span></b><o:p></o:p></p></div><div style="font-family: Times; font-size: medium; margin-bottom: 7.5pt; text-align: start;"><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><b><span style="font-size: 21pt; text-transform: uppercase;">HOMER</span></b><o:p></o:p></p></div><div style="font-family: Times; font-size: medium; text-align: start;"><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><i><span style="font-size: 12pt;">In the Wheatfield (Girl Standing in a Wheat Field)<br />1873</span></i><o:p></o:p></p></div><div style="font-family: Times; font-size: medium; margin-bottom: 15pt; margin-top: 3.75pt; text-align: start;"><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><span style="font-size: 9pt;">oil on canvas<br />21 3/4 x 13 1/2 in.<br />(55.25 x 34.29 cm)<br />43950</span></p><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><span style="font-size: 9pt;"><br /></span></p><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/surovekgallery/images/view/0e5654e774647e3e7a0e46e536b37afcj/surovekgallery-thomas-hart-benton-animalistic-phantasy-1925-26.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="631" data-original-width="499" height="631" src="https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/surovekgallery/images/view/0e5654e774647e3e7a0e46e536b37afcj/surovekgallery-thomas-hart-benton-animalistic-phantasy-1925-26.jpg" width="499" /></a></div><br /><p></p><div><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><b><span style="font-size: 15pt; text-transform: uppercase;">THOMAS HART</span></b><o:p></o:p></p></div><div style="margin-bottom: 7.5pt;"><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><b><span style="font-size: 21pt; text-transform: uppercase;">BENTON</span></b><o:p></o:p></p></div><div><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><i><span style="font-size: 12pt;">Animalistic Phantasy<br />1925-26</span></i><o:p></o:p></p></div><div style="margin-bottom: 15pt; margin-top: 3.75pt;"><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><span style="font-size: 9pt;">oil on metal<br />62 x 47 1/2 x 1 in.<br />(157.48 x 120.65 x 2.54 cm)<br />45343</span><o:p></o:p></p></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.heatherjames.com/Art_Images/Large/27843.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="427" height="800" src="https://www.heatherjames.com/Art_Images/Large/27843.jpg" width="427" /></a></div><br /><div><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><b><span style="font-size: 15pt; text-transform: uppercase;">ELAINE</span></b><o:p></o:p></p></div><div style="margin-bottom: 7.5pt;"><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><b><span style="font-size: 21pt; text-transform: uppercase;">DE KOONING</span></b><o:p></o:p></p></div><div><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><i><span style="font-size: 12pt;">Untitled (Totem Pole)<br />c. 1960</span></i><o:p></o:p></p></div><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"></p><div style="font-family: Times; font-size: medium; text-align: start;"></div><p></p><div style="-webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 15pt; margin-top: 3.75pt; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; text-decoration-thickness: initial; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><span style="font-size: 9pt;">oil on canvas stretched over cardboard cylinders<br />97 x 12 3/8 x 12 3/8 in.<br />(246.38 x 31.43 x 31.43 cm)<br />27843</span><o:p></o:p></p><p align="center" class="MsoNormal" style="font-family: Aptos, sans-serif; font-size: 10pt; margin: 0in; text-align: center;"><span style="font-size: 9pt;"></span></p><table align="center" class="artresultscenterwrapperouter cke_show_border" style="border-bottom: 1px solid #cccccc; border: undefined; width: 100%;"><tbody class="artresultscenterwrapperoutertbody"><tr class="artresultscenterwrapperoutertr" data-formkey="Results04" data-id="35" style="vertical-align: top;"><td class="artresultscenterwrapperoutertd" style="vertical-align: top;"><div align="center" class="artresultscenterwrapper" data-artid="46813" data-artistid="10906"><table align="center" class="arttbl4 cke_show_border" style="border: undefined; margin-left: auto; margin-right: auto; padding-bottom: 10px; width: 100%;"><tbody><tr data-formkey="Results04" data-id="35" style="vertical-align: top;"><td align="center" style="padding-left: 5px; text-align: center;"><div class="layout2img" style="margin-left: auto; margin-right: auto; width: 320px;"><table class=" cke_show_border" style="border: undefined; height: 213px; margin-left: auto; margin-right: auto; width: 320px;"><tbody><tr data-formkey="Results04" data-id="35" style="vertical-align: middle;"><td style="text-align: center; vertical-align: middle;"><span style="height: 213px;"><a data-cke-saved-href="http://url4538.heatherjamesgallery.com/ls/click?upn=9mx5LS8F7EBuC7CJhgNz0UR1uV2iASrs-2F4nvFhW4W5IX1nMGGx1WBW-2BInBRTWxAsTfJ9ZhYYgfalUWgnqI1X4ej5P7vJqzZiZu30rcJ3O-2BU-3DHmAD_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMMAj-2F44ZKCm9INOVsHzMxjsv8NsawPIKn-2BFqhTlKlfewVHG-2FIq7J0ZfVQxfWOfvYf-2FmrO6IA3xfFTIuIGCIp8NJg7TXer39Zy1undd694PbcWox-2BfUvv5N5QRrIEmbzIqtFBjpifuPu5Vgclem6BHi1vYxE-2FZx5NF1spbBV7eSRDguvV-2FJ9J-2FsCAMAkmX8-2Bp1HEuXhXfQUYT5xLtMq49wp-2F5TIi9kaHqhk0dJquPvU-2Bo-3D" href="http://url4538.heatherjamesgallery.com/ls/click?upn=9mx5LS8F7EBuC7CJhgNz0UR1uV2iASrs-2F4nvFhW4W5IX1nMGGx1WBW-2BInBRTWxAsTfJ9ZhYYgfalUWgnqI1X4ej5P7vJqzZiZu30rcJ3O-2BU-3DHmAD_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMMAj-2F44ZKCm9INOVsHzMxjsv8NsawPIKn-2BFqhTlKlfewVHG-2FIq7J0ZfVQxfWOfvYf-2FmrO6IA3xfFTIuIGCIp8NJg7TXer39Zy1undd694PbcWox-2BfUvv5N5QRrIEmbzIqtFBjpifuPu5Vgclem6BHi1vYxE-2FZx5NF1spbBV7eSRDguvV-2FJ9J-2FsCAMAkmX8-2Bp1HEuXhXfQUYT5xLtMq49wp-2F5TIi9kaHqhk0dJquPvU-2Bo-3D" rel="noopener noreferrer" target="_blank" title="Grant Wood - The Young Artist"><img alt="Grant Wood - The Young Artist" data-cke-saved-src="https://hjimgp.heatherjames.com/hjp/imagesdetaillarge/45303_detail1/imgp20240116125710/320x213,fit,q95.jpg" src="https://hjimgp.heatherjames.com/hjp/imagesdetaillarge/45303_detail1/imgp20240116125710/320x213,fit,q95.jpg" style="height: auto !important; max-width: 100%;" /></a></span></td></tr></tbody></table></div><div class="artinfocenter" style="margin-bottom: 15px; margin-top: 15px;"><div class="artistfirstname"><span style="font-size: 20px;"><span style="font-weight: bold;"><span style="text-transform: uppercase;"><span style="line-height: 1;">GRANT</span></span></span></span></div><div class="artistlastname" style="margin-bottom: 10px;"><span style="font-size: 28px;"><span style="font-weight: bold;"><span style="text-transform: uppercase;"><span style="line-height: 1;">WOOD</span></span></span></span></div><div class="artname"><span style="font-size: 16px;"><span style="font-style: italic;">The Young Artist<br />1926</span></span></div><div class="artinfo" style="margin-bottom: 20px; margin-top: 5px;"><span style="font-size: 12px;">oil on panel<br />11 x 14 x 1 in.<br />(27.94 x 35.56 x 2.54 cm)<br />45303</span></div><br /></div></td></tr></tbody></table></div></td><td class="artresultscenterwrapperoutertd" style="vertical-align: top;"><div align="center" class="artresultscenterwrapper" data-artid="27366" data-artistid="11779"><table align="center" class="arttbl4 cke_show_border" style="border: undefined; margin-left: auto; margin-right: auto; padding-bottom: 10px; width: 100%;"><tbody><tr data-formkey="Results04" data-id="35" style="vertical-align: top;"><td align="center" style="padding-left: 5px; text-align: center;"><div class="layout2img" style="margin-left: auto; margin-right: auto; width: 320px;"><br /></div><div class="artinfocenter" style="margin-bottom: 15px; margin-top: 15px;"><div class="artistfirstname"><a data-cke-saved-href="http://url4538.heatherjamesgallery.com/ls/click?upn=9mx5LS8F7EBuC7CJhgNz0QUiYAtMFp4zYInaDv-2FWPC5oRSwUfRPX8vp0rJLQSbX63r-2FSn29g5UNZcW3AJJQ5gjF4hvxGh3CfZrqX3gTTJDvmlL-2BtsQAkDhuodp1xMUEMfWjb6oMlJF6u5hbWBr4NuCnbIjJ-2F8WvGPBsfk0wDVvHWbQe6jxZWjwyBSzuFmaZrOuTbkp8gP5-2BolCZjKHHnyV-2F4vTkmhxduZnvpcQPVj3S4L5cgBeV3gSmJ9eMi1pvbTRJul9t8zW-2FINFP7aCxJJ19oC0-2FkF2SM06rdkuZ8wJCp9cCFoCwL8e-2B71gUMIENUeRcDV8RxMkaJyR0S02Sfl5VPVNAUhtQTVUlft-2FEvbNSTqyBNdf20goKN7XVJnQ6DKyO39SEgIlDu6axgbGWG6sqa4d7v7oOtoyNe60wI7-2FNHLPrAagG7gnaEWhXvrbENnvaa_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMMAj-2F44ZKCm9INOVsHzMxjsv8NsawPIKn-2BFqhTlKlfewVHG-2FIq7J0ZfVQxfWOfvYf-2FmrO6IA3xfFTIuIGCIp8NDV85U6DnI14FepVqgvkqxO8sdGBv2A7JhaQHC7vgIaAP5Kj0WC5KsqD8W-2FfUjIZwHf2leeb7JIrlfU6MR3HEqhns5jqIbQRaV4HixL8og18eg7boscFD-2F3CoHEe44D-2FM0sY2v-2B2kItgkgQaCkokFV0-3D" href="http://url4538.heatherjamesgallery.com/ls/click?upn=9mx5LS8F7EBuC7CJhgNz0QUiYAtMFp4zYInaDv-2FWPC5oRSwUfRPX8vp0rJLQSbX63r-2FSn29g5UNZcW3AJJQ5gjF4hvxGh3CfZrqX3gTTJDvmlL-2BtsQAkDhuodp1xMUEMfWjb6oMlJF6u5hbWBr4NuCnbIjJ-2F8WvGPBsfk0wDVvHWbQe6jxZWjwyBSzuFmaZrOuTbkp8gP5-2BolCZjKHHnyV-2F4vTkmhxduZnvpcQPVj3S4L5cgBeV3gSmJ9eMi1pvbTRJul9t8zW-2FINFP7aCxJJ19oC0-2FkF2SM06rdkuZ8wJCp9cCFoCwL8e-2B71gUMIENUeRcDV8RxMkaJyR0S02Sfl5VPVNAUhtQTVUlft-2FEvbNSTqyBNdf20goKN7XVJnQ6DKyO39SEgIlDu6axgbGWG6sqa4d7v7oOtoyNe60wI7-2FNHLPrAagG7gnaEWhXvrbENnvaa_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMMAj-2F44ZKCm9INOVsHzMxjsv8NsawPIKn-2BFqhTlKlfewVHG-2FIq7J0ZfVQxfWOfvYf-2FmrO6IA3xfFTIuIGCIp8NDV85U6DnI14FepVqgvkqxO8sdGBv2A7JhaQHC7vgIaAP5Kj0WC5KsqD8W-2FfUjIZwHf2leeb7JIrlfU6MR3HEqhns5jqIbQRaV4HixL8og18eg7boscFD-2F3CoHEe44D-2FM0sY2v-2B2kItgkgQaCkokFV0-3D" rel="noopener noreferrer" style="color: rgb(0, 0, 0) !important; font-size: 10px; font-weight: bold; text-decoration-line: none; text-transform: uppercase;" target="_blank" title="Elaine de Kooning - Untitled (Totem Pole)">E</a></div></div></td></tr></tbody></table></div></td></tr><tr class="artresultscenterwrapperoutertr" data-formkey="Results04" data-id="35" style="vertical-align: top;"><td class="artresultscenterwrapperoutertd" style="vertical-align: top;"><div align="center" class="artresultscenterwrapper" data-artid="46849" data-artistid="11779"><table align="center" class="arttbl4 cke_show_border" style="border: undefined; margin-left: auto; margin-right: auto; padding-bottom: 10px; width: 100%;"><tbody><tr data-formkey="Results04" data-id="35" style="vertical-align: top;"><td align="center" style="padding-left: 5px; text-align: center;"><div class="layout2img" style="margin-left: auto; margin-right: auto; width: 320px;"><table class=" cke_show_border" style="border: undefined; height: 213px; margin-left: auto; margin-right: auto; width: 320px;"><tbody><tr data-formkey="Results04" data-id="35" style="vertical-align: middle;"><td style="text-align: center; vertical-align: middle;"><span style="height: 213px;"><a data-cke-saved-href="http://url4538.heatherjamesgallery.com/ls/click?upn=9mx5LS8F7EBuC7CJhgNz0UR1uV2iASrs-2F4nvFhW4W5IX1nMGGx1WBW-2BInBRTWxAsdmfktvHAY7rCQhwSCds1gxb2qoq8GzqZcE0CjpvqaO8-3DKHd9_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMMAj-2F44ZKCm9INOVsHzMxjsv8NsawPIKn-2BFqhTlKlfewVHG-2FIq7J0ZfVQxfWOfvYf-2FmrO6IA3xfFTIuIGCIp8NEPoK7LsH-2BI8s0N0kBBEazSs8gMRwxJi68X80XzF5HRAVnBFn3PsbHRLhtpSuUs2P20e1iUOo1Cstz3q67cTv90Z73epfqcgGqJ5MFg26qUdYOSb-2BNFHFHibEG0XUyxmAIp-2FcAY-2F1In5ZPyKobHiGys-3D" href="http://url4538.heatherjamesgallery.com/ls/click?upn=9mx5LS8F7EBuC7CJhgNz0UR1uV2iASrs-2F4nvFhW4W5IX1nMGGx1WBW-2BInBRTWxAsdmfktvHAY7rCQhwSCds1gxb2qoq8GzqZcE0CjpvqaO8-3DKHd9_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMMAj-2F44ZKCm9INOVsHzMxjsv8NsawPIKn-2BFqhTlKlfewVHG-2FIq7J0ZfVQxfWOfvYf-2FmrO6IA3xfFTIuIGCIp8NEPoK7LsH-2BI8s0N0kBBEazSs8gMRwxJi68X80XzF5HRAVnBFn3PsbHRLhtpSuUs2P20e1iUOo1Cstz3q67cTv90Z73epfqcgGqJ5MFg26qUdYOSb-2BNFHFHibEG0XUyxmAIp-2FcAY-2F1In5ZPyKobHiGys-3D" rel="noopener noreferrer" target="_blank" title="Elaine de Kooning - Lorraine"><img alt="Elaine de Kooning - Lorraine" data-cke-saved-src="https://hjimgp.heatherjames.com/hjp/imagesdetaillarge/45331_detail1/imgp20240111002709/320x213,fit,q95.jpg" src="https://hjimgp.heatherjames.com/hjp/imagesdetaillarge/45331_detail1/imgp20240111002709/320x213,fit,q95.jpg" style="height: auto !important; max-width: 100%;" /></a></span></td></tr></tbody></table></div><div class="artinfocenter" style="margin-bottom: 15px; margin-top: 15px;"><div class="artistfirstname"><span style="font-size: 20px;"><span style="font-weight: bold;"><span style="text-transform: uppercase;"><span style="line-height: 1;">ELAINE</span></span></span></span></div><div class="artistlastname" style="margin-bottom: 10px;"><span style="font-size: 28px;"><span style="font-weight: bold;"><span style="text-transform: uppercase;"><span style="line-height: 1;">DE KOONING</span></span></span></span></div><div class="artname"><span style="font-size: 16px;"><span style="font-style: italic;">Lorraine<br />1963</span></span></div><div class="artinfo" style="margin-bottom: 20px; margin-top: 5px;"><span style="font-size: 12px;">oil on canvas<br />80 3/8 x 56 3/4 x 1 in.<br />(204.15 x 144.15 x 2.54 cm)<br />45331</span></div><br /></div></td></tr></tbody></table></div></td><td class="artresultscenterwrapperoutertd" style="vertical-align: top;"><div align="center" class="artresultscenterwrapper" data-artid="46798" data-artistid="11810"><table align="center" class="arttbl4 cke_show_border" style="border: undefined; margin-left: auto; margin-right: auto; padding-bottom: 10px; width: 100%;"><tbody><tr data-formkey="Results04" data-id="35" style="vertical-align: top;"><td align="center" style="padding-left: 5px; text-align: center;"><div class="layout2img" style="margin-left: auto; margin-right: auto; width: 320px;"><br /></div><div class="artinfocenter" style="margin-bottom: 15px; margin-top: 15px;"><div class="artistfirstname"><br /></div></div></td></tr></tbody></table></div></td></tr><tr class="artresultscenterwrapperoutertr" data-formkey="Results04" data-id="35" style="vertical-align: top;"><td class="artresultscenterwrapperoutertd" style="vertical-align: top;"><div align="center" class="artresultscenterwrapper" data-artid="46862" data-artistid="6818"><table align="center" class="arttbl4 cke_show_border" style="border: undefined; margin-left: auto; margin-right: auto; padding-bottom: 10px; width: 100%;"><tbody><tr data-formkey="Results04" data-id="35" style="vertical-align: top;"><td align="center" style="padding-left: 5px; text-align: center;"><div class="layout2img" style="margin-left: auto; margin-right: auto; width: 320px;"><table class=" cke_show_border" style="border: undefined; height: 213px; margin-left: auto; margin-right: auto; width: 320px;"><tbody><tr data-formkey="Results04" data-id="35" style="vertical-align: middle;"><td style="text-align: center; vertical-align: middle;"><span style="height: 213px;"><a data-cke-saved-href="http://url4538.heatherjamesgallery.com/ls/click?upn=9mx5LS8F7EBuC7CJhgNz0UR1uV2iASrs-2F4nvFhW4W5IX1nMGGx1WBW-2BInBRTWxAsq7SDLLh3mkyDj-2BN3nhdR9lKhFazEImzUNIzk8HS0F6I-3DrdNQ_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMMAj-2F44ZKCm9INOVsHzMxjsv8NsawPIKn-2BFqhTlKlfewVHG-2FIq7J0ZfVQxfWOfvYf-2FmrO6IA3xfFTIuIGCIp8NJeKbTEHTAouZWXpd-2BxqlCM90WRS5XXEuQr2H-2FPgSvt6G6I2a6FClAbWKjbx6DpbrcXg8U8BqWwiuWTt5n6eZj0asMQwfXmBJ4knWhaT5n41u1ae2l75tiUBuqpp5eFEtctexVjevq7fTYYWppCQ1Yg-3D" href="http://url4538.heatherjamesgallery.com/ls/click?upn=9mx5LS8F7EBuC7CJhgNz0UR1uV2iASrs-2F4nvFhW4W5IX1nMGGx1WBW-2BInBRTWxAsq7SDLLh3mkyDj-2BN3nhdR9lKhFazEImzUNIzk8HS0F6I-3DrdNQ_JjzxjpbipYkOiGYhU32QXXInzi4Ru3LSAIQaJpiQXPMRxWlkn4VIAf-2FGWQpZAPxMMAj-2F44ZKCm9INOVsHzMxjsv8NsawPIKn-2BFqhTlKlfewVHG-2FIq7J0ZfVQxfWOfvYf-2FmrO6IA3xfFTIuIGCIp8NJeKbTEHTAouZWXpd-2BxqlCM90WRS5XXEuQr2H-2FPgSvt6G6I2a6FClAbWKjbx6DpbrcXg8U8BqWwiuWTt5n6eZj0asMQwfXmBJ4knWhaT5n41u1ae2l75tiUBuqpp5eFEtctexVjevq7fTYYWppCQ1Yg-3D" rel="noopener noreferrer" target="_blank" title="Andrew Wyeth - Antler Chair"><img alt="Andrew Wyeth - Antler Chair" data-cke-saved-src="https://hjimgp.heatherjames.com/hjp/imagesdetaillarge/45344_detail1/imgp20240111002928/320x213,fit,q95.jpg" src="https://hjimgp.heatherjames.com/hjp/imagesdetaillarge/45344_detail1/imgp20240111002928/320x213,fit,q95.jpg" style="height: auto !important; max-width: 100%;" /></a></span></td></tr></tbody></table></div><div class="artinfocenter" style="margin-bottom: 15px; margin-top: 15px;"><div class="artistfirstname"><span style="font-size: 20px;"><span style="font-weight: bold;"><span style="text-transform: uppercase;"><span style="line-height: 1;">ANDREW</span></span></span></span></div><div class="artistlastname" style="margin-bottom: 10px;"><span style="font-size: 28px;"><span style="font-weight: bold;"><span style="text-transform: uppercase;"><span style="line-height: 1;">WYETH</span></span></span></span></div><div class="artname"><span style="font-size: 16px;"><span style="font-style: italic;">Antler Chair<br />1996</span></span></div><div class="artinfo" style="margin-bottom: 20px; margin-top: 5px;"><span style="font-size: 12px;">watercolor on paper<br />10 x 13 7/8 in.<br />(25.40 x 35.24 cm)<br />45344</span></div><br /></div></td></tr></tbody></table></div></td><td class="artresultscenterwrapperoutertd" style="vertical-align: top;"><div align="center" class="artresultscenterwrapper" data-artid="46783" data-artistid="14630"><br /></div></td></tr></tbody></table></div></div></div></div></div>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-75799811487290665682024-02-05T14:46:00.001-08:002024-02-05T14:46:37.436-08:00 PABLO PICASSO: STRUCTURES OF INVENTION. THE UNITY OF A LIFE’S WORK<p> <br /></p><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="background-color: white; border-collapse: collapse; min-width: 100%; text-align: center; text-size-adjust: 100%; width: 100%;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="padding-top: 9px; text-size-adjust: 100%;" valign="top"><table border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-align: left; text-size-adjust: 100%; width: 100%;"><tbody><tr><td class="mcnTextContent" style="color: #202020; font-family: Arial, "Helvetica Neue", Helvetica, sans-serif; line-height: 24px; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><span style="font-size: large;"><b>Museo Picasso Málaga</b> <br /><strong><span face="verdana, geneva, sans-serif">19 March 2024 to Spring 2027</span></strong></span></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="background-color: white; border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="padding-top: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td class="mcnTextContent" style="color: #202020; font-family: Helvetica; line-height: 24px; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><ul><li style="text-size-adjust: 100%;"><h2 class="null" style="font-family: Verdana, Geneva, sans-serif; line-height: 18px; margin: 0px; padding: 0px;"><strong><span style="font-size: small;">On 19 March the Palacio de Buenavista’s galleries will inaugurate the seventh remodelling of the museum’s collection since it opened twenty years ago. Around 150 works by Pablo Picasso (1881-1973) will be presented with the title “Pablo Picasso: Structures of Invention. The Unity of a Life’s Work“.</span></strong></h2></li><li style="text-size-adjust: 100%;"><h2 class="null" style="font-family: Verdana, Geneva, sans-serif; line-height: 18px; margin: 0px; padding: 0px;"><span style="font-size: small;">This new presentation aims to demonstrate the overarching unity of Picasso’s oeuvre rather than the division of his art into discrete periods or styles. Thus, until the Spring of 2027 the Palacio de Buenavista’s galleries will feature paintings, sculptures, drawings, ceramics and graphic works, which will create a context that reveals new connections among Picasso’s works and challenge traditional classifications.</span></h2></li><li style="text-size-adjust: 100%;"><h2 class="null" style="font-family: Verdana, Geneva, sans-serif; line-height: 18px; margin: 0px; padding: 0px;"><strong><span style="font-size: small;">This new display has been devised under the academic supervision of Michael FitzGerald, Kluger Family Professor of Art History at Trinity College, Hartford (USA), and in collaboration with the Fundación Almine y Bernard-Ruiz-Picasso (FABA).</span></strong></h2></li></ul></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBlock" style="background-color: white; border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody class="mcnImageCardBlockOuter"><tr><td class="mcnImageCardBlockInner" style="padding: 9px 18px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBottomContent" style="border-collapse: collapse; text-size-adjust: 100%; width: 100%;"><tbody><tr><td align="left" class="mcnImageCardBottomImageContent" style="padding: 18px 18px 0px; text-size-adjust: 100%;" valign="top"><a href="https://museopicasso.us12.list-manage.com/track/click?u=7840f12b5b6fa9f42f2203cfe&id=0026a0ce94&e=53b99dbee7" rel="noopener noreferrer" style="text-size-adjust: 100%;" target="_blank" title=""><img alt="" class="mcnImage" src="https://mcusercontent.com/7840f12b5b6fa9f42f2203cfe/images/f7ebfc65-32ad-df50-d2fc-a2895fc887c5.jpg" style="border: 0px; height: auto; max-width: 967px; outline: none; text-decoration-line: none; vertical-align: bottom;" width="528" /></a></td></tr><tr><td class="mcnTextContent" style="font-family: Arial, "Helvetica Neue", Helvetica, sans-serif; line-height: 16.5px; padding: 9px 18px; text-size-adjust: 100%; word-break: break-word;" valign="top" width="528">Pablo Picasso (1881-1973) <em>Man Seated in an Armchair</em>. Juan-les-Pins, Summer, 1925<br />Oil-modified paint on canvas. 100 × 81 cm <br />Fundación Almine y Bernard Ruiz-Picasso, Madrid<br />© FABA Photo: Hugard & Vanoverschelde<br />© Succession Pablo Picasso, VEGAP, Madrid, 2024<br /><br /></td></tr></tbody></table></td></tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="background-color: white; border-collapse: collapse; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="padding-top: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-size-adjust: 100%; width: 100%;"><tbody><tr><td class="mcnTextContent" style="font-family: Verdana, Geneva, sans-serif; font-size: 12px; line-height: 18px; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><p style="line-height: 18px; margin: 10px 0px; padding: 0px; text-size-adjust: 100%;"><span style="font-size: small;">For the next three years the galleries of the Museo Picasso Málaga will be showing the exhibition <strong>"Pablo Picasso: Structures of Invention. The Unity of a Life’s Work".</strong> For the seventh time in the museum’s existence, thanks to a close collaboration between the Museo and the Fundación Almine y Bernard Ruiz-Picasso, the works on display in the galleries will be changed in order to show around 150 works of art that together reveal Picasso’s extraordinary ability to create the innovative structures that made him one of the most influential artists of the modern period.<br /> <br /><strong>Michael FitzGerald</strong>, Kluger Family Professor of Art History at Trinity College, Hartford, Connecticut, (USA), who is the curator of this latest transformation of the museum, has said that “Picasso’s creativity arose from two apparently opposing inspirations: innovation and retrospection”, and also that “the interplay of these two concepts defines the creative pathways that enabled him to weave together cubism, classicism, surrealism and his other innovations into the unity of a life’s work.”<br /> <br />Based on these insights, the new installation has been devised to involve the viewer in the artist’s creative process and to stimulate our imagination, mapping a new understanding of the work of this great master and creator. In addition, five <strong>“Focus Exhibitions”</strong>, curated by young scholars involved in the FABA Research Program<strong>,</strong> will be placed in the galleries in order to present in-depth studies of issues central to Picasso’s artistic development. These topics will range from his relationship to African sculpture (and include African works from Picasso’s own collection), to his paintings on wooden panels, his return to sculpture in plaster in the 1930s, his responses to life in Paris during World War II, and the huge mural he painted in 1957-58 for the headquarters of UNESCO in Paris.<br /> <br />“<em>Pablo Picasso: Structures of Invention. The Unity of a Life’s Work </em>“will thus reveal the coherence of the artist’s output, moving away from conventional interpretations, which have classified it by periods, by displaying works from different decades of his career alongside each other in many of the museum’s galleries. Through this <strong>combination of periods and also of techniques</strong> - painting, sculpture, ceramics, drawing and graphic art - the Museo Picasso Málaga will present connections that illustrate the ways in which the artist’s astonishing creativity was rooted in both his previous creations and his most recent innovations.</span></p><p style="line-height: 18px; margin: 10px 0px; padding: 0px; text-size-adjust: 100%;"><span style="font-size: small;"><br /></span></p><p style="line-height: 18px; margin: 10px 0px; padding: 0px; text-size-adjust: 100%;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiZv9UzEC55XNM2cLohZQRx9m18Qus0jh6ThcZEhdfEjXfKhOqQXiyPLVwFXpTHuXiCl0-yegcoB8qBe68DKfdFGl-JvLFyyIszKIJMuqB7Mmd8yapxKKmId2XiQPUgOPB-6U6VKpQJsofiNjnW2-xpulT4nJWhelB4NSKDAqbVq5mIU-FfwcMDz7CXzaD/s2502/01%20Picasso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2502" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiZv9UzEC55XNM2cLohZQRx9m18Qus0jh6ThcZEhdfEjXfKhOqQXiyPLVwFXpTHuXiCl0-yegcoB8qBe68DKfdFGl-JvLFyyIszKIJMuqB7Mmd8yapxKKmId2XiQPUgOPB-6U6VKpQJsofiNjnW2-xpulT4nJWhelB4NSKDAqbVq5mIU-FfwcMDz7CXzaD/w512-h640/01%20Picasso.jpg" width="512" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVtaTc2sKf4X_XJ4L0apWMWApTdCz7Mchmtloupl2i98cxn-JFxPuTEf46Nn83zRlPxzimx05e0w0Q_NCuW5iDCwZrSUf2sVR2IXT2ZotUXjkXMqu96Pwru09ZGyJuh4oN7hYzY2vLNM6gJbcjZxe2WPz2mzEjMwQFs9ZhJFjkzMvM6KhDK89qWSDb-3xk/s3018/02%20Picasso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3018" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVtaTc2sKf4X_XJ4L0apWMWApTdCz7Mchmtloupl2i98cxn-JFxPuTEf46Nn83zRlPxzimx05e0w0Q_NCuW5iDCwZrSUf2sVR2IXT2ZotUXjkXMqu96Pwru09ZGyJuh4oN7hYzY2vLNM6gJbcjZxe2WPz2mzEjMwQFs9ZhJFjkzMvM6KhDK89qWSDb-3xk/w424-h640/02%20Picasso.jpg" width="424" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSfxuQk0GyCtB21V8V5-wpSvdAfOse4PiefX7Un3t6jzONvnjSbFts6T3bGfLsLIeWKdwcztEjtATC4PR0jR_8dkO-GkTsUXLJcaTVR9_AOhVc7G3E987yFbNB0hOgHn09LhzPPd2EndH3RKljBVdc0BKgj5oTtTP4bUp0N6lsfZbMl-g0HhFnYUTJy_N3/s2708/03%20Picasso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2708" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSfxuQk0GyCtB21V8V5-wpSvdAfOse4PiefX7Un3t6jzONvnjSbFts6T3bGfLsLIeWKdwcztEjtATC4PR0jR_8dkO-GkTsUXLJcaTVR9_AOhVc7G3E987yFbNB0hOgHn09LhzPPd2EndH3RKljBVdc0BKgj5oTtTP4bUp0N6lsfZbMl-g0HhFnYUTJy_N3/w472-h640/03%20Picasso.jpg" width="472" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmH6zQgRXhXiHLNLnE-Na9IydWZNPMitcamUnnmtODKlu89MjnrLdIrDS3y43fGj8USfdFTst5V5k476-nfig9bDx6oII7_kI_WGAG5af8M0ESul6FdJhfj0BMk52c4ivdiOh468eJ27ZIzo2PQXeIYdmJZIh_aSxmpP89hRWRGm9QvxPutcQwfivEGY79/s2613/05%20Picasso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2613" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmH6zQgRXhXiHLNLnE-Na9IydWZNPMitcamUnnmtODKlu89MjnrLdIrDS3y43fGj8USfdFTst5V5k476-nfig9bDx6oII7_kI_WGAG5af8M0ESul6FdJhfj0BMk52c4ivdiOh468eJ27ZIzo2PQXeIYdmJZIh_aSxmpP89hRWRGm9QvxPutcQwfivEGY79/w490-h640/05%20Picasso.jpg" width="490" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnxJMduaQ6trN4mRHcfchHr7iWVQSNVboh-k-HSW08aKyX5Fsk0qQVYEdL1p1_coCUgZMt5oosw6JXLJANvLFxbbsC3O0P3NDJ-aHdUMjkTesuU_XSnRiEFpP0-IdHzCbuyn4aiGHk_uvFFn2rC7Dt3WmMM15BVAmu9DgouikgrU5IsUgqHKjXwp0MzSE6/s2795/07%20Picasso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2795" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnxJMduaQ6trN4mRHcfchHr7iWVQSNVboh-k-HSW08aKyX5Fsk0qQVYEdL1p1_coCUgZMt5oosw6JXLJANvLFxbbsC3O0P3NDJ-aHdUMjkTesuU_XSnRiEFpP0-IdHzCbuyn4aiGHk_uvFFn2rC7Dt3WmMM15BVAmu9DgouikgrU5IsUgqHKjXwp0MzSE6/w458-h640/07%20Picasso.jpg" width="458" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUVWqLh-dO0jsi5lyths1LGzoMKe-QUwXjGSg3JaV2o97EIG6Z4z09u6rDBGI5a2tAileo-Unv8xgXGthrKPCR2Hfgw79ZvHZxpFbYwOI4cPLHoQ2tMEscH6TWoJ9SsJvY4AhsK2A7l8V4PA5-ZmdfBChYx_txpbMnd1AgOsqh14Ra3poxG3pwWhlrsMP7/s2859/08%20Picasso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2859" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUVWqLh-dO0jsi5lyths1LGzoMKe-QUwXjGSg3JaV2o97EIG6Z4z09u6rDBGI5a2tAileo-Unv8xgXGthrKPCR2Hfgw79ZvHZxpFbYwOI4cPLHoQ2tMEscH6TWoJ9SsJvY4AhsK2A7l8V4PA5-ZmdfBChYx_txpbMnd1AgOsqh14Ra3poxG3pwWhlrsMP7/w448-h640/08%20Picasso.jpg" width="448" /></a></div><br /><span style="font-size: small;"><br /></span><p></p></td></tr></tbody></table></td></tr></tbody></table>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.comtag:blogger.com,1999:blog-1298105948318129063.post-11792001639529848972024-02-05T14:46:00.000-08:002024-02-05T14:46:04.974-08:00JAMES ENSOR. MAESTRO<table align="right" border="0" cellpadding="0" cellspacing="0" class=" cke_show_border" style="width: 370px;"><tbody><tr><td><p>2024 is the year of Ensor. Bozar will spend the year commemorating the 75th anniversary of the death of famous Belgian artist James Ensor. He is much more than the <strong>painter</strong> of masks and skeletons. He was not only a gifted <strong>writer,</strong> but also a great <strong>music lover and composer</strong>. Therefore, Bozar will be paying tribute to the artist with <strong>an exhibition highlighting all his fac</strong><strong>e</strong><strong>ts</strong><strong> in an anthology of some 100 works.</strong> You will discover his varied oeuvre, from his youthful works to his last creations. Particular attention will be paid to lesser-known works, his print graphics, and his musical compositions such as <em>La Gamme d’amour</em>. Some of these works have never been displayed previously but can now reach a broader audience, courtesy of the collaboration with various significant private collectors.<br /><br /></p><p><em>Curator: Xavier Tricot</em><br /></p><p>Bozar presents over <strong>150 pieces</strong>, including about 30 oil paintings, 80 works on paper (mainly drawings); 40 documents (prints, photographs, manuscripts and handwritten scores, film clips, sound fragments and 1 tapestry (<em>Christ's Entry into Brussels</em> by Gibau).</p><p>In 1929, the largest Ensor exhibition ever opened its doors at the Centre for Fine Arts of Brussels.<br />Visitors to <em>James Ensor. Maestro</em> will discover <strong>archival footage</strong> from this remarkable retrospective and can also listen to an <strong>audio recording</strong> of Ensor's speech.</p><p><em><br /></em></p></td></tr></tbody></table><span id="docs-internal-guid-1593b8b4-7fff-2eca-f2fe-664df5c38bdb"><p dir="ltr" style="border-bottom: solid #000000 0.5pt; line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt; padding: 0pt 0pt 1pt 0pt;"><br /></p><br /><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="border: none; display: inline-block; height: 276px; overflow: hidden; width: 369px;"><img alt="A group of people standing together
Description automatically generated" height="276" src="https://lh7-us.googleusercontent.com/UY6XEvOq5_3NAWEZB9r9uccoqqjqoe8J3vF6ezpcQPDPy_1z7_sVpZHrexlFcFu-NpCZ9f46DMwC_pc4jtjixZCrsL2i-5KpuSQ2s19Da_j_vnY0UKCNbr3ng7UeppEQRaiUxGi6NcneNVLyxqCALA" style="margin-left: 0px; margin-top: 0px;" width="369" /></span></span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">James Ensor</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Meneer en mevrouw Rousseau in gesprek met Sophie Yoteko</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Monsieur et madame Rousseau parlant avec Sophie Yoteko</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Mr and Mrs Rousseau Speaking with Sophie Yoteko</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">1892</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Olieverf op paneel / huile sur panneau / oil on panel</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Privéverzameling / collection privée / private collection</span></p><br /><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="border: none; display: inline-block; height: 278px; overflow: hidden; width: 314px;"><img alt="A drawing of skeletons playing pool
Description automatically generated" height="278" src="https://lh7-us.googleusercontent.com/aoWgRYh4r1gW-KdvKqZC0L9z2tdBj_3dz7zLDKBGCMKozWDG93QNs9Xnto_TVXjWbaIrV8G9SES4o5CW6OExm8ZtsRBt-S8_Fb1QJsBnpsmWyAztk2NNib8QnfTucyXBa_6h-gWm3lTXCRh_mZrv3g" style="margin-left: 0px; margin-top: 0px;" width="314" /></span></span></p><br /><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">James Ensor </span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Biljartspelende geraamten</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Squelettes jouant au billard</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Skeletons Playing Billiards</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">1903</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Oostindische inkt, witte gouache en potlood op papier / encre de Chine, gouache blanche et crayon sur papier / Indian ink, white gouache and pencil on paper</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Verzameling / collection Alychlo/Marc Coucke, België</span></p><br /><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="border: none; display: inline-block; height: 316px; overflow: hidden; width: 379px;"><img alt="A painting of a person with skulls
Description automatically generated" height="316" src="https://lh7-us.googleusercontent.com/oKVN80YqHjbTxSyGniRgixV98xx-KN13XZ1ij5EQeSn_9m96kGDw8zq4Nap9nAY7sEAn-GS6SMbz_pQpnCai_HoapEpt1zWoWb5sx137Dxz0bPZWHepJQfc_UB9AifeCBDKaDdWL8v7j7LotcHs7Rg" style="margin-left: 0px; margin-top: 0px;" width="379" /></span></span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">James Ensor</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Pierrot en geraamten</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Pierrot et squelettes</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Pierrot and Skeletons</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">1905</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Olieverf op doek / huile sur toile / oil on canvas</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Inv. 98000447</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Verzameling / collection KBC Bank NV, Brussel</span></p><br /><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="border: none; display: inline-block; height: 283px; overflow: hidden; width: 401px;"><img alt="A group of people walking in the snow
Description automatically generated" height="283" src="https://lh7-us.googleusercontent.com/alxSawbfU_P5ivfo_pYKgmHi2sDjZQkW3q-cEr27FYiKnW3f1GKjrPAsTVirmT9kLm0IICao3p3lDncu3BDZxr5HA9fu11SsVnMs-UqodiE1EtwvBXS6bFB9BoLOnae_t605WMNAgDmr38LTzEp1Aw" style="margin-left: 0px; margin-top: 0px;" width="401" /></span></span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">James Ensor</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">De ontmoeting (Minnetuin)</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">La Rencontre (Jardin d’amour)</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">The Meeting (The Garden of Love)</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">1912</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Olieverf op doek / huile sur toile / oil on canvas</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Verzameling / collection Filip & Kristel Goos</span></p><br /><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="border: none; display: inline-block; height: 375px; overflow: hidden; width: 294px;"><img alt="A book cover with colorful drawings
Description automatically generated" height="375" src="https://lh7-us.googleusercontent.com/qhTBeX3ljeUj5lvtFaVo4h3JPAZfgylQyffF3d5GJcaV8xmqtlTY-NfZn0NhWy9QzGL_8bNxc8sNe2NduWs05xuqHnkJtJQHZmsO_g6OCgpNhSnM6wkWYalT4EgJ7c3-ix_7h32U5q280jn_UzRdTQ" style="margin-left: 0px; margin-top: 0px;" width="294" /></span></span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "CIDFont+F1"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">James Ensor</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "CIDFont+F1"; font-size: 13pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Caprice</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "CIDFont+F1"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Ca/vers 1915-20</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "CIDFont+F1"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Kleurpotloden en krijt op achterkant van partituur </span><span style="font-family: "CIDFont+F4"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Marche des rotariens </span><span style="font-family: "CIDFont+F1"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">/</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "CIDFont+F1"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">crayons de couleur et craie au revers de la partition de la </span><span style="font-family: "CIDFont+F4"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Marche des rotariens</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "CIDFont+F1"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">/ coloured pencils and chalks on the reverse of the score of </span><span style="font-family: "CIDFont+F4"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Marche des</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "CIDFont+F4"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">rotariens</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: "CIDFont+F1"; font-size: 13pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Verzameling / collection P.F.</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-weight: 700; white-space-collapse: preserve;"> </span></p><br /><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="border: none; display: inline-block; height: 303px; overflow: hidden; width: 246px;"><img alt="A group of clowns and clowns
Description automatically generated" height="303" src="https://lh7-us.googleusercontent.com/9pJIDz41Onw74qFsIb-ELJkx9zTgw9nBX1bosh2lW2kWZ568RZFI4wgni-d8fxyDirqfMY9hyeeIl_xdQEoWoyTnzjp-Swa3pu2byuQ2YMaq357RcFKJefsaSzqVbwuCOuG2j07s5eMm-rq9uxaPlA" style="margin-left: 0px; margin-top: 0px;" width="246" /></span></span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">James Ensor</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">La Gamme d’amour (Flirt van marionnetten)</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">La Gamme d’amour (Flirt des marionnettes)</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">La Gamme d’amour (Flirt of Puppets</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">)</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">1926 </span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Olieverf op doek / huile sur toile / oil on canvas</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Inv 100527</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Verzameling / collection Bonnefanten, langdurige bruikleen / prêt à long terme / long-term loan Rijksdienst voor Cultureel Erfgoed</span><span style="background-color: white; color: #202122; font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"> </span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">© Peter Cox </span></p><br /><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><br /></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Anoniem / anonyme / anonymous</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">James Ensor surrounded by masks</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"> [staff members of the Centre for Fine Arts in costume]. Photograph taken on the banquet of 10 Feb 1929, Centre for Fine Arts, Brussels.</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">James Ensor omringd door maskers</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"> [verklede personeelsleden van het Paleis voor Schone Kunsten]</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Foto genomen ter gelegenheid van het banket op 10.02.1929, Paleis voor Schone Kunsten, Brussel.</span></p><p dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">© Bozar Archives, Brussels</span></p><br /><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;"><span style="border: none; display: inline-block; height: 517px; overflow: hidden; width: 251px;"><img alt="A painting of a tree
Description automatically generated" height="517" src="https://lh7-us.googleusercontent.com/Sj9HjIM835a0LCMoL6Asx5oqoxDViX543n8YsZ-ENIglzjgfyWrw7mdUkIndz7F7J4pRfxaW-6j49EvQ_V2VJTA-xUd8dnu82p3ywCE8H96Utw_cddwi9jP-0LY1SgR8IDur2umgV_SUQ7yfYDyC7w" style="margin-left: 0px; margin-top: 0px;" width="251" /></span></span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">James Ensor </span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">De bloeiende klarinet</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">La Clarinette fleurie</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">The Flowering Clarinet</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">1938</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Olieverf op paneel / huile sur panneau / oil on panel</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Verzameling / collection P.F.</span></p><br /><br /><br /><br /><br /><br /><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><span style="border: none; display: inline-block; height: 394px; overflow: hidden; width: 495px;"><img alt="A painting of a city
Description automatically generated" height="394" src="https://lh7-us.googleusercontent.com/DHO8HIQQiHu0vMUlga_GsvHSXJTEQaarzd_WkBC5c1bGK7JKxvFwnvikMl_38Fer8gplMfGtuV9kL1ZQLrEb6ZBRHyRlZUIyDp8rdonTarDkw4pZLAjOi_LLMuG9ONP6Ue8FAeZ-YIFwbhjHRac6pA" style="margin-left: 0px; margin-top: 0px;" width="495" /></span></span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">James Ensor</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Decor voor “La Gamme d’amour”. Tweede tafereel: De marktplaats</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Décor pour La Gamme d’amour. 2</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;"><span style="font-size: 0.6em; vertical-align: super;">ième</span></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;"> tableau : La Place Publique</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;">Decor for the ballet “Gamme d’amour”. 2</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;"><span style="font-size: 0.6em; vertical-align: super;">nd</span></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-style: italic; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-weight: 700; vertical-align: baseline; white-space-collapse: preserve;"> act: The Town Square</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">s.d. </span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Zwart-wit foto, bijgekleurd met gouache / photo n&b, rehaussée à la gouache / black and white photo, enhanced with gouache</span></p><p dir="ltr" style="line-height: 1.56; margin-bottom: 0pt; margin-top: 0pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;">Verzameling / collection P.F.</span></p><div><span style="font-family: Calibri, sans-serif; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"><br /></span></div></span>Jonathan Kantrowitzhttp://www.blogger.com/profile/13919729222396777240noreply@blogger.com