Wednesday, August 6, 2025

French Moderns: Monet to Matisse, 1850 – 1950

 

  • August 5, 2025–January 4, 2026

    Harn Museum of Art
    Gainesville, Florida

  • January 30–May 24, 2026

    Birmingham Museum of Art
    Alabama

  • June 19–October 11, 2026

    Frick Pittsburgh
    Pennsylvania


The blockbuster exhibition, chosen for display during the Harn’s 35th Anniversary, showcases more than 55 paintings, drawings and sculptures from the Brooklyn Museum’s esteemed collection of European art. Ranging widely in scale, subject matter and style, and encompassing the key avant-garde movements that emerged in and around Paris from 1850 to 1950, the works on view were produced by some of the era’s leading artists. The exhibition is on view through Jan. 4, 2026.

Painting in the impressionist style with a house in front of a body of water.

Claude Monet (French, 1840–1926). Rising Tide at Pourville, 1882. Oil on canvas, 26 x 32 in. (66 x 81.3cm). Brooklyn Museum, Gift of Mrs. Horace O. Havemeyer, 41.1260. (Photo: Brooklyn Museum)

“Touring since 2017 to venues in Italy, South Korea, Canada and the United States, the Harn is grateful to our generous donors who have made it possible to bring these masterpieces to the Harn for visitors to enjoy free of charge,” said Dr. Lee Anne Chesterfield, Harn Museum of Art Director. “We are also excited to have added to the exhibition, the Harn’s very own work by Monet, Champ d’avoine (Oat Field), celebrating the growth of our collection and 35 years of art-centered experiences.”

Bronze sculpture of a naked man with one arm resting on his head

Auguste Rodin (French, 1840-1917).The Age of Bronze, medium-sized model, first reduction, 1876; cast 1967. Bronze,41 ¼ x 15 x 13 in. (104.8 x 38.1 x 33 cm). Brooklyn Museum,Gift of B. Gerald Cantor, 68.49. (Photo: Brooklyn Museum)

The works of art in French Moderns, organized by the Brooklyn Museum, span the era between the Revolution of 1848 and the conclusion of World War II—a period marked by significant social, intellectual and political upheaval in France. This era saw the emergence of avant-garde artistic movements including Realism, Impressionism, Post-Impressionism, Symbolism, Fauvism, Cubism and Surrealism, which left a lasting impact on the Western artistic tradition. These key movements are represented in the exhibition through remarkable examples by the era’s leading artists, including Pierre Bonnard, Gustave Caillebotte, Paul Cézanne, Marc Chagall, Jean-Baptiste-Camille Corot, Gustave Courbet, Edgar Degas, Édouard Manet, Henri Matisse, Claude Monet, Berthe Morisot, Gabriele Münter, Pierre-Auguste Renoir, Auguste Rodin and others.

"Madame Boursier and Her Daughter," by Berthe Morisot

Image: Berthe Morisot (French, 1841–1895). “Madame Boursier and Her Daughter,” circa 1873. Oil on canvas, 29 5/16 x 22 3/8 in. (74.5 x 56.8 cm). Brooklyn Museum, Museum Collection Fund, 29.30. (Photo: Sarah DeSantis, Brooklyn Museum)

“French Moderns offers remarkable examples of European art and is the most significant exhibition of French modern art to travel to Gainesville,” said Dulce Román, Chief Curator and Curator of Modern Art at the Harn Museum of Art. “I am delighted that we are able to bring a portion of the Brooklyn Museum’s exceptional collection to the Gainesville community, University of Florida, surrounding areas, and tourists to explore and appreciate.”

Impressionist painting of an apple tree

Gustave Caillebotte (French, 1848–1894). Apple Tree in Bloom, 1885. Oil on canvas, 28 7/8 x 23 5/8 in. (73.3 x 60 cm). Brooklyn Museum, Bequest of William K. Jacobs, Jr., 1992.107.2. (Photo: Brooklyn Museum).

The exhibition is organized into four sections: Landscape, Still Life, Portraits and Figures, and The Nude. Beginning with the landscapes of Jean-Baptiste-Camille Corot and the birth of plein-air (outdoor) painting, the exhibition surveys the innovative styles and techniques developed by artists from the Realism of Gustave Courbet, to the light and atmosphere of Monet and the Impressionists, to the Surrealism of Yves Tanguy. The works explore major new forms of representation and abstraction forged in France over the span of a century.

Still life painting of a tea cup and saucer, two oranges, and three green figs on a white tablecloth

Pierre-Auguste Renoir (French, 1841–1919). Still Life with Blue Cup, circa 1900. Oil on canvas, 6 x 13 1/8 in. (15.2 x 33.3 cm). Brooklyn Museum, Bequest of Laura L. Barnes, 67.24.19. (Photo: Sarah DeSantis, Brooklyn Museum)

French Moderns: Monet to Matisse, 1850 – 1950 is organized by Lisa Small, Senior Curator of European Art, and Richard Aste, former Curator of European Art, Brooklyn Museum. The exhibition is accompanied by a fully illustrated catalogue including thematic essays and interpretive object entries by the exhibition’s co-curators.

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