Monday, October 19, 2026

Sotheby’s Paris Surrealism and Its Legacy October 23


Sotheby’s Paris is delighted to present the fifth edition of Surrealism and Its Legacy, celebrating one of the most revolutionary and enduring movements in modern art. Born out of a desire to challenge convention and transcend the boundaries of reality, Surrealism forever transformed the artistic landscape, opening the door to a world where imagination reigns supreme, the unexpected becomes extraordinary, and the impossible comes to life.

Bringing together exceptional works by leading figures of the Surrealist movement, including René Magritte and Joan Miró, alongside influential artists such as Alexander Calder and Andy Warhol, whose work reflects the movement’s far-reaching legacy, this sale offers a compelling journey through the evolution of the Surrealist vision. From seminal works that defined the movement to those that reveal its profound influence on post-war and contemporary art, the sale highlights the enduring power of an artistic revolution that continues to inspire, provoke and captivate across generations.

The Legacy of Surrealism: Americans in Paris

“I never sell a painting; I make people fall in love with the painting that I love.”
Andy Warhol, Vogue, 1965

Andy Warhol, Alexander the Great, 1982. Estimate €1,800,000–2,500,000.

Dating from 1982, Alexander the Great is a brilliant and glamorous work in both its splendor and its decadence. This rare work is, in every sense of the word, an icon: first because it is unique; because the magnificent fluorescent yellow background pays tribute to the gold backgrounds of ancient icons; and because the very figure of the portrait is precious and worthy of adoration.


Alexander Calder, Mobile, 1950. Estimate €2,000,000–3,000,000.

Mobile is a subtle marriage of the engineer’s rigour and the poet’s freedom. Having become one of the most respected artists on both sides of the Atlantic, Calder made this work a celebration of cosmopolitanism and friendship. He offered it to the wife of one of his dear friends, art dealer Pierre Loeb whose encounter upon his arrival in Paris in 1926, was a decisive moment in Calder's artistic development. The work subsequently passed through Galerie Albert Loeb before entering the collection of Natalie and Léon Seroussi around 1990. The fact that it has belonged to only two family collections since leaving the artist’s hands is of particular significance, connecting two generations of distinguished Parisian collectors and dealers, united by their commitment to modern and Surrealist art.



Is It an Apple, a Horse or Both? The Surreal World of René Magritte

Sunday, October 18, 2026

Impressions of Light: Masterpieces from MuMa Le Havre and The Bowes Museum

 

MuMa – Le Havre and The Bowes Museum

26 September 2026 – 14 March 2027


A major international partnership with the Musée d’Art moderne André Malraux (MuMa), Le Havre, brings Impressionist masterpieces from France to The Bowes Museum in County Durham, with many works being shown in the UK for the first time.

Tracing the evolution of landscape painting from Pre-Impressionism to Post-Impressionism, Impressions of Light: Masterpieces from MuMa Le Havre and The Bowes Museum explores a period of extraordinary artistic change, when painters began to look at the world around them in new ways. Through light, colour and atmosphere, landscape became a space for experimentation, personal expression and new approaches to capturing the fleeting experience of a place.



Works by some of the most celebrated names in French art, including Claude Monet (1840–1926), Eugène Boudin (1824–1898), Gustave Courbet (1819–1877), Camille Pissarro (1830–1903), Jean-Francis Auburtin (1866–1930) and Raoul Dufy (1877–1953), reveal the artistic innovation and emotional depth that helped transform modern art.


 
Jean-Francis Auburtin, Varengeville, la cabane des douaniers, 1922, gouache sur papier, 32,2 x 51,5 cm. Le Havre, musée d’art moderne André Malraux, inv. 2016.5.1. Achat de la Ville avec l’aide du Fonds régional d’acquisition des musées (FRAM), 2016 © MuMa Le Havre/ Charles Maslard

These significant loans from MuMa are displayed alongside The Bowes Museum’s pioneering collection of Pre-Impressionist works, creating a unique opportunity to trace the changing approaches to landscape painting across the nineteenth and early twentieth centuries.

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Eugene Boudin ‘Beach Scene at Low Tide’


Presented in themed groupings that echo the coast, cliffs, moorland and dales surrounding The Bowes Museum, the exhibition draws connections between the landscapes of France and County Durham. From shifting skies and changing light to dramatic coastlines and open countryside, discover how generations of artists responded to the places around them and transformed those experiences through paint.



The Sea at Fécamp (Fécamp, bord de mer), painted by Claude Monet in 188

From Le Havre to Barnard Castle

The exhibition also reveals a fascinating connection between The Bowes Museum and the French art world from which Impressionism emerged.

The museum’s founders, Joséphine (1825–1874) and John Bowes (1811–1885), were deeply connected to France and, unusually for British collectors at the time, acquired works by living French artists. Joséphine was herself a painter and was influenced by the en plein air approach of Pre-Impressionist artists, who increasingly left the studio to work directly from the landscape.

During the nineteenth century, Le Havre’s prosperity as an international port helped foster an extraordinary artistic culture. Its distinctive coastline, changing weather and remarkable quality of light attracted artists who would play an important role in the development of Impressionism.

Joséphine and John travelled frequently to Le Havre, and their connection to the city can even be seen in the architecture of The Bowes Museum itself, whose striking design was inspired by Le Havre’s town hall.

More than 150 years later, Impressions of Light brings these connections together once again, placing works collected by Joséphine and John alongside masterpieces travelling from Le Havre to Barnard Castle.

Bringing together world-class loans from MuMa and The Bowes Museum’s own collection, Impressions of Light is a journey through artistic vision, cultural exchange and landscape’s enduring power to move and inspire.

Presented by The Bowes Museum and MuMa – Musée d’Art moderne André Malraux, Le Havre.

British Modernist artworks saved by Art Fund for South West museums

Art Fund has stepped in to save 22 artworks from the Dartington Hall Collection for the nation, providing an exceptional grant to fund a joint acquisition by The Box, Plymouth, and the Royal Albert Memorial Museum & Art Gallery (RAMM), Exeter.

The collection of works by leading British Modernist artists has been acquired in its entirety through a private sale brokered by Phillips ahead of its Modern & Contemporary Art auctions during Frieze Week in London.


Christopher Wood, Breton Fisherwoman, 1930

Art Fund has stepped in to save 22 artworks from the Dartington Hall Collection for the nation, providing an exceptional grant to fund a joint acquisition by The Box, Plymouth, and the Royal Albert Memorial Museum & Art Gallery (RAMM), Exeter.



Christopher Wood, Fish in a Basket, 1930

The collection of works by leading British Modernist artists has been acquired in its entirety through a private sale brokered by Phillips ahead of its Modern & Contemporary Art auctions during Frieze Week in London.

The collection comprises paintings, works on paper and ceramics by artists central to the history of 20th-century British art, including Bernard Leach (1887-1979), Ben Nicholson (1894-1982), Winifred Nicholson (1893-1981), Lucie Rie (1902-1995) and Christopher Wood (1901-1930).




Ben Nicholson Cumbrian Cottages oil on canvas 54.5 x 59.5 cm (21 1/2 x 23 3/8 in.) Painted circa 1928, in the United Kingdom.

Backed by contributions from individuals and trusts following an urgent fundraising campaign, Art Fund has provided a grant of £815,035 to fund 100% of the acquisition to ensure it will remain together for public display, allowing future generations to enjoy and engage with these important works.

A distinct history of a unique place

The works have previously been on public display together at Dartington Hall. They are closely associated with Dorothy and Leonard Elmhirst and with the cultural history of Dartington, Devon.

Dorothy and Leonard Elmhirst acquired Dartington in 1925 and developed the estate as an ambitious experiment in rural regeneration, progressive education and the arts. Dartington became a centre of cultural innovation, attracting artists, craftspeople, musicians, dancers, writers and thinkers from Britain, Europe, Asia and the United States.

The works in this collection together provide a distinct history of a unique place where artists lived, worked, taught, exhibited and exchanged ideas, and where works were made within an unusually fertile community of artistic and social experimentation.

The works will be shared across Devon rather than held in one place. The Box and RAMM will develop displays, interpretation, talks and research with Dartington and other Devon partners, so that the collection stays rooted in the place and cultural history it came from.

Both museums will offer learning, skills development and volunteering opportunities connected to the collection, and a jointly planned symposium will bring together experts on Modern British Art and studio ceramics. The works will also be available online through RAMM’s Collections Explorer and Art UK, so audiences in Devon and around the world can see them.

The sale benefits the Dartington Hall Trust, supporting the ongoing preservation of the Dartington Estate and safeguarding the extraordinary cultural legacy of its visionary founders, Dorothy and Leonard Elmhirst, whose pioneering commitment to art, education and creativity helped shape British Modernism.

"These 22 works belong together"

Jenny Waldman, Director, Art Fund, said: "The Elmhirst Collection is an exceptional record of the artistic and cultural life of Dartington, and its influence on British Modernism. These 22 works belong together, and keeping them in public ownership in the South West will ensure that this important part of our cultural history can be shared with future generations. We’re delighted to provide the full funding needed for The Box and RAMM to acquire the collection for their public collections, and grateful to everyone who has worked at pace to make this possible."

Councillor Jemima Laing, Plymouth City Council's Cabinet Member for Culture, said: "This is a hugely exciting acquisition, not just for Plymouth and Devon, but for the nation.

“These artworks are part of an extraordinary story about creativity, innovation and social change that unfolded here in Devon and went on to influence people around the world. By securing this collection for public ownership, we have prevented an important piece of our shared cultural heritage from being lost.

“The collection includes works by some of the most celebrated artists of the 20th century and offers a fascinating insight into the vision of Dorothy and Leonard Elmhirst, whose commitment to the arts helped make Dartington one of the most influential cultural centres in Britain.

“I'm delighted that, through partnership working and the support of Art Fund, these nationally significant works will now remain accessible to everyone. They will inspire future generations, support learning and research, and help us tell important stories about Plymouth, Devon and Britain's artistic heritage."

Councillor Lucy Findlay MBE, Exeter City Council Lead for Culture and City Centre, said: "This is an exceptional collection that speaks directly to the cultural and artistic history of Devon. The Elmhirsts were visionary patrons whose support enabled artists, makers and thinkers to flourish, and these works reflect the rich creative networks that developed around Dartington.

"Securing the collection through a partnership with The Box Plymouth demonstrates what can be achieved when organisations work together to safeguard nationally important heritage. We look forward to sharing the collection with audiences and exploring the many opportunities it offers for exhibitions, learning, research and public engagement."

The partnership acquisition builds on a growing national trend of museums and galleries working together to secure important works of art for public benefit, ensuring collections remain accessible while sharing expertise, resources and audiences.

The artworks will now be cared for by The Box and RAMM and, over time, displayed through exhibitions and engagement programmes that explore Dartington's lasting impact on culture, creativity and society.

  • Olivia Thornton, Deputy Chairwoman and Head of Modern & Contemporary Art, Europe, Phillips, said: “We are absolutely delighted to have worked closely with these public institutions to secure the future of these remarkable works. Keeping the group together in public ownership is a wonderful outcome, honouring the vision of Dorothy and Leonard Elmhirst and ensuring that their legacy continues to inspire future generations. This private sale represents the best possible result for all involved: benefiting the Dartington Hall Trust, supporting the preservation of the Estate, and ensuring that the public can continue to enjoy this exceptional group of British Modernist works.”

The collection comprises paintings, works on paper and ceramics by artists central to the history of 20th-century British art, including Bernard Leach (1887-1979), Ben Nicholson (1894-1982), Winifred Nicholson (1893-1981), Lucie Rie (1902-1995) and Christopher Wood (1901-1930).

Backed by contributions from individuals and trusts following an urgent fundraising campaign, Art Fund has provided a grant of £815,035 to fund 100% of the acquisition to ensure it will remain together for public display, allowing future generations to enjoy and engage with these important works.

A distinct history of a unique place

The works have previously been on public display together at Dartington Hall. They are closely associated with Dorothy and Leonard Elmhirst and with the cultural history of Dartington, Devon.

Dorothy and Leonard Elmhirst acquired Dartington in 1925 and developed the estate as an ambitious experiment in rural regeneration, progressive education and the arts. Dartington became a centre of cultural innovation, attracting artists, craftspeople, musicians, dancers, writers and thinkers from Britain, Europe, Asia and the United States.

The works in this collection together provide a distinct history of a unique place where artists lived, worked, taught, exhibited and exchanged ideas, and where works were made within an unusually fertile community of artistic and social experimentation.

The works will be shared across Devon rather than held in one place. The Box and RAMM will develop displays, interpretation, talks and research with Dartington and other Devon partners, so that the collection stays rooted in the place and cultural history it came from.

Both museums will offer learning, skills development and volunteering opportunities connected to the collection, and a jointly planned symposium will bring together experts on Modern British Art and studio ceramics. The works will also be available online through RAMM’s Collections Explorer and Art UK, so audiences in Devon and around the world can see them.

The sale benefits the Dartington Hall Trust, supporting the ongoing preservation of the Dartington Estate and safeguarding the extraordinary cultural legacy of its visionary founders, Dorothy and Leonard Elmhirst, whose pioneering commitment to art, education and creativity helped shape British Modernism.

"These 22 works belong together"

Jenny Waldman, Director, Art Fund, said: "The Elmhirst Collection is an exceptional record of the artistic and cultural life of Dartington, and its influence on British Modernism. These 22 works belong together, and keeping them in public ownership in the South West will ensure that this important part of our cultural history can be shared with future generations. We’re delighted to provide the full funding needed for The Box and RAMM to acquire the collection for their public collections, and grateful to everyone who has worked at pace to make this possible."

Councillor Jemima Laing, Plymouth City Council's Cabinet Member for Culture, said: "This is a hugely exciting acquisition, not just for Plymouth and Devon, but for the nation.

“These artworks are part of an extraordinary story about creativity, innovation and social change that unfolded here in Devon and went on to influence people around the world. By securing this collection for public ownership, we have prevented an important piece of our shared cultural heritage from being lost.

“The collection includes works by some of the most celebrated artists of the 20th century and offers a fascinating insight into the vision of Dorothy and Leonard Elmhirst, whose commitment to the arts helped make Dartington one of the most influential cultural centres in Britain.

“I'm delighted that, through partnership working and the support of Art Fund, these nationally significant works will now remain accessible to everyone. They will inspire future generations, support learning and research, and help us tell important stories about Plymouth, Devon and Britain's artistic heritage."

Councillor Lucy Findlay MBE, Exeter City Council Lead for Culture and City Centre, said: "This is an exceptional collection that speaks directly to the cultural and artistic history of Devon. The Elmhirsts were visionary patrons whose support enabled artists, makers and thinkers to flourish, and these works reflect the rich creative networks that developed around Dartington.

"Securing the collection through a partnership with The Box Plymouth demonstrates what can be achieved when organisations work together to safeguard nationally important heritage. We look forward to sharing the collection with audiences and exploring the many opportunities it offers for exhibitions, learning, research and public engagement."

The partnership acquisition builds on a growing national trend of museums and galleries working together to secure important works of art for public benefit, ensuring collections remain accessible while sharing expertise, resources and audiences.

The artworks will now be cared for by The Box and RAMM and, over time, displayed through exhibitions and engagement programmes that explore Dartington's lasting impact on culture, creativity and society.

  • Olivia Thornton, Deputy Chairwoman and Head of Modern & Contemporary Art, Europe, Phillips, said: “We are absolutely delighted to have worked closely with these public institutions to secure the future of these remarkable works. Keeping the group together in public ownership is a wonderful outcome, honouring the vision of Dorothy and Leonard Elmhirst and ensuring that their legacy continues to inspire future generations. This private sale represents the best possible result for all involved: benefiting the Dartington Hall Trust, supporting the preservation of the Estate, and ensuring that the public can continue to enjoy this exceptional group of British Modernist works.”

Art Fund has stepped in to save 22 artworks from the Dartington Hall Collection for the nation, providing an exceptional grant to fund a joint acquisition by The Box, Plymouth, and the Royal Albert Memorial Museum & Art Gallery (RAMM), Exeter.

The collection of works by leading British Modernist artists has been acquired in its entirety through a private sale brokered by Phillips ahead of its Modern & Contemporary Art auctions during Frieze Week in London.

The collection comprises paintings, works on paper and ceramics by artists central to the history of 20th-century British art, including Bernard Leach (1887-1979), Ben Nicholson (1894-1982), Winifred Nicholson (1893-1981), Lucie Rie (1902-1995) and Christopher Wood (1901-1930).

Backed by contributions from individuals and trusts following an urgent fundraising campaign, Art Fund has provided a grant of £815,035 to fund 100% of the acquisition to ensure it will remain together for public display, allowing future generations to enjoy and engage with these important works.

A distinct history of a unique place

The works have previously been on public display together at Dartington Hall. They are closely associated with Dorothy and Leonard Elmhirst and with the cultural history of Dartington, Devon.

Dorothy and Leonard Elmhirst acquired Dartington in 1925 and developed the estate as an ambitious experiment in rural regeneration, progressive education and the arts. Dartington became a centre of cultural innovation, attracting artists, craftspeople, musicians, dancers, writers and thinkers from Britain, Europe, Asia and the United States.

The works in this collection together provide a distinct history of a unique place where artists lived, worked, taught, exhibited and exchanged ideas, and where works were made within an unusually fertile community of artistic and social experimentation.

The works will be shared across Devon rather than held in one place. The Box and RAMM will develop displays, interpretation, talks and research with Dartington and other Devon partners, so that the collection stays rooted in the place and cultural history it came from.

Both museums will offer learning, skills development and volunteering opportunities connected to the collection, and a jointly planned symposium will bring together experts on Modern British Art and studio ceramics. The works will also be available online through RAMM’s Collections Explorer and Art UK, so audiences in Devon and around the world can see them.

The sale benefits the Dartington Hall Trust, supporting the ongoing preservation of the Dartington Estate and safeguarding the extraordinary cultural legacy of its visionary founders, Dorothy and Leonard Elmhirst, whose pioneering commitment to art, education and creativity helped shape British Modernism.

"These 22 works belong together"

Jenny Waldman, Director, Art Fund, said: "The Elmhirst Collection is an exceptional record of the artistic and cultural life of Dartington, and its influence on British Modernism. These 22 works belong together, and keeping them in public ownership in the South West will ensure that this important part of our cultural history can be shared with future generations. We’re delighted to provide the full funding needed for The Box and RAMM to acquire the collection for their public collections, and grateful to everyone who has worked at pace to make this possible."

Councillor Jemima Laing, Plymouth City Council's Cabinet Member for Culture, said: "This is a hugely exciting acquisition, not just for Plymouth and Devon, but for the nation.

“These artworks are part of an extraordinary story about creativity, innovation and social change that unfolded here in Devon and went on to influence people around the world. By securing this collection for public ownership, we have prevented an important piece of our shared cultural heritage from being lost.

“The collection includes works by some of the most celebrated artists of the 20th century and offers a fascinating insight into the vision of Dorothy and Leonard Elmhirst, whose commitment to the arts helped make Dartington one of the most influential cultural centres in Britain.

“I'm delighted that, through partnership working and the support of Art Fund, these nationally significant works will now remain accessible to everyone. They will inspire future generations, support learning and research, and help us tell important stories about Plymouth, Devon and Britain's artistic heritage."

Councillor Lucy Findlay MBE, Exeter City Council Lead for Culture and City Centre, said: "This is an exceptional collection that speaks directly to the cultural and artistic history of Devon. The Elmhirsts were visionary patrons whose support enabled artists, makers and thinkers to flourish, and these works reflect the rich creative networks that developed around Dartington.

"Securing the collection through a partnership with The Box Plymouth demonstrates what can be achieved when organisations work together to safeguard nationally important heritage. We look forward to sharing the collection with audiences and exploring the many opportunities it offers for exhibitions, learning, research and public engagement."

The partnership acquisition builds on a growing national trend of museums and galleries working together to secure important works of art for public benefit, ensuring collections remain accessible while sharing expertise, resources and audiences.

The artworks will now be cared for by The Box and RAMM and, over time, displayed through exhibitions and engagement programmes that explore Dartington's lasting impact on culture, creativity and society.

  • Olivia Thornton, Deputy Chairwoman and Head of Modern & Contemporary Art, Europe, Phillips, said: “We are absolutely delighted to have worked closely with these public institutions to secure the future of these remarkable works. Keeping the group together in public ownership is a wonderful outcome, honouring the vision of Dorothy and Leonard Elmhirst and ensuring that their legacy continues to inspire future generations. This private sale represents the best possible result for all involved: benefiting the Dartington Hall Trust, supporting the preservation of the Estate, and ensuring that the public can continue to enjoy this exceptional group of British Modernist works.”

Art Fund has stepped in to save 22 artworks from the Dartington Hall Collection for the nation, providing an exceptional grant to fund a joint acquisition by The Box, Plymouth, and the Royal Albert Memorial Museum & Art Gallery (RAMM), Exeter.

The collection of works by leading British Modernist artists has been acquired in its entirety through a private sale brokered by Phillips ahead of its Modern & Contemporary Art auctions during Frieze Week in London.

The collection comprises paintings, works on paper and ceramics by artists central to the history of 20th-century British art, including Bernard Leach (1887-1979), Ben Nicholson (1894-1982), Winifred Nicholson (1893-1981), Lucie Rie (1902-1995) and Christopher Wood (1901-1930).

Backed by contributions from individuals and trusts following an urgent fundraising campaign, Art Fund has provided a grant of £815,035 to fund 100% of the acquisition to ensure it will remain together for public display, allowing future generations to enjoy and engage with these important works.

A distinct history of a unique place

The works have previously been on public display together at Dartington Hall. They are closely associated with Dorothy and Leonard Elmhirst and with the cultural history of Dartington, Devon.

Dorothy and Leonard Elmhirst acquired Dartington in 1925 and developed the estate as an ambitious experiment in rural regeneration, progressive education and the arts. Dartington became a centre of cultural innovation, attracting artists, craftspeople, musicians, dancers, writers and thinkers from Britain, Europe, Asia and the United States.

The works in this collection together provide a distinct history of a unique place where artists lived, worked, taught, exhibited and exchanged ideas, and where works were made within an unusually fertile community of artistic and social experimentation.

The works will be shared across Devon rather than held in one place. The Box and RAMM will develop displays, interpretation, talks and research with Dartington and other Devon partners, so that the collection stays rooted in the place and cultural history it came from.

Both museums will offer learning, skills development and volunteering opportunities connected to the collection, and a jointly planned symposium will bring together experts on Modern British Art and studio ceramics. The works will also be available online through RAMM’s Collections Explorer and Art UK, so audiences in Devon and around the world can see them.

The sale benefits the Dartington Hall Trust, supporting the ongoing preservation of the Dartington Estate and safeguarding the extraordinary cultural legacy of its visionary founders, Dorothy and Leonard Elmhirst, whose pioneering commitment to art, education and creativity helped shape British Modernism.

"These 22 works belong together"

Jenny Waldman, Director, Art Fund, said: "The Elmhirst Collection is an exceptional record of the artistic and cultural life of Dartington, and its influence on British Modernism. These 22 works belong together, and keeping them in public ownership in the South West will ensure that this important part of our cultural history can be shared with future generations. We’re delighted to provide the full funding needed for The Box and RAMM to acquire the collection for their public collections, and grateful to everyone who has worked at pace to make this possible."

Councillor Jemima Laing, Plymouth City Council's Cabinet Member for Culture, said: "This is a hugely exciting acquisition, not just for Plymouth and Devon, but for the nation.

“These artworks are part of an extraordinary story about creativity, innovation and social change that unfolded here in Devon and went on to influence people around the world. By securing this collection for public ownership, we have prevented an important piece of our shared cultural heritage from being lost.

“The collection includes works by some of the most celebrated artists of the 20th century and offers a fascinating insight into the vision of Dorothy and Leonard Elmhirst, whose commitment to the arts helped make Dartington one of the most influential cultural centres in Britain.

“I'm delighted that, through partnership working and the support of Art Fund, these nationally significant works will now remain accessible to everyone. They will inspire future generations, support learning and research, and help us tell important stories about Plymouth, Devon and Britain's artistic heritage."

Councillor Lucy Findlay MBE, Exeter City Council Lead for Culture and City Centre, said: "This is an exceptional collection that speaks directly to the cultural and artistic history of Devon. The Elmhirsts were visionary patrons whose support enabled artists, makers and thinkers to flourish, and these works reflect the rich creative networks that developed around Dartington.

"Securing the collection through a partnership with The Box Plymouth demonstrates what can be achieved when organisations work together to safeguard nationally important heritage. We look forward to sharing the collection with audiences and exploring the many opportunities it offers for exhibitions, learning, research and public engagement."

The partnership acquisition builds on a growing national trend of museums and galleries working together to secure important works of art for public benefit, ensuring collections remain accessible while sharing expertise, resources and audiences.

The artworks will now be cared for by The Box and RAMM and, over time, displayed through exhibitions and engagement programmes that explore Dartington's lasting impact on culture, creativity and society.

  • Olivia Thornton, Deputy Chairwoman and Head of Modern & Contemporary Art, Europe, Phillips, said: “We are absolutely delighted to have worked closely with these public institutions to secure the future of these remarkable works. Keeping the group together in public ownership is a wonderful outcome, honouring the vision of Dorothy and Leonard Elmhirst and ensuring that their legacy continues to inspire future generations. This private sale represents the best possible result for all involved: benefiting the Dartington Hall Trust, supporting the preservation of the Estate, and ensuring that the public can continue to enjoy this exceptional group of British Modernist works.

Full List of Works
: 

Ben Nicholson (1894–1982), Cumbrian Cottages, c.1928, oil on canvas, 54.5 × 59.5 cm
Winifred Nicholson (1893–1981), A Nursery Bunch, c.1927, oil on board, 37.5 × 38.8 cm
Winifred Nicholson (1893–1981), Flowers from Malmaison, c.1930, oil on canvas, 50 × 40 cm
Christopher Wood (1901–1930), Breton Fisherwoman, 1930, oil on board, 36 × 71 cm
Christopher Wood (1901–1930), Fish in a Basket, 1930, oil on board, 38.5 × 49.5 cm
Jean Cocteau (1889–1963), Portrait of Christopher Wood, 1925, pencil on paper, 40.5 × 27.5 cm
Cecil Collins (1908–1989), Dartington Landscape with the artist, 1938, oil and sand on canvas, 45 × 61 cm
Cecil Collins (1908–1989), Sleeping Figure, 1942, pen, ink and wash on paper, 38.5 × 26 cm
David Jones (1895–1974), In the park, c.1930s, pencil and watercolour on paper, 48.5 × 61 cm
Frances Hodgkins (1869–1947), Church at San Jose, 1933, watercolour on paper, 36.2 × 47 cm
John Piper (1903–1992), Dartington Hall, c.1944, pen, ink and watercolour on paper, 39.5 × 54.3 cm
Edward Bawden (1903–1989), Dartington Hall, The Old Church II, c.1970s, pen, ink and watercolour on paper, 49.5 × 64 cm
Oskar Kokoschka (1886–1980), Spiritual Portrait of Kay Starr, 1945, coloured pencil on paper, 37.2 × 27 cm
Mark Tobey (1890–1976), Multiple Mansions, 1957, gouache on paper, 42 × 34 cm
Mark Tobey (1890–1976), Composition, 1958, gouache on paper, 23 × 20.5 cm
Mark Tobey (1890–1976), Footballers, 1929, watercolour on paper, 45.9 × 59 cm
Lucie Rie (1902–1995), Stoneware bowl, c.1962, stoneware with manganese speckle glaze, 15 × 33.5 × 15 cm
Bernard Leach (1887–1979), Faceted vase, c.1960s, stoneware with iron glaze, 31 cm high
Shoji Hamada (1894–1978), Flattened vase, c.1950s, stoneware with iron and wood ash glazes and resist motifs, 19 cm high
William Staite Murray (1881–1962), Vase, c.1930, stoneware with glaze, 27 cm high
Katharine Pleydell-Bouverie (1895–1985), Vase, c.1940s, stoneware with wood ash glazes, 12 cm high
Norah Braden (1895–1985), Bowl, c.1932, stoneware with wood ash glaze and brushed designs, 12.5 cm high