Caravaggio | Revolution: Baroque Masterpieces from the Roberto Longhi Foundation

Mint Museum

Through October 25, 2026

Caravaggio’s Boy Bitten by a Lizard is a rare treasure as fewer than 60 works in total are attributed to Caravaggio who died at the young age of 38. Surrounding Boy Bitten by a Lizard are paintings created by other leading Baroque masters who painted in the style of Caravaggio, including Matthias Stomer, Valentin d Boulogne, and Jusepe de Ribera.

Featuring one original masterpiece by Caravaggio and more than 40 works by Baroque masters, the exhibition shines a light on how Caravaggio's radical realism transformed not only painting, but the very language of modern film, photography, and popular culture.

All paintings on view are on loan from the Roberto Longhi Foundation located in Florence, Italy. Together, these works illuminate the extraordinary impact of Caravaggio’s use of shadow and light, realism, and dramatic intensity on an entire generation painters.

Caravaggio’s revolutionary use of light and shadow, known as “chiaroscuro,” paired with his unflinching depiction of the non-idealized masses shattered the polished conventions of 17th-century art. His emotionally charged realism shocked his contemporaries and ignited a movement that swept across Europe.

 Michelangelo Merisi, known as Caravaggio (Italian, 1571–1610). Boy bitten by a lizard, circa 1597, oil on canvas. Florence, Fondazione di Studi di Storia dell’Arte Roberto Longhi.

Matthias Stom or Stomer (Dutch, possibly Flemish, 1600–50). Annunciation of Samson’s birth, circa 1630–32, oil on canvas. Florence, Fondazione di Studi di Storia dell’Arte Roberto Longhi.

Jusepe de Ribera (Spanish, 1591–1652). St. Thomas, circa 1612, oil on canvas. Florence, Fondazione di Studi di Storia dell’Arte Roberto Longhi.

Valentin de Boulogne, known as Le Valentin (French, 1591–1632). Denial of St. Peter, 1615–17, oil on canvas. Florence, Fondazione di Studi di Storia dell’Arte Roberto Longhi.

Roy Lichtenstein: Like New

Whitney Museum of American Art

Opening October 11, 2026

The Whitney Museum of American Art presents Roy Lichtenstein: Like New, opening October 11, 2026. This exhibition brings together over 130 works made from the early 1940s through the 1990s and offers a bold reconsideration of one of the defining artists of the Pop art movement and the twentieth century. Tracing Lichtenstein’s career-long investigation into duplication, perception, simulation, authorship, and image culture, Like New reveals an artist who understood that images are never fixed but instead continually copied, enlarged, circulated, and made new. 

Roy Lichtenstein changed the way we see images. Turning the visual language of mass-culture comics, advertising, consumer goods, and commercial printing into fine art, Lichtenstein produced works that looked cool, crisp, and machine-made but were meticulously handmade. 

Roy Lichtenstein: Like New looks beyond the artist’s iconic surfaces to trace how his early interest in perception and visual recognition shaped a career-long inquiry into the power and stability of images. Across painting, drawing, collage, prints, sculpture, and film, the exhibition presents Lichtenstein’s images as unstable forms that could be borrowed, translated, reframed, and transformed. 

The exhibition features many of Lichtenstein’s most celebrated works, including Look Mickey (1961), Girl with Ball (1961), Masterpiece (1962), Drowning Girl (1963), Happy Tears (1964), Little Big Painting (1965), Rouen Cathedral, Set III (1968–69), and Artist’s Studio “The Dance” (1974). 

Among its highlights, Like New reunites for the first time all eight works from Lichtenstein’s landmark 1962 Pop debut at Leo Castelli Gallery. The exhibition reconstructs the intimate gallery setting, allowing visitors to experience the works together as audiences did at a pivotal moment in American art history. 

The exhibition also includes the recreation of three murals, including a nearly 96-foot-long iteration of Greene Street Mural (1983) and an outdoor presentation of Girl in Window (1964) realized by artist and co-curator Alex Da Corte. 

The impact of Lichtenstein’s work extended far beyond Pop, shaping generations of artists, including Louise Lawler, Richard Pettibone, and Sturtevant, whose work will also be on view to further illustrate Lichtenstein’s relationship to copying, influence, appropriation, and the afterlife of images. 

In an era when pictures are endlessly cropped, filtered, reposted, and recirculated, Lichtenstein’s work feels newly urgent. Like New looks beyond the artist’s iconic surfaces to reveal the power and instability of images and celebrate an artist who understood, long before the digital age, that images change as they move through the world. 

Roy Lichtenstein: Like New is organized by Meg Onli, Nancy and Fred Poses Curator, and Alex Da Corte, Guest Curator, with Nakai Falcón, Curatorial Assistant, and David Crane, Curatorial Research Associate

 IMAGES

Roy Lichtenstein, Still Life with Crystal Bowl, 1972. Oil and acrylic on canvas, 52 × 42 in. (132.1 × 106.7 cm). Whitney Museum of American Art, New York; purchase with funds from Frances and Sydney Lewis 77.64. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Girl in Window (Study for World's Fair Mural), 1963. Oil and acrylic on canvas, 68 1/8 × 56 in. (173 × 142.2 cm). Whitney Museum of American Art, New York; gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President 2002.254. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Crying Girl, 1963. Offset lithograph: sheet, 17 3/4 × 23 3/4 in. (45.1 × 60.3 cm); image, 17 1/4 × 23 1/8 in. (43.8 × 58.7 cm). Whitney Museum of American Art, New York; gift of Scott Newman 2021.135. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Compositions I, 1964. Oil, magna and pencil on canvas, 8 1/8 × 56 1/4 in. (173 × 142.8 cm). Museum für Moderne Kunst. © Estate of Roy Lichtenstein/DACS 2026. Photograph by Axel Schneider

Roy Lichtenstein, Foot Medication, 1962. Graphite on paper, 22 1/2 × 22 3/8 in. (56.2 × 56.8 cm). The Menil Collection, Bequest of David Whitney. © Estate of Roy Lichtenstein/DACS 2026. Photograph by Paul Hester

Roy Lichtenstein, Varoom!, 1963. Acrylic and graphite pencil on canvas, 56 × 56 in. (142.2 × 142.2 cm). Powers Art Center, Ryobi Foundation, Carbondale, Colo. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Turkey, 1961. Oil, graphite pencil on canvas, 26 × 30 in. (66 × 76.2 cm). Roy Lichtenstein Estate. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Blam, 1962 . Oil on canvas, 68 × 80 in. (172.7 × 203.2 cm) . Yale University Art Gallery. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Study for Brushstroke with Spatter, 1966. Oil on canvas, 49 7/8 × 61 7/8 × 1 3/4 in. (126.7 × 157.2 × 4.4 cm). Detroit Institute of Arts, Founders Society Purchase, Friends of Modern Art Fund, 66.119. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Femme au chapeau, 1962. Acrylic, oil, and graphite pencil on canvas, 68 × 56 in. (172.7 × 142.2 cm). Private collection. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Mirror # 1, 1969. Acrylic, oil, graphite pencil on canvas, 61 1/4 × 48 1/4 in. (155.6 × 122.6 cm). The Eli and Edythe L. Broad Collection (The Broad). © Estate of Roy Lichtenstein/DACS 2026 

Roy Lichtenstein, Greene Street Mural (Study), 1983. Collage, fiber-tipped pen, graphite pencil, brush and ink on board, sheet (sight): 9 × 42 1/4 in. (22.9 × 107.3 cm). Whitney Museum of American Art, New York; gift of the Roy Lichtenstein Foundation 2019.65. © Roy Lichtenstein Foundation/DACS 2026

Roy Lichtenstein, Little Big Painting, 1965. Oil and acrylic on canvas, 68 × 80 in. (172.7 × 203.2 cm). Whitney Museum of American Art, New York; purchase with funds from the Friends of the Whitney Museum of American Art 66.2. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Brushstroke, 1965. Offset lithograph, 25 1/16 x 29 3/4 in. (63.7 x 75.6 cm). Whitney Museum of American Art, New York; gift of the Roy Lichtenstein Foundation 2019.98. . © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Two Paintings: Sleeping Muse, 1984. Woodcut, lithograph, screenprint, and collage on paper, 37 7/8 × 48 13/16in. (96.2 × 124 cm). Whitney Museum of American Art, New York; gift of the Roy Lichtenstein Foundation 2019.164. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Mirror #10, 1970. Oil and magna on canvas, 24 in. (61 cm) in diameter. The Museum of Modern Art, New York. Gift of UBS. © Estate of Roy Lichtenstein/DACS 2026 © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY 

Roy Lichtenstein, Artist’s Studio “Foot Medication”, 1974. Oil and Magna on canvas, 96 × 128 in. (243.8 × 325.1 cm.). Art Institute of Chicago; Gift of Edlis Neeson Collection. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Still Life with Goldfish, 1972. Acrylic, oil, graphite pencil on canvas, 52 × 42 in. (132.1 × 106.7 cm). Kip Kirkpatrick (through Heller Group). © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Happy Tears, 1964. Magna on canvas, 38 x 38 in. (96.5 x 96.5 cm). Private Collection. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, The Kiss, 1961. Oil, graphite pencil on canvas, 80 × 68 in. (203.2 × 172.7 cm). Private collection. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Artist's Studio "Look Mickey", 1973. Acrylic, sand, oil, graphite pencil on canvas, 96 1/8 × 128 1/8 × 1 1/2in. (244.2 × 325.4 cm). Walker Art Center, Gift of Judy and Kenneth Dayton and the T. B. Walker Foundation, 1981. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Laughing Cat, 1961. Oil, graphite pencil on canvas, 31 7/16 in. (79.8 cm) (diameter). Private collection. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Two Paintings: Radiator and Folded Sheets, 1983. Acrylic, oil, graphite pencil on canvas, 70 × 64 in. (177.8 × 162.6 cm). The Eli and Edythe L. Broad Collection (The Broad), Los Angeles. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Artist's Studio "Look Mickey", 1973. Acrylic, sand, oil, graphite pencil on canvas, 96 1/8 × 128 1/8 × 1 1/2in. (244.2 × 325.4 cm). Walker Art Center, Gift of Judy and Kenneth Dayton and the T. B. Walker Foundation, 1981. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Castelli Handshake Poster, 1962. Offset lithograph, 21 7/8 x 17 in. (55.6 x 43.2 cm). Frances Mulhall Achilles Library and Archives, Whitney Museum of American Art, New York; gift of the Roy Lichtenstein Foundation SC.2019.41 © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Temple, 1964. Offset lithograph, 23 3/4 x 17 3/4 in. (60.3 x 45.1 cm). Whitney Museum of American Art, New York; The Roy Lichtenstein Study Collection, gift of the Roy Lichtenstein Foundation 2019.95. © Estate of Roy Lichtenstein/DACS 2026 

Roy Lichtenstein, Washing Machine, 1961. Oil on canvas , 55 3/4 × 68 in. (141.6 × 172.7 cm). Yale University Art Gallery. © The Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Girl with Ball, 1961. Oil on canvas, 60 1/4 x 36 1/4 in. (153 x 91.9 cm). The Museum of Modern Art, New York. Gift of Philip Johnson. © Estate of Roy Lichtenstein/DACS 2026 © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Roy Lichtenstein, Drowning Girl, 1963. Oil and acrylic on canvas, 67 5/8 × 66 3/4 in. (171.6 × 169.5 cm). The Museum of Modern Art, New York. Philip Johnson Fund (by exchange) and gift of Mr. and Mrs. Bagley Wright. © Estate of Roy Lichtenstein/DACS 2026. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Roy Lichtenstein, Artist's Studio "The Dance", 1974. Acrylic, oil, graphite pencil on canvas, 98 1/8 × 128 3/4in. (249.2 × 327 cm). The Museum of Modern Art, New York. Gift of Mr. and Mrs. S. I. Newhouse, Jr. © Estate of Roy Lichtenstein/DACS 2026 © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Roy Lichtenstein, The Engagement Ring, 1961. Oil, graphite pencil on canvas, 67 3/4 × 79 1/2 in. (172.1 × 201.9 cm). Collection of Ronnie F. Heyman. © Estate of Roy Lichtenstein/DACS 2026 

Roy Lichtenstein, Ohhh... Alright..., 1964. Acrylic, oil, and graphite pencil on canvas, 36 5/8 × 37 1/2 in. (93 × 95.3 cm). Kenneth C. Griffin Collection. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Rouen Cathedral, Set III, 1968-69. Acrylic, oil, graphite pencil on canvas (five panels), Left panel: 62 7/8 × 42 in. (159.7 × 106.7 cm); Left middle panel: 63 × 42 in. (160 × 106.7 cm); Middle panel: 62 15/16 × 42 in. (159.9 × 106.7 cm); Right middle panel: 62 15/16 × 42 in. (159.9 × 106.7 cm); Right panel: 62 15/16 × 42 in. (159.9 × 106.7 cm). The Eli and Edythe L. Broad Collection (The Broad). © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Modern Painting Triptych, 1967. Acrylic, oil, and graphite pencil on canvas (three joined panels), 36 1/8 × 107 7/8 in. (91.8 × 274 cm). Collection Neil G. Bluhm. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein: 1997

The Whitney Museum of American Art’s current exhibition 

Roy Lichtenstein: 1997 examines the final year of the artist’s life and work. 

Already an established painter and Pop artist, Roy Lichtenstein (1923–1997) continued to develop his studio practice at age 73, pursuing ambitious projects, including two mural commissions, several large-scale sculptures, and a new series of prints. 

The exhibition highlights a period of sustained innovation for Lichtenstein as he expanded his visual vocabulary while continuing to engage with many of the themes and image references that shaped his career. Bringing together studies, prints, models, and other ephemera, many from the Whitney’s collection, Roy Lichtenstein: 1997 offers a focused look at his experimentation and ongoing interest in new technologies and their effects on image making. 

On view on the Museum’s 3rd floor through June 1, 2027, this exhibition is presented in conjunction with Roy Lichtenstein: Like New, a major exhibition opening at the Whitney on October 11. 

In 1997, Lichtenstein remained as innovative and productive as ever, working on a variety of adventurous projects decades after he helped introduce broader audiences to Pop art through his celebrated paintings inspired by comics and American consumer culture. Throughout his career, Lichtenstein’s palette consisted mainly of primary colors and his signature bold black outlines. In his later years, however, he began to incorporate vibrant highlights of mint green and turquoise, coral and cyan, and moved away from using heavy outlines that characterized his earlier work, resulting in images that responded to the aesthetics of the emerging digital age. Even as he pursued new directions, Lichtenstein continued to reuse images and motifs from his own work, such as pyramids and brushstrokes, as well as referencing iconic works by artists like Leonardo da Vinci and Henri Matisse, as he had done throughout his career. 

“Though still recognizably his own, these works attest to Lichtenstein’s remarkable openness even five decades into his career—open not only to developments in art and technology, but to new techniques and approaches in his own working process,” said co-organizer David Crane, Curatorial Research Associate at the Whitney Museum. 

“Because many of the works on view remain unrealized or unfinished, they provide a rare glimpse into the artist's hand at work.” “As a way to build off conversations prompted by the 5th floor’s Roy Lichtenstein: Like New exhibition, David and I were drawn to several of the permanent collection’s unfinished prototypes and studies from 1997,” said co-organizer Nakai Falcón, Curatorial Assistant at the Whitney. “Engaging with the late-90s dawn of the internet, Lichtenstein’s final experimental gestures serve as a visionary bridge between the constraints of physical reality and a transcendent future.” 

In September 1997, Lichtenstein died unexpectedly after falling ill the month prior, leaving a number of works unfinished. Several works were fabricated or completed posthumously, with others surviving only as sketches and maquettes. 

Among the works on view is Chapel of the Eucharist Mural (Study), 1997, a study related to a mural for the Padre Pio Pilgrimage Church in San Giovanni Rotondo, Italy. Renzo Piano, the architect responsible for the Whitney Museum’s current building in downtown Manhattan, was commissioned to design the church and invited Lichtenstein to contribute a mural to the site. 

Other projects include studies for a proposal from the Bellagio Hotel in Las Vegas, Nevada, to create a pair of murals for the building’s lobby. With Bellagio Hotel Mural: Still Life with Reclining Nude (Study), 1997, Lichtenstein explores the use of color outlines and experiments with the flattening of perspectives in interior spaces. Seen together, the featured works reveal the developments in Lichtenstein’s practice and approaches at the end of his career, while illuminating the breadth of work underway during his final months. 

Roy Lichtenstein: 1997 is organized by David Crane, Curatorial Research Associate, and Nakai Falcón, Curatorial Assistant.

Roy Lichtenstein, Brushstroke Still Life with Lamp, 1997. Screenprint and acrylic on coated metal and frame, 54 1/8 × 72 5/8 × 1 9/16 in. (137.5 × 184.5 × 4 cm). Whitney Museum of American Art, New York; The Roy Lichtenstein Study Collection, gift of the Roy Lichtenstein Foundation 2019.217a-b. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Untitled [pyramid], c. 1970. Dye diffusion transfer print (Polaroid), 3 3/8 × 4 3/16 in. (8.5 × 10.7cm). Whitney Museum of American Art, New York; The Roy Lichtenstein Study Collection, gift of the Roy Lichtenstein Foundation 2019.234.12. © Estate of Roy Lichtenstein/DACS 2026 

Roy Lichtenstein, Virtual Interior with Book, 1996, from American Academy of Arts and Letters: Centennial Portfolio. Screenprint: sheet, 23 15/16 × 18 in. (60.8 × 45.7 cm); image, 20 3/16 × 13 15/16 in. (51.3 × 35.4 cm). Whitney Museum of American Art, New York; The Roy Lichtenstein Study Collection, gift of the Roy Lichtenstein Foundation 2019.209. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Bellagio Hotel Mural: Still Life with Reclining Nude (Study), 1997. Collage and graphite pencil on board: sheet, 38 5/8 × 54 5/16 in. (98.1 × 138 cm); image, 36 1/2 × 52 3/16 in. (92.7 × 132.6 cm). Whitney Museum of American Art, New York; The Roy Lichtenstein Study Collection, gift of the Roy Lichtenstein Foundation 2019.79. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Untitled [pyramid], c. 1970. Dye diffusion transfer print (Polaroid), 3 3/8 × 4 3/16 in. (8.5 × 10.7cm). Whitney Museum of American Art, New York; The Roy Lichtenstein Study Collection, gift of the Roy Lichtenstein Foundation 2019.234.15. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Pyramid (Maquette), c. 1996. Collaged paper and tape on foamcore, 17 1/16 × 28 3/4 × 5 in. (43.3 × 73 × 12.7 cm). Whitney Museum of American Art, New York; The Roy Lichtenstein Study Collection, gift of the Roy Lichtenstein Foundation 2019.228. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Reclining Nude I, Aurora (Study), 1997. Graphite and marker on polyester tracing film, 23 1/4 × 20 3/8 in. (59.1 × 51.8 cm). Whitney Museum of American Art, New York; The Roy Lichtenstein Study Collection, gift of the Roy Lichtenstein Foundation 2019.275. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Interior with Chair, 1997, from the portfolio Leo Castelli 90th Birthday Portfolio. Screenprint: sheet, 37 × 27 in. (94 × 68.6 cm); image, 27 1/16 × 20 9/16 in. (68.7 × 52.2 cm). Edition 53/90. Whitney Museum of American Art, New York; gift of Jean-Christophe Castelli and tribute from the artists in honor of Leo Castelli 99.63.4. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Wall Pyramid (Model), c. 1996. Collaged paper and tape on board, 13 1/2 × 19 5/8 × 6 1/2 in. (34.3 × 49.8 × 16.5 cm). Whitney Museum of American Art, New York; The Roy Lichtenstein Study Collection, gift of the Roy Lichtenstein Foundation 2019.233. © Estate of Roy Lichtenstein/DACS 2026

Roy Lichtenstein, Bellagio Hotel Mural: Interior with Painting of Reclining Nude (Study), 1997. Collage and graphite pencil on board: sheet, 36 × 51 3/4 in. (91.4 × 131.4 cm); mount, 38 × 52 7/8 in. (96.5 × 134.3 cm). Whitney Museum of American Art, New York; The Roy Lichtenstein Study Collection, gift of the Roy Lichtenstein Foundation 2019.78. © Estate of Roy Lichtenstein/DACS 2026

Christie's Prints & Multiples

 Left to right: Roy Lichtenstein, Two Nudes, from: Nude Series (1994, estimate: £150,000-200,000), 

and Andy Warhol, Mickey Mouse, from Myths, (1981, estimate: £150,000-200,000) 

Christie's is pleased to present Prints & Multiples, an online sale and exhibition in London this September Prints season, celebrating editions from established artists and emerging talents from the early 20th century to the present day.

Roy Lichtenstein's seminal Two Nudes from the artist's Nude Series, his final major body of work, is one of the lead highlights of the season. Numbered 18 in an exclusive print run of 40, the work is estimated to reach £150,000-200,000. Andy Warhol's monumental, glittering Mickey Mouse, from Myths (1981, estimate: £150,000-200,000) is a further highlight of the sale. Covered with diamond dust, Mickey Mouse is one of Warhol's most iconic images. From the edition of 200, this work evokes Warhol's characteristic playfulness and is a favourite from the Myths series.

Other rare works include Banksy's iconic Flower Thrower Triptych (Grey) from 2019 (estimate: £100,000-150,000), coming to auction as one of only a few examples issued from the studio in the original artist frames; Pablo Picasso's intimate, early edition linocut in colours, Portrait de Jacqueline accoudée (1959, estimate: £100,000-150,000); and David Hockney's vibrant Untitled No. 346, from A Bigger Book Art Edition B (2010/16, estimate: £20,000-30,000) from the artists monumental compendium of iPad prints. Further highlights include three examples of the late Yayoi Kusama's ever popular Pumpkins, in examples of Red, Yellow and Green (estimate: £20,000-30,000 each).

• Lot 6

  ANDY WARHOL (1928-1987)

  Marilyn Monroe (Marilyn): one print

  
  EstimateGBP 100,000 - 150,000
  Starting bidGBP 100,000
  Closing: 6 days
  
  

• 
  
  Lot 13

  PABLO PICASSO (1881-1973)

  Portrait de Jacqueline accoudée

  
  EstimateGBP 100,000 - 150,000
  Starting bidGBP 90,000
  Closing: 6 days
  
  
• 
  
• 
  
  Lot 17

  ANDY WARHOL (1928-1987)

  Mickey Mouse, from: Myths

  EstimateGBP 150,000 - 200,000
  Starting bidGBP 140,000
  Closing: 6 days
  
  

• 
  
  Lot 18

  BANKSY

  Flower Thrower Triptych (Grey) (in the Artist's Frames)

  
  EstimateGBP 100,000 - 150,000
  Starting bidGBP 90,000
  Closing: 6 days
  
  
• 
  
  Lot 31

  ANDY WARHOL (1928-1987)

  Queen Elizabeth II, from: Reigning Queens

  
  EstimateGBP 120,000 - 180,000
  Starting bidGBP 120,000
  Closing: 6 days
  
  
• 
  
  Lot 35

  ROY LICHTENSTEIN (1923-1997)

  Two Nudes, from: Nude Series

  
  EstimateGBP 150,000 - 200,000
  Starting bidGBP 140,000
  Closing: 6 days