Signac Une vie au fil de l’eau

 

Paul Signac (1863-1935)
Saint-Briac, Les balises, opus 210, 1890
Huile sur toile - 65 x 81 cm
Collection particulière
Photo : Maurice Aeschimann

Paul Signac (1863-1935)
Port de Saint-Tropez, étude de reflets, 1894
Aquarelle, plume et encre de Chine - 10,2 x 17 cm
Collection particulière
Photo : Maurice Aeschimann

Paul Signac (1863-1935)
Saint-Tropez, le sentier côtier, vers 1894
Aquarelle, plume et encre de Chine - 19,7 x 27,5 cm
Collection particulière
Photo : Maurice Aeschimann

The Fondation de l'Hermitage will be showing a prestigious collection of works by Paul Signac (1863-1935) through 22 May 2016. Almost140 oil paintings, watercolours and drawings will illustrate the prolific career of this neo-Impressionist master.

Paul Signac (1863-1935) 
 L’arc-en-ciel (Venise), 1905
huile sur toile, 73 x 92 cm
collection privée
© photo Maurice Aeschimann

Paul Signac
La Baie (Saint-Tropez), vers 1908
aquarelle et encre de Chine, 20,8 x 25,7 cm
collection privée
© photo Maurice Aeschimann

 

This unique collection was assembled by a family with a passion for Signac’s art and constitutes one of the largest set of his works to be held in private hands. It offers a complete panorama of Signac’s artistic development, from his early Impressionist paintings through the heroic years of neo-Impressionism, the dazzle of Saint Tropez and flamboyant portrayals of Venice, Rotterdam and Constantinople to the late watercolours of the Ports of France series. 

Paul Signac
Juan-les-Pins. Soir, 1914
huile sur toile, 73 x 92 cm
collection privée
© photo Maurice Aeschimann

The collection is also exceptional for the diversity of techniques on display, juxtaposing the Impressionist ardour of the studies from nature with the limpid polychromy of the pointillist paintings and the bold Japonism of the watercolours with the freedom of the plein air works. 

Paul Signac
Sallanches, vers 1920
aquarelle, 26,5 x 41,2 cm
collection privée
© photo Maurice Aeschimann


Meanwhile the great preparatory washes with drawings in Indian ink reveal the secrets of serene compositions that were long pondered in the studio. So as well as an introduction to Signac’s chromatic harmonies, this exhibition will also be a true voyage of discovery. Visitors will be invited on a tour arranged by chronology and theme, enabling them to discover the many facets of a man of conviction, fascinated by the sea and boats, and to experience the chromatic harmonies of this painter whose first love was colour.




Paul Signac (1863-1935)
Croix-de-Vie, 1929
Aquarelle- 20,3 x 28,6 cm
Collection particulière
Photo : Maurice Aeschimann

An extensive documentary section will provide an introduction to the colour theories of the neo-Impressionists, including a room showing paintings by the movement’s main exponents (Pissarro, Luce, Van Rysselberghe, Cross). 

The exhibition is curated by Marina Ferretti, Scientific Director at the Musée des impressionnismes, Giverny and co-custodian of the Signac Archives. It is being mounted in partnership with the Museo d’Arte della Svizzera italiana,Lugano, where it will be on view from September 2016 to January 2017.

The exhibition is accompanied by a richly illustrated catalogue, co-published with Skira.


More images here