The Beautiful and Damned: Radical Art of the Great War
This November, as
the world pauses to remember the events of the First World War on the
centenary of the Armistice of 11 November 1918 that drew it to its
close, Sotheby’s will bring together a group of works that illustrates
the tremendous and varied impact of the War on the artistic production
of those whose lives it transformed.
Incorporated into the Impressionist & Modern Art Evening Sale in New York on 12 November, the offering will assemble works that capture the period from immediately prior to the outbreak of the war through to its aftermath, together telling the artistic history of that momentous period. Highlighting this group are important works by Marsden Hartley, Ludwig Meidner and Franz Marc.
The works will be presented under the moniker ‘The Beautiful and Damned,’ in reference to the 1922 novel by F. Scott Fitzgerald – the title of which alone captures the vicissitudes of the time.
A true masterpiece of Modern art and the finest example of the
artist’s renowned Berlin Pictures remaining in private hands, Marsden
Hartley’s triumphant Pre-War Pageant represents one of the first
examples of an American artist working in a purely abstract idiom.
Radically melding diverse influences including Cubism, German
Expressionism, Native American Art and Mysticism, the groundbreaking
work captures the tenor of Berlin and Hartley’s emotional response to
the city that he loved.
Ludwig Meidner’s dual-sided painting Apokalyptische Landschaft (Apocalyptic Landscape),
estimated to sell for $12–18 million, was executed in 1912 near the
brink of the Great War. The arresting and cataclysmic urban scene
reflects the social, political, emotional and artistic upheaval in
Germany at the time. In stark contrast, the verso depicts a delightful
and assured portrait, Junger Mann mit Strohhut, featuring an
unidentified young man reading in a smart blue blazer and jaunty straw
hat, enveloped in the joy of life afforded during the pre-war Edwardian
era.
With its spectacularly rhythmic composition, comprised of dazzling, overlapping angular areas of color, Kühe explores
the central subject of Franz Marc’s oeuvre – the animal world. Executed
in 1912, at a crucial moment in his career, immediately following the
formation of Der Blaue Reiter – the artistic movement that Marc
co-founded with Wassily Kandinsky in 1911 – the semi-abstracted
treatment of the figures, coupled with the richly contrasting colors of
bold blue and vermillion that reject the naturalistic use of color,
epitomizes the profound contributions of Marc’s oeuvre to the emerging
modernist aesthetic at the turn of the twentieth century.
The Beautiful and Damned works will be incorporated into the Impressionist & Modern Art sale on 12 November.
Incorporated into the Impressionist & Modern Art Evening Sale in New York on 12 November, the offering will assemble works that capture the period from immediately prior to the outbreak of the war through to its aftermath, together telling the artistic history of that momentous period. Highlighting this group are important works by Marsden Hartley, Ludwig Meidner and Franz Marc.
The works will be presented under the moniker ‘The Beautiful and Damned,’ in reference to the 1922 novel by F. Scott Fitzgerald – the title of which alone captures the vicissitudes of the time.
The Beautiful and Damned works will be incorporated into the Impressionist & Modern Art sale on 12 November.