Tuesday, February 12, 2019

Phyllis Mills Wyeth: A Celebration


Jamie Wyeth, Connemara, 1987, Oil on canvas, The Phyllis and Jamie Wyeth Collection
Jamie Wyeth, Connemara, 1987, Oil on canvas, The Phyllis and Jamie Wyeth Collection


Now on view at the Brandywine River Museum of Art, in Chadds Ford, Penn., a memorial exhibition celebrating the life of Phyllis Mills Wyeth (November 13, 1940–January 14, 2019) features a selection of portraits created by her husband, artist Jamie Wyeth. From the late 1960s onward, Phyllis Wyeth served as a muse to her spouse and these intimate works capture moments from her life across the decades of their marriage.

On view through May 5, 2019, Phyllis Mills Wyeth: A Celebration includes works in a variety of media by Jamie Wyeth that reflect Phyllis’ vibrant spirit and love of nature, horses, and her ever-present dogs.



Phyllis Mills Wyeth: A Celebration features 28 paintings and drawings, ranging from the Jamie Wyeth’s first portrait of her (Phyllis Mills, 1967)—depicted outdoors and covered in fallen leaves—to more recent work, such as the lushly painted Overslept (2018). Jamie Wyeth captured the many facets of his wife’s remarkable life, including several works that attest to her accomplishments in carriage driving, such as Into the Gorge (1975) and Connemara (1984), and to her success as a Thoroughbred horse breeder and owner, most notably in Winner’s Circle, Belmont Stakes (2012), celebrating the win of her champion horse Union Rags at that illustrious race in 2012.

Paintings such as

Jamie Wyeth, Catching Pollen, 2012, Enamel, oil, and gesso on canvas, 60 x 40 in., The Phyllis and Jamie Wyeth Collection

Jamie Wyeth, Catching Pollen, 2012, Enamel, oil, and gesso on canvas, 60 x 40 in., The Phyllis and Jamie Wyeth Collection

Catching Pollen (2012),  

Jamie Wyeth, Stealing Holly from the Irénées, 2016, Acrylic, gesso, and oil on panel, The Phyllis and Jamie Wyeth Collection
 Jamie Wyeth, Stealing Holly from the Irénées, 2016, Acrylic, gesso, and oil on panel, The Phyllis and Jamie Wyeth Collection

Stealing Holly from the Irénées (2016),

 

Jamie Wyeth,1994 painting of his wife, "Southern Light." (© Jamie Wyeth. Courtesy, Museum of Fine Arts, Boston)

and Southern Light (1994), attest to Phyllis Wyeth’s love of nature and the distinctive landscapes surrounding her at home near Chadds Ford and in Maine.


Jamie Wyeth, Portrait of Phyllis Mills, 1967, Oil on canvas, 20 x 24 in. The Phyllis and Jamie Wyeth Collection
Jamie Wyeth, Portrait of Phyllis Mills, 1967, Oil on canvas, 20 x 24 in. The Phyllis and Jamie Wyeth Collection
Jamie Wyeth, Whale, 1978, Oil on canvas, 36 x 46 in. The Phyllis and Jamie Wyeth Collection
Jamie Wyeth, Whale, 1978, Oil on canvas, 36 x 46 in. The Phyllis and Jamie Wyeth Collection
Jamie Wyeth, Overslept, 2018, Acrylic and oil on Innerglo Company wood panel, The Phyllis and Jamie Wyeth Collection
Jamie Wyeth, Overslept, 2018, Acrylic and oil on Innerglo Company wood panel, The Phyllis and Jamie Wyeth Collection


Also on view are a selection of intimate domestic scenes, painted as Christmas gifts from her husband, and depicting her beloved dogs.

Phyllis and Jamie Wyeth at the opening of the Brandywine River Museum of Art, 1971. Courtesy Brandywine Conservancy & Museum of Art Archives
Phyllis and Jamie Wyeth at the opening of the Brandywine River Museum of Art, 1971. Courtesy Brandywine Conservancy & Museum of Art Archives
 
Jamie Wyeth, Catching Pollen, 2012, Enamel, oil, and gesso on canvas, 60 x 40 in., The Phyllis and Jamie Wyeth Collection
Jamie Wyeth, Connemara, 1987, Oil on canvas, The Phyllis and Jamie Wyeth Collection
Jamie Wyeth, Connemara, 1987, Oil on canvas, The Phyllis and Jamie Wyeth Collection


 Phyllis and Jamie Wyeth at the opening of the Brandywine River Museum of Art, 1971. Courtesy Brandywine Conservancy & Museum of Art Archives

A catalogue organized by the Brandywine will accompany the exhibition (late-February 2019). Phyllis Mills Wyeth: A Celebration will travel to the Farnsworth Art Museum (Rockland, Maine) and the Greenville County Museum of Art (Greenville, South Carolina) following its presentation at the Brandywine.