Now until January 5th, 2020
Cedar Rapids Museum of Art
February 1 - April 26, 2020
This extraordinary exhibition, drawn entirely from the collection of the Reading Public Museum, explores the path to Impressionism through the nineteenth century, and the complex relationship between French Impressionism of the 1870s and 80s, and the American interpretation of the style in the decades that followed. More than seventy-five paintings and works on paper help tell the story of the new style of painting which developed at the end of the nineteenth century—one that emphasized light and atmospheric conditions, rapid or loose brushstrokes, and a focus on brightly colored scenes from everyday life. Some of the artists featured in the exhibition include Edgar Degas, Mary Cassatt, among others, who exhibited in the official Impressionist exhibitions in Paris in the 1870s and 80s. Among the earliest American artists to embrace the style were John Singer Sargent, William Merritt Chase, John Henry Twachtman, Childe Hassam, and Frank W. Benson. Additional American artists embraced the style by the turn of the century, including Daniel Garber, Edward Redfield, Robert Spencer, Arthur Watson Sparks, Robert Lewis Reid, William Paxton, Chauncey Ryder, Frederick John Mulhaupt, and Guy Wiggins, are also highlighted in the exhibition.
Daniel Garber, American, 1880 - 1958, Goat Hill, oil on canvas, 50 x 60 inches, Museum Purchase, Reading Public Museum, 1930.131.1
John Singer Sargent, Man Reading (Nicola d’Inverno)
Arthur Watson Sparks (American, 1870-1919), Quai St. Catherine, Martigue (detail), c. 1910-1919, oil on board, Museum Purchase, Reading Public Museum, Reading, Pennsylvania.
Hilaire-Germain-Edgar Degas (French, 1834 – 1917),
La Baigneuse (The Bather), pastel on paper,
Reading Public Museum, Bequest, Henry K. Dick, 1954.36.1
Reading Public Museum, Bequest, Henry K. Dick, 1954.36.1
Robert Lewis Reid (American, 1862 – 1929),
Summer Breezes, oil on canvas, Reading
Public Museum, Museum Purchase, 1931.641.1
