June 29-0ctober 21, 2018
Among the great treasures of the Staatsgalerie Stuttgart's Department of Prints, Drawings and
Photographs is a group of 82 drawings and 84 prints as well as a few
illustrated books by Ernst Ludwig Kirchner (1880 – 1938), the co-founder
of the artists’ group Brücke. This remarkable body of work encompasses
all periods of the artist’s work and many of the subjects that were
important to him: metropolitan life, dance as well as landscapes on the
island of Fehmarn and in the Alps. Kirchner’s prints are almost as rare
as his drawings. Many were not produced in editions, but exist only in a
few hand-pulled impressions.
In 2018, to mark the 80th anniversary of the death of the artist, the Kirchner holdings, last shown in their entirety in 1980, are the subject of our major exhibition that is accompanied by a catalogue of the collection.
Ernst Ludwig Kirchner, Rote Kokotte, 1914, Farbkreide, Tempera, Weißhöhung, Papier (elfenbeinfarben), 30,2 x 41 cm, Staatsgalerie Stuttgart, Graphische Sammlung.
In 2018, to mark the 80th anniversary of the death of the artist, the Kirchner holdings, last shown in their entirety in 1980, are the subject of our major exhibition that is accompanied by a catalogue of the collection.
Ernst Ludwig Kirchner, Farbentanz, 1933/34, Farbholzschnitt, Papier (rohweiß), 40,8 x 56,5 cm, Staatsgalerie Stuttgart, Graphische Sammlung.
In
1937, all the Kirchner prints held by Staatsgalerie Stuttgart – many of them acquired in the
1920s – were seized as part of the infamous Nazi campaign against
»degenerate« art.
The foundations for the current Kirchner collection
were laid after the Second World War and rest primarily on a group of
143 drawings and prints that entered our holdings in 1957 with the
provenance »Collection Dr. Gervais, Zürich/Lyon«. The identity of the
collector was long unknown.
Research has since revealed that all the works came from the estate of the artist or that of his wife, Erna Kirchner (1884 – 1945), and that the »Gervais Collection« was an invention of the Kirchner pupil Christian Laely (1913 – 1992) that made it possible to circumvent the asset freeze and to continue selling works to collectors in Germany.
Research has since revealed that all the works came from the estate of the artist or that of his wife, Erna Kirchner (1884 – 1945), and that the »Gervais Collection« was an invention of the Kirchner pupil Christian Laely (1913 – 1992) that made it possible to circumvent the asset freeze and to continue selling works to collectors in Germany.
Ernst Ludwig Kirchner, Self-Portrait, 1932, colour woodcut, Staatsgalerie Stuttgart, Department of Prints, Drawings and Photographs
