Wednesday, January 12, 2022

Roy Lichtenstein: History in the Making, 1948–1960

 Parrish Art Museum, Water Mill, New York
August 1, 2021–October 24, 2021

Columbus Museum of Art, Columbus, Ohio
March 4, 2022–June 5, 2022

Nasher Museum of Art at Duke University, Durham, North Carolina
August 25, 2022–January 8, 2023

The first major museum exhibition to explore the early work of Roy Lichtenstein, one the most celebrated American artists of the 20th century, will be on view at the Columbus Museum of Art from March 4 through June 5, 2022.


  • ROY LICHTENSTEIN

Roy Lichtenstein, Self-Portrait at an Easel, c. 1951–1952. Oil on canvas, 34 1/16 x 30 1/8 inches (86.5 x 76.5 cm). Private collection. © 2021. Estate of Roy Lichtenstein.

 

       Roy Lichtenstein: History in the Making, 1948–1960 offers an in-depth view of the artist’s years in Columbus, Ohio, and includes approximately 90 works on loan from public and private collections in a range of media. With many works on public view for the first time, this unprecedented exhibition demonstrates the formal invention and provocative nature of Lichtenstein’s early work.

 

       “Many people know Roy Lichtenstein’s work but may not be aware of his formative years in Ohio. Until this exhibition, almost no one had really seen this work all together,” said Nannette Maciejunes, CMA executive director and CEO. “This region helped shape Lichtenstein’s towering achievements in American art, and the Columbus Museum of Art is a perfect place to share a more robust story of his development as an artist.

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Roy Lichtenstein, Variations No. 7  1959. Oil on canvas, 48 x 60 inches (121.9 x 152.4 cm). Collection of the Whitney Museum of American Art, New York. The Roy Lichtenstein Study Collection; gift of the Roy Lichtenstein Foundation, 2019.277. 
© Estate of Roy Lichtenstein.

 

       Born in New York City in 1923, Lichtenstein went on to enroll in and teach at The Ohio State University, where the progressive curriculum and a focus on visual perception influenced his irreverent response to American history and culture. The artist’s studies were interrupted when he served in the Army during World War II, an experience that also allowed him to see a wealth of European art in person. After he returned to Ohio, Lichtenstein quickly synthesized modern art styles to create an innovative and personalized body of work. By the early 1950s Lichtenstein was exhibiting regularly in New York and began to receive critical attention.





Roy Lichtenstein, Washington Crossing the Delaware II, 1951. Oil on canvas. The Roy Lichtenstein Foundation Collection, New York. ⓒ Estate of Roy Lichtenstein

 



 


Roy Lichtenstein, Mechanism, Cross Section, c. 1954. Oil with sgraffito on canvas. Collection of the Flint Institute of Arts, Michigan. Gift of Messrs. Samuel N. Tomkin and Sidney Freedman, FIA 1956.2. ⓒ Estate of Roy Lichtenstein

 


       Before 1960, Lichtenstein’s art was filled with characteristic humor and evoked many of the themes that would become synonymous with his later career. He borrowed from earlier styles and displayed an avid interest in popular culture, including fairy tales, caricature, folk art and children’s art. He also drew upon various forms of Americana, such as 19th-century paintings of the Great Plains, as well as the cartoon characters Bugs Bunny, Donald Duck and Mickey Mouse. These and other vernacular inspirations are the essential but little-known precursors to the artist’s later appropriations of popular culture associated with the Pop Art movement of the 1960s from comic books, advertisements and newspapers.


Diver c. 1948


Diver, c. 1948–49. Pastel on colored paper. 14 3/4 x 13 in. (37.5 x 33 cm). Collection of Joan Thomas. © Estate of Roy Lichtenstein

 

       The exhibition also tells the story of Lichtenstein’s brief but instrumental flirtation with abstraction in 1959 and 1960. Coinciding with the broader acceptance of Abstract Expressionism, these paintings illustrate how the artist was inspired to engage with the movement’s pervasive influence, but not without inserting his characteristic humor and wit.

 

       “Lichtenstein’s work is often poised between irony and admiration,” said Tyler Cann, CMA’s acting chief curator, who is overseeing the exhibition in Columbus. “This exhibition will present a new Roy Lichtenstein for many visitors, and it is fascinating to see that the elements of his later work are all there.” 


Catalogue




Author Elizabeth Finch and Marshall N. Price and Graham Bader and Scott Manning Stevens

Roy before he was Lichtenstein: the path to becoming a Pop Art titan began with Lichtenstein's cycling through a provocative range of visual culture, from fairy tales and children's and folk art to mythic forms of Americana, such as cowboys and Disney.

Roy Lichtenstein: History in the Making, 1948-1960 is the first major museum exhibition to investigate the early work of one of the best-known American artists of the twentieth century. Co-organized by Colby College Museum of Art and Nasher Museum of Art at Duke University, the exhibition will include approximately ninety works from the artist's fruitful and formative early career, many never before seen by the public. The show and accompanying catalog will include paintings, drawings, sculptures, and prints which reveal an artist, even in the earliest stages of his career, with a keen interest in visual culture, culling--with a critical eye--from a wide range of sources. These inspirations were the essential but little-known precursors to the artist's later sourcing of comic books and advertisements. Likewise, his exploration of abstraction, just before the artist's abrupt turn to Pop Art in 1961, straddles the line between unabashed lyricism and wry critique of second-generation Abstract Expressionism.

The catalog, with new scholarship by leading experts in the field, provides a new understanding of Lichtenstein's influential techniques of appropriation and offers the opportunity to more fully assess the artistic and cultural dynamism of postwar America.

About The Author

Elizabeth Finch is the Lunder Curator of American Art at the Colby College Museum of Art in Waterville, Maine. Marshall N. Price is the Nancy A. Nasher and David J. Haemisegger Curator of Modern and Contemporary Art at the Nasher Museum of Art at Duke University. Graham Bader is Associate Professor of Art History at Rice University. Scott Manning Stevens (Akwesasne Mohawk) is Director of Native American and Indigenous Studies and Associate Professor of English at Syracuse University. Ruth Fine is a former curator at the National Gallery of Art.

  • Publish Date: September 08, 2020
  • Format: Hardcover
  • Category: Art - Individual Artists - Monographs
  • Publisher: Rizzoli Electa
  • Trim Size: 8-1/4 x 11-1/2
  • Pages: 224
  • US Price: $55.00
  • CDN Price: $75.00
  • ISBN: 978-0-8478-6868-1

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       Roy Lichtenstein: History in the Making, 1948–1960 is co-organized by the Colby College Museum of Art, Waterville, Maine, and the Nasher Museum of Art at Duke University, Durham, North Carolina. The exhibition is co-curated by Elizabeth Finch, Lunder chief curator at the Colby Museum and Marshall N. Price, chief curator and Nancy A. Nasher and David J. Haemisegger curator of modern and contemporary art at the Nasher Museum. Support for this exhibition and its national tour is provided by the Roy Lichtenstein Foundation. This project is supported in part by the National Endowment for the Arts. Additional catalogue support is provided by the Wyeth Foundation for American Art.

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