Sunday, November 1, 2026

Sotheby's The Now and Contemporary Evening Auction Live Auction: 16 November 2026

 

The Now and Contemporary Evening Auction in November 2026 will feature artworks which capture the paradigmatic artistic shifts of the latter half of the 20th century through to the present. Beginning with Postwar abstraction and moving through Minimalism and Pop into the critical postmodern inquiries of the 1980s through to today, these radical new modes of art-making fundamentally altered the course of art history. Spotlighting these developments within a unified platform, the masterworks of The Now and Contemporary Evening Auction call into focus the plurality of visions, identities and artistic innovations that have reshaped the trajectory of art history as we know it. These works and more will be viewable at Sotheby’s New York this November.


Browse All Lots



Beginning this November, Sotheby’s will offer some 50 works from the exceptional collection of Richard (“Dick”) and the late Elizabeth (“Betty”) Hedreen. Devoted philanthropists, active supporters of their native Seattle and Washington State, and passionate collectors for six decades, the Hedreens can rightly be considered pioneers, who were among the very first to place considerable emphasis on the visual and intellectual dialogues inherent in juxtaposing art from across the ages, assembling a collection that spans the 15th century to the present day.


The Hedreen residence, from left to right: Lot 7A, Francis and Lot 1A, Mitchell. Art © 2026 Sam Francis Foundation, California / Artists Rights Society (ARS), New York. Art © Estate of Joan Mitchell

The collection will be led by 11 Contemporary masterworks from Sam Francis, to Roy Lichtenstein, to Cecily Brown. This will be offered alongside a broad range of other works in a variety of media across The New York Sales this November, followed by a dedicated Old Masters auction in New York, February 2027.


View 1 of Lot 4: Reflections on “Painter and Model”
Type: lot
Roy Lichtenstein
Reflections on “Painter and Model”
Estimate: 20,000,000 – 30,000,000 USD
View 1 of Lot 6: Untitled (Shipwreck)
Type: lot
Cecily Brown
Untitled (Shipwreck)
Estimate: 7,000,000 – 10,000,000 USD
View 1 of Lot 7: Towards Disappearance I
Type: lot
Sam Francis
Towards Disappearance I
Estimate: 15,000,000 – 20,000,000 USD
View 1 of Lot 9: Water...Soft Banks and a Window (Untitled VIII)
Type: lot
Willem de Kooning
Water...Soft Banks and a Window (Untitled VIII)
Estimate: 20,000,000 – 30,000,000 USD
View 1 of Lot 3: Japanese Garden with Moon and Stars
Type: lot
Jonas Wood
Japanese Garden with Moon and Stars
Estimate: 3,000,000 – 5,000,000 USD





For Lenore and Bernard Greenberg, art in every form was part of their lives. Lenore served as a board president of the Museum of Contemporary Art, Los Angeles, and Bernard was a founder and chairman of the LA Opera, and together they were devoted supporters of the LA Philharmonic as well as the Public Library. For Lennie and Bernie, as they were familiarly known, art held the inimitable power to transform a community. Through historic gifts, measured leadership, and a singular philanthropic spirit, the Greenbergs helped shape Los Angeles: its sound, its cultural landscape, its civic institutions, and collective imagination. As they upheld Los Angeles’ public arts and culture, so, too, did they build a collection of brilliant, timeless rigor to be enjoyed in the privacy of their home. These works take center stage this November at Sotheby's.

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View 1 of Lot 106: Suzhou, Before and After
Type: lot
Brice Marden
Suzhou, Before and After
Estimate: 6,000,000 – 8,000,000 USD
View 1 of Lot 107: White Relief with Black II
Type: lot
Ellsworth Kelly
White Relief with Black II
Estimate: 1,800,000 – 2,500,000 USD
View 1 of Lot 108: Yearn
Type: lot
Martin Puryear
Yearn
Estimate: 500,000 – 700,000 USD
View 1 of Lot 109: Desert
Type: lot
Agnes Martin
Desert
Estimate: 6,000,000 – 8,000,000 USD
View 1 of Lot 105: Kelpie
Type: lot
Kelpie
Estimate: 800,000 – 1,200,000 USD






This May, Sotheby's is thrilled to offer a major Flowers by Andy Warhol. Andy Warhol’s Flowers is an exceptionally rare and preeminent example of one of the artist’s most celebrated and iconic series. One of only seven 48-by-48-inch flower paintings on a stark white background, Flowers is one of the most visually distilled and desirable works from a series that represents a decisive moment in Warhol’s formal and conceptual engagement with mass culture and art history; thus, the present work represents one of the clearest assertions of Warhol's pop authority.


Crowd of people at the opening of the Art Museum of South Texas in Dallas featuring Andy Warhol's Flowers. Photo by Jim Olive/WWD/Penske Media via Getty Images. Art © 2026 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York

Begun in 1964 and finished in 1965, only a year after Warhol’s debut exhibition at the Leo Castelli Gallery, the present work encapsulates the singularity of Warhol’s practice and career; made using his quintessential appropriation of mass-produced imagery, it is conceptually daring in its lifting of preexisting source material and formally striking in both its harmonic spatial balance and brilliant chromatic tension.


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View 1 of Lot 112: Flowers
Andy Warhol
Flowers
Estimate: 10,000,000 – 15,000,000 USD






In 1961, just a few years after moving to the United States, Kusama would participate in the Whitney’s 1961 Annual Exhibition of contemporary sculpture and painting. Alongside peers from the New York School, Kusama was here contextualized at the fore of the American avant-garde, along with artists such as Joan Mitchell, Helen Frankenthaler, Robert Rauschenberg, Georgia O’Keeffe, and Philip Guston. Each artist presented an artwork, and the present work was Kusama’s.


Yayoi Kusama with Infinity Nets, 1960. Courtesy and Image © Yayoi Kusama. Art © 2026 Yayoi Kusama


Among the earliest, largest, and most significant examples from the series, notably distinguished for its inclusion in one of Kusama’s earliest institutional presentations in the United States at the Whitney Museum of American Art in 1961, No. 3P.B. marks both a point of genesis and a concluding statement: a technique mastered early yet endlessly generative, a visual language and ideological thesis fecund with reinventive possibility. The present work stands as one of the earliest mature Infinity Nets, in which Kusama’s signature painterly mode reaches its fullest evolution.


View 1 of Lot 110: No. 3P.B.
Yayoi Kusama
No. 3P.B.
Estimate: 10,000,000 – 15,000,000 USD



Browse Top Lots View 1 of Lot 126: Double Liz
Type: lot
Andy Warhol
Double Liz
Estimate: 8,000,000 – 12,000,000 USD
View 1 of Lot 103: Alliums
Type: lot
David Hockney
Alliums
Estimate: 5,000,000 – 7,000,000 USD
View 1 of Lot 123: Self-Portrait
Type: lot
Francis Bacon
Self-Portrait
Estimate: 10,000,000 – 15,000,000 USD
View 1 of Lot 102: Bob-Tail
Type: lot
Jeff Koons
Bob-Tail
Estimate: 2,500,000 – 3,500,000 USD
View 1 of Lot 115: Lavender Boy
Type: lot
Salman Toor
Lavender Boy
Estimate: 60,000 – 80,000 USD
View 1 of Lot 133: Untitled (Pin-up)
Type: lot
Kerry James Marshall
Untitled (Pin-up)
Estimate: 2,500,000 – 3,500,000 USD
View 1 of Lot 116: Encyclopedia of gestures (Jeu du monde)
Type: lot
Firelei Báez
Encyclopedia of gestures (Jeu du monde)
Estimate: 600,000 – 800,000 USD
View 1 of Lot 118: Candy Blue Night
Type: lot
Yoshitomo Nara
Candy Blue Night
Estimate: 5,000,000 – 7,000,000 USD

View 1 of Lot 120: If Caught Outside
Type: lot
Mark Bradford
If Caught Outside
Estimate: 2,500,000 – 3,500,000 USD
View 1 of Lot 128: Untitled #2
Type: lot
Agnes Martin
Untitled #2
Estimate: 3,500,000 – 4,500,000 USD
View 1 of Lot 104: Untitled (S.871, Wall-Mounted Tied-Wire, Closed-Center, Four-Branched Form Based on Nature)
Type: lot
Ruth Asawa
Untitled (S.871, Wall-Mounted Tied-Wire, Closed-Center, Four-Branched Form…
Estimate: 800,000 – 1,200,000 USD
View 1 of Lot 113: Untitled
Type: lot
Willem de Kooning
Untitled
Estimate: 4,500,000 – 6,500,000 USD
View 1 of Lot 130: Light Leaks
Type: lot
Ed Ruscha
Light Leaks
Estimate: 2,500,000 – 3,500,000 USD
View 1 of Lot 125: La Vieja
Type: lot
Jean-Michel Basquiat
La Vieja
Estimate: 6,000,000 – 8,000,000 USD
View 1 of Lot 124: Dolly Parton
Type: lot
Andy Warhol
Dolly Parton
Estimate: 1,600,000 – 2,500,000 USD
View 1 of Lot 139: Portrait of Grace Jones
Type: lot
Keith Haring
Portrait of Grace Jones
Estimate: 3,500,000 – 5,000,000 USD


View Lots


Brancusi: The Artist and His Studio

 The Museum of Modern Art presents Brancusi: The Artist and His Studio, a major exhibition surveying Constantin Brancusi’s (1876–1957) sculptural achievements through the lens of his Paris studio at impasse Ronsin. For more than 40 years, from 1916 until his death, this studio served as a dynamic environment in which Brancusi lived, worked, entertained friends and clients, and exhibited his sculptures. In this singular context, Brancusi blurred boundaries between abstraction and representation, pedestal and object, and a sculpture and its surroundings. The presentation, spanning the Museum’s entire sixth floor, will offer visitors a once-in-a-generation opportunity to see rarely lent sculptures, along with Brancusi’s hand-carved furniture and bases, films, photographs, tools, and archival materials from Centre Pompidou’s Atelier Brancusi.

The exhibition is organized by Anne Umland, guest curator, and Mia Matthias, Assistant Curator, Department of Painting and Sculpture, with Samantha Small, Curatorial Assistant, Department of Painting and Sculpture. We are grateful for the collaboration of Ariane Coulondre, Chief Curator, Department of Modern Collections, and Valérie Loth, Associate Curator, Department of Prints and Drawings, Centre Pompidou – Musée national d’art moderne, who organized Brancusi: Art Is Just Beginning at Centre Pompidou in 2024. This exhibition is presented with the exceptional support of Centre Pompidou, which permanently houses the Atelier Brancusi in Paris.

IMAGES


Constantin Brancusi. Self-portrait in the studio with Endless Columns I–IV, Fish (1930), Leda (1926). c. 1934. Glass negative, 5 7/8 × 3 15/16″ (15 × 10 cm). Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle, Constantin Brancusi Bequest, 1957. PH 854. Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY. © Succession Brancusi – All rights reserved (Adagp) 2026


Constantin Brancusi. View of the studio: Princess X (1915–16), Bird in Space (1927, bronze), Leda (1926), Endless Columns I–III (1925, 1926, and c. 1928), Exotic Plant (1923–24). c. 1929. Gelatin silver print, 11 3/4 × 9 3/ (29.8 × 23.8 cm). Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle, Constantin Brancusi Bequest, 1957. PH 79 A. Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY. © Succession Brancusi – All rights reserved (Adagp) 2026


Constantin Brancusi. Portrait of Nancy Cunard (Jeune fille sophistiquée). 1928. Patinated plaster, 21 13/16 × 5 7/8 × 8 5/8″ (55.5 × 15 × 22 cm), on a three-part pedestal of plaster 5 1/2″ (14 cm) × 5 7/8″ (15 cm) in diameter, and two oak sections 6 5/16 × 14 15/16 × 15 3/8″ (16 × 38 × 39 cm) and 40 3/16 × 11 13/16 × 11 13/16″ (102 × 30 × 30 cm), overall 46 7/16 × 14 15/16 × 15 3/8″ (118 × 38 × 39 cm). Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle, Constantin Brancusi Bequest, 1957. Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY. Photo: Adam Rzepka. © Succession Brancusi – All rights reserved (Adagp) 2026


Constantin Brancusi. Exotic Plant. 1923-1924. Oak, 37 13/16 × 16 15/16 × 16 15/16″ (96 × 43 × 43 cm), on limestone base 18 11/16 × 14 15/16 × 14 15/16″ (47.5 × 38 × 38 cm), overall 56 1/2 × 16 15/16 × 16 15/16″ (143.5 × 43 × 43 cm). Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle, Constantin Brancusi Bequest, 1957. Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY. Photo: Georges Meguerditchian. © Succession Brancusi – All rights reserved (Adagp) 2026


Constantin Brancusi. Timidity. 1917. Limestone, 14 3/8 × 9 13/16 × 8 11/16″ (36.5 × 25 × 22 cm), on two-part oak base (Cat-Caryatid), upper base 10 1/4 × 11 7/16 × 23 5/8″ (26 × 29 × 60 cm) and lower 39 × 11 5/8 × 22 7/16″ (99 × 29.5 × 57 cm), overall 63 9/16 × 11 5/8 × 23 5/8″ (161.5 × 29.5 × 60 cm). Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle, Constantin Brancusi Bequest, 1957. Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY. Photo: Adam Rzepka © Succession Brancusi – All rights reserved (Adagp) 2026


Constantin Brancusi. Leda. 1926. Polished bronze 20 7/8 × 31 1/8 × 9 7/16″ (53 × 79 × 24 cm) on nickel silver disk 3/16″ (0.5 cm) × 36 5/8″ (93 cm) in diameter, black marble cylindrical base 7 1/16 × 7 1/16″ (18 × 18 cm), and black granite cruciform base (13 3/4 × 20 1/2 × 20 1/2″ (35 × 52 × 52 cm), overall 43 15/16 × 36 5/8 × 36 5/8″ (106.5 × 93 × 93 cm). Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle, Constantin Brancusi Bequest, 1957. Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY. Photo: Bertrand Prévost. © Succession Brancusi – All rights reserved (Adagp) 2026


Constantin Brancusi. Newborn II. 1927. Stainless steel, 7 1/16 × 9 3/4 × 6 11/16″ (18 × 24.8 × 17 cm), on unpolished stainless-steel disk 3/16″ (0.5 cm) × 17 11/16″ (45 cm) in diameter, and partially stained walnut base 31 1/2 × 9 13/16 × 15 3/8″ (80 × 25 × 39 cm), overall 38 3/4 × 17 11/16 × 17 11/16″ (98.5 × 45 × 45 cm). Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle, Constantin Brancusi Bequest, 1957. Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY. Photo: Adam Rzepka. © Succession Brancusi – All rights reserved (Adagp) 2026


Constantin Brancusi. Sleeping Muse. 1910. Polished bronze, 6 1/2 × 10 1/4 × 7 1/16″ (16.5 × 26 × 18 cm). Centre Pompidou, Paris, Musée national d’art moderne-Centre de création industrielle, Purchase, 1947. Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY Photo: Philippe Migeat © Succession Brancusi – All rights reserved (Adagp) 2026


Constantin Brancusi. Endless Column. version I, 1918. Oak, 6′ 8″ × 9 7/8″ × 9 5/8″ (203.2 × 25.1 × 24.5 cm). The Museum of Modern Art, New York. Gift of Mary Sisler, 1983. Photo: Thomas Griesel © Succession Brancusi – All rights reserved (Adagp) 2026


Constantin Brancusi. Bird in Space. 1928. Bronze, 54 × 8 1/2 × 6 1/2″ (137.2 × 21.6 × 16.5 cm). The Museum of Modern Art, New York. © Succession Brancusi – All rights reserved (Adagp) 2026


Installation view of Brancusi: The Artist and His Studio on view at The Museum of Modern Art, New York, from October 25, 2026, through February 27, 2027. Photo by Jonathan Dorado © The Museum of Modern Art, New York


Installation view of Brancusi: The Artist and His Studio on view at The Museum of Modern Art, New York, from October 25, 2026, through February 27, 2027. Photo by Jonathan Dorado © The Museum of Modern Art, New York


Installation view of Brancusi: The Artist and His Studio on view at The Museum of Modern Art, New York, from October 25, 2026, through February 27, 2027. Photo by Jonathan Dorado © The Museum of Modern Art, New York


Installation view of Brancusi: The Artist and His Studio on view at The Museum of Modern Art, New York, from October 25, 2026, through February 27, 2027. Photo by Jonathan Dorado © The Museum of Modern Art, New York