Saturday, October 31, 2026

Sotheby's Modern Evening Auction November 18, 2026 Part II

 



Masterpieces from this sale embody the spirit of artists working at the turn of the 20th century — visionaries who defied convention to forge a bold, modern language of art. Charting the historic threads and cross-continental exchanges linking Impressionism, Surrealism, Abstract Expressionism, and beyond, the Modern Evening Auction celebrates the pivotal developments that have shaped art history.


The Modern Evening Auction will feature highlights from The Armand Hammer Collection, Magnum Opus: A Private Collection of Exceptional Art and Objects Through the Ages, Picasso's Heroic Years: Masterpieces from a Prestigious Family and Shaping Modernity: Property from a Private American Collection. These works and more will be viewable at Sotheby’s New York this November.


Sotheby's will present a selection of works from Armand Hammer’s storied private collection, with proceeds to benefit the Armand Hammer Foundation. The series of sales, beginning with the Modern Evening Auction in New York this November, offers collectors and institutions a rare opportunity to acquire paintings that once formed part of one of the twentieth century's most celebrated private collections. The selection of 12 works is estimated in the region of $25–37 million. Proceeds from the sales will benefit the Foundation's mission, building upon the tradition of public good that Dr. Armand Hammer established during his lifetime.

Ahead of the marquee sales, a dedicated preview exhibition of sale highlights will be on public view at Sotheby's galleries in Los Angeles from September 23 to 25, offering an important moment to see the paintings in the city so closely tied to Dr. Hammer's legacy, before they travel to Hong Kong, Paris, and ultimately New York.The group of works is led by Edgar Degas' Trois danseuses (Jupes jaunes) and Mary Cassatt's Summertime, a jewel-toned view of leisure on the water, poised to set a new auction record for the artist. Together with works by Camille Pissarro, Pierre-Auguste Renoir, and more, the November sales will showcase the breadth and quality of Dr. Hammer's collecting vision and his enduring appreciation for many of the defining figures of nineteenth and early twentieth-century art.


Edgar Degas

Trois danseuses (Jupes jaunes)

Estimate

10,000,000 - 15,000,000 US





Sotheby’ s Modern Evening Auction New York, 18 November 2026 Part I



Masterpieces from this sale embody the spirit of artists working at the turn of the 20th century — visionaries who defied convention to forge a bold, modern language of art. Charting the historic threads and cross-continental exchanges linking Impressionism, Surrealism, Abstract Expressionism, and beyond, the Modern Evening Auction celebrates the pivotal developments that have shaped art history.


The Modern Evening Auction will feature highlights from The Armand Hammer Collection, Magnum Opus: A Private Collection of Exceptional Art and Objects Through the Ages, Picasso's Heroic Years: Masterpieces from a Prestigious Family and Shaping Modernity: Property from a Private American Collection. These works and more will be viewable at Sotheby’s New York this November.

Sotheby's will present Picasso's Heroic Years: Masterpieces from a Prestigious European Family, a group of four works from the final chapter of one of the most inventive careers in the history of art, in the Modern Evening Auction during The New York Sales this November. The group is led by the monumental Femme nue et homme au fanion (1969, estimate $15 – 20 million), alongside Couple (1970), Le Peintre et son modèle (1964) and Nu (1972), together carrying a combined estimate of $30 – 42 million. 

Notably, the two principal paintings, Femme nue et homme au fanion and Couple, have remained out of public view since their exhibition in Pablo Picasso, 1969-1970 at the Palais des Papes in Avignon in 1970. Organized by Christian and Yvonne Zervos, the celebrated exhibition assembled more than one hundred recent works and served as a landmark affirmation of Picasso's late achievement. 

Characterized by raw energy, gestural brushwork and a return to archetypal subjects, the paintings of Picasso's final two decades, the period known as his "Heroic Years," have undergone a significant critical reappraisal, now widely seen as the artist’s final flourish. As the scholar Simonetta Fraquelli has written, the re-evaluation since his death "has highlighted its undiminished power and originality," and the emotional depth and painterly freedom of these canvases would go on to exert a lasting influence on neo-expressionist painting from the early 1980s onward. These works reflect both a growing awareness of mortality, as the artist sought to ward off death through a final burst of creativity, and a conscious decision to allow himself total liberty with style and subject. Having moved through so many phases of experimentation, he pared his language down, isolating the elements that fascinated him and rendering them in quick, spontaneous strokes, often on a grand scale and with a wit entirely his own.

The recurring cast of characters found in the late work, the lovers, the musketeer, the painter and his model, can be read as a psychological projection of a complex and multifaceted identity, while his continuing dialogue with the Old Masters placed him firmly in the company of the canonical greats he admired. Many of these works were inspired by his last wife, Jacqueline Roque, whose presence defines the years often called "l'époque Jacqueline." 

Prior to the sale, the group are unveiled in Paris today as part of Sotheby's international exhibition tour. They will then be offered in Sotheby's Modern Evening Auction on 18 November, alongside a selection of exceptional works spanning the late nineteenth and twentieth centuries, bringing this rare survey of Picasso's final decades to the market at a moment of renewed scholarly and collector interest in the artist's late achievement. 

The Works: 




Pablo Picasso Femme nue et homme au fanion 

Executed on 29 July 1969 Estimate: $15 – 20 million Conceived on an impressive scale, the painting unites two of Picasso's most important late motifs, the couple and the musketeer. In his final years the musketeer became a many-sided figure, a card player, musician and bon vivant; here he is one half of a pair of lovers, an allusion to Picasso's happiness with Jacqueline. A spear and pennant in the red and yellow of the Spanish flag, a heraldic device that also likely nods to the matador, ties the artist to his native Spain and stands out against the otherwise monochromatic ground. The formal arrangement of the pair recalls classical portraiture, placing Picasso in conversation with the Old Masters he so admired. 

Pablo Picasso Couple 

Executed on 12 January 1970 Estimate: $10 – 15 million One of Picasso's most tender interpretations of lovers, Couple serves as a profound culmination of a subject that preoccupied him from the end of 1969 into 1970. Though he makes no attempt at specific likeness, the female figure is understood to be Jacqueline Roque, and the male figure the artist himself. At once deeply personal and art historically resonant, the painting recalls celebrated depictions of artistic partnership, notably Rembrandt and Saskia, as Picasso casts himself and Jacqueline within a lineage of artist-muse pairings that stretches across centuries. The warm flesh tones and dreamy countenances lend the composition a striking tenderness, while its bold simplification of form demonstrates the freedom and confidence that defined Picasso's final years. First exhibited in the landmark 1970 exhibition Pablo Picasso at the Palais des Papes in Avignon, the work has remained out of public view ever since. 


Pablo Picasso Le Peintre et son modèle

Executed between 12 and 14 November 1964 Estimate: $2.5 – 3.5 million Of the many themes Picasso pursued, the painter and his model was among the most all-consuming. Present in his work as early as 1914, it became a singular fascination from the early 1960s. Throughout the history of art, the subject has served as a meditation on the creative act itself, and Picasso returned to it repeatedly in his later years as a means of examining the shifting relationship between artist, muse and image. Here a bearded painter stands at left with brush and easel, the nude model reclines at right, and the easel divides them, heightening the tension of what becomes a game of seduction. For Picasso, the true subject was always the act of painting itself. 


Pablo Picasso Nu 

Executed between 1 and 3 May 1972 Estimate: $2.5 – 3.5 million Executed in 1972, Nu reflects the confidence and formal freedom of Picasso's late style, a period in which the artist distilled decades of experimentation into works of remarkable immediacy and invention. The enigmatic nude was, like most of his late portraits, inspired by Jacqueline, whom he met in 1952 at the Vallauris pottery studio. The angular features and abstracted form recall the audacious figuration of his Surrealist years, while the delicacy of the medium lends the work an unexpected lyricism. Exhibition Dates Sotheby’s Paris, 19 - 23 October Sotheby’s New York, 7 - 17 November Auction Calendar Modern Evening Auction Sotheby’s New York, 18 November 2026 

Friday, October 30, 2026

A glowing clue to how ancient cave artworks survived

 A glowing clue to how ancient cave artworks survived

Caption

New analysis reveals that these cave drawings are partially covered by calcite mineral, which has kept them safe for tens of thousands of years.

Credit

Adapted from ACS Omega 2026, DOI: 10.1021/acsomega.6c05061


Tucked away inside a limestone cave in southeastern France lies some of the oldest artwork in existence. Known as Chauvet Cave, the site is so historically important — and fragile — that its location is kept secret and locked behind a huge steel door. And now, researchers reporting in ACS Omega have devised a technique to safely investigate these artworks and understand the natural varnish that has protected them for centuries. 

“We examine every piece of evidence to decode the techniques of prehistoric artists and understand how the paintings have been preserved over time.” — Philippe Walter

Somewhere around 37,000 years ago, a group of Paleolithic people entered what is now Chauvet Cave and left behind detailed artwork of local fauna, including cave bears, cave lions, bison, and horses. The drawings were sealed off by an ancient rockfall and left undiscovered until the 1990s. Several decades later, a lot can still be learned from these ancient works of art, including how the cave’s geology may have contributed to the artworks’ preservation. To study cave walls without damaging them, researchers have used UV fluorescence spectroscopy, which reveals fluorescent mineral deposits invisible to the naked eye. Philippe Walter and colleagues wanted to use the technique to noninvasively investigate these ancient drawings. Their focus was on mineral deposits that have formed atop the charcoal-based drawings and the techniques used to create the art. 

Due to the fragility of prehistoric footprints in front of the artwork, the researchers set up a portable spectrometer on a protective walkway around 8 feet (2.5 meters) away from the cave wall. A beam of UV light was shone on the wall, and the resulting fluorescence from the mineral deposits and pigments in the artworks was analyzed by the spectrometer. 

“Our methodology is much like forensic investigation: We examine every piece of evidence to decode the techniques of prehistoric artists and understand how the paintings have been preserved over time,” says Walter. 

The researchers’ analysis revealed that: 

  • Mineral-carrying water flowed over the wall’s limestone surface, leaving behind thin layers of calcite. That calcite glowed blue under a blacklight, revealing a natural varnish covering parts of the artwork.
  • Some areas displayed an orange fluorescence, which could be from hot charcoals or burning materials, like a lit torch, being rubbed against the wall to create the drawings.

These results showcase the careful interaction between humans and geology that allowed these artworks to be preserved for tens of thousands of years. Walter and team anticipate that the technique also has applications from forensic science to monitoring biofilms onboard the International Space Station — a project already underway. 

Schoelkopf Gallery 25 | 250: A Celebration of American Art

 

Arshile Gorky, Still Life (detail), c. 1928–29


Part II —October 30–December 11


Opening reception: Friday, October 30, 6–8 PM

Join us as we celebrate the culmination of our 25th anniversary year with an exhibition of exceptional works of American art.


Coinciding with the nation’s semiquincentennial, 25 | 250: A Celebration of American Art affirms and celebrates the gallery’s longtime, unparalleled expertise and market leadership in the field of American art.


The exhibition will feature works spanning the 1880s to the 2010s by Mary Abbott, Thomas Hart Benton, Patrick Henry Bruce, William Merritt Chase, Stuart Davis, Arthur Dove, Richard Estes, Arshile Gorky, Marsden Hartley, Childe Hassam, Winslow Homer, Stanton Macdonald-Wright, Joseph Stella, and Andrew Wyeth.


Featured Works