Friday, September 18, 2026

Christie's Prints & Multiples

 Left to right: Roy Lichtenstein, Two Nudes, from: Nude Series (1994, estimate: £150,000-200,000), 

and Andy Warhol, Mickey Mouse, from Myths, (1981, estimate: £150,000-200,000) 

Christie's is pleased to present Prints & Multiples, an online sale and exhibition in London this September Prints season, celebrating editions from established artists and emerging talents from the early 20th century to the present day.

Roy Lichtenstein's seminal Two Nudes from the artist's Nude Series, his final major body of work, is one of the lead highlights of the season. Numbered 18 in an exclusive print run of 40, the work is estimated to reach £150,000-200,000. Andy Warhol's monumental, glittering Mickey Mouse, from Myths (1981, estimate: £150,000-200,000) is a further highlight of the sale. Covered with diamond dust, Mickey Mouse is one of Warhol's most iconic images. From the edition of 200, this work evokes Warhol's characteristic playfulness and is a favourite from the Myths series.

Other rare works include Banksy's iconic Flower Thrower Triptych (Grey) from 2019 (estimate: £100,000-150,000), coming to auction as one of only a few examples issued from the studio in the original artist frames; Pablo Picasso's intimate, early edition linocut in colours, Portrait de Jacqueline accoudée (1959, estimate: £100,000-150,000); and David Hockney's vibrant Untitled No. 346, from A Bigger Book Art Edition B (2010/16, estimate: £20,000-30,000) from the artists monumental compendium of iPad prints. Further highlights include three examples of the late Yayoi Kusama's ever popular Pumpkins, in examples of Red, Yellow and Green (estimate: £20,000-30,000 each).



  • Lot 6

    ANDY WARHOL (1928-1987)

    Marilyn Monroe (Marilyn): one print


    EstimateGBP 100,000 - 150,000
    Starting bidGBP 100,000
    Closing: 6 days



  • Lot 13

    PABLO PICASSO (1881-1973)

    Portrait de Jacqueline accoudée


    EstimateGBP 100,000 - 150,000
    Starting bidGBP 90,000
    Closing: 6 days



  • Lot 17

    ANDY WARHOL (1928-1987)

    Mickey Mouse, from: Myths

    EstimateGBP 150,000 - 200,000
    Starting bidGBP 140,000
    Closing: 6 days



  • Lot 18

    BANKSY

    Flower Thrower Triptych (Grey) (in the Artist's Frames)


    EstimateGBP 100,000 - 150,000
    Starting bidGBP 90,000
    Closing: 6 days


  • Lot 31

    ANDY WARHOL (1928-1987)

    Queen Elizabeth II, from: Reigning Queens


    EstimateGBP 120,000 - 180,000
    Starting bidGBP 120,000
    Closing: 6 days


  • Lot 35

    ROY LICHTENSTEIN (1923-1997)

    Two Nudes, from: Nude Series


    EstimateGBP 150,000 - 200,000
    Starting bidGBP 140,000
    Closing: 6 days

David Byrd

Anton Kern Gallery

Sep 25 - Sep 27, 2026


Anton Kern Gallery will present work by David Byrd in a solo presentation at Independent 20th Century. David Byrd (b. 1926, Springfield, IL; d. 2013, Oxford, NY) was a highly productive yet reclusive artist. 

After serving in the army during World War II, Byrd briefly studied at the Dauphin School of Art in Philadelphia through the G. I. Bill, and then at the Ozenfant School of Fine Arts in New York. In the 1950s, he worked odd jobs across New York State, including as a deliveryman, janitor, and movie house usher, which inspired his genre-scene paintings. Starting in 1958, he worked as an orderly in the psychiatric ward at the Veterans Administration Medical Hospital in Montrose, New York, for 30 years. 

He simultaneously developed an expansive body of paintings about his patients, routines, and the surrounding landscape. Upon retirement, he devoted himself fully to his art; however, did not publicly exhibit it until a few months before his death. 

Since taking on Byrd’s Estate in 2019, Anton Kern Gallery has held four solo exhibitions in New York (2019, 2021, 2024, 2025), curated presentations at Art Basel in Switzerland (2023) and Miami Beach (2019), and published the artist’s 216 page manuscript, which is the codex for understanding his oeuvre of paintings, drawings, and assemblage sculptures. In 2025, the gallery and the David Byrd Estate published the artist’s online catalogue raisonné. They have also commissioned scholarly texts in order to broaden awareness of the artist and contextualize his work within 20th Century art history. Byrd’s legacy continues to be fostered through collaborations with international curators and institutions. 


IMAGES

 
David Byrd , People at Bar (P53), 1960 , Anton Kern Gallery
 

David Byrd

People at Bar (P53)

, 1960

Anton Kern Gallery


David Byrd , Food Tray Patient, 1976 , Anton Kern Gallery
 

David Byrd

Food Tray Patient

, 1976

Anton Kern Gallery


David Byrd , District Attorney, 1975 , Anton Kern Gallery
 

David Byrd

District Attorney

, 1975

Anton Kern Gallery


David Byrd , Laundromat Scene, 2011 , Anton Kern Gallery
 

David Byrd

Laundromat Scene

, 2011

Anton Kern Gallery


David Byrd , Tortured Woman, n.d. , Anton Kern Gallery
 

David Byrd

Tortured Woman

, n.d.

Anton Kern Gallery


David Byrd , Time Keeps On Running, 2013 , Anton Kern Gallery
 

David Byrd

Time Keeps On Running

, 2013

Anton Kern Gallery


David Byrd , Sculpture/assemblage 003 (Centaur), 1993 , Anton Kern Gallery
 

David Byrd

Sculpture/assemblage 003 (Centaur)

, 1993

Anton Kern Gallery


David Byrd , Between Rounds, 1957 , Anton Kern Gallery
 

David Byrd

Between Rounds

, 1957

Anton Kern Gallery

This Is Still Not a Pipe: The Afterlife of Magritte


Gagosian
Sep 24 - Dec 12, 2026


Gagosian is pleased to announce an exhibition dedicated to René Magritte and his enduring influence on the art of today, opening on September 24, 2026, at the Grosvenor Hill gallery in London. This Is Still Not a Pipe: The Afterlife of Magritte examines the artist’s legacy through significant paintings, works on paper, sculptures, and photography from all periods of his career. Loaned by museums and private collectors, they include his best-known subjects, from apples and pipes to bowler hats and cotton-cloud skies. These are juxtaposed with works by contemporary artists of different generations, many of which have been created specifically for the exhibition.

With this presentation, Gagosian marks the anniversaries of two historical Magritte exhibitions. It is twenty years since Magritte and Contemporary Art: The Treachery of Images (2006–07) at the Los Angeles County Museum of Art (LACMA), a group exhibition distinguished by dramaturgical installations conceived by John Baldessari, which was the first major exploration of the Belgian Surrealist’s impact on American and European artists of the postwar generation. Gagosian’s London exhibition also acknowledges the landmark International Surrealist Exhibition held ninety years ago at the New Burlington Galleries, London, a short walk from the Grosvenor Hill gallery. The 1936 exhibition is regarded as a watershed for the Surrealist movement and was instrumental in establishing Magritte’s own international reputation.

This Is Still Not a Pipe: The Afterlife of Magritte includes the painting La Lampe philosophique (The Philosopher’s Lamp, 1936), which featured in LACMA’s exhibition. The painting was made shortly before the International Surrealist Exhibition, which featured a gouache of the same image. Widely understood as a conceptual self-portrait, La Lampe philosophique epitomizes Magritte’s pictorial explorations of paradox and introspection. The artist wrote about this work: “The meditations of an absent-minded, obsessive philosopher may conjure up the image of a mental world closed in upon itself as, in this case, the smoker is the prisoner of his pipe.”

On the exhibition, Larry Gagosian notes: “It is difficult to imagine a world today without Magritte. Almost six decades after his death, his influence continues to resonate within contemporary artistic production, and beyond into the broader landscape of visual culture—shaping advertising, design, fashion, and even music. I am delighted to be presenting his work at the gallery once again, and to offer audiences a renewed opportunity to engage with the poetry, wit, and mystery that define his vision.”

This Is Still Not a Pipe: The Afterlife of Magritte is curated by Jasper Sharp and Bernard Lagrange. It has been planned in collaboration with Charly Herscovici, president of the Fondation Magritte, and other key scholars of the artist’s work, and will be accompanied by a fully illustrated catalogue. 

René Magritte, La Lampe philosophique (The Philosopher’s Lamp), 1936 , Gagosian
 

René Magritte

La Lampe philosophique (The Philosopher’s Lamp)

, 1936

Gagosian


René Magritte, L'Apparition (The Apparition), 1928, Gagosian
 

René Magritte

L'Apparition (The Apparition)

, 1928

Gagosian


René Magritte , L’Équateur (The Equator), 1942 , Gagosian
 

René Magritte

L’Équateur (The Equator)

, 1942

Gagosian


René Magritte , La Marche triomphale (The Triumphant March), 1948 , Gagosian
 

René Magritte

La Marche triomphale (The Triumphant March)

, 1948

Gagosian


René Magritte , La Voix du sang (Blood will Tell), 1948 , Gagosian
 

René Magritte

La Voix du sang (Blood will Tell)

, 1948

Gagosian


René Magritte , Le Lieu commun (The Commonplace), 1964 , Gagosian
 

René Magritte

Le Lieu commun (The Commonplace)

Gagosian

 Gagosian



Thursday, September 17, 2026

Wassily Kandinsky

 Palazzo Bonaparte

September 15, 2026, to February 14, 2027


The season opens in Rome with an exhibition of exceptional international significance, dedicated to one of the greatest figures of the 20th century and the father of abstractionism: Wassily Kandinsky.

From September 15, 2026, to February 14, 2027, Palazzo Bonaparte celebrates the most important revolution of the 20th century with a retrospective dedicated to the man who transformed form and color into pure emotion.



Vassily Kandinsky, Dark Coolness (Fraîcheur sombre), January 1927. Oil on canvas mounted on wood, 26.1 x 19.9 x 1.2 cm. Bequest of Nina Kandinsky, 1981. Centre Pompidou Collection. Public domain. Photo © Centre Pompidou, MNAM-CCI/Hélène Mauri/Dist. GrandPalaisRmn.

Rome and Italy have waited over 25 years for the return of the master of abstractionism—a wait that finally comes to an end with an exhibition of exceptional scope, featuring Kandinsky’s masterpieces from major international institutions and the Centre Pompidou. The latter has made an exceptional loan of a substantial body of works, made possible by its temporary closure for restoration.


Wassily Kandinsky, *Gelb-Rot-Blau* (Yellow-Red-Blue), 1925 – Oil on canvas – 128 x 201.5 cm – Gift of Nina Kandinsky, 1976 – Centre Pompidou, Paris, Musée national d’art moderne – Centre de création industrielle

Curated by Angela Lampe, the exhibition brings together over seventy masterpieces from the estate of the artist's wife, Nina Kandinsky. The exhibition layout, divided into five sections, traces the artist's entire journey—from his time as a brilliant lawyer in Moscow to his role as a pioneer of the European avant-garde.

Among the works on display are absolute icons such as *Gelb-Rot-Blau* (1925) and 


*The Black Arc* (1912)—compositions that demonstrate how a painting can resonate like a melody and speak directly to the soul. A fresh and powerfully intense spotlight is cast on Gabriele Münter, whose work is being exhibited in Italy for the first time; long overshadowed by Kandinsky—her life partner—Münter is now being rediscovered as a pivotal figure of Expressionism, a shift reflected in recent international exhibitions.

Enriched by period accounts, photographs, biographical details, intimate letters, and Arthemisia’s signature immersive and lavish exhibition design, the show offers an up-close look at one of the greatest artists of all time.


Video