4 Sep 2024 - 13 Jan 2025
Surrealism
Retracing over 40 years of exceptional creative effervescence, from 1924 to 1969, "Surrealism" marks the anniversary of this movement, which was born in 1924 with the publication of André Breton’s founding Manifesto.The exhibition is organised both chronologically and thematically, structured into 14 sections that evoke literary figures who inspired the movement (Lautréamont, Lewis Carroll, Sade, etc.) and the poetic principles that structured its imagery (the artist as a medium, dreams, the philosopher’s stone, the forest, etc.).Designed like a maze, the “Surrealism” exhibition is an unprecedented dive into the exceptional creative effervescence of the Surrealist movement, born in 1924 with the publication of André Breton’s founding Manifesto.
Combining paintings, drawings, films, photographs and literary documents, the exhibition presents works by the movement’s iconic artists (Salvador Dalí, René Magritte, Giorgio de Chirico, Max Ernst, Joan Miró), as well as those by the female Surrealists (including Leonora Carrington, Ithell Colquhoun, Dora Maar).
Max Ernst, « L'ange du foyer (Le triomphe du surréalisme) », 1937 © Adagp, Paris. Vincent Everarts Photographie
The exhibition is organised both chronologically and thematically, structured into 14 sections that evoke the literary figures who inspired the movement (Lautréamont, Lewis Carroll, Sade, etc.) and the poetic principles that structure its imagery (the artist as a medium, dreams, the philosopher’s stone, the forest, etc.).
At the heart of the exhibition is a central “drum” housing the original manuscript of the Manifesto, an exceptional loan from the National Library of France. A multimedia screening accompanies the discovery of this unique document, providing insight into its creation and meaning.
Suzanne van Damme’s Surreal Composition (1943)© Collection RAW (Rediscovering Art by Women)
Salvador Dalí’s Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening (1944)
© Museo Nacional Thyssen-Bornemisza
Dora Maar's Untitled (Hand Shell) (1934)© Centre Pompidou, MNAM-CCI/Jacques Faujour/Dist. RMN-GP; Adagp, Paris, 2024
