The J. Paul Getty Museum plans to acquire Virgin with
Child, St. John the Baptist, and Mary Magdalene (about 1530-40) by Parmigianino (Italian, 1503-1540), one of the most
celebrated painters of the Italian Renaissance. Extremely well-preserved, the
painting is a supreme example of the artist’s mature Mannerist style and
represents sixteenth-century painting at its finest.
Francesco Mazzola, better known as Parmigianino—a nickname
derived from his native town of Parma—is one of the greatest Italian painters,
draughtsman, and printmakers of the sixteenth century. During a career that
lasted only two decades, he executed a wide range of work, from small panels
for private devotion, to large-scale altarpieces and frescoes, to brilliantly
executed portraits. Few painters had a greater influence on the art of their
century, and his intellectual and elegant style spread far and wide, despite
his very brief life.
The unconventional iconography of this painting typifies
Parmigianino’s innovative work: the Christ Child turns from the Virgin Mary to
embrace his young cousin, John the Baptist, whose hands are joined in prayer.
Mary Magdalene holds the Christ Child under his arms while looking back at the
Virgin. Intended for private devotion, the intimate religious subject exhibits
Parmigianino’s characteristic polished and enamel-like paint surface and
exquisitely rendered details; the lush landscape, elaborate hairstyles of the
two women, interplay of hands, and still life with the jewels of Mary Magdalene
enhance the transcendent beauty of the composition. Parmigianino executed the
painting on paper laid down on panel, a unique feature in his surviving work,
and one which reflects his accomplishment as a draughtsman.
“Pope Clement VII hailed Parmigianino as ‘Raphael reborn,’
and his style was extremely influential during the course of the sixteenth
century,” says Davide Gasparotto, senior curator of paintings at the J. Paul
Getty Museum. “This painting, with its impeccable provenance and exceptional
state of preservation, shows the artist at the peak of his maturity.”
The painting complements a number of the Getty’s existing
Italian Renaissance paintings, including
Head of Christ (about
1530) by Correggio (about 1489-1534),
The Rest on the Flight into Egypt with St. John the
Baptist (about 1509) by Fra Bartolomeo
(1472-1517) and works by Giulio Romano (before 1499 – 1546), Sebastiano del
Piombo (1485-1547) and Jacopo Pontormo (1494-1557).