The Virginia Museum of Fine Arts (VMFA) announced Wednesday their receipt of a significant gift from longtime patrons James W. and Frances Gibson McGlothlin. With a total collective value of nearly $60 million, the donation includes a substantial contribution to VMFA’s expansion campaign, which will culminate in a second major wing at the museum named after the couple — the James W. and Frances G. McGlothlin Wing II — as well as 15 remarkable paintings by prominent American artists.
In June 2021, VMFA announced that the museum has undertaken an exciting $190 million expansion and renovation project, anticipated to be completed in Spring 2026. International architectural firm SmithGroup is charged with designing the 170,000-square-foot James W. and Frances G. McGlothlin Wing II, which will include galleries for American art, African art, 21st-century art and special exhibitions, as well as a special events space that can seat up to 500 people. The project also includes 45,000-square-feet of renovations to the existing building. The total expansion, estimated to cost $365 million, is the largest expansion and campaign in VMFA’s history.
“The Virginia Museum of Fine Arts has become one of this country’s premier art institutions — with one of the strongest American art collections in the U.S.,” said Jim McGlothlin. “We feel it is important that we share these incredible works of art from our collection with people from our home state of Virginia. Donating them to VMFA ensures that they will be enjoyed by visitors to the museum for generations to come.”
The McGlothlins’ recent donation comprises 15 works by American masters from the 19th and 20th centuries, including paintings by Milton Avery, Albert Bierstadt, Frederick Carl Frieseke, Marsden Hartley, George Luks, Maurice Prendergast, Theodore Robinson, Norman Rockwell, John Singer Sargent, John Sloan and Andrew Wyeth, as well as two pastels by Everett Shinn. Norman Rockwell’s 1971 painting, The Collector, is the first work by this beloved American artist to enter VMFA’s collection, while Andrew Wyeth’s 1973 tempera painting Ericksons is considered to be one of the artist’s greatest works.
“We are profoundly grateful to the McGlothlin family for this transformative gift of American art,” said Nyerges. “The 15 paintings will join the 75 works the McGlothlins previously donated to the museum and will enhance the VMFA’s already impressive collection of more than 2,000 works of American art.”
Since the first exhibition of works from their collection 16 years ago, Capturing Beauty: American Impressionist and Realist Paintings from the McGlothlin Collection, the McGlothlins have been generous contributors to VMFA. In 2005, the couple entrusted their expansive collection of 19th- and 20th-century American paintings, sculpture and works on paper — one of the leading private collections in this country — to VMFA, and made a $30 million gift toward the museum’s 2010 expansion which included the 165,000-square-foot James W. and Frances G. McGlothlin Wing. In 2012, the couple established the $20 million McGlothlin Endowment for American Art to support the preservation and growth of VMFA’s American art collection.
The McGlothlins have since decided to advance their donations of artworks to VMFA, first donating William Merritt Chase’s Wounded Poacher (1878) in 2009, followed by John Singer Sargent’s The Rialto (1909) in 2014. A year later, the McGlothlins gave an astounding 73 works of art, valued at $300 million, by George Bellows, Mary Cassatt, Childe Hassam, John Singer Sargent, James A.M. Whistler and other artists, which have delighted VMFA’s visitors since going on display in the summer of 2015. The gift was transformative, resulting in six new galleries of American art permanently installed with the McGlothlin Collection. Their gift was key to making VMFA’s current expansion necessary. The American galleries will double in size from the current 15,000 square feet to more than 30,000 square feet in the McGlothlin Wing II.
Gifted works include:
"Mandolin with Flowers," 1948, Milton Avery (American, 1885–1965), oil on canvas
· "Moonlight in Yosemite," n.d., Albert Bierstadt (American, born. Germany, 1830–1902), oil on canvas
· "In the Boudoir," ca. 1914, Frederick Carl Frieseke (American, 1874–1939), oil on canvas
· "Landscape with Single Cloud," 1922–23, Marsden Hartley (American, 1877–1943), oil on canvas
· "Child in Gray," 1905, George Luks (American, 1867–1933), oil on canvas
· "Evening Shower," Paris, 1892–94 Maurice Prendergast (American, born Canada, 1858–1924), oil on panel
· "Girl in Hammock," 1894, Theodore Robinson (American, 1852–1896) Oil on canvas laid down on board
· "The Collector," 1971, Norman Rockwell (American, 1894–1978), oil on canvas
· "A Venetian Woman," ca. 1880–81, John Singer Sargent (American, born Italy, 1856–1925), oil on board
· "Broadway, Late in the Afternoon, After Matinee," 1899, Everett Shinn (American, 1876–1953), pastel, charcoal, gouache, and watercolor on artist’s board Virginia Museum of Fine Arts, Richmond. Donated by United Art of Virginia, LLC as part of the James W. and Frances Gibson McGlothlin Collection, 2021.514.
· "Steps Between House (Paris Street)," 1903, Everett Shinn (American, 1876–1953), pastel on paper Virginia Museum of Fine Arts, Donated by United Art of Virginia, LLC as part of the James W. and Frances Gibson McGlothlin Collection, 2021.515.
· "Glimpse of Gloucester Trolley," 1914, John Sloan (American, 1871–1951), oil on canvas
· "Independence Square," Philadelphia, 1900, John Sloan (American, 1871–1951), oil on canvas
· "Russian Girl," 1906–07, John Sloan (American, 1871–1951), oil on canvas
The McGlothlin family also provided the funds for VMFA to acquire:
"Ericksons," 1973, Andrew Wyeth (American, 1917–2009), tempera on panel, Virginia Museum of Fine Arts, Purchased with funds provided by James W. and Frances Gibson McGlothlin, 2021.519.
· "Ericksons," 1973, Andrew Wyeth (American, 1917–2009), tempera on panel
