EXHIBITION: 15.04. – 28.08.2016
Paul Gauguin (1848–1903) cannot be ignored. Not in the realm of art history, nor at Glyptoteket, which is home to one of the world’s finest collections of the artist’s work. This spring’s special exhibition adds new layers to the story of this French artist, presenting his experimental explorations of ‘the primitive’.
Wide scope
Featuring more than seventy works spanning every media employed by the artist, the exhibition offers an overview of Gauguin’s wide-ranging life’s work while also focusing on particular highlights. The exhibition traces Gauguin’s unwavering endeavours to build and express his very own concept of ‘the primitive’; a concept that cuts across different cultures and geographical locations.
‘The primitive’
Gauguin’s stubborn pursuit of the primitive in the face of personal and financial difficulties was not fuelled by an interest in ethnographic matters, but sprang from an artistic vision. A vision that took on its own distinctive form across different cultures, ages and religions, making no concessions to established norms for artistic creativity and use of media. The exhibition explores the journey that led towards Gauguin’s personal, original artistic idiom. This includes the physical travels that took him to Denmark, Brittany, Arles, Martinique and Polynesia, but also the inner voyage where he constantly, his mind fuelled by countless different impressions and sources, invented and reinvented the primitive in imaginary worlds.
Gauguin’s prism
Gauguin’s world of motifs and imagery draws on many sources of inspiration, but always relates to the primitive as a concept. As the exhibition shows, Gauguin’s take on ‘the primitive’ can be understood as something universal, something eternally rooted in human nature, but also as a carefully managed artistic brand that blends fiction and reality at every turn. Despite garnering only limited acclaim in his own day, Gauguin was very aware of tapping into his own era’s fascination with the ‘New’ world, even if he always captures that world through a deeply personal and complex prism.
A well-rounded collection
The exhibition demonstrates the huge potential inherent in Glyptotekets’ collection. Most of the works on view come from the museum’s own collection, supplemented by carefully selected loans – some major highlights, others curiosities – from other museums and private collections. With its clear narrative and themed presentations, the exhibition covers Gauguin’s work from his early years to his late production. It also documents his immense appetite for working with different media and materials. Here visitors will find paintings, prints, drawing, ceramics, woodcarvings and rarely-seen examples of Gauguin’s furniture and jewellery design.
This event is based on the exhibition “Gauguin – Tales from Paradise”, which Glyptoteket curated in the autumn of 2015 for MUDEC – Museo delle Culture in Milan.
Paul Gauguin
Hyrdepige fra Bretagne
Breton Girl 1889
Oil on canvas 71.5 x 90.5 cm
Ny Carlsberg Glyptotek
Paul Gauguin
Liggende tahitikvinder
Reclining Tahitian Women 1894
Oil on canvas 60 x 98 cm
Ny Carlsberg Glyptotek
Paul Gauguin
Tahitikvinde med en blomst
Tahitian Woman with a Flower 1891
70,5 x 46,5 cm
Olie på lærred/Oil on canvas
Ny Carlsberg Glyptotek
Paul Gauguin
Skøjteløbere i Frederiksberg Have
Skaters in Frederiksberg Gardens 1884
65 x 54 cm
Olie på lærred/Oil on canvas
Ny Carlsberg Glyptotek
Paul Gauguin
Portræthoved i uglaseret stentøj af kvinde fra Martinique med hovedtørklæde
Portrait-Head in unglazed Stoneware of Martinique Woman with Kerchief 1887-88
22,5 x 13 x 17,5 cm
Uglaseret stentøj, dekoreret med lervælling /Unglazed stoneware, decorated with slip
Ny Carlsberg Glyptotek
Paul Gauguin
Pape moe
Pape moe (Mysterious Water) 1894
81,5 x 62 x 5 cm
Egetræ, bemalet /Oak, painted
Ny Carlsberg Glyptotek
Paul Gauguin
Landskab fra Tahiti
Landscape from Tahiti 1893
49 x 54 cm
Olie på lærred /Oil on canvas
Ny Carlsberg Glyptotek
