The Holburne Museum, Bath
11 February to 4 June 2017
The Holburne Museum has announced the UK’s first exhibition devoted to the Bruegel dynasty, including recent attributions for two paintings from the Museum’s own collection. Bruegel: Defining a Dynasty will unravel the complex Bruegel family tree, revealing the originality and diversity of Antwerp’s famous artistic dynasty across four generations through 35 works, including masterpieces from the National Gallery, Royal Collection Trust, the National Trust, the Fitzwilliam Museum, the Ashmolean Museum and the Barber Institute of Fine Arts.
Jennifer Scott, the Holburne’s Director and co-curator of the exhibition notes, ‘This exciting new exhibition not only shines a light on the quality of the Holburne Museum’s Flemish paintings, but also on the wealth of paintings by the Bruegel dynasty in the UK.’
A key work in the exhibition will be Wedding Dance in the Open Air, an oil painting from the Holburne’s own collection which, following conservation work and technical examination, can be attributed firmly to the hand of Pieter Brueghel the Younger. Previously thought to be the work of a copyist or follower of Brueghel, it now takes its place as the only version of this popular scene in a UK public museum.
Together with Robbing the Bird’s Nest
and the Visit to a Farmhouse,
also featured in the exhibition, this new discovery makes the Holburne Museum the primary collection of Pieter Brueghel the Younger’s work in the UK.
The exhibition will also show the
David Teniers the Younger’s Boy Blowing Bubbles from the Holburne’s own collection. Previously ascribed to ‘Imitator of David Teniers the Younger’, recent research undertaken by the Holburne Museum has revealed a new attribution to Teniers himself.
Bruegel: Defining a Dynasty is curated by the Holburne’s Director, Jennifer Scott, and Dr Amy Orrock, independent art historian and Bruegel specialist, and will provide the opportunity to understand and reimagine the Bruegel familial relationships, investigating the developments of the artists’ individual styles and the way in which they asserted both their artistic heritage and their independence. Visitors can compare the development of ‘Bruegelian’ iconography over 150 years, through works by Pieter Bruegel the Elder, his sons Pieter Brueghel the Younger and Jan Brueghel the Elder, their direct descendants (Jan van Kessel the Elder) and artists that married into the family (David Teniers the Younger). In particular, the exhibition will highlight Pieter Brueghel the Younger’s artistic talents, reinstating him as an important artist in his own right.
A book to accompany the exhibition Bruegel: Defining a Dynasty is written by Amy Orrock and published by Philip Wilson.
