Nature Unleashed: The Image of Catastrophe since 1600
Hamburger Kunsthalle
In a
large-scale exhibition spanning several epochs, the Hamburger Kunsthalle
traces based on important works how artists working in different media
picture natural catastrophes while also shedding light on humanity’s
failure to come to terms with nature due, among other things, of our
faith in technology. Nature Unleashed: The Image of Catastrophe since
1600 features approximately 200 exhibits, including paintings, drawings,
prints, sculptures, photographs, films and videos.
As viewers make
their way past blazing fires, earthquakes, floods, volcanic eruptions
and sinking ships, they will take note of pictorial constants in the
expression of such disasters but will also become aware of the
differences in depiction from one era to the next. The show’s special
appeal lies in the close juxtaposition of artworks created centuries
apart. The trajectory of exhibited works spans an arc from the years
around 1600 to the present day. Contemporary works serve to anchor the
theme in the here and now and underline its topicality.
Catastrophes are omnipresent. The media constantly reports on natural
disasters, acts of war, political upheavals and other crisis scenarios,
characterising them all with the common term »catastrophe«. Catastrophes
don’t just happen, they are made. It is only in our perception, in our
active engagement with such drastic events that they take on distinctive
contours and reveal their typical face. Every age makes its own
catastrophes and redefines the criteria by which certain events are
labelled as such. These fundamental observations form the basis for the
exhibition project.
Featured artists include Wenzel Hollar (1607–1677), Jan Asselijn
(1610–1652), Johann Wolfgang von Goethe (1749–1832), Caspar David
Friedrich (1774–1840), Théodore Géricault (1791–1824), John Martin
(1789–1854), Martin Kippenberger (1953–1997), Christian Jankowski (b.
1968) and Julius von Bismarck (b. 1983). Alongside pieces from the
Hamburger Kunsthalle’s own collections, important works were loaned by
prestigious museums and collections including the Musée du Louvre and
the Musée d’Orsay in Paris, the National Gallery, the Victoria and
Albert Museum in London as well as the Kunsthaus Zurich and the
Kunstmuseum Basel.
A richly illustrated catalogue will accompany the exhibition in which
all works on view are presented with individual commentaries. Catalogue
essays contributed by experts on this complex topic set it against the
backdrop of current catastrophe research. The catalogue can be purchased
in the Museum Shop for 29 Euros or can be ordered online at
www.freunde-der-kunsthalle.de.
A multimedia guide in German and English is available as well as a
children guide for visitors aged 6 to 12 years. For the dates of guided
tours and all further information on the exhibition, visit
www.hamburgerkunsthalle.de.
The exhibition is a cooperative project between the Hamburger Kunsthalle
and the Chair of Art History and Visual Culture Studies at the
University of Passau.
Eugène Isabey (1803–1886)Schiffbruch des Dreimasters »Emily«Johann Carl Berthold Püttner (1821-1881)Untergang des Auswandererschiffes »Austria« am 13. September 1858, 1858Claude-Joseph Vernet (1714–1789)Der Schiffbruch, 1762Caspar David Friedrich (1774–1840)Das Eismeer, 1823/24Jan Asselijn (1610–1652)Bruch des St. Anthonisdeichs nahe Amsterdam, 1651Olphaert den Otter (*1955)lucht/water 28/10/2011, 2011Joseph Wright of Derby (1734–1797)Ausbruch des Vesuvs, o. J.Pierre-Henri de Valenciennes (1750–1819Der Ausbruch des Vesuv mit dem Tod des Plinius, 1813Michael Wutky (1739–1822)Vesuv-Ausbruch, um 1796Egbert van der Poel (1621–1664)Blick auf Delft nach der Explosion von 1654, 1654Caspar David Friedrich (1774–1840)Das brennende Neubrandenburg, um 1834Jacob Gensler (1808–1845)Hamburg nach dem Brande von 1842, 1842Johann Heinrich Füssli (1741–1825)Der gerächte Neger, (The Negro Avenged)1806/07Julius Schnorr von Carolsfeld (1794–1872)Loth flieht mit seiner Familie aus Sodom, 1855