September 7 2018 – January 6 2019
Through some 60 works, the show The Young Tintoretto, curated by Roberta Battaglia, Paola Marini, and Vittoria Romani, will range over the first decade of the Venetian painter’s activity, from 1538 (the year in which there was first documented an independent activity by Jacopo Robusti, in San Geremia) to 1548, the date of the clamorous success of his first public work, the Miracolo dello schiavo, for the Scuola Grande di San Marco, today the pride of the Gallerie dell’Accademia: an exciting itinerary that reconstructs that extraordinary period of stimuli and experimentation as a result of which Tintoretto profoundly renewed Venetian painting, at a time when it was undergoing great changes.
The show brings together 26 exceptional paintings by Tintoretto and, at the same time, highlights the works from the museum’s permanent collection which will be seen from a new viewpoint, flanked as they are by loans from some of the most important public and private institutions in the world. From the Louvre in Paris to the National Gallery, Washington; the Prado, Madrid; the Uffizi, Florence; the Galleria Borghese, Rome; the Kunsthistorisches Museum, Vienna; the Museum of Fine Arts, Budapest; the Fabbrica del Duomo, Milan; the Courtauld Gallery, London; and the Wadsworth Atheneum, Hartford.
Following a chronological order divided into four sections, the itinerary will investigate the still strongly debated period of Tintoretto’s formation, which cannot easily be referred back to a recognized workshop or individual, by relating him to the Venetian artistic and cultural context of the 1530s and 1540s. In this way there will be clarified how Jacopo Robusti acquired and transformed his models in order to develop a dramatic and revolutionary style through the stimuli of Titian, Pordenone, Bonifacio de’ Pitati, Paris Bordon, Francesco Salviati, Giorgio Vasari, and Jacopo Sansovino, all represented in the show by significant works.
There will also be exhibited paintings and sculptures by artists of Tintoretto’s generation and who worked in the same milieu, among them Andrea Schiavone, Giuseppe Porta Salviati, Lambert Sustris, and Bartolomeo Ammannati.
Images and captions:http://www.mostratintoretto.it/en/young-tintoretto
Jacopo Tintoretto Cristo tra i dottori Milano, Museo del Duomo © foto Malcangi
Jacopo Tintoretto Conversione di san Paolo Washington, National Gallery of Art, Samuel H. Kress Collection 1961.9.43
Jacopo Sansovino, Il miracolo dello schiavo in Provenza, Venezia, Procuratoria di San Marco, Archivio Fotografico Procuratoria di San Marco
Jacopo Tintoretto, Apollo e Dafne, Modena, Gallerie Estensi, © su concessione del Mibact – Archivio Fotografico delle Gallerie Estensi
Jacopo Tintoretto, Estate, Washington, National Gallery of Art, Samuel H. Kress Collection 1961.9.90
Jacopo Tintoretto Cristo tra i dottori Milano, Museo del Duomo © foto Malcangi
Jacopo Tintoretto Conversione di san Paolo Washington, National Gallery of Art, Samuel H. Kress Collection 1961.9.43
Jacopo Sansovino, Il miracolo dello schiavo in Provenza, Venezia, Procuratoria di San Marco, Archivio Fotografico Procuratoria di San Marco
Jacopo Tintoretto, Apollo e Dafne, Modena, Gallerie Estensi, © su concessione del Mibact – Archivio Fotografico delle Gallerie Estensi
Jacopo Tintoretto, Estate, Washington, National Gallery of Art, Samuel H. Kress Collection 1961.9.90
Jacopo Tintoretto, La strage dei figli di Niobe, Modena, Galleria Estense, © su concessione del Mibact – Archivio Fotografico delle Gallerie Estensi
Giorgio Vasari, La Giustizia, Venezia, Gallerie dell’Accademia © Archivio fotografico G.A.VE, su concessione del Mibact
Image
Jacopo Tintoretto, Apollo e Marsia, Hartford, Wadsworth
Atheneum Museum of Art, CT. The Ella Gallup Sumner and Mary Catlin
Sumner Collection Fund
