Palazzo Ducale, Venice, September 7–January 6, 2019
National Gallery of Art, Washington, March 10–July 7, 2019
Tintoretto: Artist of Renaissance Venice, the first retrospective of the artist in North America, features nearly 50 paintings and more than a dozen works on paper spanning the artist's entire career. Included in the rich selection of domestic and international loans are works ranging from regal portraits of Venetian aristocracy to religious and mythological narrative scenes. In addition, Tintoretto will explore the artist's working methods.
The exhibition curators are Tintoretto experts Robert Echols, independent scholar, and Frederick Ilchman, chair of the Art of Europe department and Mrs. Russell W. Baker Curator of Paintings at the Museum of Fine Arts, Boston. While Tintoretto was considered one of the "Big Three" 16th-century Venetian painters alongside Titian and Paolo Veronese during his lifetime and in the succeeding centuries, works by Tintoretto's assistants and followers have frequently been misattributed to the master. Echols and Ilchman are widely responsible for a new and more accurate understanding of Tintoretto's oeuvre and chronology, first explored in the Museo del Prado's Tintoretto exhibition in 2007.
Catalogue
A fully illustrated exhibition catalog will be published in English and Italian and include a range of essays by the curators and other leading scholars as well as new research and scientific studies of Tintoretto's work.
October 16, 2018
336 pages, 9 3/4 x 11 3/4
240 color illus.
ISBN: 9780300230406
Hardcover
Published in association with the National Gallery of Art, Washington
Published on the 500th anniversary of
Tintoretto’s birth, this unprecedented publication celebrates one of
Renaissance Italy’s greatest painters
Jacopo Tintoretto (1518 or 1519–1594) was known for the remarkable energy of his work. His contemporary Giorgio Vasari described him as the “most extraordinary brain that painting has ever produced.” Considered to be one of the three great painters of 16th-century Venice, along with Titian and Paolo Veronese, Tintoretto is admired for his dramatic treatments of sacred and secular narrative subjects and his insightful portraits of the Venetian aristocracy. His bold and expressive brushwork, which made his paintings seem unfinished to his contemporaries, is now recognized as a key step in the development of oil-on-canvas painting.
This lavishly illustrated study, published to coincide with the 500th anniversary of the artist’s birth, features more than forty of Tintoretto’s paintings, including many large-scale pieces that convey the breadth and power of his narrative works, along with a sample of his finest drawings. An international group of scholars led by Robert Echols and Frederick Ilchman explores Tintoretto’s artistic activity and situates his life and work in the context of his contemporaries’ work and of the Renaissance in Italy, providing a fundamental point of reference for modern scholarship and an essential introduction to the artist’s career and oeuvre.
Jacopo Tintoretto (1518 or 1519–1594) was known for the remarkable energy of his work. His contemporary Giorgio Vasari described him as the “most extraordinary brain that painting has ever produced.” Considered to be one of the three great painters of 16th-century Venice, along with Titian and Paolo Veronese, Tintoretto is admired for his dramatic treatments of sacred and secular narrative subjects and his insightful portraits of the Venetian aristocracy. His bold and expressive brushwork, which made his paintings seem unfinished to his contemporaries, is now recognized as a key step in the development of oil-on-canvas painting.
This lavishly illustrated study, published to coincide with the 500th anniversary of the artist’s birth, features more than forty of Tintoretto’s paintings, including many large-scale pieces that convey the breadth and power of his narrative works, along with a sample of his finest drawings. An international group of scholars led by Robert Echols and Frederick Ilchman explores Tintoretto’s artistic activity and situates his life and work in the context of his contemporaries’ work and of the Renaissance in Italy, providing a fundamental point of reference for modern scholarship and an essential introduction to the artist’s career and oeuvre.
Robert Echols is
an independent scholar and curator who has worked on exhibitions at the
National Gallery of Art, Washington; Museo del Prado, Madrid; and Museum
of Fine Arts, Boston. Frederick Ilchman is chair of Art of Europe and the Mrs. Russell W. Baker Curator of Paintings at the Museum of Fine Arts, Boston.
The exhibition is organized by the National Gallery of Art, Washington, and the Fondazione Musei Civici di Venezia with the collaboration of the Gallerie dell’Accademia, Venice.
- Tintoretto: Artist of Renaissance Venice
Jacopo Tintoretto, Summer, c. 1555, oil on canvas, overall: 105.7 x 193 cm (41 5/8 x 76 in.) framed: 135.9 x 224.8 x 8.5 cm (53 1/2 x 88 1/2 x 3 3/8 in.) , National Gallery of Art, Washington, D.C., Samuel H. Kress Collection 
Tintoretto: Artist of Renaissance Venice
Jacopo Tintoretto, Man with a Golden Chain, c. 1555, oil on canvas, overall: 104 x 77 cm (40 15/16 x 30 5/16 in.), Museo Nacional del Prado, ©Photographic Archive Museo Nacional del Prado- Tintoretto: Artist of Renaissance Venice
Jacopo Tintoretto, Self-Portrait, c. 1588, oil on canvas, overall: 63 x 52 cm (24 13/16 x 20 1/2 in.) framed: 93.5 x 84.5 cm (36 13/16 x 33 1/4 in.) , Musée du Louvre- Départment des Peintures
