From 21 September 2017, the Atomium (Brussels) invites both the young and the not-so-young to discover René Magritte through a fun experience full of surprises. Certain key works by the major Belgian Surrealist artist will be displayed in an innovative scenography. Visitors will be immersed in the Surrealist universe of René Magritte, whose paintings will be transformed into exhibition sets, split into sections for close examination. Enter the magical world of Belgium’s greatest artist. Weave your way around his bowler-hatted figures, his clouds and birds. Discover the secret messages hidden in his paintings, explore the extraordinary and captivating settings depicted in his masterpieces.
The aim behind the exhibition is to acquaint visitors with the world of René Magritte and, in this way, to introduce them to Surrealism. With this in view, the experience will unfold as follows. Firstly, visitors will quite literally penetrate Magritte’s world, as they are plunged into the renowned artist’s Surrealist realm. Some works will be presented in 3D in actual size, as elements forming part of the exhibition scenography, and visitors will walk through the set like characters in a play, soaking up the atmosphere.
This will bring them face to face with the key elements in Magritte’s paintings: they will be able to linger awhile among the clouds, the famous birds will be suspended above their heads, and they will have green apples to use as seats. Music to suit the setting and theatrical lighting will provide the finishing touches to the overall ambience, reflecting the intention of making these artistic works of genius accessible to everyone. A fun yet educational experience, the exhibition brings to light certain details that have rarely been discussed, but which will be revealed through this particular way of perceiving Magritte’s work. Our aim is to show visitors the conceptual world between image, pictorial art, speech and reality. The carefully selected key works present Magritte’s world and the iconic elements that embody it in all its forms:
THE LOVERS (1928)
There is a strong link between the enshrouded face and Magritte’s own life story, but this is also an example of the double meaning so favoured by the renowned artist, as the faces are veiled by cloth.
THE SON OF MAN (1964)
Here we see the easily identifiable motifs so closely associated with Magritte: the bowler hat, the apple, the hidden face and the clouds.
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THE DOUBLE SECRET (1927)
The image is nothing more than a layer, a ‘film’ that may be cut out and repositioned, thereby covering a totally different, obscure image.
Alongside these paintings, displayed in sections, the exhibition will feature memorable quotes by Magritte – in relation to his art and to Surrealism – as well as screenings of a range of his paintings, illustrating other elements of his artistic realm. This original exhibition was proposed by the Atomium and will also be held there. It will take account of the striking architecture of this building, a symbol of Brussels and part of its heritage.
