Making Painting: Helen Frankenthaler and JMW Turner (25 January to 11 May 2014), launches Turner Contemporary’s exceptional 2014 programme. Showcasing the work of the celebrated American Abstract Expressionist painter, Helen Frankenthaler alongside paintings by JMW Turner from the 19th century, the exhibition includes 24 paintings by Frankenthaler, whose last public gallery exhibition was at the Whitechapel in 1969.
Turner Contemporary Director, Victoria Pomery said:
“Helen Frankenthaler is a much overlooked artist despite being an important voice in the development of Abstract Expressionism. The exhibition provides a unique opportunity to see a significant body of her paintings in the UK alongside some great works by JMW Turner. This exhibition explores painting more broadly allowing similarities as well as differences to be revealed between both artists’ practice.”
Making Painting explores the concept that, though working on different continents in different centuries, JMW Turner and Helen Frankenthaler share fundamental qualities in their use of paint and colour, form and narrative, and in their understanding of landscape.
The exhibition is devised and curated by Turner scholar James Hamilton, whose writings on nineteenth and twentieth century art have explored the continuing resonance of Turner's life and work across the past two hundred years. Mr Hamilton explains the ethos behind the bringing together of two seemingly disparate artists:
“This exhibition encourages us all to rely not on what we might know but on what we can see, and as far as possible to throw off the burden of art history. It is the excitements of this conjunction between a Romantic nineteenth-century Briton and an Abstract Expressionist twentieth-century American that the exhibition seeks to evoke, revealing the fellowship that the two artists share in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art. These two artists could only have met and talked in our imaginations: so bringing their work together takes imagination just one small step further towards reality and allows us to examine values common to both. By exploring two individuals’ attitude to landscape painting across the centuries, this show takes us into the fourth dimension: time.”
The exhibition includes a substantial number of works by both artists. There will be 12 Turner oils & 21 watercolours making it the largest collection of paintings by JMW Turner at Turner Contemporary since Turner and the Elements in 2012.
Making Painting: Helen Frankenthaler and JMW Turner opens to the public on Saturday 25 January 2104 and will run to 11 May 2014.
JMW Turner, The Evening Star, 1830, oil on canvas, © The National Gallery, London. Turner Bequest, 1856
JMW Turner Foot of St. Gothard, c.1842 (wc on paper), City Art Gallery, Leeds. The Bridgeman Art Library
JMW Turner, Stormy Sea Breaking on a Shore, 1840-45, Yale Center for British Art, Paul Mellon Collection
JMW Turner Trematon Castle, Cornwall ,c.1828, © Tate, London 2013
JMW Turner, Thompson’s Aeolian Harp 1809, ©Manchester City Galleries
Helen Frankenthaler, Hotel Cro-Magnon, Courtesy Milwaukee Art Museum
Helen Frankenthaler, Sun Dial, Abbot Hall Art Gallery/Lakeland Arts Trust
© ARS, NY and DACS, London 2013
Helen Frankenthaler, Burnt Norton, The Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York
Helen Frankenthaler, Overture, The Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York
Helen Frankenthaler, Covent Garden Study: Final Maquette for the Third Movement, Kettle’s Yard, University of Cambridge
