Sotheby's 2017
oil on canvas
Painted in 1874
Estimate: £6,000,000-8,000,000
Painted in 1874
Estimate: £6,000,000-8,000,000
Falling snow or the snow-covered countryside offered
unparalleled opportunities for exploring the effects of light and weather on a
landscape, making winter scenes a key motif for the Impressionists. In this
rare snow scene by Sisley the bright blue sky alongside the striking interplay
between sunlight and shadow on the snow has a spellbinding effect. One of the
finest paintings by Sisley ever to appear on the market, this luminous work was
included in the seminal Impressionists in Winter exhibition held at the
Phillips Collection, Washington, D.C. and Fine Arts Museums San Francisco in
1998-99.
The painting dates from a pivotal period in
Sisley’s oeuvre when he was working with a group of artists including Monet,
Renoir and Degas on the plans for what came to be known as the First
Impressionist Exhibition. Dating from the same year as this influential
occasion, Effet de neige à Louveciennes epitomises the expressive style
pioneered by this group of artists.
Alfred Sisley
Le Loing à Moret, en été
oil on canvas
Painted in 1891.
Estimate: £5,000,000-7,000,000
Painted in 1891.
Estimate: £5,000,000-7,000,000
Le Loing à Moret, en été is one of Sisley's richest and most
accomplished riverscapes, combining the beauty of nature with the view of the
town’s picturesque architecture. Sisley first moved with his family to
Veneux-Nadon near Moret-sur-Loing in 1880, and continued to live in that area
for the rest of his life, moving several times between the two villages. The
mesmerising local scenery offered a constant source of inspiration to the
artist, who tried to capture the relationship between land, water and sky as
well as the changing effects of light on his surroundings. Juxtaposing
brushstrokes of bright yellow, green and purple tones, Sisley captures the
shifting effect of the intense blue sky on a bright summer day on the surface
of the water.
Sotheby’s
4 November 2009
La Seine à Argenteuil with its tranquil ambiance and focus
on the rural, pre-industrial aspects of river life is typical of Alfred
Sisley’s finest work (est. $1.5/2 million, £900,000/1.2 million, €1/1.5
million). Painted in 1870 during a stay in Argenteuil with Monet shortly after
the Franco-Prussian War, the present canvas belongs to a group of works that
documents Sisley’s observations of the town and its riverbanks. While sharing a
general affinity with Monet’s work of this period, Sisley’s own particular
fixations are evident in the subject matter of these paintings – his
compositions place a greater emphasis on the serenity of nature and the subtle
harmonies of light and color, unlike those of Monet who often chose to
highlight riverside activity or industry as symbols of modernity.
The
commune of Sèvres, located just over six miles southwest of central Paris, was
the setting of several of Sisley’s landscapes at the height of his involvement
with the Impressionist group. The artist moved to Sèvres in 1877 and spent the
next three years painting its landmarks, including its bridges, the station
house and the well-known porcelain factory. Vue
de Sèvres provides a vivid depiction of the landscape’s topography,
particularly in its rendering of the steep roadway that trails off into the
background (est. $600/800,000, £350/450,000, €450/550,000). From the verdant
green that dominates the composition, it seems likely that Sisley painted this
oil in late spring or early summer of 1879. By the end of the year Sisley would
turn his artistic attention towards views of Moret-sur-Loing, but his
experience in Sèvres was fundamental in shaping his technique for those later
landscapes.
Christie's 2015
Sotheby’s 2008 Impressionist and Modern
Day Sale
ALFRED
SISLEY (1839-1899)
LE CANAL DU LOING AU PRINTEMPS - LE MATIN
oil on canvas
Painted in 1897
£200,000-300,000 / €280,000 – 420,000
Le Canal du Loing au
printemps - le matin beautifully encapsulates the themes most celebrated in
Sisley's work during the 1880s and 90s. Painted from a favourite vantage point
along the river Loing near the town of Moret, the present work harmonisesthe
tranquil solitude of the tree-lined rural waterside with theplay of reflected
light dancing over the surface of the flowing river.Fascinated with capturing
the fleeting atmospheric changes, Moret – where Sisley settled in 1889 -
provided Sisley with all the aspects essential to achieving some ofhis most
appealing compositions. Characteristic of his working methods, Sisley started
painting the sky in Le Canal du Loing before the foreground, infusing a strength
and dynamism into the composition at the outset. During the 80s and 90s, Sisley
enjoyed a close relationship with Monet and their work simultaneously adopted
similarities. The treatment of water and use of blocks of colour in the present
work recall Monet's depictions of the lily pond at Giverny and show Sisley at
the height of his Impressionistic prowess.
A painting rarely seen within Alfred Sisley’s (1839-1899) oeuvre, Le potager, has resided in just two private collections since it was painted in 1872 (estimate: £1.5-2 million). Unseen in public for over half a century, it is coming to auction for the first time in over 80 years having passed by descent from the present owner’s grandfather. Sisley’s depictions of the rural, French countryside occupy an important position in the early development of Impressionism and Le potager dates from a decisive year in his career during which he left Paris and his Impressionist style emerged. At the beginning of the 1870s, Sisley, along with Claude Monet, Pierre-Auguste Renoir and Camille Pissarro, was drawn to the small riverside towns and villages of the Île-de-France, finding a wealth of inspiration in the meeting of open, unspoiled nature, and increasingly cultivated and inhabited land. With bright, harmonious colour, varied brushstrokes and bold contrasts of light and shade, Le potager demonstrates the new artistic vocabulary that Sisley and his Impressionist colleagues employed, imbuing their paintings with an innovative vitality and spontaneity, characteristics that became the abiding principles of the Impressionist movement.
Sotheby's 2014
LOT SOLD. 4,869,000
LOT SOLD. 3,749,000
LOT SOLD. 1,082,500 GBP
LOT SOLD. 3,189,000 USD
Los Verkauft 755,000 USD
Sotheby's 2012
Alfred
Sisley (1839-1899)
Christie's 2013
Christie's 2012
Christie's 2007
Pr.$1,721,000
Christie's 2012
Christie's 2009
Christie's 2007