APRIL 11–JULY 9, 2017
The Martyrdom of Saint Ursula, the last documented painting by the great Caravaggio (1571–1610), will be on exceptional loan from the Banca Intesa Sanpaolo in Naples and presented with another of the artist's final works, The Met's
Caravaggio (Michelangelo Merisi) (Italian, Milan or Caravaggio 1571-1610 Porto Ercole). The Denial of Saint Peter, 1610. Oil on canvas. The Metropolitan Museum of Art, Gift of Herman and Lila Shickman, and Purchase, Lila Acheson Wallace Gift, 1997
The Denial of Saint Peter, created in the last months of his life. These two extraordinary paintings have not been shown together since 2004, in an exhibition in London and Naples devoted to the artist's late work. Caravaggio's Last Two Paintings at the Metropolitan Museum of Art will offer a rare opportunity to see these pictures side by side and to examine the novelty of Caravaggio's late style, in which the emphasis is less on the naturalistic depiction of the figures and more on their psychological presence.
Commissioned by the Genoese patrician Marcantonio Doria two months before Caravaggio's death in July 1610,
Caravaggio (Michelangelo Merisi) (Italian, Milan or Caravaggio 1571-1610 Porto Ercole). The Martyrdom of Saint Ursula, 1610. Oil on canvas. Intesa Sanpaolo Collection, Palazzo Zevallos Stigliano, Naples
The Martyrdom of Saint Ursula is painted in an unprecedented minimalist style. Its interpretation of the tragic event that is its subject, combined with the abbreviated manner of painting, has only one parallel: The Denial of Saint Peter in The Met collection. In these two works, Caravaggio poignantly probes a dark world burdened by guilt and doom, suggesting to some scholars a connection with his biography and sense of the tragedy of life.
The exhibition is organized by Keith Christiansen, John Pope-Hennessy Chairman of the Department of European Paintings at The Met.
