The Pennsylvania Academy of the Fine Arts (PAFA) presents Peter Blume: Nature and Metamorphosis, the
first retrospective of the American modernist Peter Blume (1906-1992) since
1976, on view November 14, 2014 – April 5, 2015.
Nature and Metamorphosis will
dazzle and surprise with gorgeous allegorical paintings and virtuoso drawings
that explore rebirth and transformation. The retrospective will include 159
objects, including 56 paintings and 103 drawings from 1924 through 1990,
spanning Peter Blume’s entire career. From jarring early works inspired by the
machine age and growth of cities through profound ruminations on the power of
nature, Blume’s work helped define American modernism. The retrospective is
curated by Robert Cozzolino, PAFA Senior Curator and Curator of Modern Art.
While best known as a
painter, Blume was a virtuoso, dynamic draftsman, and his drawings show a
dynamic, surprising range. Several focus sections in the exhibition will reveal
Blume’s working methods, tracing the development of ideas in extraordinary,
dynamic drawings and small paintings leading up to major works. Among the works
featured are
South of Scranton (1930-31),
which caused a scandal when it won first prize at the 1934 Carnegie International;
The Eternal City (1934-37),
Blume’s notorious anti-fascist political work;
The Rock (1944-48),
a dramatic allegory of the creative and destructive capacity of nature; and
Tasso’s Oak (1957-60),
Blume’s largest painting, inspired by Italy, and not seen in public since 1961.
South of Scranton (1930-31),
which caused a scandal when it won first prize at the 1934 Carnegie International;
The Eternal City (1934-37),
Blume’s notorious anti-fascist political work;
The Rock (1944-48),
a dramatic allegory of the creative and destructive capacity of nature; and
Tasso’s Oak (1957-60),
Blume’s largest painting, inspired by Italy, and not seen in public since 1961.
“Blume was critical to the
development and reception of modernism in America. His work played a key role
in disseminating avant-garde ideas in the U.S. art world using a method that
resembled Flemish art transposed through the lens of Cubism and the
unconscious. Politically-engaged and willing to tackle difficult subjects,
Blume was among the first Americans to use Surrealist methods, but remained
independent of groups all of his life. His work will be a revelation to
viewers; he made some of the most startling and absorbing paintings of the 20th
century,” says Robert Cozzolino.
A European émigré, Blume was
born into a Russian Jewish family that came to the U.S. from what is now
Belarus. He studied at New York’s Educational Alliance Art School alongside
Chaim Gross and the Soyer brothers who formed his first close artistic circle.
Later, he studied briefly at the Art Students League where he befriended
Alexander Calder. By the age of 18, Blume was exhibiting professionally at one
of the leading modernist galleries in the country, and was deeply immersed in
the creative life of Greenwich Village in New York City. After 1930, Blume
lived in Sherman, Connecticut, where he was eventually in the center of a
community that included Surrealist artists who came to the U.S. during World
War II.
Between 1939 and 1966, Blume
exhibited in PAFA’s annual exhibitions of contemporary art eight times, and in
1953 he served as a juror.
Nature and Metamorphosis will
consider the political background of Blume’s imagery, as well as his
relationships with an international community of artists and writers. A
hallmark of Blume’s work from all periods of his career is its capacity to
carry multivalent meanings, always rooted in human experience, but privileging
the transformative power of the imagination.
A fully illustrated catalogue
edited by Robert Cozzolino accompanies the retrospective, with essays by
Cozzolino on The Rock, surrealism, and automatism; a piece by Samantha Baskind
on Blume’s early intellectual circles and his Jewish identity; Sergio Cortesini
on The Eternal City and its reception both in the U.S. and Fascist Italy; David
McCarthy on Fracture Ward and the U.S. army’s patronage of artists during World
War II; Sarah Vure on Blume’s place in early modernism; and new
perspectives on Tasso’s Oak and South of Scranton (1930-31). An edited,
previously unpublished interview with Blume and a selection of the artist’s
writings will shed light on Blume’s enduring legacy in the postwar world.
Peter Blume: Nature and
Metamorphosis will travel to the Wadsworth Atheneum, where it will be on view
July 3 – September 20, 2015.
EXHIBITION-RELATED PROGRAMS:
PAFA is hosting a variety of
exhibition-related programs. A selection of programs is listed below; full list
to be announced soon.
CURATORIAL
LECTURE: PETER BLUME
December 2, 2014, 7-8 p.m.
Curator Robert Cozzolino
introduces Peter Blume’s career as a significant American modernist and
narrative painter. Blume’s large-scale works often highlight themes of creative
process, regeneration, political power, and cultural memory in mid-century
America. (This program is preceded by a members-only talk.)
FAMILY ARTS ACADEMY: NATURE TRANSFORMS
November
23, 2014, 2-4 p.m.
Using an accordion
book-folding process, transform nature right before your eyes. Inspired by
Peter Blume, fold and draw a seasonal art book.