Francesco Guardi The Rialto Bridge with the Palazzo dei Camerlenghi. Estimate on request.
Christie’s Old Masters Evening Sale, 6 July 2017, will be led by Francesco Guardi’s masterpiece The Rialto Bridge with the Palazzo dei Camerlenghi
(estimate on request), which is expected to fetch more than £25
million. This magnificent picture is one of the celebrated pair of views
of the Grand Canal at the Rialto, which are widely regarded as the most
accomplished works of Guardi’s early maturity. Ambitious in scale and
startlingly innovative both in design and pictorial mood, this work
stands among the masterpieces of eighteenth-century European art. The
picture is prominently signed and exceptionally well preserved, having
been offered for sale only once in its history.
Henry Pettifer, Head of Christie’s Old Master Paintings EMERI:
“This majestic view of Venice is one of the great masterpieces of eighteenth-century view painting. Painted in the mid-1760s, at the height of the artist’s career, this is a monumental tour de force displaying the full range of Guardi’s technical virtuosity and his unique ability to capture the atmosphere and sensuous experience of being in Venice. After the record-breaking Old Master sales at Christie’s in 2016, with the
Rubens Lot and his Daughters and the pair of Rembrandt portraits sold by private treaty, we are confident this great Guardi will arouse enormous interest from global collectors of masterpieces, from Old Masters to Contemporary, this July.”
“This majestic view of Venice is one of the great masterpieces of eighteenth-century view painting. Painted in the mid-1760s, at the height of the artist’s career, this is a monumental tour de force displaying the full range of Guardi’s technical virtuosity and his unique ability to capture the atmosphere and sensuous experience of being in Venice. After the record-breaking Old Master sales at Christie’s in 2016, with the
Rubens Lot and his Daughters and the pair of Rembrandt portraits sold by private treaty, we are confident this great Guardi will arouse enormous interest from global collectors of masterpieces, from Old Masters to Contemporary, this July.”
Taking
its vantage point from what is today the view from the Palazzo
Sernagiotto, Guardi illustrates iconic landmarks of the Venetian
landscape including the Palazzo Civran, the Fondaco dei Tedeschi, long
famous for its murals by Giorgione and Titian, the Palazzo dei
Camerlenghi, the Fruit Market and the supremely elegant Rialto Bridge
itself, built in 1588–91 to the design of Antonio da Ponte.
This was the spectacular scene that would have greeted tourists in the eighteenth century as they entered Venice from the south. Through his flickering delicacy of touch and masterful suffusing of colour, Guardi creates an expression of atmosphere like no other view painter of his time.
This was the spectacular scene that would have greeted tourists in the eighteenth century as they entered Venice from the south. Through his flickering delicacy of touch and masterful suffusing of colour, Guardi creates an expression of atmosphere like no other view painter of his time.
The
painting has a remarkable provenance having been offered for sale only
once before. It was acquired in 1768 by Chaloner Arcedeckne (circa
1743–1804) during his Grand Tour and remained in the family until 1891.
It was then sold privately via Christie’s, along with its pendant, for
£3,850, to the great collector Sir Edward Cecil Guinness, 1st Bt., later
1st Lord, and 1st Earl of Iveagh (1847–1927), in whose family it has
since remained.
The painting also has a rich exhibition history and featured most recently at the Canaletto and his Rivals exhibition
at the National Gallery, London, and the National Gallery of Art,
Washington in 2010-11. Guardi’s impressionistic views of Venice, bathed
in atmospheric luminosity, anticipate the work of many of the most
important painters of the nineteenth and twentieth centuries who worked
in the city such as Joseph Mallord William Turner and Claude Monet.
Highlights from Lady Spencer’s collection of French 18th century Old Master paintings
Leading this group is a scene by Claude Joseph Vernet of A Mediterranean sea-port with fishermen unloading cargo (estimate: £300,000-500,000).
A further highlight is Jean-Honoré Fragonard’s bozzetto, The goddess Aurora triumphs over night, announcing Apollo in his chariot, while Morpheus sleeps (estimate: £150,000-200,000).
Highlights from Lady Spencer’s collection of French 18th century Old Master paintings
Leading this group is a scene by Claude Joseph Vernet of A Mediterranean sea-port with fishermen unloading cargo (estimate: £300,000-500,000).
A further highlight is Jean-Honoré Fragonard’s bozzetto, The goddess Aurora triumphs over night, announcing Apollo in his chariot, while Morpheus sleeps (estimate: £150,000-200,000).
