Crocker Art Museum
January 27, 2019 — April 07, 2019
Jacob Lawrence, The Studio, 1996. Lithograph on paper, 30 x 22 1/8 in. © 2019 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York.
Jacob
Lawrence, Forward Together, 1997. Silkscreen on paper, 25 1/2 x 40 1/8
in. © 2019 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle /
Artists Rights Society (ARS), New York. This exhibition provides an overview of influential American artist
Jacob Lawrence (1917-2000). Lawrence was primarily concerned with the
narration of African American experiences and histories. His acute
observations of community life, work, struggle and emancipation during
his lifetime were rendered alongside vividly imagined chronicles of the
past. The past and present in his work are intrinsically linked,
providing insight into the social, economic and political realities that
continue to impact and shape contemporary society today.
Featuring more than 90 works produced between 1963 and 2000, the exhibition focuses on his graphic work and explores three major themes of his printmaking oeuvre. Lawrence’s recording and recollection of African-American and larger African diasporic histories are featured, as well as his vivid observations of dynamic city life in Harlem, New York City. Works in the exhibition include significant complete print portfolios, such as the “Toussaint L’Ouverture” series, as well as “The Legend of John Brown” series, amongst others.
History, Labor, Life: The Prints of Jacob Lawrence is curated by Storm Janse van Rensburg, SCAD head curator of exhibitions. The exhibition is organized by the SCAD Museum of Art and is made possible with support from the Jacob and Gwendolyn Lawrence Foundation.
Also see
http://arthistorynewsreport.blogspot.com/2018/09/history-labor-life-prints-of-jacob.html
Jacob Lawrence, The Builders (Family), silkscreen on paper, 34” x 25.75”, 1974. © 2018 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
Featuring more than 90 works produced between 1963 and 2000, the exhibition focuses on his graphic work and explores three major themes of his printmaking oeuvre. Lawrence’s recording and recollection of African-American and larger African diasporic histories are featured, as well as his vivid observations of dynamic city life in Harlem, New York City. Works in the exhibition include significant complete print portfolios, such as the “Toussaint L’Ouverture” series, as well as “The Legend of John Brown” series, amongst others.
History, Labor, Life: The Prints of Jacob Lawrence is curated by Storm Janse van Rensburg, SCAD head curator of exhibitions. The exhibition is organized by the SCAD Museum of Art and is made possible with support from the Jacob and Gwendolyn Lawrence Foundation.
Also see
http://arthistorynewsreport.blogspot.com/2018/09/history-labor-life-prints-of-jacob.html